preliminary \n \n stephen hobbs
1994
Stephen Hobbs
|
Preliminary
|
1
|
1994
|
3
|
|
the close-up billusion \n bill inserted between two aces visually passes back and forth from middle to bottom, aces change into queens, monte theme, see "errata" in issue #3 (p. 31) for additional crediting info \n don banks \n jim lambert \n steve ehlers \n art gross \n the close-up illusion \n larry jennings \n wily monte \n lee freed \n jon racherbaumer \n errata \n stephen hobbs
1994
Don Banks, Jim Lambert, Steve Ehlers, Art Gross
|
The Close-Up Billusion
|
Inspired byRelated to
|
1
|
1994
|
4
|
|
zarrow block addition \n \n herb zarrow
1994
Herb Zarrow
|
Zarrow Block Addition
|
1
|
1994
|
5
|
|
fate or free will? \n tabled prediction card, spectator picks card and inserts it in deck, cards on both sides of it are black sevens, inserted card is shown to be a red seven and prediction is other red seven \n jack carpenter \n the curse of scotland \n jon racherbaumer \n conn's opening \n doug conn
1994
Jack Carpenter
|
Fate or Free Will?
|
Variations
|
1
|
1994
|
8
|
|
ribbonspread hideout \n credited to marlo here, see "errata" in issue #3 (p. 31) where it's correctly credited to vernon \n dai vernon \n errata \n stephen hobbs
1994
Dai Vernon
|
Ribbonspread Hideout
|
Related to
|
1
|
1994
|
9
|
|
the big fat hairy con \n selection is "invisibly" picked out of deck between two cards, then tossed back into deck where it appears face up \n steve mayhew
1994
Steve Mayhew
|
The Big Fat Hairy Con
|
1
|
1994
|
11
|
|
riffle force \n from peek position, using break \n unknown
1994
|
Riffle Force
|
1
|
1994
|
11
|
|
deck reverse \n two-card catch as deck is tossed and reversed into other hand, see "errata" in issue #3 (p. 31) for crediting info \n johann nepomuk hofzinser \n harry lorayne \n richard kaufman \n errata \n stephen hobbs
1994
Johann Nepomuk Hofzinser, Harry Lorayne, Richard Kaufman
|
Deck Reverse
|
Related to
|
1
|
1994
|
12
|
|
a "quickie" revisited \n number of cards cut off and card selected are predicted, see "errata" in issue #3 (p. 31) for more references \n jack carpenter \n a matter of debit and credit \n unknown \n the quickie card trick \n milton berle \n errata \n stephen hobbs
1994
Jack Carpenter
|
A "Quickie" Revisited
|
Inspired byRelated to
|
1
|
1994
|
14
|
|
gambler's crimp \n multiple cards as a group, at inner end \n unknown
1994
|
Gambler's Crimp
|
1
|
1994
|
14
|
|
carpenter's cannibals \n cannibal cards eat and then change into all eights (they "ate" a lot), see reference for a different longer version of routine, see "errata" in issue #3 (p. 31) for crediting info \n jack carpenter \n jack carpenter - the lecture (jack carpenter, 1993) \n errata \n stephen hobbs
1994
Jack Carpenter
|
Carpenter's Cannibals
|
Related to
|
1
|
1994
|
16
|
|
card left on deck \n one card of four is ditched on deck after being displayed \n unknown
1994
|
Card left on deck
|
1
|
1994
|
16
|
|
multiple top switch \n cards are switched as top card of packet is peeled on deck, see "errata" in issue #3 (p. 32) for crediting info \n jack carpenter \n "close-up top change ii" (arthur hastings & david bendix, hugard's magic monthly, vol. 14, no. 5, oct. 1956, p. 481) \n packet switches - first method \n edward marlo \n errata \n stephen hobbs \n multiple top switch \n edward marlo
1994
Jack Carpenter
|
Multiple top switch
|
Related to
