6,133 entries found for the above search.

Creators Title Comments & References Year Source Page AA Categories
Edward Marlo Unmarked Matcho two decks
1959 28
Edward Marlo Memory Matcho two decks, one stacked
Variations 1959 29
Edward Marlo The Fake Change card added to tabled card(s) as it is turned over
1959 31
Al Leech, Edward Marlo Again, The Elevator
1959 22
Edward Marlo Tabled Bottom Placement tabled Kelly / Ovette move, with additional ideas
Also published here 1959
Ireland's Yearbooks (Issue Yearbook 1959)
48
Edward Marlo Stay-Stack Miracle freely cut-to card is divined, repeated, off-colored stay stack
Also published here Jan. 1959
The Cardiste (Issue 12)
7
Edward Marlo Stay-Stack Prediction forcing a number with stay stack
  • With Two Decks
Also published here Jan. 1959
The Cardiste (Issue 12)
8
Edward Marlo X Pack unknown card is marked with X on back, spectator selects it from face
Also published here 1959
Hokus Pokus (Vol. 20 No. 2)
807
Edward Marlo, Neal Elias, Bert Fenn Observation Test see also p. 1 for notes on presentation
Variations Mar. 1959
Ibidem (Issue 16)
5
Edward Marlo The 8 Card Wonder: Effect #1 "Discovery of two freely chosen cards", two cards chosen with down-under deal from an eight-card packet
Mar. 1959
Ibidem (Issue 16)
14
Edward Marlo The 8 Card Wonder: Effect #2 "Performer apparently finds four selected cards. Shows an idea in Re-Forcing", down-under deal with an eight-card packet
Mar. 1959
Ibidem (Issue 16)
14
Edward Marlo The 8 Card Wonder: Effect #3 "As a double prediction effect.", down-under deal with an eight-card packet
Mar. 1959
Ibidem (Issue 16)
15
Edward Marlo The 8 Card Wonder: Effect #4 "A two deck effect of a Do As I Do nature.", down-under deal with an eight-card packet
Mar. 1959
Ibidem (Issue 16)
15
Edward Marlo The 8 Card Wonder: Effect #5 down-under deal double force with a nine-card packet
Mar. 1959
Ibidem (Issue 16)
16
Edward Marlo Ten-Card Packet Triple Force down-under deal
Mar. 1959
Ibidem (Issue 16)
17
Edward Marlo Reverse Faro Terminology
Mar. 1959
Ibidem (Issue 16)
17
Edward Marlo World's Best? spectator's chosen card ends up next to thought-of card, same card is reversed in a second deck
  • alternative method with memorized deck
July 1959
Ibidem (Issue 17)
9
Edward Marlo Technical Variation of the Henry Christ Force cards turned over one by one and placed onto deck in out-jogged condition, three handling variations
  • Number 1
  • Number 2
  • Number 3
Inspired byVariations July 1959
Ibidem (Issue 17)
9
Edward Marlo Duts presentation for Kings and Aces transposition
Related to July 1959
Ibidem (Issue 17)
13
Edward Marlo The Worm Turns telling number directly in Einstein trick
Related to July 1959
Ibidem (Issue 17)
13
Edward Marlo Heat Crimp leaving a card in the heat so it warps
July 1959
Ibidem (Issue 17)
21
Edward Marlo Oil & Water Climaxes 4&4, reds and blacks instantly alternate, credit information
  • First Method
  • Second Method
  • Third Method
  • Fourth Method
  • Fifth Method
Oct. 1959
Ibidem (Issue 18)
11
Edward Marlo Bottom Deal Count Credit Information
Oct. 1959
Ibidem (Issue 18)
11
Edward Marlo Small Packet Displacement
Also published here Oct. 1959
Ibidem (Issue 18)
12
Edward Marlo M.S. Two Hand Loading Move displacements with buckling, see page 13 for credit information
Oct. 1959
Ibidem (Issue 18)
14
Edward Marlo Using the Glide for Oil and Water credit information
Oct. 1959
Ibidem (Issue 18)
16
Edward Marlo Double Deal Count in-the-hands
Oct. 1959
Ibidem (Issue 18)
16
Edward Marlo For The Magic Seven "The In Between Phase" (should be done between phases four and five of original routine)
selection reversed in face-up portion travels down into lower face-down portion into seventh position
Inspired by Oct. 1959
Ibidem (Issue 18)
21
Edward Marlo Spread Cull Placement from near top to specific position in lower half
Oct. 1959
Ibidem (Issue 18)
21
Edward Marlo Business Card Prediction two cards predicted on business card which is inserted into deck, cards on either side are the predicted ones, duplicate business move, without prophecy move
Inspired by Oct. 1959
Ibidem (Issue 18)
32
Edward Marlo A Rough Prediction Open Prediction methods using a roughed forcing deck, performer deals
  • First Presentation (spectator stops as performer deals)
  • Second Presentation (spectator thinks of a number and then stops dealing at the number, "Did you think of number x?")
  • Third Presentation (spectator thinks of one of the indifferent cards, predicted card is next to it)
  • Fourth Presentation (two cards end up in the same position in two halves)
  • Fifth Presentation (prediction card made with another deck)
Dec. 1959
Ibidem (Issue 19)
2
Edward Marlo Premonition Not card vanishes from deck and is reproduced from pocket, using deck of double facers with same card on each back (à la Hofzinser), spectator deals through double-faced deck, title taken from reprint
  • First Method (named card vanishes)
  • Second Method (touched card vanishes)
  • Third Method (touched card vanishes, using only a bank of double facers)
  • Fourth Method (named card which is marked and replaced vanishes)
Variations Dec. 1959
Ibidem (Issue 19)
4
Edward Marlo Flexible Move whole deck turned over under cover card, one-handed
Also published here
  • The Gen, Feb. 1959
Dec. 1959
Ibidem (Issue 19)
6
Edward Marlo Atomic Deck Card Vanish peeked card vanishes, using the Atomic Deck (mis-indexed double facer deck)
Related to
  • Joe Berg's Atomic Deck
Dec. 1959
Ibidem (Issue 19)
7
Edward Marlo Roughed Mene-Tekel Coincidence card thought of in blue deck matches card chosen from red deck
Related to Dec. 1959
Ibidem (Issue 19)
8
Edward Marlo R.R.B.M.T. "Roughed Red/Blue Mene Tekel"
card named from deck, an odd-backed prediction is produced from pocket, card case or wallet (or elsewhere)
Variations Dec. 1959
Ibidem (Issue 19)
9
Edward Marlo Timing Pocket Load inside pocket opened so spectator can reach in and remove card, card secretly thumbed into it before that
Dec. 1959
Ibidem (Issue 19)
10
Edward Marlo Card from Case with dummy card glued in, as prediction, see step 11
Dec. 1959
Ibidem (Issue 19)
10
Edward Marlo R.R.B.M.T. Handling with Wallet & Coins card chosen from deck, spectator covers any coin with it, an odd-backed prediction is produced from wallet and coin is predicted on rolled-up cigarette paper
Inspired by Dec. 1959
Ibidem (Issue 19)
11
Edward Marlo Vanishing Card Deck touched card vanishes, spectator counts through deck, it is found in pocket, using a bank of nine double facers
Inspired by Dec. 1959
Ibidem (Issue 19)
12
Edward Marlo Easy Vanishing Card fifty-one cards roughed on faces, one card on back
Also published here Dec. 1959
Ibidem (Issue 19)
15
Edward Marlo The Named Transposition named card travels from one deck to another, roughed deck, and roughed red/blue menetekel
Also published here Dec. 1959
Ibidem (Issue 19)
16
Edward Marlo The Named Reverse named card removed from blue deck, same card then shown reversed in red deck, roughed red/blue menetekel
Also published here Dec. 1959
Ibidem (Issue 19)
16
