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Creators Title Comments & References Year Source Page AA Categories
Edward Marlo Cull Palm Replacement r.h. cop
 		1956
Action Palm
26
Edward Marlo Pressure Fan Palm and application as a color change
 		1956
Action Palm
27
Edward Marlo Pressure Fan Palm as Color Change
1956
Action Palm
28
Edward Marlo One Hand Palm as Action Palm during an Overhand Shuffle or Dovetail Shuffle
Related to 1956
Action Palm
29
Edward Marlo Take Techniques for Action Palm Overhand Shuffle Cover, two Methods
 		1956
Action Palm
31
Edward Marlo Square Up Drop Palm two Cards to Pocket
 		1956
Action Palm
33
Edward Marlo Double Action Palms both hands
Also published here 1956
Action Palm
34
Edward Marlo Drop Cut Palm Triple Cut Cover
 		1956
Action Palm
34
Edward Marlo The Table Edge Palm special small packet handling
 		1956
Action Palm
35
Edward Marlo Pivot Bottom Steal small packet handling
 		1956
Action Palm
36
Edward Marlo Brush Palm small packet palm handling
 		1956
Action Palm
38
Edward Marlo Bits of Misdirection for a variety of different Palming Techniques
 		1956
Action Palm
39
Edward Marlo Bits of Misdirection - For Bottom Palm
1956
Action Palm
40
Edward Marlo Bits of Misdirection various bits
 		1956
Action Palm
40
Edward Marlo The Drop Cover
1956
Action Palm
41
Edward Marlo The Wrist Turn
1956
Action Palm
42
Edward Marlo Delayed One Hand Palm
Related to 1956
Action Palm
43
Edward Marlo Palm Replacements Basic Replacement Move
 		1956
Action Palm
44
Edward Marlo The Rise and Riffle
1956
Action Palm
45
Edward Marlo The Turn Over
1956
Action Palm
45
Edward Marlo The Square Up
1956
Action Palm
46
Edward Marlo The Top Card Return
1956
Action Palm
46
Edward Marlo The Turn and Gesture
1956
Action Palm
46
Edward Marlo After the Cut
1956
Action Palm
47
Edward Marlo The Delayed Replacement
1956
Action Palm
48
Edward Marlo The Shuffle Replacement
1956
Action Palm
48
Edward Marlo Revolving Replacement
1956
Action Palm
49
Edward Marlo Holding Out tips
 		1956
Action Palm
50
Edward Marlo Easy Palm Transfer right Classic to left Cop Position
 		1956
Action Palm
51
Edward Marlo Card from Pocket ideas/"Search" Technique
Related to 1956
Action Palm
52
Edward Marlo Card from Pocket Ideas different subterfuges
Related toVariationsAlso published here 1956
Action Palm
52
Edward Marlo The Fake Transfer
1956
Action Palm
52
Edward Marlo Finger-Tip Control
Related to 1956
Fingertip Control
3
Edward Marlo Basic Procedure fingertip peek
 		1956
Fingertip Control
3
Edward Marlo First Method forced estimation, fishing
Related toVariations 1956
Fingertip Control
5
Edward Marlo Second Method imperfection, nailnick, edgemark
Related to 1956
Fingertip Control
6
Edward Marlo Third Method corner-short, see note on page 22
 		1956
Fingertip Control
7
Edward Marlo Multiple Card Control Sequence imperfection, nailnick, edgemark
 		1956
Fingertip Control
7
Edward Marlo Third Method corner-short, see note on page 22
 		1956
Fingertip Control
8
Edward Marlo Cover Up Cut
1956
Fingertip Control
8
Edward Marlo Peek Spelling small progressive spelling set-up
Related to 1956
Fingertip Control
8
Edward Marlo Fingertip Peek Force corner short, also multiple cards, see note on page 22
 		1956
Fingertip Control
9
Edward Marlo Fourth Method in-jog
 		1956
Fingertip Control
10
Edward Marlo Double Peek Force fingertip
 		1956
Fingertip Control
12
Edward Marlo Fourth Method - Multiple Control in-jog
 		1956
Fingertip Control
13
Edward Marlo Fifth Method steps in advance
 		1956
Fingertip Control
13
Edward Marlo Fifth Method step in advance
 		1956
Fingertip Control
15
Edward Marlo Sixth Method - Tilt Glimpse glimpsing card
Related toVariations 1956
Fingertip Control
16
Edward Marlo Free Force Principle re-forcing following cards
 		1956
Fingertip Control
17
Edward Marlo Commercial Double Peek Force
1956
Fingertip Control
17
Edward Marlo Free Force multiple card control, re-forcing the break
 		1956
Fingertip Control
17
Edward Marlo Square-Up Glimpse see note on page 22
 		1956
Fingertip Control
18
Edward Marlo Definite Fingertip Control - D.F.C. stepping at selection
Related to 1956
Fingertip Control
19
Edward Marlo Broken Corner corner short substitute, Note 1
 		1956
Fingertip Control
22
Edward Marlo Marlo's Secret Card Add
1956
Pretty Sneaky
17
Edward Marlo X-Deck named card has an X on back
Also published here 1956
The Best in Magic
120
Edward Marlo Real Gone Aces
  • Additional Notes on Real Gone Aces
  • Swindle Aces Ideas
  • For Use in Real Gone Aces (Ace Layout)
 		1956
The New Phoenix (Issue 338)
160
Edward Marlo The Separating Aces four Aces distribute in the deck, three methods, all cards face-down
Variations 1956
The New Phoenix (Issue 338)
162
Edward Marlo The New Elevator progressive rises/penetrations, four methods
Variations 1956
The New Phoenix (Issue 338)
163
Edward Marlo Mislide card switched as it is laid down from in-the-hands spread on table, related to later handlings
 		1956
The New Phoenix (Issue 338)
163
Edward Marlo Small Packet Spread-Cull Displacement
1956
The New Phoenix (Issue 338)
163
Edward Marlo Small Packet Bottom Transfer two small packets, bottom card transferred to other packet with bottom deal type motion
 		1956
The New Phoenix (Issue 338)
165
Edward Marlo Vanishing Aces Theory
Related to 1956
The New Phoenix (Issue 338)
166
Edward Marlo Aces & Deuces Seven Card Assembly
Related to 1956
The New Phoenix (Issue 338)
166
Jose Diaz, Vynn Boyar, Edward Marlo Case Card Again
Inspired by 1956
The New Phoenix (Issue 339)
168
Edward Marlo, Carmen D'Amico Foreword
1956
Classical Foursome
Edward Marlo, Carmen D'Amico A Classical Quickie reversed card in deck changes into selection
  • First Method (saliva)
  • Second Method (sticky or all faced roughed)
  • Third Method (center reverse)
  • Fourth Method (side palm)
  • Fifth Method (hide-out)
  • Sixth Method (faced deck)
  • Seventh Method
Variations 1956
Classical Foursome
1
Edward Marlo, Carmen D'Amico Running Cut Stop Force
1956
Classical Foursome
1
Edward Marlo, Carmen D'Amico Rightning a Reversed Card clean-up, bottom card removed with left hand and quickly turned over to scoop up tabled cards
 		1956
Classical Foursome
2
Edward Marlo, Carmen D'Amico The Open Reverse deck is turned over under top card under guise of looking at top card
 		1956
Classical Foursome
5
Edward Marlo, Carmen D'Amico Eighth Method four cards reversed in deck change into four Aces
  • Ninth Method
  • Tenth Method (all cards roughed on faces)
 		1956
Classical Foursome
7
Edward Marlo, Carmen D'Amico Doubly Ambitious two cards come to top repeatedly, D'Amico Spread application
Variations 1956
Classical Foursome
10
Edward Marlo, Carmen D'Amico Chameleon Queens red Queens change to black and back multiple times (New Tens), transposition finale
 		1956
Classical Foursome
