prólogo \n \n juan tamariz
2003
Juan Tamariz
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Prólogo
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11
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introducción \n \n luis h. trueba
2003
Luis H. Trueba
|
Introducción
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15
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la carte de encima (cuento) \n short story about a man who always knew which card is on top \n luis h. trueba
2003
Luis H. Trueba
|
La Carte de Encima (Cuento)
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17
|
|
breve historia de una Época dorada \n historical notes on the history of spanish magic in the second half of the 20th century \n luis h. trueba
2003
Luis H. Trueba
|
Breve Historia de una Época Dorada
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25
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carta apuñalada \n cards wrapped in sheet of newspaper, signed selection is really stabbed \n luis h. trueba
2003
Luis H. Trueba
|
Carta Apuñalada
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47
|
|
control y aparición de ases \n aces are lost in the deck and appear while deck is cut, tabled, one by one \n luis h. trueba
2003
Luis H. Trueba
|
Control y Aparición de Ases
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57
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el corte escalera \n tabled cut to form a jog, two control four aces in two positions of the deck \n luis h. trueba
2003
Luis H. Trueba
|
El Corte Escalera
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57
|
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aparecen los ases \n while deck is cut on the table card jumps out of the deck face-up \n luis h. trueba
2003
Luis H. Trueba
|
Aparecen los Ases
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62
|
|
carta al bolsillo \n method to transfer card to inside of the jacket, similar to gary kurtz's the empty hand \n luis h. trueba \n luis trueba's "carta al bolsillo" in ""la circular de la escuela mágica de madrid" n° 106, 1983. p. 197. \n the empty hand \n gary kurtz
2003
Luis H. Trueba
|
Carta al Bolsillo
|
Related toAlso published here- Luis Trueba's "Carta al Bolsillo" in ""La Circular de la Escuela Mágica de Madrid" N° 106, 1983. P. 197.
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65
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carta al revés \n cards are put in card case, all cards turn face up but selection in the center of the deck \n luis h. trueba \n dan harlan's "a case of color blindness"
2003
Luis H. Trueba
|
Carta al Revés
|
Inspired by- Dan Harlan's "A Case of Color Blindness"
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70
|
|
leaving a card in card case \n \n unknown
2003
|
Leaving a Card in Card Case
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71
|
|
hagas lo que hagas \n mathematical principle, card found by dealing cards to a rhythmic patter \n luis h. trueba
2003
Luis H. Trueba
|
Hagas lo que Hagas
|
77
|
|
agua y aceite \n three phases 4&4, last phase 6&6 handled by spectator \n luis h. trueba
2003
Luis H. Trueba
|
Agua y Aceite
|
81
|
|
bocadillo invisible \n \n luis h. trueba \n "la circular de la emm" no. 188. 1994. p. 246. \n variation on trueba's bocadillo invisible \n lorenz schär
2003
Luis H. Trueba
|
Bocadillo Invisible
|
VariationsAlso published here- "La Circular de la EMM" No. 188. 1994. P. 246.
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82
|
|
red / black shuffle \n with small packet, riffle shuffle on table \n unknown
2003
|
Red / Black Shuffle
|
90
|
|
el cartero siempre llama dos veces \n cards are put in card case, all cards turn face up but selection in the center of the deck, when repeated with second selection cards change colors \n luis h. trueba \n dan harlan's "a case of color blindness"
2003
Luis H. Trueba
|
El Cartero Siempre Llama Dos Veces
|
Inspired by- Dan Harlan's "A Case of Color Blindness"
|
92
|
|
card reverse \n in the context of turning the deck over \n dieter ebel \n card reverse \n unknown
2003
Dieter Ebel
|
Card Reverse
|
Also published here
|
97
|
|
el tahúr precavido \n gambling routine, cutting to the kings, dealing kings in one hand and aces in other, all the red cards appear togehter as well as the black cards in order \n luis h. trueba
2003
Luis H. Trueba
|
El Tahúr Precavido
|
107
|
|
honest aces production \n \n luis h. trueba \n martin a. nash \n honest aces \n martin a. nash
2003
Luis H. Trueba, Martin A. Nash
|
Honest Aces Production
|
Inspired by
|
116
|
|
carta-moneda \n utility move, to hold four torn pieces together as a unit \n luis h. trueba \n utility move \n luis h. trueba
2003
Luis H. Trueba
|
Carta-Moneda
|
Also published here
|
121
|
|
control, vistazo y aparición \n card control and glimpsed while riffle shuffled on the table \n luis h. trueba
2003
Luis H. Trueba
|
Control, Vistazo y Aparición
|
122
|
|
un doble dinámico \n after cut in the hands \n luis h. trueba
2003
Luis H. Trueba
|
Un Doble Dinámico
|
126
|
|
el redoble \n turning a double back over on the deck, using natural break \n luis h. trueba
2003
Luis H. Trueba
|
El Redoble
|
130
|
|
mezcla falsa auténtica \n in the hands false riffle shuffle, strip-out cut \n luis h. trueba
2003
Luis H. Trueba
|
Mezcla Falsa Auténtica
|
132
|
|
el desempalme \n unload of palmed cards, while turning over packet \n luis h. trueba \n the trueba revolving replacement \n luis h. trueba
2003
Luis H. Trueba
|
El Desempalme
|
Also published here
|
134
|
|
cartas y navajas \n card apparently located by pocket knife, short routine with two knives, then knife changes to selection \n luis h. trueba
2003
Luis H. Trueba
|
Cartas y Navajas
|
136
|
|
el ciego \n card stab on table, story presentation \n luis h. trueba
2003
Luis H. Trueba
|
El Ciego
|
143
|
|
el charlatán \n with three jumbo cards, supreme magic props, story presentation \n luis h. trueba
2003
Luis H. Trueba
|
El Charlatán
|
157
|
|
el moro \n los cubiletes del moro, cups and balls routine, with three cups \n luis h. trueba
2003
Luis H. Trueba
|
El Moro
|
175
|
|
desaparición de una bola \n false transfer with ball, while holding wand \n luis h. trueba
2003
Luis H. Trueba
|
Desaparición de una Bola
|
191
|
|
la historia del anciano mago \n packet trick, cards with vampires and coffins, chosen vampire found transformed \n luis h. trueba \n arthur setterington's "find the vampire" in "new pentagram", february, 1980.
2003
Luis H. Trueba
|
La Historia del Anciano Mago
|
Inspired by- Arthur Setterington's "Find the Vampire" in "New Pentagram", February, 1980.
|
193
|
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