|
1
|
1994
|
17
|
|
the grippo transpo \n signed card lost in deck, performer and spectator hold a card, performer's card visually changes into spectator's, spectator's card becomes signed card \n jack carpenter \n steve ehlers \n steve mayhew \n the transpo grippo \n jack carpenter \n steve ehlers \n steve mayhew
1994
Jack Carpenter, Steve Ehlers, Steve Mayhew
|
The Grippo Transpo
|
Related to
|
1
|
1994
|
19
|
|
preliminary \n \n stephen hobbs
1994
Stephen Hobbs
|
Preliminary
|
2
|
1994
|
3
|
|
o'henry plays jazz \n aces and four clubs-cards, aces transpose with clubs one at a time to gather in tabled pile, instead of last ace traveling, all three other aces transpose back all at once to join it beneath spectator's hand, see "errata" in issue #3 (p. 32) for crediting info \n jack carpenter \n jack carpenter - the lecture (jack carpenter, 1993) \n the assembly \n john c. wagner \n o. henry gets jazzed \n larry jennings \n o'henry plays jazz \n jack carpenter \n errata \n stephen hobbs
1994
Jack Carpenter
|
O'Henry Plays Jazz
|
Inspired byRelated toVariationsAlso published here
|
2
|
1994
|
4
|
|
slipduc \n \n p. howard lyons
1994
P. Howard Lyons
|
Slipduc
|
2
|
1994
|
4
|
|
leech pick-up move \n \n al leech
1994
Al Leech
|
Leech Pick-up move
|
2
|
1994
|
6
|
|
olram subtlety \n \n edward marlo
1994
Edward Marlo
|
Olram Subtlety
|
2
|
1994
|
7
|
|
two moves – the carpenter outjog insertion \n four aces displayed face up on deck, lowermost ace(s) is stolen away beneath x-number of cards from top, applied in "obliter-ace-ion" (p. 22), see "errata" in issue #3 (p. 32) for crediting info on atfus \n jack carpenter \n errata \n stephen hobbs \n silverman’s outjog insertion \n steve silverman
1994
Jack Carpenter
|
Two Moves – The Carpenter Outjog Insertion
|
Related to
|
2
|
1994
|
11
|
|
two moves – the tabled elmsley switch \n elmsley count done onto the table, applied in "full reverse" (p. 16), see "errata" in issue #3 (p. 32) for small crediting correction \n jack carpenter \n errata \n stephen hobbs
1994
Jack Carpenter
|
Two Moves – The Tabled Elmsley Switch
|
Related to
|
2
|
1994
|
13
|
|
full reverse \n classic assembly, one at a time jacks vanish from their packets and appear in leader packet, then backfire back to their starting packets, see "errata" in issue #3 (p. 32) for small technical correction \n jack carpenter \n errata \n stephen hobbs
1994
Jack Carpenter
|
Full Reverse
|
Related to
|
2
|
1994
|
16
|
|
rumba count \n with only two cards \n jean-pierre vallarino
1994
Jean-Pierre Vallarino
|
Rumba Count
|
2
|
1994
|
19
|
|
push-forward double \n using break, apparently pushed forward with finger, uncredited (cliff green?) \n unknown
1994
|
Push-Forward double
|
2
|
1994
|
20
|
|
marlo glide variation \n out-jogged double, brief \n edward marlo
1994
Edward Marlo
|
Marlo Glide variation
|
2
|
1994
|
20
|
|
curry turnover \n "this action is like half of a curry turnover change" \n paul curry
1994
Paul Curry
|
Curry Turnover
|
2
|
1994
|
21
|
|
obliter-ace-ion \n ace vanish one at a time, four random cards are changed into aces \n jack carpenter
1994
Jack Carpenter
|
Obliter-Ace-ion
|
2
|
1994
|
22
|
|
zarrow block addition variation \n \n herb zarrow
1994
Herb Zarrow
|
Zarrow Block Addition variation
|
2
|
1994
|
23
|
|
preliminary \n \n stephen hobbs
1995
Stephen Hobbs
|
Preliminary
|
3
|
1995
|
3
|
|