12
Edward Marlo, Carmen D'Amico Double Transpositions
  • The Repeat
  • Straight Presentation
 		1956
Classical Foursome
16
Edward Marlo, Carmen D'Amico Combination of previous Doubly Ambitious and Double Transposition
 		1956
Classical Foursome
18
Edward Marlo Marlo-Curry Change for one or several cards
Also published here
  • The Linking Ring
 1956
Classical Foursome
19
Edward Marlo Marlo Pivot Spread six handlings
  • Triple Pivot Spread (e.g. six as three)
Inspired byVariationsAlso published here 1956
Classical Foursome
22
Edward Marlo The Time Machine three reds and blacks are alternated, Ace of Spades put in center of one half, the other half shuffled upside-down, all things are undone when traveled back in time, writing of time written on a business card vanishes
Variations Sep. 1956
Ibidem (Issue 7)
2
Edward Marlo An Ed Marlo Bibliography
Dec. 1956
Ibidem (Issue 8)
2
Edward Marlo Separating Aces (4th Method) four Aces are placed in the center face-down, deck spread and Aces have distributed in the deck and turned face-up
Inspired by Dec. 1956
Ibidem (Issue 8)
3
Edward Marlo Same Methode, Different Effect Aces removed, they change to Kings, Aces found reversed distributed through deck
 		Dec. 1956
Ibidem (Issue 8)
3
Edward Marlo Repeat Transposition two cards selected, sandwiched Ace of Spades away from deck transposes with the selections one by one, Ace found face up in center after each transposition
  • First Method
  • Second Method
  • Third Method (only one selection and transposition)
  • Fourth Method (using four Aces, no selections)
  • Fifth Method (using four Aces, no selections)
Related to Dec. 1956
Ibidem (Issue 8)
4
Edward Marlo Covered Hit Break right first finger gets break under top cards under cover of spread packet
 		Dec. 1956
Ibidem (Issue 8)
4
Edward Marlo Secret Addition Release during display sequence, the extra cards are dropped
 		Dec. 1956
Ibidem (Issue 8)
4
Edward Marlo The Torn Joker performer wants to find selection but finds Joker twice, then tears it up, Joker is found again and torn pieces of Joker are shown to be selection
Related to Dec. 1956
Ibidem (Issue 8)
8
Edward Marlo Key Card Placement card replaced on lower half, Charlier cut, right hand cards are placed above and below
 		Dec. 1956
Ibidem (Issue 8)
8
Edward Marlo On the Memorized Deck
  • four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, after seeing the faces of the packets for a few seconds, the performer names the cards in all packets leaving the selection to last
  • then any number is named and performer names card at that position and vice versa
  • second deal and poker deal demo if Ireland stack is used
Variations Dec. 1956
Ibidem (Issue 8)
10
Edward Marlo A Miracle with Cards four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, performer looks at each packet and finds the selections, secretly counting the packets, last card from pocket
  • alternative in which the last wrong card changes into selection
Related toVariations Dec. 1956
Ibidem (Issue 8)
11
Edward Marlo For a Single spectator cuts off a packet, remembers the bottom card and shuffles the packet, performer takes packet and finds card, repeats, optional re-stack during location
 		Dec. 1956
Ibidem (Issue 8)
12
Edward Marlo Faro Shuffle as False Shuffle preparing by giving the deck six out-faros before performance
 		Dec. 1956
Ibidem (Issue 8)
13
Edward Marlo New Oil and Water Routine 4&4, fan insertion mix, two black extra cards
 		Dec. 1956
Ibidem (Issue 8)
14
Edward Marlo Oil and Water Climax 4&4, face-up fan mix, two black extra cards
Related to Dec. 1956
Ibidem (Issue 8)
15
Edward Marlo All One Way eight cards mixed face-up/face-down, then all one way again, repeat, two extra cards
  • Notes to All One Way (with roughed deck idea)
Variations Dec. 1956
Ibidem (Issue 8)
17
Edward Marlo Wedge Break Displacement
Related to Dec. 1956
Ibidem (Issue 8)
18
Edward Marlo Table Tap Half Pass Cover
Dec. 1956
Ibidem (Issue 8)
18
Edward Marlo Cased-In Shuffle reds and blacks separated, deck is cased, shuffle mimed, deck is uncased and shown mixed
  • First Method (rough-smooth)
  • Second Method (packet handling)
Related toVariations Dec. 1956
Ibidem (Issue 8)
20
Edward Marlo Solutions to a Problem deck is cut and put face-to-face, number named and card in lower half remembered, card in upper half at same or different number also remembered, the card transpose, Thomas Wright problem
  • Solution No. 1
    • Notes on the Above (half pass suggestion)
  • Solution No. 2 (cards transpose and also turn over)
  • Solution No. 3
  • Solution No. 4
  • Solution No. 5
Variations Dec. 1956
Ibidem (Issue 8)
21
Edward Marlo Notes On The Turnabout Pass cards from the top or center are pulled around the deck reversed to bottom, optional riffle cover
 		Dec. 1956
Ibidem (Issue 8)
26
Edward Marlo Mexican Solitaire shuffled deck, deck dealt into four piles according to rules, one of each value in each pile, memory demonstrations, all four-of-a-kinds together or controlled, can be followed by poker deals:
  • Progressive Poker
    • First Game
    • Three-Handed
    • Four-Handed
    • Five-Handed
    • Second Play of Five-Handed Poker
  • Royal Flush Control
    • Second Royal
    • Third Royal
    • Fourth Royal
    • Alternative Procedure for Four Royals
Variations Dec. 1956
Ibidem (Issue 8)
27
Edward Marlo The Switchless Switch packet switch as cards are taken from the top of the deck one by one and shown, application to E. G. Brown's thought card across problem
Related toVariations 1956
1956 Card Annual
15
Edward Marlo Second Effect Switchless Switch application
 		1956
1956 Card Annual
19
Edward Marlo Third Effect packet of red cards and black cards transpose, Switchless Switch application
 		1956
1956 Card Annual
20
Edward Marlo Additional Technique for the Switchless Switch more open grip
Inspired by 1956
1956 Card Annual
21
Edward Marlo The Side-Steal
1957
Side Steal
1
Edward Marlo Peek Handling
1957
Side Steal
2
Edward Marlo The Technical Steal see Note 4 on p. 58
Variations 1957
Side Steal
2
Edward Marlo The Deliberate Side-Steal see Note 2 on p. 58
Variations 1957
Side Steal
5
Edward Marlo The Curled Forefinger finesse for "The Deliberate Side-Steal"
 		1957
Side Steal
7
Edward Marlo The Bold Steal while showing that selection is not on top or bottom and other handlings, see Note 3 on p. 58
Related to 1957
Side Steal
9
Edward Marlo Bold Steal - Third Handling selection between Aces
 		1957
Side Steal
10
Edward Marlo Bold Steal - Second Handling one to ten
 		1957
Side Steal
10
Edward Marlo The Bold Stop Effect Out for Psychological Stop Trick, three methods
 		1957
Side Steal
12
Edward Marlo The Bottom Bold Steal suitable for stop trick
 		1957
Side Steal
12
Edward Marlo A Slight Difference small packet side steal handling, Pinch Technique