Edward Marlo The Illogical Routine Aces are stacked with faros multiple times, but each time come out in an unexpected hand for an unexpected number of players, Aces vanish as finale
Dec. 1959
Ibidem (Issue 19)
18
Edward Marlo Technicolor Thought named card is only odd-backed card, it is shown to have transposed with the duplicate in a deck with another back color, roughed red/blue menetekel
Dec. 1959
Ibidem (Issue 19)
20
Edward Marlo A Monte Vanish during a Three Card Monte the money card vanishes and appears in pocket, it then transposes with one of the other cards
Dec. 1959
Ibidem (Issue 19)
21
Edward Marlo The Returning Jack four Aces and a black Jack, tabled cards change to red Kings then, with fake index cards, see also p. 44 for handling detail on count
  • Added Kicker (color changing backs kicker)
Dec. 1959
Ibidem (Issue 19)
23
Edward Marlo The Three Roughskeeters three roughed cards
Inspired by Dec. 1959
Ibidem (Issue 19)
25
Edward Marlo Double Out Presentation any card named, it is either odd-backed or missing à la premonition, using Ed Marlo's marketed Phantom Deck
Related toVariations Dec. 1959
Ibidem (Issue 19)
27
Edward Marlo Rough/Smooth Memorized Deck pairs, deck can be shuffled, any removed card can be identified by other card of the pair, also as set-up for brainwave deck
Dec. 1959
Ibidem (Issue 19)
28
Edward Marlo Vanishing Thought spectator names a card he sees, it vanishes
Dec. 1959
Ibidem (Issue 19)
28
Edward Marlo Paging a Stranger red and blue deck, any card named, it is removed from one deck, when other deck is counted that card is seen missing and the removed card has a different back
Inspired byRelated to
  • "Stranger in Paradise" (Peter Warlock, marketed 1955)
Also published here
Dec. 1959
Ibidem (Issue 19)
29
Edward Marlo Double Out named card is either missing or odd-backed
Related toAlso published here Dec. 1959
Ibidem (Issue 19)
30
Edward Marlo New Touch Predictions using a deck with the same card on all the backs
Dec. 1959
Ibidem (Issue 19)
32
Edward Marlo Double Touch Prediction handling with two prediction, using Joe Berg's Atomic Deck (mis-indexed double facer deck)
Dec. 1959
Ibidem (Issue 19)
32
Edward Marlo Svengali's Double Prediction two predictions written on faces of two cards match selections
Variations Dec. 1959
Ibidem (Issue 19)
33
Edward Marlo Double Impromptu Touch two predictions written on faces of two cards match selections
Inspired by Dec. 1959
Ibidem (Issue 19)
34
Edward Marlo Roughly a New Approach intro on ideas with pairs of rough/smooth cards to form impromptu double facers or backers
Dec. 1959
Ibidem (Issue 19)
35
Edward Marlo Two Card Monte DeLand's Two Card Monte with pairs of roughed cards
Dec. 1959
Ibidem (Issue 19)
35
Edward Marlo The New Touch Predictions rough/smooth methods for Touch
  • 1st Method (red/blue roughed deck)
  • 2nd Method (one back color)
  • 3rd Method (Ultramental deck)
Dec. 1959
Ibidem (Issue 19)
36
Edward Marlo The Spectator Coincidence physical selection matches mental (named from face-up spread) selection, using "Double Face Mente Tekel in red and blue cards", suggesting an SBS deck as well in intro
Inspired byVariations Dec. 1959
Ibidem (Issue 19)
38
Edward Marlo Tis Rough on Hofzinser
Variations Dec. 1959
Ibidem (Issue 19)
40
Edward Marlo The Rough Magician vs the Gambler
Dec. 1959
Ibidem (Issue 19)
42
Edward Marlo Rough Handling
  • handling for a rough-smooth deck, overhand shuffling, also by spectator (Hull), description by Bill Simon, regular sleight demonstrations as throw-offs
  • handling of rough-smooth pairs
Dec. 1959
Ibidem (Issue 19)
43
Edward Marlo Roughed False Dealing Demonstration fifth dealing with roughed Aces, also suggestion of using a paper clip
Dec. 1959
Ibidem (Issue 19)
43
Edward Marlo Rough Markers roughed pairs, bottom cards are marked, divining removed cards by reading marks on bottom card of pair
Dec. 1959
Ibidem (Issue 19)
44
Edward Marlo Type of Prediction odd-backed prediction in pocket, using "Double Face Mente Tekel in red and blue cards"
Inspired by Dec. 1959
Ibidem (Issue 19)
45
Edward Marlo Roughed Pair Flourish roughed pair is pivoted between fingers
Dec. 1959
Ibidem (Issue 19)
46
Edward Marlo Roughed Pair Key Card
Dec. 1959
Ibidem (Issue 19)
46
Edward Marlo 2nd Roughed Hofzinser - No duplicates version
Inspired by Dec. 1959
Ibidem (Issue 19)
46
Edward Marlo Edward Marlo and ESP Marlo on ESP effects, section intro
  • Foreword
1960 15
Edward Marlo Blank Card Prediction prediction written on blank card matches ESP card taken from spread
  • Method No. 1
  • Method No. 2
  • Variation on the above in case a blank card is not available (also for Open Prediction)
  • Method No. 3 (also for Open Prediction)
  • Method No. 4
  • Variation in case repeat is to be done
1960 15
Edward Marlo Variation of Handling Line Up Move plus a method of unloading to clean up
1960 20
Edward Marlo Mental Reselection spectator thinks of an ESP symbol, then he choses one and it matches
  • Method 1
  • Second Method
1960 21
Edward Marlo Under Cover Mentalism five ESP cards placed under a handkerchief, one symbol thought of, performer removes one and pockets it, four under handkerchief shown to be not the thought-of one which is removed from pocket
  • First Method
  • Second Method
1960 22
Edward Marlo Behind, Under or Above one of five ESP cards thought of, performer removes one and tables it, it is shown to be the selection
  • First Method
  • Second Method
Variations 1960 25
Edward Marlo Card Man's Mentalism Ace through Five (or more) are shown, one thought of, performer removes one and tables it, it is shown to be the selection
Inspired byRelated to 1960 27
Edward Marlo The Miracle Spread deck spread on table, spectator inserts indicator card into spread next to selection or force card, card secretly moved underneath spread
  • First Method (card culled to under spread on table with help of crimp)
  • Second Method (card starts on bottom)
Related toVariationsAlso published here May 1960
Ibidem (Issue 20)
2
Edward Marlo Next To It deck spread on table, spectator inserts indicator card into spread next to selection, different handling for Miracle Spread starting with side-jogged card near top
Inspired by May 1960
Ibidem (Issue 20)
5
Edward Marlo The Basic Idea different ways to get into position for Miracle Spread, starting in-the-hands spread and culling card (multiple methods), then tabling the deck and completing the spread
Variations May 1960
Ibidem (Issue 20)
7
Edward Marlo Variation of MS Deck Move culling method for a single card, no buckling as in M.S. Move
Related to
  • "The M.S. Deck" (Ed Marlo, marketed 1954)
May 1960
Ibidem (Issue 20)
8
Edward Marlo Spectator Location spectator inserts card reversed in his own hands, it is next to previous selection
May 1960
Ibidem (Issue 20)
9
Edward Marlo Move C. C. method to reverse cull bottom card in which deck starts in right-hand dealing position, see also p. 8
Inspired by May 1960
Ibidem (Issue 20)
10
Edward Marlo Basic Move Application deck spread on table, spectator inserts indicator card into spread next to selection
Inspired by May 1960
Ibidem (Issue 20)
10
Edward Marlo Open Spread Prediction deck spread on table, card openly predicted by writing it on another card, spectator inserts card in spread next to predicted card