the real deal \n spectator names any royal flush or high four-of-a-kind and performer can deal it, second deals \n ernest earick \n a sleightless ernie \n allan ackerman
1995
Ernest Earick
|
The Real Deal
|
Variations
|
3
|
1995
|
4
|
|
mayhew's middle deal miracle \n deck shuffled face-up into face-down, all face-up cards are "center-dealt" out of the deck leaving only face-down cards, suggests a few variations, see carpenter references for "a different write-up of this effect" \n steve mayhew \n magic castle lecture notes (jack carpenter) \n mayhew's master deal \n steve mayhew \n jack carpenter \n god of gamblers \n darwin ortiz \n mayhew's mistake \n steve mayhew \n every which way but loose \n aaron shields
1995
Steve Mayhew
|
Mayhew's Middle Deal Miracle
|
Related toVariations
|
3
|
1995
|
10
|
|
deal easy \n performer deals himself good hand each successive round:
- he receives four tens
- he receives royal flush
- deals four-of-a-kind to any chosen hand, but beats it by dealing himself four aces
- deals royal flush to any chosen hand, but beats it with "five-of-a-kind" (four threes and a two, i. e. "wild") \n doug edwards \n royal poker deal \n mel lambdin
1995
Doug Edwards
|
Deal Easy
|
Inspired by
|
3
|
1995
|
13
|
|
hinge cover hermann pass \n \n jed b. smith
1995
Jed B. Smith
|
Hinge Cover Hermann Pass
|
3
|
1995
|
15
|
|
h. r. aces \n aces lost in deck, first ace is cut to, then buried face up in middle and other three aces turn face up next to it \n harvey rosenthal
1995
Harvey Rosenthal
|
H. R. Aces
|
3
|
1995
|
18
|
|
atfus \n brief, see p. 32 of "errata" section for crediting info \n edward marlo \n alex elmsley
1995
Edward Marlo, Alex Elmsley
|
ATFUS
|
3
|
1995
|
18
|
|
thumb break \n with left thumb at outer left corner of deck hand, obtained beneath natural break \n unknown
1995
|
Thumb break
|
3
|
1995
|
19
|
|
double lift revolve palm \n the face card of a displayed double is stolen into right-hand palm as double is turned face down (on deck), applied in "fixed thought" (p. 24) \n michael friedland
1995
Michael Friedland
|
Double Lift Revolve Palm
|
3
|
1995
|
21
|
|
fixed thought \n named card is only red card in deck and blue one is in pocket, new card is selected and red card and isolated blue card both change into new card \n michael friedland \n "forced thought" (gary kurtz, let's get flurious [dvd], ca. 1992)
1995
Michael Friedland
|
Fixed Thought
|
Inspired by- "Forced Thought" (Gary Kurtz, Let's Get Flurious [DVD], ca. 1992)
|
3
|
1995
|
24
|
|
card case load \n \n edward marlo \n matt schulien
1995
Edward Marlo, Matt Schulien
|
Card Case load
|
3
|
1995
|
26
|
|
card from case extraction \n visible card actually in case is switched for card on outside of case during extraction \n edward marlo \n matt schulien
1995
Edward Marlo, Matt Schulien
|
Card from case extraction
|
3
|
1995
|
26
|
|
pocket interchange \n one by one the four aces change into the kings that were previously placed into pocket, aces are shown to have jumped to both pockets (two in each), then kings instantly vanish and are produced from both pockets, all kings and aces can be signed \n jack carpenter \n multiplex reset \n jack carpenter \n ambidextrous travellers \n larry jennings \n pocket interchange revisited \n larry jennings \n steve ehlers \n eric t. dockery \n jack carpenter \n multiplex interchange \n john lovick