 		1957
Side Steal
13
Edward Marlo Standard Side Steal
1957
Side Steal
14
Edward Marlo Multiple Holdout palming multiple cards from different positions
 		1957
Side Steal
15
Edward Marlo On the Left Side covering the bad angles
 		1957
Side Steal
15
Edward Marlo, Tenkai Ishida Left Hand Side Steal see Note 4 on p.58
Related toVariations 1957
Side Steal
16
Edward Marlo Color Steal
1957
Side Steal
18
Edward Marlo Almost Standard variation on "Color Steal"
 		1957
Side Steal
19
Edward Marlo The Finger Flutter four methods for avoiding the left hand finger flutter
 		1957
Side Steal
21
Edward Marlo The Clip Steal
Related to
  • "An Old Card Effect" (The Magic Wand, Vol. 22 No. 159, Oct/Nov 1933, p. 140)
  • Hatton & Plate
Variations 		1957
Side Steal
22
Edward Marlo Clip Steal to Bottom
Related to 1957
Side Steal
24
Edward Marlo Clip Steal Color Change
Variations 1957
Side Steal
25
Edward Marlo Palm Positions introducing four palming positions
 		1957
Side Steal
27
Edward Marlo Fourth Palm Position called "Marlo Palm", see Note 5 on p. 58
Related to 1957
Side Steal
28
Edward Marlo Side Steal to Bottom six methods
Related to 1957
Side Steal
29
Edward Marlo Side Steal to the Bottom - Fifth Method Tenkai Palm replacement
 		1957
Side Steal
33
Edward Marlo Side Steal to Bottom - Fifth Method
1957
Side Steal
33
Edward Marlo Side Steal to Bottom - Sixth Method
Variations 1957
Side Steal
33
Edward Marlo Multiple Rear Palm Steal bringing bottom block into palm position
Related to 1957
Side Steal
36
Edward Marlo To the Top Tenkai Steals to top, two methods
 		1957
Side Steal
37
Edward Marlo Card from Case
1957
Side Steal
38
Edward Marlo The Stop Effect
1957
Side Steal
39
Edward Marlo The Insertion Steals from center
Variations 1957
Side Steal
40
Edward Marlo Full Left Hand Steal as an Insertion Steal
 		1957
Side Steal
41
Edward Marlo Right Hand Steal as a direct Insertion Steal
 		1957
Side Steal
43
Edward Marlo The Diagonal Steal as a direct Insertion Steal
Related to 1957
Side Steal
45
Edward Marlo Side Steal Cover Ups historic note on Covered Side Steals
 		1957
Side Steal
47
Edward Marlo First Cover Up with cover card
 		1957
Side Steal
48
Edward Marlo Clip Steal Cover Up cover card steal and applications, see Notes 6, 7 on p. 59
 		1957
Side Steal
50
Edward Marlo Between the Aces
1957
Side Steal
51
Edward Marlo Dribble Stop Effect card in clip palm during dribbling
Related toVariations 1957
Side Steal
53
Edward Marlo Card Stab
1957
Side Steal
54
Edward Marlo Clip Palm Ace Cutting
1957
Side Steal
54
Edward Marlo For the Purist spectator stabs
 		1957
Side Steal
56
Edward Marlo Concluding Observations: Note 1 two cards peeked for using Technical Side Steal
 		1957
Side Steal
57
Edward Marlo Note 4 from center
 		1957
Side Steal
58
Edward Marlo Note 9 note on psychology of Side Steal
 		1957
Side Steal
59
Edward Marlo Note 8 - The Dribble Replacement
1957
Side Steal
59
Edward Marlo Note note on approachment of right hand
 		1957
Side Steal
60
Edward Marlo The Tabled Palm
1957
The Tabled Palm
1
Edward Marlo One Hand Table Palm
1957
The Tabled Palm
2
Edward Marlo Tabled Riffle Palm during square up after tabled riffle shuffle, either hand
Also published here 1957
The Tabled Palm
3
Edward Marlo Flat Palm Steal from tabled deck
 		1957
The Tabled Palm
5
Edward Marlo Angle Palm Steal from tabled deck
VariationsAlso published here 1957
The Tabled Palm
6
Edward Marlo Adjustment Misdirection from tabled deck as a card in front of deck is adjusted
Variations 1957
The Tabled Palm
8
Edward Marlo Table Riffle Angle Palm for a certain number of cards
 		1957
The Tabled Palm
9
Edward Marlo Longitudinal Angle Palm from tabled deck after riffle shuffle
 		1957
The Tabled Palm
10
Edward Marlo Ribbon Spread Palm as the spread is adjusted with both hands
 		1957
The Tabled Palm
11
Edward Marlo Travelling Double two cards travel to top of deck
 		1957
The Tabled Palm
12
Edward Marlo Tabled Double Lift using crimped deck
 		1957
The Tabled Palm
13
Edward Marlo Ten and Ten one selected card
 		1957
The Tabled Palm
14
Edward Marlo Tabled Stop Effect using tabled palm
 		1957
The Tabled Palm
15
Edward Marlo Out of Your Hands top card of tabled deck transforms
 		1957
The Tabled Palm
16
Edward Marlo As a Control to apparently cut top card into center yet retain it under control, using tabled Tenkai Palm
 		1957
The Tabled Palm
17
Edward Marlo Angle Palm Replacement to tabled deck
 		1957
The Tabled Palm
18
Edward Marlo Card to Top on tabled deck, using tabled palm
 		1957
The Tabled Palm
19
Edward Marlo Sell or Delusion
Inspired by 1957
The Tabled Palm
19
Edward Marlo, Ernando Veneri Veneri Turn Variant bluff method for "card at any number"
 		1957
The Tabled Palm
20
Edward Marlo Face Up Elimination selection appears as last card in face up eliminiation process, even though it was not there
 		1957
The Tabled Palm
21
Edward Marlo Rise-Rise-Rise card from center rises to top visible, tabled, two methods (Tenkai and Flat Palm)
Variations 1957
The Tabled Palm
23
Edward Marlo Angle Palm Transfer from right Tenkai Palm to left Rear Palm
 		1957
The Tabled Palm
26
Edward Marlo Flat Palm to Tenkai Palm one-handed adjustment
 		1957
The Tabled Palm
26
Edward Marlo Tip Up Angle Palm multiple cards, in the hands, to right hand
Variations 1957
The Tabled Palm
26
Edward Marlo Full Buckle Palm one-handed bottom palm of a single card
Related to 1957
The Tabled Palm
28
Edward Marlo, S. W. Erdnase Modified Erdnase Bottom Deal Grip for bottom palm application
 		1957
The Tabled Palm
28
Edward Marlo Center Block Palm cards are spreaded face-up, right hand
Related to 1957
The Tabled Palm
29
Edward Marlo Direct Rear Palm as top card is placed openly to bottom
Related to 1957
The Tabled Palm
31
Edward Marlo Vanish from Packet vanishing a card from a packet of five, "Red and Blue Effect"
 		1957
The Tabled Palm
32
Edward Marlo Card to Pocket Direct Rear Palm application
 		1957
The Tabled Palm
32
Edward Marlo Direct Rear Palm - Multiple Cards
1957
The Tabled Palm
32
Edward Marlo Ten Cards to Pocket Finale handling for the end
 		1957
The Tabled Palm
33
Edward Marlo Direct Full Palm as card is placed openly to bottom
Related to 1957
The Tabled Palm
33
Edward Marlo The Card Transfer for application ideas see also page 37
Variations 1957
The Tabled Palm
34
Edward Marlo Classic Palm Replacement to Tabled Deck
1957
The Tabled Palm
35
Edward Marlo The Lost Card sucker presentation, using The Card Transfer
 		1957
The Tabled Palm
36
Edward Marlo Addition to Tabled Packet
1957
The Tabled Palm
37
Edward Marlo The Card Transfer - Variation
1957
The Tabled Palm
37
Edward Marlo The Card Transfer for Ace Cutting only idea mentioned
 		1957
The Tabled Palm
37
Edward Marlo The Card Transfer with a Definite Number of Cards crimp
 		1957
The Tabled Palm
38