Variations May 1960
Ibidem (Issue 20)
11
Edward Marlo Spread Bottom Steal reverse cull with straddle grip
May 1960
Ibidem (Issue 20)
11
Edward Marlo Open Dual Prediction handling with two cards
Inspired by May 1960
Ibidem (Issue 20)
13
Edward Marlo Dual Coincidence indicator card pushed into tabled-spread deck, the cards on both sides match two cards from another deck
May 1960
Ibidem (Issue 20)
14
Edward Marlo Related Quadruplets performer removes unknown four-of-a-kind from blue-backed deck, spectator removes any quartet from a red deck, they match
Inspired byRelated to May 1960
Ibidem (Issue 20)
15
Edward Marlo Veeser Concept
May 1960
Ibidem (Issue 20)
15
Edward Marlo Stay-Stack Miracle freely cut-to card is divined, repeated, off-colored stay stack
Also published here May 1960
Ibidem (Issue 20)
31
Edward Marlo Stay-Stack Prediction forcing a number with stay stack
  • With Two Decks
Also published here May 1960
Ibidem (Issue 20)
33
Edward Marlo Holograph deck cut into two piles, spectator looks at top cards, top cards are tabled, both transform and are brought from the pocket, with challenge presentation in which spectator must point to originally seen cards
  • 1st Variation
  • 2nd Variation
  • An Original Method
  • Other Thoughts
  • A New Thought
  • Addenda re 3H idea
Inspired by June 1960
Ibidem (Issue 21)
7
Edward Marlo Another Tip-Over Switch flipped-over card secretly picked up, Reverse Drop Sleight
Related to June 1960
Ibidem (Issue 21)
7
Edward Marlo Diminishing Lift Switch switching sequence with consecutively smaller multiple lifts on top of the deck, see following pages for more applications
Related toVariations June 1960
Ibidem (Issue 21)
8
Edward Marlo Addenda re Diminishing Lift Switch Observation Test handling with Diminishing Lift Switch
Inspired by June 1960
Ibidem (Issue 21)
10
Edward Marlo Ace Cutting Follow Up cutting to three Aces, then to a six-spot which is used to count to the last Ace, then a switch and all Aces come to top
June 1960
Ibidem (Issue 21)
32
P. Howard Lyons (reviewer) Seconds, Centers, Bottoms by Edward Marlo June 1960
Ibidem (Issue 21)
34
Edward Marlo Rub Away Spots Four of Clubs to Three to Two to Ace, then optionally blank
  • First Method
  • Second Method
Variations Oct. 1960
Ibidem (Issue 22)
2
Edward Marlo Bottop Change brief
Oct. 1960
Ibidem (Issue 22)
3
Edward Marlo Double Hit Top Change single card placed on deck, double turned over, then second card extracted instead of top card
Related toAlso published here Oct. 1960
Ibidem (Issue 22)
4
Edward Marlo Impromptu 1493-1495 four Aces are numbered with an invisible marker on top of the deck and change one at a time into Kings
  • First Method (1493)
  • Second Method (1494)
  • Third Method (1495)
Inspired by
  • "1492 Ace Effect" (Art Johnston, November 1955)
Related to
Oct. 1960
Ibidem (Issue 22)
6
Edward Marlo Tabling a Double Card nail presses onto card, step 6
Oct. 1960
Ibidem (Issue 22)
6
Edward Marlo Diminishing Lift Sequence in third method, faced set-up on top
Related toVariations Oct. 1960
Ibidem (Issue 22)
8
Edward Marlo Rub Away Spots (3rd Method) Four of Clubs to Three to Two to Ace, diminishing lift method
Inspired by Oct. 1960
Ibidem (Issue 22)
9
Edward Marlo Double Thought Coincidence performer removes two red-backed cards, spectator removes two from a blue-backed deck, they match
Related to Oct. 1960
Ibidem (Issue 22)
11
Edward Marlo The Multiple Shift credit information
1961 1
Edward Marlo The Spade Multiple Shift bevel, single cut, with two variations
Inspired by 1961 2
Edward Marlo For One Card card is inserted, but jog retained
Variations 1961 8
Edward Marlo Marlo's All Around Square Up - The Movable Jog including some jog variations
Variations 1961 11
Edward Marlo Single Cut Side Shift
1961 15
Edward Marlo Technical Variation of Single Side Cut Shift
1961 17
Edward Marlo Single Cut Swivel Shift
Variations 1961 19
Edward Marlo The Moveable Block Shift
Variations 1961 19
Edward Marlo, "Senator" Clarke Crandall The Strip-Out Shift
Related toVariations 1961 22
Edward Marlo The Push-Thru Shift
Variations 1961 23
Edward Marlo The Shuffle Shift overhand shuffle
1961 25
Edward Marlo, Arthur H. Buckley Shuffle Shift and Palm Off overhand shuffle multiple shift with palm off
Variations 1961 27
Edward Marlo The Faro Shuffle Shift bringing cards together with faro shuffle
1961 28
Edward Marlo Estimation Faro bringing cards together with faro shuffle, not 100%
1961 30
Edward Marlo Marlo's Subtle Shift two methods, placing cards in same place one by one with jog or estimation
Related to 1961 33
Edward Marlo Estimation Placement left thumb breaks deck at estimated place
1961 34
Edward Marlo The Most Flexible Shift: Simple Shift with additional notes and the following subsections:
  • The Crimped Ace
  • To Get All Four Aces to Top
  • To Get Three Aces to Top and One on Bottom
  • To Get Two Aces to Top and Two to Bottom
  • To Get Three Aces to Bottom and One on Top
  • To Place All Four Aces at a Certain Number from the Top or Bottom
  • To Get a Center Stock of Cards to Top or Bottom
Related to 1961 35
Edward Marlo Aces and Numbers Aces are found at numbers designated by apparently random playing cards
Variations 1961 38
Edward Marlo To Use in a Mental Effect how to control the block of which a card is thought of
1961 40
Edward Marlo Simple Shift - Undercut Variation
1961 41
Edward Marlo The Immovable Multiple Shifts: To the Bottom - Delayed Type straddle
  • Second Variation
Related toVariations 1961 42
Edward Marlo, Jerry Andrus To the Top - Deck Face Down similar to Panoramic Shift
Related toVariations 1961 44
Edward Marlo, Jerry Andrus Marlo Sleeve Technique from center
1961 46
Edward Marlo The Block Shift to Top
1961 48
Edward Marlo New Jogging Action
1961 48
Edward Marlo Block Shift Variations two variations, for single card or multiple cards
1961 52
Edward Marlo Concluding Observations
1961 53
Edward Marlo The Injog Glimpse also multiple cards
1961 56
Edward Marlo Marlo's Turnaround Glimpse all-around square up glimpse
VariationsAlso published here 1961 56
Edward Marlo Marlo's Side Squaring Glimpse glimpsing palmed card
1961 57
Edward Marlo Marlo's Acrobatic Aces four aces travel to top repeatedly, then to pocket
1961 57
Edward Marlo Card Switches definition of terms "Change", "Switch", "Exchange"
1961 1
Edward Marlo Changing Palm Positions one-handed transitions mainly between Gambler's Flat Palm and Tenkai type palm:
  • Rear Angle Palm to Flat Rear Palm
  • Flat Rear Palm to Rear Angle Palm
1961 3
Edward Marlo Flat Card Pickup palming a single card off a flat table
1961 4
Edward Marlo, Getting into the Palm Positions from deck, ten methods: Rear Angle Palm (Tenkai type) & Rear Flat Palm (Gambler's Flat Palm)
Variations 1961 6
Edward Marlo Methods of Unloading the X Card after the Switch: The Flexible Unload from right hand flat palm to under tabled deck, with applications
Variations 1961 9
Edward Marlo Double Undercut Substitute from top to bottom, tabled, context (point 2.)
1961 11
Edward Marlo Card travels to bottom tabled, context (point 3.)