1995
Jack Carpenter
|
Pocket Interchange
|
Inspired byRelated toVariations
|
3
|
1995
|
28
|
|
errata \n \n stephen hobbs \n the close-up billusion \n don banks \n jim lambert \n steve ehlers \n art gross \n ribbonspread hideout \n dai vernon \n deck reverse \n johann nepomuk hofzinser \n harry lorayne \n richard kaufman \n a "quickie" revisited \n jack carpenter \n carpenter's cannibals \n jack carpenter \n multiple top switch \n jack carpenter \n o'henry plays jazz \n jack carpenter \n two moves – the carpenter outjog insertion \n jack carpenter \n two moves – the tabled elmsley switch \n jack carpenter \n full reverse \n jack carpenter
1995
Stephen Hobbs
|
Errata
|
Related to- The Close-Up Billusion (Don Banks, Jim Lambert, Steve Ehlers, Art Gross, 1994)
- Ribbonspread Hideout (Dai Vernon, 1994)
- Deck Reverse (Johann Nepomuk Hofzinser, Harry Lorayne, Richard Kaufman, 1994)
- A "Quickie" Revisited (Jack Carpenter, 1994)
- Carpenter's Cannibals (Jack Carpenter, 1994)
- Multiple top switch (Jack Carpenter, 1994)
- O'Henry Plays Jazz (Jack Carpenter, 1994)
- Two Moves – The Carpenter Outjog Insertion (Jack Carpenter, 1994)
- Two Moves – The Tabled Elmsley Switch (Jack Carpenter, 1994)
- Full Reverse (Jack Carpenter, 1994)
|
3
|
1995
|
31
|
|
preliminary \n \n stephen hobbs
1995
Stephen Hobbs
|
Preliminary
|
4
|
1995
|
3
|
|
voodoo redo \n spectator randomly chooses where three pins are pushed into a voodoo doll, performer has correctly predicted the locations on a second voodoo doll \n alan nguyen \n "voodoo ii" (christian chelman, capriconian tales, 1993, p. 52)
1995
Alan Nguyen
|
Voodoo Redo
|
Inspired by- "Voodoo II" (Christian Chelman, Capriconian Tales, 1993, p. 52)
|
4
|
1995
|
4
|
|
stabbing force variation \n variation of knife force (credits it to annemann?) using pin \n alan nguyen
1995
Alan Nguyen
|
Stabbing Force variation
|
4
|
1995
|
8
|
|
rune speller fortune teller \n spectator thinks of a human interest and rolls special "rune dice" (dice with multiple letters) depending on the letters of that word, performer knows what human interest he is thinking of \n alan nguyen \n name? (lou boudreau, vibrations [pea's newsletter], aug. 1991)
1995
Alan Nguyen
|
Rune Speller Fortune Teller
|
Inspired by- Name? (Lou Boudreau, Vibrations [PEA's newsletter], Aug. 1991)
|
4
|
1995
|
11
|
|
bender ender \n spoon seems to move under cover of handkerchief, becomes bent \n alan nguyen \n mind bender \n ted lesley
1995
Alan Nguyen
|
Bender Ender
|
Inspired by
|
4
|
1995
|
16
|
|
sleeving move \n sleeving a spoon \n unknown
1995
|
Sleeving move
|
4
|
1995
|
17
|
|
on books & good looks \n many trick ideas and techniques based around the book test theme:
- peek-to-peek
- page number riffle force
- the romantic reader
- the silver dollar force
- the natural anagram principle
- peek bank \n alan nguyen
1995
Alan Nguyen
|
On Books & Good Looks
|
4
|
1995
|
20
|
|
peek-to-peek \n two spectators think of words from book, performer divines both \n alan nguyen \n the double "i'm not a satanist on sunday evening" book test \n alan nguyen
1995
Alan Nguyen
|
Peek-to-Peek
|
Inspired by
|
4
|
1995
|
20
|
|
book finger break \n obtaining little-finger break at page freely chosen \n alan nguyen \n book finger break \n alan nguyen
1995
Alan Nguyen
|
Book finger break
|
Also published here
|
4
|
1995
|
21
|
|
book page glimpse \n \n unknown