Edward Marlo Paper and Coin multi phase routine
Related toVariations 1957
Coining Magic
3
Edward Marlo The Dealer's Pitch
1957
Coining Magic
6
Edward Marlo The Spider Vanish
Variations 1957
Coining Magic
8
Edward Marlo Further Ideas on the Paperfold ideas "Flip Move Coin Fold", complete vanish ideas
 		1957
Coining Magic
10
Edward Marlo The Spectator Wraps it Up
1957
Coining Magic
11
Edward Marlo Shrinkage in paper fold
 		1957
Coining Magic
12
Edward Marlo Copper-Silver Paper only two coins
 		1957
Coining Magic
14
Edward Marlo Solid-Soft-Solid-Gone coin folded in paper is bent
 		1957
Coining Magic
16
Edward Marlo Hand Penetration wrapped in paper
 		1957
Coining Magic
17
Edward Marlo A New Method of Handling the Flip Move
1957
Coining Magic
18
Edward Marlo Sans Dupliate coin through paper and card case
 		1957
Coining Magic
19
Edward Marlo Flutterless
1957
Coining Magic
21
Edward Marlo Unprepared
1957
Coining Magic
22
Edward Marlo Ed Marlo's Personal Routine with various paper fold effects
 		1957
Coining Magic
23
Edward Marlo S.O.C. half dollar and three copper coins, transposition, coins to box, coins through card case, see also page 40
Related toVariations 1957
Coining Magic
24
Edward Marlo Coin Box Load
1957
Coining Magic
27
Edward Marlo Technique for Visible Coin Change
1957
Coining Magic
31
Edward Marlo The 1050 Transposition coin in paper transposes with coin in hand
 		1957
Coining Magic
32
Edward Marlo Impromptu S.O.C. Routine no copper/silver coin
Related to 1957
Coining Magic
33
Edward Marlo Marlo One Hand Turnover
1957
Coining Magic
37
Edward Marlo Coin Box Turnover
1957
Coining Magic
38
Edward Marlo Concluding Observations
1957
Coining Magic
40
Edward Marlo Six Card Repeat Climax
July 1957
The New Phoenix (Issue 346)
209
Edward Marlo Latest Oil and Water 4&4, no extra cards
  • First Phase
  • Second Phase
  • Third Phase
  • Fourth Phase
 		Mar. 1957
Ibidem (Issue 9)
13
Edward Marlo Swindle Aces Display four cards shown one by one and tabled, one shown twice and one hidden
Related to Mar. 1957
Ibidem (Issue 9)
13
Edward Marlo Miracle Transposition card on top of packet transposes with card on table, using Miracle Change No. 1
 		Mar. 1957
Ibidem (Issue 9)
24
Edward Marlo Red Black Locations two-card location with divided deck, faro
  • Second Phase (red-black-alternating)
  • Third Phase (red-black-alternating in pairs)
  • Fourth Phase (divided deck)
Variations June 1957
Ibidem (Issue 10)
3
Edward Marlo Cull Separation Shuffle deck alternates in pairs, after overhand shuffle sequence the colors are separated
 		June 1957
Ibidem (Issue 10)
5
Edward Marlo Double Buckle Vanish card vanishes from packet
  • With all Five Cards Face Down
  • With all Cards Face Down
  • With all Cards Face Up
  • To Show all Cards and Reverse the Selection During the Process
  • Devilish Miracle Handling
  • The Triple Buckle Vanish
 		June 1957
Ibidem (Issue 10)
15
Edward Marlo Skipping Elevator with Ace through Four, two ahead
 		June 1957
Ibidem (Issue 10)
19
Edward Marlo 3 Mental Effects intro
 		Sep. 1957
Ibidem (Issue 11)
8
Edward Marlo New Tail of the Q
  • #1 of "3 Mental Effects"
back-count force with Q-shaped layout, two cards and a number are divined
Related to Sep. 1957
Ibidem (Issue 11)
8
Edward Marlo Telephone Test
  • #2 of "3 Mental Effects"
over telephone or from another room, spectator deals cards one at a time and calls them out and thinks of one of them, performer divines it, repeat with two cards (one thought of, another selection placed besides it, then the order called out), optional ideas for further phase
VariationsAlso published here Sep. 1957
Ibidem (Issue 11)
10
Edward Marlo Majority Fishing
Sep. 1957
Ibidem (Issue 11)
10
Edward Marlo Mental and Physical
  • #3 of "3 Mental Effects"
card thought of, another selection placed next to it, both found
  • Additional Ideas for Mental and Physical Choice
    • 1. Force
    • 2. Marked Deck
    • 3. Stacked deck
    • 4. One way deck on faces
Inspired byRelated to Sep. 1957
Ibidem (Issue 11)
11
Edward Marlo Hummer-Marlo packet mixed with cato procedure by spectator under table, one card remembered, performer sorts all except selection, faro
Related to Dec. 1957
Ibidem (Issue 12)
2
Edward Marlo The Backward Faro out-jogging every other card, with some properties, also for setting up for a "false" shuffle
Related toVariations Dec. 1957
Ibidem (Issue 12)
4
Edward Marlo The Faro Calculator getting into stack with faros, reverse-principle
Also published here Dec. 1957
Ibidem (Issue 12)
5
Edward Marlo Marlo's Hofzinser two duplicates, presentation with three glasses (placing block as one card in a glass)
 		1957
1957 Card Annual
26
Edward Marlo Shuffle Stop Force spectator stops during overhand shuffle, timing
 		1957
1957 Card Annual
26
Edward Marlo Block Handling block of four cards is removed from glass as one card and turned over
 		1957
1957 Card Annual
28
Edward Marlo Additional Climax to Marlo's Hofzinser after the three cards changed to the selection, they change into Aces, four-of-a-kind matching the selection is produced from pocket paper-clipped together
 		1957
1957 Card Annual
29
Edward Marlo The Buckle Break multiple cards
Related to 1957
1957 Card Annual
31
Edward Marlo Marlo Bottom Count cards spring off right thumb via buckling with diagonal pressure at upper left corner
 		1957
1957 Card Annual
31
Edward Marlo The Faro Shuffle
1958
The Faro Shuffle
1
Edward Marlo The First Technique detailed description
 		1958
The Faro Shuffle
1
Edward Marlo First Variation
1958
The Faro Shuffle
6
Edward Marlo Faro Aids
  • The Rock and Reweave
  • Fan Spread and Weave
  • Resquaring the Packets (three methods)
  • Cutting at 26
 		1958
The Faro Shuffle
7
Edward Marlo, Alex Elmsley 26th Card Faro Check for credit information see reference
Related to 1958
The Faro Shuffle
11
Edward Marlo The 4th Finger Table tip
 		1958
The Faro Shuffle
12
Edward Marlo Faro Riffle Shuffle
1958
The Faro Shuffle
13
Edward Marlo Variations in Technique on the Faro Riffle Shuffle five variations
 		1958
The Faro Shuffle
16
Edward Marlo In the Hands table faro done without table
 		1958
The Faro Shuffle
19
Edward Marlo The Butt Faro
1958
The Faro Shuffle
21
Edward Marlo Partial Faro Check to get several packets with the same number of cards
 		1958
The Faro Shuffle
22
Edward Marlo Throw-Off Faro - Top if only the top portion is important
Related to 1958
The Faro Shuffle
24
Edward Marlo Cover-Up Slip Cut
1958
The Faro Shuffle
24
Edward Marlo Throw-Off Faro - Bottom if only the bottom portion is important
 		1958
The Faro Shuffle
25
Edward Marlo Above Crimp Faro
1958
The Faro Shuffle
26
Edward Marlo Off Center Faro
  • Another Application of the Off Center Shuffle
  • Left Over Faro
  • Using the Faro Riffle Faro (Table Faro) for Throw Off
  • Off Center and Above Crimp Faros
 		1958
The Faro Shuffle