1961 11
Edward Marlo The Card Switch Transfer rear angle palm (= tenkai palm) to flat palm
1961 11
Edward Marlo An Impressive Sequence single card is switched for palmed card
1961 12
Edward Marlo Clip Palm between second and third finger, off the deck
1961 12
Edward Marlo Alignment Move aligning tabled card with card in clip palm
1961 13
Edward Marlo Miracle Card Change variation
1961 14
Edward Marlo Left Hand Flat Palm Replacement
1961 15
Edward Marlo Clip Palm Notes palm off and replacement, between second and third finger
1961 15
Edward Marlo A Simpler Sequence single card is switched for palmed card
1961 16
Edward Marlo Right Tenkai Palm Off from deck
1961 16
Edward Marlo Tenkai Palm Replacement and Palm Off from Bottom
1961 17
Edward Marlo A Third Sequence single card is switched for palmed card
1961 17
Edward Marlo Gambler's Cop Replacement as deck is picked up off table, similar to spontaneous add-on
1961 18
Edward Marlo Further Alignment Move Switches aligning tabled card with card in Tenkai palm
1961 18
Edward Marlo First Switch single card is switched for palmed card
1961 20
Edward Marlo Variations of the First Switch three variations
1961 21
Edward Marlo Lateral Palm in the context of a move, see fig. 49
1961 21
Edward Marlo Marlo's Card Switch isolated card(s) are switched for palmed card(s)
Variations 1961 24
Edward Marlo Notes on the Flat Palm Position
1961 24
Edward Marlo Additional Methods for Getting into Basic Position of Rear Flat Palm required for the Marlo Card Switch five methods, from deck and from left hand palm
1961 26
Edward Marlo Methods of Disclosure:
The Delayed Disclosure
The Indirect Disclosure
The Direct Disclosure
handlings and stagings of the previous Marlo Card Switch
1961 27
Edward Marlo First Effect card selected from blue deck matched red prediction
1961 28
Edward Marlo Second Effect clean handling
1961 29
Edward Marlo Marlo's Push Switch as tabled card is pushed forward
Variations 1961 30
Edward Marlo Push Switch Variation as tabled card is pushed forward
1961 32
Edward Marlo, Carmen D'Amico The Circular Change as hand is waved over single tabled card
VariationsAlso published here 1961 33
Edward Marlo Rub-A-Dub Change motivated handling for tabled switch
1961 35
Edward Marlo In and Out Switches four methods
1961 35
Edward Marlo Unloading Switches tabled, three methods, switched-out cards are instantly unloaded on deck, see also note D. on page 65
Variations 1961 38
Edward Marlo Without the Deck
1961 42
Edward Marlo Pseudo Card Cheats Switches hole card switches, two methods, see note B. on page 63
1961 43
Edward Marlo Simplest Push Switch as card is pushed forward on table
1961 44
Edward Marlo Angle Palm Switch switch or steal
1961 46
Edward Marlo Ace Vanish and Transfer points A and B
1961 46
Edward Marlo Four Card Switch point D
1961 47
Edward Marlo Four and Four Transposition four Aces with four indifferent cards
1961 48
Edward Marlo Additional Rear Palm Switches more "Gambler's Cop", two methods
Variations 1961 49
Edward Marlo Top Palm Switch
1961 50
Edward Marlo The Throw Switch
1961 50
Edward Marlo One Hand Switch
Variations 1961 51
Edward Marlo Another Rear Palm Switch more "Gambler's Cop"
1961 52
Edward Marlo The Spread Switch face down card is switched in face up spread, under-the-spread technique
1961 54
Edward Marlo Switcheroo one or several cards, tabled with deck
1961 55
Victor Farelli, Edward Marlo Overhand Shuffle Reverse
1961 57
Edward Marlo Clipped Aces four cards with paper clip on them transform into aces
1961 58
Edward Marlo Monte Swindle clip on money card, using extra clip
1961 59
Edward Marlo Marlo's Regulation Palm Switches two methods, table
1961 60
Edward Marlo Another Rear Palm Switch - Additional Method point A, using Gambler's Cop
1961 63
Edward Marlo Trite Effect card turns over, using Face Up (Spread) Switch
1961 63
Edward Marlo Double Switch two card transposition
1961 64
Edward Marlo A Card Switch in Reverse tabled, using pack
1961 65
Edward Marlo Foreword
1961 1
Edward Marlo Marlo's Card to the Wallet loading methods for a special wallet originally sold with the manuscript
  • First Loading Method
  • Second Loading Method
  • Third Loading Method (using Marlo Guide, into clear plastic compartment)
  • Fourth Loading Method
Variations 1961 2
Edward Marlo Marlo Pivot Spread four (or three) as two
Also published here 1961 10
Edward Marlo The Bottom Palm delayed, first angle jogged and held with only right hand
Related to 1961 12
Edward Marlo The Center Steal
Related to 1961 12
Edward Marlo Marlo's Triple Routine in a monte type routine on two piles, two cards travel to wallet, instant repeat, then signed third card to wallet
Related to 1961 13
Edward Marlo Short Diminishing Lift Sequence
1961 14
Edward Marlo Overhand Shuffle Gesture to hide palmed cards
1961 19
Edward Marlo The No Palm Card to Wallet
1961 21
Edward Marlo Insertion Crimp as selection is pushed in deck
1961 21
Edward Marlo Case Flap between Cards and Deck to later do some kind of Extractor strategy in jacket
1961 22
Edward Marlo Gaffed Card to Wallet half card to simulate that card is still in deck
Related to 1961 22
Edward Marlo Half Card Force & Vanish half card attached to borrowed deck for force and instant vanish
1961 23
Edward Marlo Impromptu Steal of a Card card stuck to another card the is removed
1961 25
Edward Marlo The Guide Transposition card vanishes from packet an appears at chosen position in another deck
1961 25
Edward Marlo Ladder Guide ladder formation stuck in case to place card at wanted position (up to ten)
1961 25
Edward Marlo The Broken Zipper
1961 27
Edward Marlo Forgot your Wallet? handling with pocket instead of wallet
Inspired by 1961 28
Edward Marlo Additional Wallet Suggestions remarks on wallet and loading methods
1961 29
Edward Marlo Mental Bonus card thought of (one out of ten), deck shuffled and placed in pocket, card instantly removed by performer
1961 30
Edward Marlo About your present Wallet on the wallet that came with the manuscript
1961 31
Edward Marlo The Master Position on the Master position, which is: card(s) secretly in-jogged for most of their length (see fig. 7) or less (see fig. 42), after a diagonal insertion, applications:
  • to Rear Palm
  • to the bottom of the deck (five methods)
Inspired by 1961
Ireland's Yearbooks (Issue Yearbook 1961)
65
Edward Marlo Transferring the Cards transferring the deck in Master Position, cards can be copped with right hand
1961
Ireland's Yearbooks (Issue Yearbook 1961)
69
Edward Marlo The Pivot Palm from Master Position to Lateral Palm
  • Hand to Hand Transfer
  • Pivot Palm Replacements (to top, bottom or center)
1961
Ireland's Yearbooks (Issue Yearbook 1961)
69
Edward Marlo Reversing the Cards from Master Position, several methods, deck turned over on top of in-jogged cards that are stripped out
1961
Ireland's Yearbooks (Issue Yearbook 1961)
72
Edward Marlo The Spread Pass card from Master Position to top of the deck
  • To Place the Card During the Spread Pass
  • Multiple Spread Pass
1961
Ireland's Yearbooks (Issue Yearbook 1961)
72
Edward Marlo Note 4 four cards placed reversed in center and deck is spread, the cards are switched
1961
Ireland's Yearbooks (Issue Yearbook 1961)
76
Edward Marlo Note 5. Out Of This World? reds and blacks faro shuffled, deck not completely squared, either red or black can be dealt, "Jog Deal"
1961
Ireland's Yearbooks (Issue Yearbook 1961)
76
Edward Marlo A Teaser "A card move I call the K.M. Move will soon make its appearance and it will gladden the heart of anyone who does even a few card tricks. It is revolutionary; you will positively use it in your card work."