1995
|
Book page glimpse
|
4
|
1995
|
21
|
|
book page riffle force \n \n unknown
1995
|
Book page Riffle Force
|
4
|
1995
|
23
|
|
page number riffle force \n force a page number to turn to in another book \n alan nguyen
1995
Alan Nguyen
|
Page Number Riffle Force
|
4
|
1995
|
24
|
|
the romantic reader \n revealing the gist of an entire page (not just a single word) of one or more spectators \n alan nguyen \n ultimate flashback \n larry becker
1995
Alan Nguyen
|
The Romantic Reader
|
Related to
|
4
|
1995
|
26
|
|
the silver dollar force \n ploy to force a specific section or specific group of words on a page \n alan nguyen
1995
Alan Nguyen
|
The Silver Dollar Force
|
4
|
1995
|
26
|
|
the natural anagram principle \n narrowing down to a specific word that was thought of from a group of words (on a page) \n alan nguyen \n efficient fishing \n bob farmer
1995
Alan Nguyen
|
The Natural Anagram Principle
|
Variations
|
4
|
1995
|
27
|
|
peek bank \n fair choice of page for spectator (forcing bank), performer can divine thought-of word \n alan nguyen \n gene "phantini" grant \n name? (charles h. miller, the linking ring, ca. 1960)
1995
Alan Nguyen, Gene "Phantini" Grant
|
Peek Bank
|
Related to- Name? (Charles H. Miller, The Linking Ring, ca. 1960)
|
4
|
1995
|
30
|
|
over-draun challenge \n three spectators peek at cards and deck can be shuffled, performer divines them all, uses draun's fan glimpse (see references) \n alan nguyen \n the fan glimpse \n steve draun
1995
Alan Nguyen
|
Over-Draun Challenge
|
Inspired by
|
4
|
1995
|
32
|
|
the red-black stack \n full-deck ootw, deck can be seen mixed right before, instantly resets \n alan nguyen
1995
Alan Nguyen
|
The Red-Black Stack
|
4
|
1995
|
35
|
|
invisibility watch \n spectator mimes selecting and returning a card reversed in an imaginary deck, deck becomes real and chosen card is reversed, a watch appears on performer's wrist (he had previously called attention to his "invisible watch") \n alan nguyen
1995
Alan Nguyen
|
Invisibility Watch
|
4
|
1995
|
38
|
|
preliminary \n \n stephen hobbs
1995
Stephen Hobbs
|
Preliminary
|
5
|
1995
|
3
|
|
impossible card rise \n the classic pinky card rise, but card rises completely out of deck and hovers above it \n carl "polaris" melish \n the pinky rise \n unknown \n carl "polaris" melish
1995
Carl "Polaris" Melish
|
Impossible Card Rise
|
Related to
|
5
|
1995
|
4
|
|
pocket interchange revisited \n handling variations of "pocket interchange" (see reference)
- dockery's finesse (small touch)
- ehlers' display sequence (updated handling to set up)
- jennings' reset sequence (variation of entire interchange sequence)
- final observations (see p. 12) \n larry jennings \n steve ehlers \n eric t. dockery \n jack carpenter \n pocket interchange \n jack carpenter
1995
Larry Jennings, Steve Ehlers, Eric T. Dockery, Jack Carpenter
|
Pocket Interchange Revisited
|
Inspired by
|
5
|
1995
|
7
|
|
slipduc \n with four cards \n p. howard lyons
1995
P. Howard Lyons
|
Slipduc
|
5
|
1995
|
8
|
|
jennings' reset sequence \n see reference on p. 7 \n larry jennings
1995
Larry Jennings
|
Jennings' Reset Sequence
|
5
|
1995
|
8
|
|
olram subtlety \n \n edward marlo
1995
Edward Marlo
|
Olram Subtlety
|
5
|
1995
|
9
|
|
rhythm count \n \n larry jennings
1995
Larry Jennings
|
Rhythm Count
|
5
|
1995
|
10
|
|