26
Edward Marlo Half and Half Shuffle basically the stay stack principle applied to two cards
 		1958
The Faro Shuffle
29
Edward Marlo "Half Plus One" bringing a key card next to a certain card with faro shuffle
 		1958
The Faro Shuffle
30
Edward Marlo Combining Riffle Shuffles & Faros for stacking cards, examples are ten hands and seven (!) hands
 		1958
The Faro Shuffle
31
Edward Marlo Reverse or Backward Faro out-jogging every other card
Related to 1958
The Faro Shuffle
33
Edward Marlo Observations faro as a false shuffle and other comments
 		1958
The Faro Shuffle
34
Edward Marlo On Discrepancies correcting slight mistakes
 		1958
The Faro Shuffle
35
Edward Marlo Faro Notes
1958
Faro Notes
1
Edward Marlo Faro as a Control how to control a card at known position to top with faro shuffles, with subsections:
  • Less Than 52
  • With Two Cards
  • For 2 Cards at Undetermined Positions
Inspired by 1958
Faro Notes
2
Edward Marlo A Correction commentary on ECT tables, see also new hardcover edition for further commentary
Inspired by 1958
Faro Notes
8
Edward Marlo Odd Faro how to cut the deck like in an odd-numbered deck when having an even number of cards
 		1958
Faro Notes
9
Edward Marlo The Faro Calculator getting into stack with faros, reverse-principle
Also published here 1958
Faro Notes
10
Edward Marlo The Chain Calculator how to calculate position of any card after faro shuffles, memorized deck
Related to 1958
Faro Notes
12
Edward Marlo The Left Over Faro Shuffle partial faro as an ace multiple control
 		1958
Faro Notes
14
Edward Marlo Shuffling the Aces after every (in-)shuffle, an Ace is on top
Variations 1958
Faro Notes
16
Edward Marlo Placement Shuffle placing Aces thirteen cards apart, with stacking application
 		1958
Faro Notes
18
Edward Marlo Control of the Aces four card control using faro shuffles, different versions
 		1958
Faro Notes
19
Edward Marlo An Out Shuffle Effect using faro shuffles
Related to 1958
Faro Notes
21
Edward Marlo Progressive Miracle repeated multiple times
Inspired byVariations 1958
Faro Notes
22
Edward Marlo New Deck P.M. version from new deck order
Inspired byVariations 1958
Faro Notes
27
Edward Marlo 76-76-67-67 no selection, using faro shuffle, with variation that ends in red-black separated deck
Related toVariations 1958
Faro Notes
29
Edward Marlo The Memorized Stack a memorized stack from NPO, but only with jokers (as "keys") and faros
 		1958
Faro Notes
31
Edward Marlo Fingertip Miracle three selections, memorized deck, improvisation
Variations 1958
Faro Notes
33
Edward Marlo Full Deck - Five Faros returning 52 cards to their original order after only five faro shuffles
 		1958
Faro Notes
34
Edward Marlo The Reverse or Backward Faro
1958
Faro Notes
36
Edward Marlo A False Shuffle Combination combining faros with partial faros
 		1958
Faro Notes
37
Edward Marlo The Wrong Hand player receives Aces, performer straight flush
 		1958
Faro Notes
38
Edward Marlo It's Mathematical stay stack principle applied to memorized deck, two effects
Related to 1958
Faro Notes
40
Edward Marlo Alternative Procedures stay stack principle applied to memorized deck, see previous item
 		1958
Faro Notes
43
Edward Marlo Two Disclosures
  • 1) another card is selected, its value used to count to selection
  • 2) stop effect
 		1958
Faro Notes
45
Edward Marlo Automatic Placement with several applications following
Related toVariations 1958
Faro Notes
47
Edward Marlo Variants on Automatic Placement
1958
Faro Notes
48
Edward Marlo Faro Foolers: First Fooler as many cards as one likes, automatic placement
 		1958
Faro Notes
49
Edward Marlo Second Fooler with two selections in two halves of one deck, automatic placement
 		1958
Faro Notes
50
Edward Marlo Third Fooler two cards, faro and automatic placement
 		1958
Faro Notes
51
Edward Marlo "Shuffle around Selections" no. 7
 		1958
Faro Notes
51
Edward Marlo Fourth Fooler two cards selected, a card turns face-up between selections, see also page 55 for two further notes
Variations 1958
Faro Notes
52
Edward Marlo Fifth Fooler twenty-sixth card is forced with procedure similar to automatic placement
 		1958
Faro Notes
52
Edward Marlo, Warren Wiersbe Sixth Fooler
Inspired by 1958
Faro Notes
53
Edward Marlo Seventh Fooler two cards
 		1958
Faro Notes
54
Edward Marlo Variation on Automatic Placement two variations
 		1958
Faro Notes
55
Edward Marlo Faro Fooler #8 using natural estimation
Related to 1958
Faro Notes
56
Edward Marlo Automatic Cut Principle left thumb pulls down on left side
 		1958
Faro Notes
57
Edward Marlo Uses of Partial Faro Check - Faro Fooler #9 face-up card is sandwiched by two selections, or used to count to them
 		1958
Faro Notes
57
Edward Marlo Faro Fooler #10 three cards
 		1958
Faro Notes
60
Edward Marlo Exact Placement placing top card into position indicated by value of bottom card, left over bottom faro
 		1958
Faro Notes
61
Edward Marlo Faro Fooler #11 Exact Placement, two selections are found at thought of number, with three variations
 		1958
Faro Notes
62
Edward Marlo Faro Fooler #12 two separated face up cards come together to sandwich selection
Variations 1958
Faro Notes
65
Edward Marlo Instant 26th Location getting a selection to top with faro, crimp, twenty-sixth faro check and half plus one principle
 		1958
Faro Notes
66
Edward Marlo The 17th Location two cards
 		1958
Faro Notes
67
Edward Marlo The 13th Location three selections
 		1958
Faro Notes
68
Edward Marlo Wrong to Right two wrong cards are changed into selections
 		1958
Faro Notes
69
Edward Marlo Magical Seven selection reversed in face-up portion travels down into lower face-down portion into seventh position, several repeats
  • Phase One
  • Phase Two
  • Phase Three
  • Phase Four
  • Phase Five
Related toVariations 1958
The Magic Seven
2
Edward Marlo Cut Reverse a bit similar to Braue
 		1958
The Magic Seven
3
Edward Marlo Picking up a Break by moving hand down instead of cards up
 		1958
The Magic Seven
5
Edward Marlo Table Edge Break Concealment to conceal break when held with right thumb in end grip
 		1958
The Magic Seven
13
Edward Marlo Block Turnover seven as one
 		1958
The Magic Seven
18
Edward Marlo Opening Phase after spectator shuffles, a Seven is at seventh position, three methods
 		1958
The Magic Seven
21
Edward Marlo The Climax Phase production of the four Sevens
 		1958
The Magic Seven
22
Edward Marlo Mental Disclosure
  • First Method (one of ten memorized cards thought of, fishing and showing piles and asking whether the card is among them)
  • Second Method (shuffled, one of nine, asking whether the card is among them)
 		Mar. 1958
Ibidem (Issue 13)
6
Edward Marlo Thoughts on Piano on the piano card trick
  • First Method (two roughed pairs)
  • Second Method
  • Third Method
 		Sep. 1958
Ibidem (Issue 14)
2
