The Performance of Close-Up Magic
134 pages (Hardcover),
published by Kaufman and Greenberg
Illustrated with photographs and drawings by Richard Kaufman
Language: English
Illustrated with photographs and drawings by Richard Kaufman
Language: English
31 entries
This publication has been reviewed by
- David Britland (Opus, Vol. 1 No. 7, Mar. 1988, p. 6)
- Robert Cox (Opus, Vol. 1 No. 9, May 1988, p. 5)
| Creators | Title | Comments & References | Page | AA | Categories | |
|---|---|---|---|---|---|---|
| Eugene Burger | Acknowledgements | |||||
| Eugene Burger | About the Writings | |||||
| Channing Pollock | Foreword | |||||
| Eugene Burger | Groundwork | |||||
| Eugene Burger | What is Close-Up Magic? | |||||
| Eugene Burger | The Main Road | |||||
| Bert Allerton, Eugene Burger | The Bert Allerton Aspirin Tin Routine | |||||
| Criss-Cross Force | ||||||
| Eugene Burger | Hands | |||||
| Eugene Burger | Making Cigarettes Disappear | |||||
| Eugene Burger | The Pivot Vanish: "Imaginery Powder" | |||||
| Up the Nose | ||||||
| Eugene Burger | How to use a Cigarette Pull | |||||
| Eugene Burger | A Question of Character | |||||
| Eugene Burger | Uncle Geek | |||||
| Dai Vernon, Eugene Burger, John F. Mendoza | Three-Card Monte as a Magical Entertainment | |||||
| Eugene Burger | Magic Lectures | |||||
| Paul Rosini, Eugene Burger | Rosini's Double Reverse | |||||
| Eugene Burger | Conversation at the Airport | |||||
| Eugene Burger | The Animated Matchbox | |||||
| Eugene Burger | Performing for Magicians | |||||
| Eugene Burger | Stealing | |||||
| Eugene Burger | Spirit Candle in the Bottle | |||||
| Eugene Burger | Books | |||||
| Eugene Burger | Sylvia's Cards | |||||
| Eugene Burger | Negative Thought | |||||
| Al Baker, Eugene Burger | The Haunted Pack | |||||
| Eugene Burger | Questions and Answers on The Haunted Pack | |||||
| Eugene Burger | Daydreaming and Imagination | |||||
| Eugene Burger | An Imaginary Conversation with Eugene Burger | |||||
| Eugene Burger | A Final Examination | |||||
Data entered by Andreas Zirngibl, November 2005.