pocket interchange revisited - final observations \n response to racherbaumer's critique of "pocket interchange" in modus operandi, see reference \n stephen hobbs \n pocket interchange \n jon racherbaumer
1995
Stephen Hobbs
|
Pocket Interchange Revisited - Final Observations
|
Related to
|
5
|
1995
|
12
|
|
american express \n a credit card application form is shown to be blank, it's then shown to be filled out and a credit card (or dollar bill) is produced with it \n doug edwards
1995
Doug Edwards
|
American Express
|
5
|
1995
|
14
|
|
efficient fishing \n - overview: two fishing rods
-- binary fishing
-- majority fishing
- the magic combination
-- combo fishing
- the nguyen anagram revisited
-- analysis
-- conclusion \n bob farmer \n the natural anagram principle \n alan nguyen
1995
Bob Farmer
|
Efficient Fishing
|
Inspired by
|
5
|
1995
|
17
|
|
the floating add-on \n cards added to packet from top of deck, gives impression packet never came in direct contact with top of deck, see reference for technical correction and how to get into it and how to proceed after it \n william goodwin \n errata \n stephen hobbs
1995
William Goodwin
|
The Floating Add-On
|
Related to
|
5
|
1995
|
22
|
|
ungaffed triple spellbound \n silver coin is produced, changed to copper and then to chinese coin, changed back to copper and then back to silver \n kevin bethea
1995
Kevin Bethea
|
Ungaffed Triple Spellbound
|
5
|
1995
|
24
|
|
curl palm \n \n geoffrey latta
1995
Geoffrey Latta
|
Curl Palm
|
5
|
1995
|
25
|
|
spellbound change \n single coin exchanged for two coins (held as one) \n dai vernon
1995
Dai Vernon
|
Spellbound Change
|
5
|
1995
|
26
|
|
coin change \n coin in left-hand spellbound position changes when right hand waves over it \n kevin bethea
1995
Kevin Bethea
|
Coin Change
|
5
|
1995
|
26
|
|
tumble switch \n \n sol stone \n tumble switch/change \n sol stone
1995
Sol Stone
|
Tumble Switch
|
Also published here
|
5
|
1995
|
28
|
|
mayhew's mistake \n two-phase center deal demo, four face-up aces are dealt from center, when attempted a second time four face-down cards are dealt out and apparently performer has failed, face-down cards are shown to be the aces \n steve mayhew \n mayhew's middle deal miracle \n steve mayhew \n mayhew's mistake \n steve mayhew
1995
Steve Mayhew
|
Mayhew's Mistake
|
Related toAlso published here
|
5
|
1995
|
31
|
|
preliminary \n \n stephen hobbs
1997
Stephen Hobbs
|
Preliminary
|
6
|
1997
|
3
|
|
the "eight four" trick \n value of designated card in one half of deck dictates position of selection in other half of deck \n aaron fisher
1997
Aaron Fisher
|
The "Eight Four" Trick
|
6
|
1997
|
4
|
|
the outjog herrmann pass & variations \n pass done while selection is out-jogged
- the basic outjog pass: controls card to bottom
- the double lift switchout (p. 10): variation, controls card to top
- the advanced outjog pass (see p. 10)
- the outjogged center reverse (see p. 11) \n aaron fisher
1997
Aaron Fisher
|
The Outjog Herrmann Pass & Variations
|
6
|
1997
|
7
|
|
the advanced outjog pass \n improvement of "the basic outjog pass" (p. 7), card is out-jogged normally, not angle-jogged as in original \n aaron fisher
1997
Aaron Fisher
|
The Advanced Outjog Pass
|
6
|
1997
|
10
|
|
the outjogged center reverse \n card is reversed in middle of deck immediately after being seen squared face-down into deck \n aaron fisher
1997