1961
Ireland's Yearbooks (Issue Yearbook 1961)
77
Edward Marlo Forward to ---- intro on Ace Assemblies as transpositions and using less cards
Related to Mar. 1961
Ibidem (Issue 23)
2
Edward Marlo Ace Deuce Transposition Aces in T formation, three Twos on leader Ace, they transpose with Aces one by one, Seven Card Assembly (second method)
Related to Mar. 1961
Ibidem (Issue 23)
3
Edward Marlo Small Packet Palm card pivoted at an angle first, then popped into palm
Mar. 1961
Ibidem (Issue 23)
6
Edward Marlo Hull Deck Tips revolves around showing a deck either blank or normal, super-roughing
Mar. 1961
Ibidem (Issue 23)
8
Edward Marlo, Bert Fenn 7 Card Assembly (3rd Method)
Related toVariations Mar. 1961
Ibidem (Issue 23)
11
Edward Marlo 6 Card Assembly with three Aces and three Twos
Mar. 1961
Ibidem (Issue 23)
15
Edward Marlo Estimation credit information and definitions
1962 1
Edward Marlo Mechanical Estimation intro
1962 2
Edward Marlo First Method: The Comparison Method comparing two packets, cited as Mechanical Estimation, but it's rather visual
Related to 1962 2
Edward Marlo Second Method: The Automatic Gauge Method on hard surface
1962 3
Edward Marlo Variation of Automatic Gauge deck in longitudinal configuration
1962 4
Edward Marlo Third Method: The Nail Gauge to find out how many cards a spectator cut off, running nail gauge cuts with the rest
Inspired by 1962 6
Edward Marlo Nail Gauge Variation left first finger's nail, packet pushed inwards and out the back
1962 7
Edward Marlo Fourth Method: Marlo's Favorite finding out how many cards a spectator cut off by cutting remainder in half and counting those
1962 8
Edward Marlo Fifth Method: The Faro Check
1962 9
Edward Marlo Mechanical Estimation Effects as a location or spelling effect
1962 10
Edward Marlo The Magic Card a Four-spot is used to find selection, estimation
Related to 1962 11
Edward Marlo "Think I'll Stop Here" using Vernon's ending procedure from OOSOOM as a multiple out for estimation location
Related to 1962 12
Edward Marlo "Chosen Card Count Down" value of free selection is used to find fair selection, estimation
1962 13
Edward Marlo Toss Glimpse single card is tossed on table and tilted so it can be seen
1962 13
Edward Marlo The Tipoff spectator cuts off a packet, performer removes some cards that add up to number of cut-off cards
1962 14
Edward Marlo Reversed Card Out multiple out for estimation location, either selection is reversed or reversed card leads to selection
Also published here 1962 15
Edward Marlo Natural Estimation comments
1962 15
Edward Marlo Side Riffle Estimation left thumb riffles down to same spot
Related toAlso published here 1962 16
Edward Marlo Throw in Location, First Method card is thrown next to selection
Also published here 1962 16
Edward Marlo Pull Down Estimation left thumb pulls down to same spot
Related toAlso published here 1962 17
Edward Marlo Throw in Location, Second Method magician's card is placed next to selection
Also published here 1962 17
Edward Marlo Back End Riffle Estimation on the table, tossed-next-to-selection effect
Related to 1962 18
Edward Marlo The Cut Estimate cutting off the same number of card, tabled or in-the-hands, Ace cutting application
Variations 1962 19
Edward Marlo Center Glimpse faro-cut split
1962 19
Edward Marlo Visual Retention Estimate estimating visual size instead of number
1962 20
Edward Marlo Fingertip Riffle Peek Estimation "Forced Estimation", Pinch Check
Related toVariations 1962 20
Edward Marlo The Sudden Stop fingertip peek control, "Forced Estimation"
Related to 1962 21
Edward Marlo The Fan Spread Estimate spread count estimation between the hands
1962 22
Edward Marlo Estimation Demonstration or Practice several packets, number of cards is estimated
1962 23
Edward Marlo Packet Estimation performer announces position of card, estimation
1962 24
Edward Marlo Key Card Plus Estimation: First Method in demonstration cut performer notes key in approximate center, then spectator cuts anywhere, remembers bottom card, replaces and cuts a few times
1962 24
Edward Marlo Key Card Plus Estimation: Second Method spectator cuts anywhere, remembers bottom card, replaces, then performer notes bottom card and spectator cuts a few times
Related to 1962 26
Edward Marlo Key Card Plus Estimation: Third Method in demonstration nail gauge cut performer notes key near top, then spectator cuts anywhere, remembers bottom card, and cuts packet a few times, optionally with three key cards
1962 26
Edward Marlo Key Card Plus Estimation: Fourth Method two card location, deck cut into three packets, bottom card of two of the packets remembered, all assembled and cut, estimation and key card
Related to 1962 28
Edward Marlo Key Card Plus Estimation: Fifth Method spectator's riffle shuffle likely retains top/bottom cards, key card on top
1962 29
Edward Marlo Key Card Plus Estimation: Sixth Method out-of-hand key card placement, no estimation or risk
1962 30
Edward Marlo Key Card Plus Estimation: Seventh Method spectator hopefully cuts into bridge crimp, otherwise estimation as out
1962 30
Edward Marlo Key Card Plus Estimation: Eight Method "natural air pocket principle", spectator hopefully cuts at same position as performer earlier
1962 31
Edward Marlo Key Card Plus Estimation: Ninth Method "natural air pocket principle", performer tries to cut at same position as spectator did
1962 31
Edward Marlo Key Card Plus Estimation: Tenth Method real overhand shuffle after fingertip peek estimation, estimated red/black key shuffle
1962 32
Edward Marlo Key Card Plus Estimation: Eleventh Method real riffle shuffle in lieu of a faro after estimated fingertip peek
Related to 1962 33
Edward Marlo Key Card Plus Estimation: Twelfth Method based on principle that spectator shuffles top card to bottom in small packet overhand shuffle
Variations 1962 33
Edward Marlo Estimation and the Glimpse card fingertip peeked at estimated position, glimpsed and break dropped, can be controlled by knowing its approximate position
Variations 1962 34
Edward Marlo Color Eliminator color reflects on back of other card or nail polish on fingertip, (back-)dated "over a dozen years ago", quoted from a 1958 letter
Related to 1962 35
Edward Marlo Color Eliminator plus Fingertip Peek estimated fingertip peek force, color known by Color Eliminator principle
1962 36
Edward Marlo Color Eliminator Effect card fingertip riffle peeked, no question asked, estimation, small stack and Color Eliminator
1962 36
Edward Marlo Marlo's Order Cull culling four cards in order
1962 38
Edward Marlo Five Card Order Cull culling five cards in order
1962 40
Edward Marlo Fingertip Location fingertip peeked at card is located, estimation and key
1962 42
Edward Marlo Triple Estimation Peek three key cards start out at different positions
  • Method 2 (only one key card)
1962 42
Edward Marlo Miracle Estimation Peek card peeked at, found with psychological stop trick
1962 45
Edward Marlo Rapid Deal Psychological Stop Force card starts at fourteenth position
1962 45
Edward Marlo A Three Locator set-up and multiple out, estimation peek
1962 46
Edward Marlo 15-K-11 Speller fingertip peeked at card is spelled to, estimation and key card
1962 47
Edward Marlo Mental Spell (is this Paul Rosini's?) fingertip peeked at card is spelled to, progressive spelling set-up
1962 49
Edward Marlo 7-5-2 values of three cards are used to count down to fingertip peeked at card
1962 50
Edward Marlo X-Ray Spelling performer names a card and spells it out, estimated cut and spelling
Related to 1962 51
Edward Marlo Fingertip Face Up Locator card fingertip peeked, performer reverses a card behind back which lies next to selection
1962 51
Edward Marlo Double Peek Face Up Locators two cards fingertip peeked, performer reverses two cards behind back which lie next to both selections