Edward Marlo Ladies Looking Glass Application
Dec. 1958
Ibidem (Issue 15)
1
Edward Marlo Quick 3-Way three-alike display
Related toVariationsAlso published here Dec. 1958
Ibidem (Issue 15)
2
Edward Marlo In Lieu of the Hindoo Shuffle all alike display for deck
  • First Method (sequence of under-cuts and shows)
  • Second Method (swing cuts in the hands)
  • Third Method (swing cuts onto the table)
  • Fourth Method (packets cut from top to bottom with pull-down of bottom card)
  • Fifth Method (deck face up, packets dropped onto table face down with slip cut action)
  • Sixth Method (deck face up, slip cuts with face towards performer)
Related to Dec. 1958
Ibidem (Issue 15)
3
Edward Marlo Mini-Classic (1st method) selection lost, it is shown on top, bottom and reversed in center, the three cards are shown as all alike, card then taken from pocket, deck shown as all selection
 		Dec. 1958
Ibidem (Issue 15)
5
Edward Marlo Mini-Classic (2nd method) three cards change into selection, then selection taken from pocket, card then taken from pocket, deck shown as all selection
Related to Dec. 1958
Ibidem (Issue 15)
6
Edward Marlo A Sixy Effect three cards change into selection (a Six), then selection taken from pocket, card then taken from pocket, deck shown as all selection, all four Sixes produced from pocket, puns in the patter
Related toVariations Dec. 1958
Ibidem (Issue 15)
7
Edward Marlo A Variation to a Sixy Effect variation of the ending with a pocket transfer sequence, passing a Nine as a Six
Inspired byRelated to Dec. 1958
Ibidem (Issue 15)
8
Edward Marlo Buffalo'd transposition with bluff display
Variations Dec. 1958
Ibidem (Issue 15)
9
Edward Marlo Jack and Ace Transposition two extra phases after Dai Vernon's "The Jumping Jack", clean-up with pocket phase
Inspired by Dec. 1958
Ibidem (Issue 15)
10
Edward Marlo Oil & Water - Water & Oil - Oil & Water intro
 		Dec. 1958
Ibidem (Issue 15)
12
Edward Marlo First Routine: Using 3 jacks and 3 tens 3&3, extra card, three phases
Variations Dec. 1958
Ibidem (Issue 15)
12
Edward Marlo The Second B and R Routine 3&3, from the backs, three phases
 		Dec. 1958
Ibidem (Issue 15)
14
Edward Marlo Sleightless Sleight oil & water fan with 3&3 is separated in display gesture, two cards switched/displaced
 		Dec. 1958
Ibidem (Issue 15)
15
Edward Marlo All Face Up Oil and Water Routine 3&3, also suggestion of using three cards face up and three face down
 		Dec. 1958
Ibidem (Issue 15)
16
Edward Marlo Add Note to P. M. handling with stay stack
Inspired by Dec. 1958
Ibidem (Issue 15)
17
Edward Marlo Progressive Miracle using the Half & Half Principle memorized deck as stay stack with calculations, Marlo calls "Stay Stack Principle" the "Half & Half Principle"
Inspired by Dec. 1958
Ibidem (Issue 15)
18
Edward Marlo To Tell the Truth deck faro shuffled, then one half placed face up and one face down on the table, face-up cards key the performer so he can name the face-down ones one by one, memorized deck as stay stack
 		Dec. 1958
Ibidem (Issue 15)
18
Edward Marlo Calculating Removed Card from memorized deck, card removed and eight faros shuffled in total
Related to Dec. 1958
Ibidem (Issue 15)
19
Edward Marlo Foreword
1959
Seconds, Centers, Bottoms
1
, Edward Marlo Unorthodox Second Deal top card is buckled, also as third deal by Marlo
Related toVariations 1959
Seconds, Centers, Bottoms
2
Edward Marlo "Seconds, Centers, Bottoms" introduction
 		1959
Seconds, Centers, Bottoms
5
Edward Marlo The Master Grip and Deal normal deal
 		1959
Seconds, Centers, Bottoms
7
Edward Marlo New Push Out Bottom Deal Unit Movement
 		1959
Seconds, Centers, Bottoms
9
Edward Marlo Double Deal
1959
Seconds, Centers, Bottoms
11
Edward Marlo The Over Count selection found at a freely chosen number
Related to 1959
Seconds, Centers, Bottoms
11
Edward Marlo The Bottom Deal Count rearranging cards while counting them in the hands via bottom deals
 		1959
Seconds, Centers, Bottoms
12
Edward Marlo Strike Bottom Deal
1959
Seconds, Centers, Bottoms
14
Edward Marlo Strike Bottom Deal Count rearranging cards while counting them in the hands via bottom deals
 		1959
Seconds, Centers, Bottoms
15
Edward Marlo The Second Deal
1959
Seconds, Centers, Bottoms
16
Edward Marlo The Take Second Deal
1959
Seconds, Centers, Bottoms
16
Edward Marlo The Push-Off Second with suggestion to push off two cards every time
 		1959
Seconds, Centers, Bottoms
17
Edward Marlo The Stud Deal introduction
 		1959
Seconds, Centers, Bottoms
19
Edward Marlo The Havana Deal or "The Myth of Manuel Pedro" commentary on the Havana Stud Bottom Deal, no technical description
 		1959
Seconds, Centers, Bottoms
20
Edward Marlo The New Bottom Stud
Also published here 1959
Seconds, Centers, Bottoms
21
Edward Marlo The Stud Second
1959
Seconds, Centers, Bottoms
22
Edward Marlo The Push-Off Stud
1959
Seconds, Centers, Bottoms
24
Edward Marlo One Hand Bottom Deal
1959
Seconds, Centers, Bottoms
26
Edward Marlo One Hand Count Down selection appears at named small number, bottom deal
 		1959
Seconds, Centers, Bottoms
27
Edward Marlo Shifting the Grip A- Shifting The Inner Corner
B- The Shifting Forefinger
C- Shifting The Thumb
D- Beveling the Pack
 		1959
Seconds, Centers, Bottoms
28
Edward Marlo Two Strike Methods
1959
Seconds, Centers, Bottoms
31
Edward Marlo Special Push-Off Techniques: The Second Deal Count
1959
Seconds, Centers, Bottoms
34
Edward Marlo Small Packet Second Deal
1959
Seconds, Centers, Bottoms
37
Edward Marlo Push-Off Technique from break
 		1959
Seconds, Centers, Bottoms
37
Edward Marlo First Example packet is spread out and cards are hidden, triple buckle substitute
 		1959
Seconds, Centers, Bottoms
38
Edward Marlo Second Example in example: twelve as nine
 		1959
Seconds, Centers, Bottoms
39
Edward Marlo Third Example a card vanishes from a small packet
 		1959
Seconds, Centers, Bottoms
40
Edward Marlo Fourth Example spreading five as four
 		1959
Seconds, Centers, Bottoms
40
S. W. Erdnase, Edward Marlo The Side Push-Off Second
Related to 1959
Seconds, Centers, Bottoms
41
Edward Marlo The Related Bottom Deal
1959
Seconds, Centers, Bottoms
44
Edward Marlo The Throw Bottom Deal two versions:
  • The Outward Deal
  • The Inward Deal
Related toVariationsAlso published here 1959
Seconds, Centers, Bottoms
45
Edward Marlo My Favorite Stop Effect from a routine called "Never Miss"
 		1959
Seconds, Centers, Bottoms
49
Edward Marlo The Deep Bottom Deal
1959
Seconds, Centers, Bottoms
50
Edward Marlo The Moveable Thumb applied to the bottom deal
Variations 1959
Seconds, Centers, Bottoms
51
Edward Marlo, Neal Elias The Clip Bottom Deal cards are dealt into right hand, then apparently top card of right hand cards is placed on table, in reality bottom card
 		1959
Seconds, Centers, Bottoms
51
Edward Marlo The Deep Second
1959
Seconds, Centers, Bottoms
56
