introduction \n \n gary kurtz
1989
Gary Kurtz
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Introduction
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2
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the importance of misdirection \n \n gary kurtz
1989
Gary Kurtz
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The Importance of Misdirection
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3
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visual noice \n \n gary kurtz
1989
Gary Kurtz
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Visual Noice
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3
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openness and the open position \n \n gary kurtz
1989
Gary Kurtz
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Openness and the Open Position
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4
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an ambitious card routine \n outlined as example, brief \n gary kurtz \n a detailed example: an ambitious card routine \n gary kurtz
1989
Gary Kurtz
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An Ambitious Card Routine
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Related to
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4
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coordination of actions, and the priority of movements \n \n gary kurtz
1989
Gary Kurtz
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Coordination of Actions, and the Priority of Movements
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6
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a billiard ball steal \n \n gary kurtz
1989
Gary Kurtz
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A billiard ball steal
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7
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changing a woman into a tiger \n \n gary kurtz \n an extravagant example: magician changes into tiger; magician reappears in back of theatre \n gary kurtz
1989
Gary Kurtz
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Changing a woman into a tiger
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Related to
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7
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a more complex example \n palmed aces from pocket as gag as spectator starts shuffling \n gary kurtz \n palmed aces from pocket \n gary kurtz
1989
Gary Kurtz
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A more complex example
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Also published here
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7
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economy of motion \n \n gary kurtz
1989
Gary Kurtz
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Economy of Motion
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8
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active and relaxed states \n - when you relax, your audience relaxes \n gary kurtz
1989
Gary Kurtz
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Active and Relaxed States
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9
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example \n "the one hand top palm and subsequent flash fold of a card supposedly placed into the centre of the deck" \n gary kurtz \n performing a one hand top palm \n gary kurtz
1989
Gary Kurtz
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Example
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Related to
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10
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the natural off-beat \n \n gary kurtz
1989
Gary Kurtz
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The Natural Off-Beat
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11
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creating the off-beat \n \n gary kurtz
1989
Gary Kurtz
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Creating the Off-Beat
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12
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the francis carlyle card to pocket \n comment \n gary kurtz \n on the carlyle card to pocket \n gary kurtz \n homing card \n francis carlyle
1989
Gary Kurtz
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The Francis Carlyle Card to Pocket
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Related toAlso published here
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12
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another example - palming a card \n \n gary kurtz
1989
Gary Kurtz
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Another example - Palming a Card
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12
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regaining attention \n \n gary kurtz
1989
Gary Kurtz
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Regaining Attention
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13
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a coin vanish \n sleeving with fake back-and-forth tossing \n gary kurtz \n example: a coin vanish \n gary kurtz
1989
Gary Kurtz
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A coin vanish
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Related to
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13
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the top change \n \n gary kurtz \n another example: the top change \n gary kurtz
1989
Gary Kurtz
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The Top Change
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Also published here
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13
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the eyes \n \n gary kurtz
1989
Gary Kurtz
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The Eyes
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14
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ring flight \n comment \n gary kurtz
1989
Gary Kurtz
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Ring Flight
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15
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verbal misdirection \n - the name
- questions
- requests
- interesting patter
- audience involvement \n gary kurtz
1989
Gary Kurtz
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Verbal Misdirection
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15
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naturalness \n \n gary kurtz
1989
Gary Kurtz
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Naturalness
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16
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part two \n \n unknown
1989
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Part Two
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17
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directing audience attention \n \n gary kurtz
1989
Gary Kurtz
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Directing Audience Attention
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17
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fingertip coins across \n as example \n gary kurtz
1989
Gary Kurtz
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Fingertip Coins Across
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17
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the principal elements \n - example: the four ace trick
- example: the vanishing bowl of water
- example: the cups and balls \n gary kurtz
1989
Gary Kurtz
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The Principal Elements
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18
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the prime focus: the remembered effect \n \n gary kurtz
1989
Gary Kurtz
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The Prime Focus: The Remembered Effect
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20
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final words \n \n gary kurtz
1989
Gary Kurtz
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Final Words
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21
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