1962 52
Edward Marlo Spin Cut Stunner deck cuts itself at fingertip peeked at card
1962 53
Edward Marlo Sudden Stop Effect cards riffled, spectator stops, there is previously fingertip-peeked selection
  • Second Method
  • Third Method
  • Fourth Method
Related to 1962 54
Edward Marlo Mental Stab performer places Four spot card next to thought-of card
Related to 1962 55
Edward Marlo Stab Force used as a multiple out
Also published here 1962 56
Edward Marlo Super Mental Stab thought-of card is always above a face up indicator
1962 57
Edward Marlo Miracle Card Stab Location estimation
Inspired byRelated to 1962 59
Edward Marlo Marlo's Favorite Out
Related to 1962 60
Edward Marlo Sensitive Fingers fingertip peeked card located apparently by sense of touch
1962 62
Edward Marlo Push Down Glimpse multiple cards at bottom of packet/deck
1962 62
Edward Marlo Jog Glimpse multiple cards on top
1962 63
Edward Marlo A Marlo Miracle card vanishes via double push-off deal, then it is stabbed in paper-wrapped deck
1962 64
Edward Marlo Marlo Miracle "Stop" Stab deck wrapped in paper, estimation, faro
Inspired byRelated to 1962 65
Edward Marlo Miracle Coincidence Toss odd-backed card tossed in deck to find mate, Back End Riffle Estimation
1962 69
Edward Marlo The Magic Throw #1 challenge conditions, Back End Riffle Estimation
Related to 1962 70
Edward Marlo The Magic Throw #2 challenge conditions, Back End Riffle Estimation
1962 71
Edward Marlo The Magic Throw #3 no selection, performer names card next to locator, Back End Riffle Estimation
1962 72
Edward Marlo Sure Throw #1 bridge crimp
1962 74
Edward Marlo Sure Throw #2 and #3 long and short card
1962 75
Edward Marlo Sure Throw #4 jog
1962 75
Edward Marlo, Carmen D'Amico Marlo's Suggestion
Inspired by 1962 77
Edward Marlo The Dribble Stop spectator stops dribbling next to selection, crimp
1962 78
Edward Marlo The Dribbling Spectator spectator dribbles cards, performer tosses card in next to selection
1962 79
Edward Marlo, Harry Lorayne, Martin Gardner Lorayne's Poker Deal
Inspired byRelated toVariationsAlso published here 1962 153
Edward Marlo, Tony Kardyro The K. M. Move
1962 2
Edward Marlo One
1962 3
Edward Marlo Two
1962 3
Edward Marlo Reverse Fingering Action
1962 3
Edward Marlo Off the Face Changes three methods
1962 6
Edward Marlo Ambitious Routine
1962 7
Edward Marlo Further Applications of the Reverse Fingering Action with K. M. Move to repeatedly show the same card after it has apparently been dealt to table
1962 8
Edward Marlo The Transposition face up card in deck with tabled card
1962 9
Edward Marlo Use of the K. M. Move in Devilish Miracle
1962 10
Edward Marlo K. M. Move Follow Up Aces setting up
Inspired byVariations 1962 11
Edward Marlo Another Exchange Procedure
1962 11
Edward Marlo The Four Ace and Four King Transposition
1962 12
Edward Marlo K. M. Move with the Peek transfer and reverse combo
1962 14
Edward Marlo K. M. Move as a Passer - First Idea showing aces to have backs, even though three double facers are used
1962 14
Edward Marlo K. M. Move as a Passer - Second Idea sequence, showing cards to have wrong back color
1962 15
Edward Marlo, Tony Kardyro Second Handling of K. M. Move end grip
Related to 1962 15
Edward Marlo The K. M. Force
Related to 1962 16
Edward Marlo Ace Producer two halves rubbed face to face, aces appear (sleeve aces)
1962 17
Edward Marlo The K. M. Move Brush Change see page 23 for credits
1962 18
Edward Marlo Appearing and Disappearing Selections on face of deck
1962 19
Edward Marlo Technical Variations of the K. M. Move
  • First Variation
  • Second Variation
  • The Fan Method
1962 20
Edward Marlo Conclusions and Recollections with credit information
1962 22
Edward Marlo Technicolor Prediction spectator turns over one card behind back, reversed card was predicted and has different colored back, several methods
Related to 1962
Ireland's Yearbooks (Issue Yearbook 1962)
64
Edward Marlo Jam It short cups and balls routine, small ball jammed into top of cup
Feb. 1962
The New Phoenix (Issue 366)
291
Edward Marlo Cups and Coins coins travel from cup to cup with German Passe Passe Coins
Feb. 1962
The New Phoenix (Issue 366)
292
Edward Marlo Chop Cup Idea using an additional magnet
Feb. 1962
The New Phoenix (Issue 366)
292
Edward Marlo Marlo's Magic Knot
Feb. 1962
The New Phoenix (Issue 366)
292
Edward Marlo Marlo's Svengali with idea for Curry's Touch
Feb. 1962
The New Phoenix (Issue 366)
294
Edward Marlo Marlo's False Cut on Table one-handed on table
Inspired byVariations Nov. 1962
The New Phoenix (Issue 374)
324
Edward Marlo Marlo's Lengthwise Spread spreading two or three cards while hiding an extra card, buckling
Nov. 1962
The New Phoenix (Issue 374)
324
Edward Marlo The Open Travelers
Variations Dec. 1962
The New Phoenix (Issue 375)
329
Edward Marlo Foreword credit information
Related to 1962 1
Edward Marlo More Bluff Shifts intro
Related to 1962 2
Edward Marlo For One Card (Added Ideas) Aces inserted from back one by one, all in same place and jogged
Inspired by 1962 2
Edward Marlo Bluff Shift to the Top or at Any Number from the Top Tilt, lowering deck below top card
1962 3
Edward Marlo Bluff Shift to the Bottom or at Any Number from the Bottom Tilt directly to bottom
Variations 1962 5
Edward Marlo Bluff Shift and Palm Off Tilt to bottom and cop or palm "Side-Squaring Palm"
1962 5
Edward Marlo Flexible Bluff Shift Aces inserted from back into center one by one, controlled together in any order, bluff spacing
Variations 1962 6
Edward Marlo Front Tilt when spectators are looking from above
1962 8
Edward Marlo Mental Elimination one of four thought of, three discarded, remaining card placed on top is selection
1962 8
Edward Marlo Rising Thought "First Effect", one of four cards thought of, all lost in deck, selection comes to top
1962 9
Edward Marlo Quick Acembly "Second Effect", three Aces buried, top three cards placed on last Ace, they change into Aces
1962 9
Edward Marlo 4 and 4 Transposition "Third Effect", two fours-of-a-kind, some cards lost, follow the leader type effect
1962 10
Edward Marlo Trapped "Fourth Effect", sandwich cards passed through deck trap selection
1962 11
Edward Marlo The Pincers "Fifth Effect", sandwich cards are stuck into deck from back and selection is pulled out with them
1962 11
Edward Marlo, Charles Aste Jr. Center Push Subtlety actual center cards pushed out a bit from back, see precursor by Charles Aste, Jr. on p. 13
1962 12
Edward Marlo Gathering of the Clan "Sixth Effect", quartet lost in deck, reappears on top
Related to 1962 13
Edward Marlo Surprise "Seventh Effect", top and bottom cards shown and lost, one was selection, it appears back on top, sucker
1962 14
Edward Marlo Note using Tilt in ambitious card routine, "most obvious use (...) for this reason I have avoided it", getting into position before removing top card
1962 15
Edward Marlo Another Classical Quickie "Eighth Effect", card(s) pushed into center changes directly or delayed into another card
Inspired by
  • "Future Classic" (Ed Marlo)
Related to
1962 16
Edward Marlo Aces to Pocket "Ninth Effect", Aces placed reversed in deck, they change into Kings, Aces from pocket
1962 16
Edward Marlo The Prediction (Open or Closed) "Tenth Effect", card touched face down, it is pushed in center of face-up deck which is then spread
1962 17
Edward Marlo Do As I Do "Eleventh Effect", with two decks, two methods
Inspired byRelated to 1962 18
Edward Marlo The Tilted Transposition "Twelfth Effect", two cards placed reversed into two halves transpose
1962 20
Edward Marlo On the Presentation of Transpositions clarity
1962 21
Edward Marlo The Criss Cross Transposition "Thirteenth Effect", more complex version of previous transposition
1962 21