Edward Marlo One Hand Stud Second new theory style
 		1959
Seconds, Centers, Bottoms
57
Edward Marlo The Hit Deals two handlings
Variations 1959
Seconds, Centers, Bottoms
60
Edward Marlo From Out of Nowhere D'Amico's one-handed second deal as a production
 		1959
Seconds, Centers, Bottoms
67
Edward Marlo Variations of D'Amico's Deal: The Top Card Deal
1959
Seconds, Centers, Bottoms
70
Edward Marlo One Hand Bottom Deal Variations of D'Amico's Deal
 		1959
Seconds, Centers, Bottoms
70
Edward Marlo The One Hand Center Deal Variations of D'Amico's Deal
 		1959
Seconds, Centers, Bottoms
71
Edward Marlo Marlo One Hand Second
1959
Seconds, Centers, Bottoms
72
Carmen D'Amico, Edward Marlo B. As a Production of Selection appears on top of deck
 		1959
Seconds, Centers, Bottoms
75
Edward Marlo D. As Ambitious
1959
Seconds, Centers, Bottoms
75
Edward Marlo E. As a Vanish substitute for tent vanish
 		1959
Seconds, Centers, Bottoms
76
Edward Marlo, Carmen D'Amico G. Marlo's Routine card through leg, multiple phases
 		1959
Seconds, Centers, Bottoms
76
Edward Marlo The S.F. Bottom Deal variation of deal in "Sharps and Flats"
Also published here 1959
Seconds, Centers, Bottoms
79
Edward Marlo The S.F. Second Deals two methods
Also published here 1959
Seconds, Centers, Bottoms
80
Edward Marlo S.F. Natural Second Deal
Also published here 1959
Seconds, Centers, Bottoms
82
Edward Marlo Marlo's D.D. Stop using double deal
 		1959
Seconds, Centers, Bottoms
83
Edward Marlo M.S.F. One Hand Bottom Modified S.F. Grip
 		1959
Seconds, Centers, Bottoms
84
Edward Marlo Missing Finger Deals finger(s) are curled under deck
Also published here 1959
Seconds, Centers, Bottoms
85
Edward Marlo, Jerry Kogan Streamlined Dunbury Delusion using bottom deal
 		1959
Seconds, Centers, Bottoms
86
Edward Marlo Off the Face Seconds a bit similar to the Downs Change
 		1959
Seconds, Centers, Bottoms
88
Edward Marlo Pinky Count here credited to Marlo
Related to 1959
Seconds, Centers, Bottoms
88
Edward Marlo Mechanical Seconds effect application: Aces change to Kings
Related toVariationsAlso published here 1959
Seconds, Centers, Bottoms
90
Edward Marlo Technical Variations of Marlo's "Mechanical Seconds" described before, two variations
 		1959
Seconds, Centers, Bottoms
91
Edward Marlo Tabled Bottom Deal two methods
 		1959
Seconds, Centers, Bottoms
93
Edward Marlo Tabled Seconds
Related to 1959
Seconds, Centers, Bottoms
94
Edward Marlo Exhibition Center Deal similarities to Kennedy Center Deal
 		1959
Seconds, Centers, Bottoms
96
Edward Marlo Center Deal center deals worked out after seeing Zingone exhibition movie
 		1959
Seconds, Centers, Bottoms
96
Edward Marlo Step Center Deal
1959
Seconds, Centers, Bottoms
98
Edward Marlo Weakling's Center Deal if hand is not strong enough to buckle half the deck
 		1959
Seconds, Centers, Bottoms
100
Edward Marlo The Strike Center
1959
Seconds, Centers, Bottoms
101
Edward Marlo Side Steal Center Deal take from above
 		1959
Seconds, Centers, Bottoms
102
Edward Marlo On The Cut retaining step after cut, End Jog and Side Jog
 		1959
Seconds, Centers, Bottoms
103
Edward Marlo The Experts Dunbury "My Favorite Center Deal Effect"
 		1959
Seconds, Centers, Bottoms
104
Edward Marlo The Tabled Center Deal
1959
Seconds, Centers, Bottoms
106
Edward Marlo Center Dealing Comments thumb must be moving
 		1959
Seconds, Centers, Bottoms
107
Edward Marlo Center Double Deal short mention, from Erdnase grip
 		1959
Seconds, Centers, Bottoms
107
Edward Marlo Marlo Center Deal from step
 		1959
Seconds, Centers, Bottoms
108
Edward Marlo Variations of Marlo C.D. from step, two variations
 		1959
Seconds, Centers, Bottoms
109
Edward Marlo One Hand Center Deal stud type
 		1959
Seconds, Centers, Bottoms
110
Edward Marlo Marlo's Push Off Unit Control
1959
Seconds, Centers, Bottoms
111
Edward Marlo Face Up Assembly spectator shuffles cards into deck, yet they are all together again
 		1959
Seconds, Centers, Bottoms
114
Edward Marlo Order of Aces magician predicts order of aces in freely shuffled deck
 		1959
Seconds, Centers, Bottoms
115
Edward Marlo The Jack Deal three Jack deal without extra Jack
 		1959
Seconds, Centers, Bottoms
116
Edward Marlo Let's Start Over aces are stacked with faro and four hands are dealt, yet aces are on top again
 		1959
Seconds, Centers, Bottoms
116
Edward Marlo "He's My Partner" dealing four aces to partner after deck is shuffled
 		1959
Seconds, Centers, Bottoms
117
Edward Marlo On "Holding Out" tips
 		1959
Seconds, Centers, Bottoms
117
Edward Marlo Exhibitionism openly dealing thirds and fourths
 		1959
Seconds, Centers, Bottoms
118
Edward Marlo Invisible Aces aces from deck to pocket
 		1959
Seconds, Centers, Bottoms
118
Edward Marlo Easy Unit Control
1959
Seconds, Centers, Bottoms
120
Edward Marlo The Fan Deal to enable one to deal out any card from a fan unit consisting of five or more cards
 		1959
Seconds, Centers, Bottoms
122
Edward Marlo The No Touch Theory three methods
Related toVariations 1959
Seconds, Centers, Bottoms
124
Edward Marlo No Touch Stud Deal
1959
Seconds, Centers, Bottoms
128
Edward Marlo Marlo's Strike Unit Control
Variations 1959
Seconds, Centers, Bottoms
129
Edward Marlo Cover Ups more visual deceptiveness for false dealing with:
  • The Downward Deal
  • The Upward Deal
  • The Backward Deal
  • Principle of the Wrist Turn
  • About Noise
 		1959
Seconds, Centers, Bottoms
131
Edward Marlo Concluding Observations
1959
Seconds, Centers, Bottoms
135
Edward Marlo The Opening Gambit stacking a hand while dealing through the deck
Related to 1959
Seconds, Centers, Bottoms
136
Edward Marlo A. Psychological Stop Effect starts seventh
 		1959
Seconds, Centers, Bottoms
137
Edward Marlo B. As an Exchange second deal
 		1959
Seconds, Centers, Bottoms
137
Edward Marlo C. Spelling out an Unknown Card second deal
 		1959
Seconds, Centers, Bottoms
137
Edward Marlo Foreword
1959
Riffle Shuffle Systems
Edward Marlo Riffle Shuffle Systems commentary on fair riffle shuffle and methods in Erdnase
 		1959
Riffle Shuffle Systems
1
Edward Marlo, S. W. Erdnase Handling Of False Cuts And Blinds
Inspired by 1959
Riffle Shuffle Systems
2
Edward Marlo Closed Shuffle
1959
Riffle Shuffle Systems
10
Edward Marlo The Open Shuffle
1959
Riffle Shuffle Systems
18
Edward Marlo The Strip Out Shuffle
Related to 1959
Riffle Shuffle Systems
19
Edward Marlo The Strip Out and Double Cut
1959
Riffle Shuffle Systems
20
Edward Marlo Block Strip Out with Upper Cut
1959
Riffle Shuffle Systems
22
Edward Marlo Delayed Strip Out Shuffle
1959
Riffle Shuffle Systems
24
Edward Marlo Block Strip Out with Triple Cut
Related toAlso published here 1959
Riffle Shuffle Systems
27
Edward Marlo Top Block Transfer (and Strip Out Shuffle)
Variations 1959
Riffle Shuffle Systems
30
Edward Marlo To Transpose with Top Block Transfer and Strip Out to transpose top four cards with four cards underneath