Edward Marlo The Tilt Stab "Fourteenth Effect", card stabbed next to selection by performer
1962 22
Edward Marlo Milk Key Placement with block and reversed card
1962 22
Edward Marlo The Tilt Sandwich "Fifteenth Effect", two cards pushed into deck sandwich selection
  • Alternative Handlings for The Tilt Sandwich
1962 23
Edward Marlo Tilt Doubly Ambitious "Sixteenth Effect"
1962 25
Edward Marlo Tilted Aces "Seventeenth Effect", Aces placed into center come to top, no cuts, see p. 1 for credit information
Variations 1962 25
Edward Marlo Tilt Addition "Eighteenth Effect", using Tilted Aces to add cards behind them
Inspired by 1962 25
Edward Marlo Numbered Tilt "Nineteenth Effect", value of top card used to count to selection, top card is selection, sucker
1962 26
Edward Marlo Tilted Dunbury "Twentieth Effect"
1962 26
Edward Marlo Tilted Classical Quickie "Twenty-First Effect", reversed card in center changes into selection
Related to 1962 27
Edward Marlo Visible Tilt "Twenty-Second Effect", card pushed face-up in center appears on top
1962 27
Edward Marlo Clip Palm Transformation
1962 27
Edward Marlo Oddity! named card is only odd-backed card
Related toVariations 1964
Early Marlo (Issue Oddity & Other Miracles)
62
Edward Marlo Roughed Oddity named card is only odd-backed card
1964
Early Marlo (Issue Oddity & Other Miracles)
65
Edward Marlo Chameleon Deck Routine all-backs and all-faces routine with color changing back kicker
1964
Early Marlo (Issue Oddity & Other Miracles)
65
Edward Marlo, Carmen D'Amico Direct Backs and Faces all-backs and all-faces routine
1964
Early Marlo (Issue Oddity & Other Miracles)
71
Edward Marlo A Simple Ace Routine aces lost and found with four times the 10-20 force
1964
Early Marlo (Issue Oddity & Other Miracles)
90
Edward Marlo, Peter Warlock Sympathetic Coincidence performer places blue-backed card in case, spectator removes same from red deck
1964
Early Marlo (Issue Oddity & Other Miracles)
94
Edward Marlo, Theodore Annemann Impromptu Remote Control unknown odd-backed card is marked on back, a card selected via stop procedure with deck in glass is marked on face, turns out to be the same
Inspired by 1964
Early Marlo (Issue Oddity & Other Miracles)
95
Edward Marlo Foreword
1964
Edward Marlo Faro Divider dividing a deck/packet into four piles with an equal number of cards
1964 1
Edward Marlo Off Center Faro Divider method of dividing deck in four packets of non-equal size of known number
1964 2
Edward Marlo Faro Divider Controls
  • For Two Cards
  • For Three Cards
1964 2
Edward Marlo The Un-Weave Faro shuffle that retains groups on bottom or top without weaving them
1964 2
Edward Marlo Faro Straddle Shuffle definition of in and out for an odd deck
1964 3
Edward Marlo The Riffle Weave alternating top ten cards during riffle shuffle
1964 3
Edward Marlo The Clocked Faro tips to speed up consecutive faros
1964 4
Edward Marlo The Incomplete Faro definition and basic peek procedure
1964 5
Edward Marlo No Key - Faro Aces without key cards and counting
Related to 1964 5
Edward Marlo Bluff Spacing
1964 6
Edward Marlo Marlo Placement Cull spread cull procedure to set cards at desired positions from top, e.g. aces at positions 6-15-19-25
1964 6
Edward Marlo Key - Faro Aces setting aces as keys for a multiple control
Related to 1964 8
Edward Marlo Marlo Simplex Placement Cull spread cull procedure to set cards at desired positions from top, e.g. aces at positions 6-15-19-25
1964 8
Edward Marlo Any Number of Hands shuffled deck, any number of hands named, performer looks through deck, when cards are dealt, the named value four-of-a-kind is in the named hand
1964 10
Edward Marlo In One Riffle Shuffle stacking four cards in one shuffle, also at different distances, stacking with side-jogged blocks on one side
1964 10
Edward Marlo Ace Spell aces placed on top, after one riffle shuffle and one faro they can all be spelled out
1964 11
Edward Marlo Correction on Faro Fooler #12 two separated face up cards come together to sandwich selection
Related to 1964 12
Neal Elias, Edward Marlo Packet Handling for Faro Fooler #12 two separated face up cards come together to sandwich selection, two more methods, see also page 13 for further handling details:
  • Regarding Three Selections and Crimp Card
  • On Packet Handling
  • The No Key Card Triple Selection Discovery
Related to 1964 12
Edward Marlo Faro Divider Effects - Effect No. 1 Aces lost in deck, performer cuts deck in four piles with Aces on top, Kings on bottom, faro
1964 14
Edward Marlo Faro Divider Effects - Effect No. 2 Aces and Kings lost in deck, performer cuts deck into four piles with Aces and Kings on top and bottom of each, faro
1964 14
Edward Marlo Faro Divider Effects - Effect No. 3: Faro Speller after spectator's shuffle, performer spells to several cards
1964 14
Edward Marlo Multiple Placement Glimpse glimpsing four cards, each thirteen cards apart, at once
1964 14
Edward Marlo Faro Divider Effects - Effect No. 4: Miracle Location with the chance for a miracle effect
1964 15
Edward Marlo Faro Divider Effects - Effect No. 5: Mental Eliminator one of thirteen memorized cards
1964 16
Edward Marlo Marlo's Double Discovery two locator cards discover two chosen cards, faro
1964 16
Edward Marlo Scoop Up Finesse eliminating transfer cut by scooping up deck with top card
1964 16
Edward Marlo On the Re-Stacking Pack two spectators decide for numbers and remember the cards at their number four times with faros in between, each has a four of a kind
Inspired by 1964 18
Edward Marlo Another Effect is the Following as a number force or book test
Inspired by 1964 19
Edward Marlo 1835 two selections show up at same position in two piles, faro
1964 19
Edward Marlo Pull Down Control procedure that sets two peeked-at selections at positions nine (or x) from top and bottom
1964 19
Edward Marlo Overhand Placement Control procedure that sets two selections at positions nine (or x) from top and bottom with overhand shuffle
1964 20
Edward Marlo Thought Determinator "Is your card in this pile?", memorized deck, faro
Related to 1964 21
Edward Marlo Faro Fan Constraint to apparently give a free choice to think of a card, but only half the cards are visible
1964 23
Edward Marlo Marlo Faro Control - Two Card Faro Control using a locator card
1964 24
Edward Marlo Three Card Faro Control using a locator card
1964 24
Edward Marlo Four Card Faro Control using a locator card
Related to 1964 25
Edward Marlo Five Card Faro Control using a locator card
1964 25
Edward Marlo Six Card Faro Control using a locator card
1964 26
Edward Marlo Seven Card Faro Control using a locator card (doesn't work? see following version for eight cards)
1964 27
Edward Marlo Eight Card Faro Control using a locator card
1964 27
Edward Marlo Nine and Ten Card Faro Control using a locator card
1964 27
Edward Marlo Opening Procedure for a ten-card-location routine
1964 28
Edward Marlo Alternation using an eight card faro control to set-up for a Matching the Cards type routine
1964 29
Edward Marlo Miracle Location with one suit from ace to king set-up, faro and non-faro handling
1964 30
Edward Marlo A Matching Routine stay stack routine with six phases
Variations 1964 31
Edward Marlo Added Note for Matching Routine stay stack routine, alternative phases
1964 33
Edward Marlo Double Peek Matching full stack
1964 33
Edward Marlo Stay Stack Peek two cards peeked at, behind back performer reverses card, it's between the two selections, Marlo's Peek Deck
1964 34
Edward Marlo Secret Incomplete Faro Condition very fine unsquared condition
1964 34
Edward Marlo All Around Square Up with deck in secret incomplete faro condition
1964 35
Edward Marlo Impromptu Peek Deck stay stack, secret incomplete faro condition
1964 35
Edward Marlo Faro Double Control openly controlling aces while secretly controlling other cards (e.g. kings)
1964 36
Edward Marlo Aces and Numbers Variation
Inspired by 1964 37
Edward Marlo Card Stack Demo Kings openly stacked, Tens and Aces end up also, faro and overhand stacking, for correction see Facsimile reference
Related to 1964 37
Edward Marlo Lessinout Stack Handling see also page 38
1964 37
Edward Marlo Triple Faro Control openly controlling aces while secretly controlling two more sets of four-of-a-kinds
1964 39
Edward Marlo Changing of the Cards performer cuts deck in four face up piles, spectator chooses one, face cards of the other three piles are changed to match selection, faro
1964 39
Edward Marlo The Marlo Peek Deck marked deck, memorized deck
1964 41
Edward Marlo Thought Togetherness performer and spectator thinks of a card, they are next to each other, memorized deck, faro
1964 42
Edward Marlo Ace Finders values of four unknown cards locate Aces
1964 42
Edward Marlo Marlo Miracle Aces classic faro Ace cutting ("estimation aces"), last Ace found at named number
Related toVariationsAlso published here 1964 44
Edward Marlo Bluff Ace Cutting packets assembled one by one and top cards tabled, bluff
Inspired byRelated to 1964 46
Edward Marlo Marlo's Four Card Miracle four selections, faro control, cut to the Aces with selections
1964 47
Edward Marlo Acetimation estimation presentation, faro setting, aces on bottom of packets
1964 52
Edward Marlo Marlo Slide Count basically culling a card to bottom while counting packet, brief
1964 52
Edward Marlo Marlo's Handling Variation Brainweave
Related to 1964 53
Edward Marlo, Alex Elmsley Marlo's Faro Jogs handling possibilities for Alex Elmsley's Faro Fan idea
  • Five Methods
  • Side Jog to Angle Jog
  • Angle Jog to Side Jog
  • Table Faro Angle Jog
  • Up Jogging the Reversed Card (two methods)
Inspired byRelated to 1964 54
Edward Marlo Marlo's Favorite Brainweave
Inspired by 1964 58
Edward Marlo Tabled Faro Fan Set-Up using table faro or only even riffle shuffle to get into Faro Fan configuration
Related to 1964 59
Edward Marlo Treatise of an Original four aces turn over in spread at once at different positions, faro, tabled and in-the-hands-method
Related to 1964 59
Edward Marlo Faro Ribbon Spread Hide-Out
1964 59
Edward Marlo Instant Reverse thought-of card (of about twelve) turns over, faro hide-out
1964 60
Edward Marlo Premeditated Prediction card is fairly selected from shuffled deck, card is predicted in matchbook, using index of twelve matchbooks and statistical principle
Variations 1964 61
Edward Marlo For Nonsmokers card is fairly selected from shuffled deck, duplicate is reversed as prediction in second deck, using statistical principle and faro hide-out
Inspired by 1964 62
Edward Marlo Fixed Faro Jog beveling a deck with jogged cards and placing rubber band around it, so it can be put in pocket without disturbing jog condition
1964 62
Edward Marlo Never Miss Prediction free selection is reversed in second pack, faro hide-out
1964 63
Edward Marlo Marlo's Brainwave one of ten thought of, this is reversed and odd-backed, faro fan
1964 63
Edward Marlo Odd Thought spectator thinks of only odd-backed card in deck, no rough smooth, faro fan
1964 65
Edward Marlo Oddity Handling named card is odd-backed card, faro fan
Related to 1964 66
Edward Marlo Thoughts on Blind Choice two selections from one deck match two reversed prediction cards in second deck, four methods with different gaffed decks (Ultra Mental Deck, deck with twenty-six different cards duplicated, Audley Walsh's Dream Deck / Koran Deck)
Inspired by
  • "Blind Choice" (Jack Avis, The Gen, June 1962, p. 44)
1964 67
Edward Marlo Physical and Mental performer places physical selection next to mental selection (one of twenty-six), two phases, half forcing deck, faro fan
Related to 1964 68
Edward Marlo Uses for Half Forcing Deck see at bottom
1964 68
Edward Marlo Easy Logical Procedure
Inspired by 1964 69
Edward Marlo Ultra Repeat with repeat phase and face-up/face-down challenge location as clean-up, retaining divided deck (odd/even)
Inspired by 1964 69
Edward Marlo The Ultra Equivoce Brainweave, any card can be thought of
Inspired by 1964 71
Edward Marlo Foreword
1964
Edward Marlo Marlo's Patented False Shuffle
Related to 1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
1
Edward Marlo In One Shuffle single shuffle sequence for Patented Shuffle
1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
7
Edward Marlo The Throw Off multiple cutting sequence to cover strip-out
Related to 1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
8
Edward Marlo The Simplex Strip Out
Variations 1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
9
Edward Marlo Blocking Off Bottom Cards obtaining break above bottom cards during riffle shuffle
1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
11
Edward Marlo Strip Out Riffle Transfer transferring x cards to bottom during strip out shuffle
1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
12
Edward Marlo Marlo's Techniques on Zarrow Shuffle
1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
13
Edward Marlo Marlo's Insurance detail for Zarrow Shuffle
1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
15
Art Altman, Edward Marlo Tilt Zarrow Shuffle
1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
17
Edward Marlo Patented Shuffle Sidelights further details
Related to 1964
The Patented Shuffle (Issue 1 Patented False Shuffle)
18
Edward Marlo Top Slip Cut tabled
Also published here 1964
The Patented Shuffle (Issue 2 Slip Cut)
1
Edward Marlo Bottom Slip Cut tabled
Also published here 1964
The Patented Shuffle (Issue 2 Slip Cut)
2
Edward Marlo Uses for Marlo's Bottom Slip Cut three techniques for bottom slip cut
Also published here 1964
The Patented Shuffle (Issue 2 Slip Cut)
3
Edward Marlo Marlo's Double Slip Cut top and bottom
Also published here 1964
The Patented Shuffle (Issue 2 Slip Cut)
4
Edward Marlo Complex Double Slip Cut top and bottom block slip cuts
1964
The Patented Shuffle (Issue 2 Slip Cut)
4
Edward Marlo Cutting the Aces
1964
The Patented Shuffle (Issue 2 Slip Cut)
5
Edward Marlo Aces and Four Packets
1964
The Patented Shuffle (Issue 2 Slip Cut)
5
Edward Marlo Kings and Aces deck cut into four packets, Kings on top and Aces on bottom, two methods
Variations 1964
The Patented Shuffle (Issue 2 Slip Cut)
6
Edward Marlo Triple Packet Disclosure cutting three packets, distributing three selections on top, with variations
1964
The Patented Shuffle (Issue 2 Slip Cut)
7
Edward Marlo Alternated Ace Cutting
1964
The Patented Shuffle (Issue 2 Slip Cut)
9
Edward Marlo Note tip for bottom slip cut
1964
The Patented Shuffle (Issue 2 Slip Cut)
10
Edward Marlo Shuffle and Cut Discovery of Four Aces six methods, cutting into four packets
1964
The Patented Shuffle (Issue 3 Shuffle and Cut Discoveries)
1
Edward Marlo Distribution Shuffle setting four angle jogs
Related to 1964
The Patented Shuffle (Issue 3 Shuffle and Cut Discoveries)
9
Edward Marlo Four Shuffles Ace Location
1964
The Patented Shuffle (Issue 3 Shuffle and Cut Discoveries)
10
Edward Marlo Four Ace Shuffle and Packet Cut Discoveries
Variations 1964
The Patented Shuffle (Issue 3 Shuffle and Cut Discoveries)
11
Edward Marlo The Follow Up four piles with Ace on top of each, deck assembled, riffle sequence, Aces on bottom
1964
The Patented Shuffle (Issue 3 Shuffle and Cut Discoveries)
12
Edward Marlo Top-Block-Transfer comments about retaining order during block transfers, doing Triumph with stacked deck
1964
The Patented Shuffle (Issue 4 Transfers)
Edward Marlo Four Ace Location (Stacked Deck Retained) four Aces shuffled into deck and cut on top of four piles, order retained
Related toVariations 1964
The Patented Shuffle (Issue 4 Transfers)