 		1959
Riffle Shuffle Systems
36
Edward Marlo Impromptu Power two selections, performer makes two piles and selections are at same position in each pile
 		1959
Riffle Shuffle Systems
37
Edward Marlo Top Block Control using block transfer strip-out
 		1959
Riffle Shuffle Systems
38
Edward Marlo Stacking the Last Card avoiding mixing cards into already stacked portion
 		1959
Riffle Shuffle Systems
39
Edward Marlo Block Transfer correct fingering for Strip Out Shuffle Block Transfer
 		1959
Riffle Shuffle Systems
40
Edward Marlo The Block Slip Cut No. 1 after riffle shuffle
 		1959
Riffle Shuffle Systems
41
Edward Marlo Block Slip Cut No. 2 after riffle shuffle
 		1959
Riffle Shuffle Systems
43
Edward Marlo The Block Center Cut transfering a block from center
 		1959
Riffle Shuffle Systems
44
Edward Marlo Top Block Shuffle and Straight Cut riffle and cut, top stock control
 		1959
Riffle Shuffle Systems
45
Edward Marlo To Get Cards to the Bottom from top to bottom with riffle shuffle
 		1959
Riffle Shuffle Systems
46
Edward Marlo To Bring Bottom Cards to the Top with riffle shuffle
 		1959
Riffle Shuffle Systems
48
Edward Marlo The Partial Strip Out to Keep the Top Stock
1959
Riffle Shuffle Systems
50
Edward Marlo To Keep the Bottom Stock partial strip out shuffle
Also published here 1959
Riffle Shuffle Systems
51
Edward Marlo No Breaks scratch edge marked key card
 		1959
Riffle Shuffle Systems
52
Edward Marlo N.B. for the Top Stock "No Breaks", using scratch edge marked key card
 		1959
Riffle Shuffle Systems
53
Edward Marlo N.B. for the Bottom Stock "No Breaks", using scratch edge marked key card
 		1959
Riffle Shuffle Systems
56
Edward Marlo The Four Ace Cull using scratch edge marked Aces
 		1959
Riffle Shuffle Systems
59
Edward Marlo Combination Cull and Stack using scratch edge marked Aces
 		1959
Riffle Shuffle Systems
62
Edward Marlo The Crimp Cull riffle shuffle cull, four Aces are corner crimped
Variations 1959
Riffle Shuffle Systems
66
Edward Marlo Putting in the Work corner crimping aces
 		1959
Riffle Shuffle Systems
70
Edward Marlo Marlo's Roman Shuffle
Also published here 1959
Riffle Shuffle Systems
72
Edward Marlo Strip Out After Spectator's Shuffle spectator shuffles himself
 		1959
Riffle Shuffle Systems
76
Edward Marlo Fake Push Thru Shuffle really strip out type
 		1959
Riffle Shuffle Systems
77
Edward Marlo New Push Thru Shuffle two methods of handling
 		1959
Riffle Shuffle Systems
82
Edward Marlo If I Were a Card Cheat how to present riffle stacking to audiences
 		1959
Riffle Shuffle Systems
85
Edward Marlo Standard Type Riffle Shuffle Stack
1959
Riffle Shuffle Systems
85
Edward Marlo One Side Riffle Stack
1959
Riffle Shuffle Systems
88
Edward Marlo One Riffle Shuffle Stacks - For Two Cards featuring Block Set Up principle
Variations 1959
Riffle Shuffle Systems
91
Edward Marlo One Riffle Three Card Stack
1959
Riffle Shuffle Systems
93
Edward Marlo Four with One Shuffle
Related to 1959
Riffle Shuffle Systems
94
Edward Marlo Combination Stacks - Four Card Combination combining riffle stacking with false deals
 		1959
Riffle Shuffle Systems
95
Edward Marlo Fast Three Card Stack
1959
Riffle Shuffle Systems
97
Edward Marlo Fast Four Card Stack - Five Hands
1959
Riffle Shuffle Systems
97
Edward Marlo Two and Two Combination stacking two cards each shuffle
 		1959
Riffle Shuffle Systems
98
Edward Marlo Build Up Stacks - Stacking Two Sets of Three stacking more than one good hand
 		1959
Riffle Shuffle Systems
100
Edward Marlo Combination Stack with Bottom Deal stacking two three of a kinds
 		1959
Riffle Shuffle Systems
101
Edward Marlo Stacking Three Sets stacking three three of a kinds
 		1959
Riffle Shuffle Systems
102
Edward Marlo The Four Play Hands stacking four three of a kinds
 		1959
Riffle Shuffle Systems
104
Edward Marlo Four Play Combination stacking four three of a kinds
 		1959
Riffle Shuffle Systems
105
Edward Marlo Faro Plus Seconds - Stud riffle and overhand combination
 		1959
Riffle Shuffle Systems
108
Edward Marlo Key Card System pseudo stacking, actually key cards next to aces, face up deal and second deal
 		1959
Riffle Shuffle Systems
111
Edward Marlo Cutting Aces to Top of Four Packets
1959
Riffle Shuffle Systems
114
Edward Marlo Right and Left Block Transfer
1959
Riffle Shuffle Systems
116
Edward Marlo Rearranging Aces to Five Order using block transfer shuffles
 		1959
Riffle Shuffle Systems
119
Edward Marlo Combination Cull and Stack
1959
Riffle Shuffle Systems
122
Edward Marlo The Block Transfer Applied with Zarrow Shuffle
 		1959
Riffle Shuffle Systems
128
Edward Marlo Foreword
1959
Marlo Meets His Match
3
Edward Marlo Matcho - Method I two decks, two spectators make a selection each, one only thought of
 		1959
Marlo Meets His Match
5
Edward Marlo Matcho - Method II two cards only thought of, see also page 9 for Variation
 		1959
Marlo Meets His Match
6
Edward Marlo Overlap Switch two overlapping cards are turned over
 		1959
Marlo Meets His Match
6
Edward Marlo Matcho - Method III two cards counted to are predicted by performer
 		1959
Marlo Meets His Match
7
Edward Marlo Matcho - Method IV two cards counted to are predicted, alternating set-up
 		1959
Marlo Meets His Match
8
Edward Marlo Matcho - Method V peeked at and thought of card found
 		1959
Marlo Meets His Match
9
Edward Marlo Matcho - Method VI two cards counted to predicted
 		1959
Marlo Meets His Match
9
Edward Marlo Tray Turn Switch as you turn tray with two glasses around
 		1959
Marlo Meets His Match
10
Edward Marlo, Paul Curry Marlo-Curry Change Variation
1959
Marlo Meets His Match
11
Edward Marlo Double Thought - Single Deck two cards thought of found, one ahead
  • Stooge Version
  • The Exchange Version
  • The Key Card Version
  • Memory Version
Related toAlso published here 1959
Marlo Meets His Match
12
Edward Marlo Red and Blue - Spectator Coincidence card thought of and touched in other deck, match, two decks
Variations 1959
Marlo Meets His Match
15
Edward Marlo Double Coincidence two cards chosen by performer and spectator turn out to be aces
 		1959
Marlo Meets His Match
16
Edward Marlo Matcho - Method VII two cards cut to predicted by performer
 		1959
Marlo Meets His Match
18
Edward Marlo Matcho - Method VIII two cards cut to predicted/matched by performer with other deck
 		1959
Marlo Meets His Match
20
Edward Marlo Matcho - Method IX two cards cut to predicted by performer
 		1959
Marlo Meets His Match
21
Edward Marlo Double Thought and Two Billets
Related to 1959
Marlo Meets His Match
22
Edward Marlo Gaffed Method for "Double Thought", roughed Mene-Tekel Deck, two methods
Variations 1959
Marlo Meets His Match
24
Edward Marlo Marked Matcho two decks
Related to 1959
Marlo Meets His Match
27
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