Aaron Fisher
|
The Outjogged Center Reverse
|
6
|
1997
|
11
|
|
fisher's favorite inversion \n selection turns face up in face-down deck, it's removed and dropped face up onto deck and entire deck instantly turns face up beneath it \n aaron fisher
1997
Aaron Fisher
|
Fisher's Favorite Inversion
|
6
|
1997
|
14
|
|
simple searchers \n spectator handles deck, each time he cuts deck the sandwich cards travel closer to middle of deck, finally sandwiching just one card - the selection \n aaron fisher
1997
Aaron Fisher
|
Simple Searchers
|
6
|
1997
|
16
|
|
ace mis-show & vanish \n an ace is seen to clearly go between three indifferent cards, it vanishes leaving four indifferent cards, to be used in an ace assembly, three as ace \n aaron fisher
1997
Aaron Fisher
|
Ace Mis-Show & Vanish
|
6
|
1997
|
18
|
|
fisher multiple lift sequence \n to show packet of four as all the same \n aaron fisher \n a diminishing lift \n aaron fisher
1997
Aaron Fisher
|
Fisher Multiple Lift Sequence
|
Also published here
|
6
|
1997
|
21
|
|
half-pass mechanics \n with single card beneath packet \n aaron fisher
1997
Aaron Fisher
|
Half-Pass mechanics
|
6
|
1997
|
22
|
|
the covered strip out switch \n - face-up covered strip out switch: out-jogged cards in face-up deck are switched for others as they are stripped out
- face-down covered strip out switch (p. 27): done with deck face down
- controlled covered strip out switch (p. 27): similar to above handling, but retains control of switched-out cards in the deck
- quick sync (see p. 29)
- the men's club (see p. 30) \n aaron fisher
1997
Aaron Fisher
|
The Covered Strip Out Switch
|
6
|
1997
|
24
|
|
quick sync \n performer and spectator each choose a card, they are matching mates, uses "the covered strip out switch" (p. 24) with two cards \n aaron fisher
1997
Aaron Fisher
|
Quick Sync
|
6
|
1997
|
29
|
|
the men's club \n performer out-jogs five cards, spectator chooses one, it is the "odd card" as other four are shown to be a four-of-a-kind \n aaron fisher \n dan harlan \n gordon bean
1997
Aaron Fisher, Dan Harlan, Gordon Bean
|
The Men's Club
|
6
|
1997
|
30
|
|
basic math \n spectator removes four cards from deck, values are added up to make "lucky number", deck is spread and four-of-a-kind that matches "lucky number" is face up in deck, force of number is essentially the gilbreath principle although not credited as such \n aaron fisher \n lee asher \n mike strange
1997
Aaron Fisher, Lee Asher, Mike Strange
|
Basic Math
|
6
|
1997
|
31
|
|
preliminary \n \n stephen hobbs
1997
Stephen Hobbs
|
Preliminary
|
7
|
1997
|
3
|
|
regressive triumph: part 1 - an effect and a problem \n deck is mixed face-up into face-down, a riffle causes some of the face-up cards to turn over, another riffle and all turn over except one - the selection, see reference for variation that ends clean \n steve mayhew \n regressive triumph: part 2 - a solution \n karen beriss \n stephen hobbs \n regressive triumph \n steve mayhew \n stephen hobbs \n karen beriss
1997
Steve Mayhew
|
Regressive Triumph: Part 1 - An Effect And A Problem
|
VariationsAlso published here
|
7
|
1997
|
4
|
|
braue reversal variation \n \n frederick braue
1997
Frederick Braue
|
Braue Reversal variation
|
7
|
1997
|
4
|
|
free association \n after playing a game of "free association" with spectator, performer can know what shapes and word spectator wrote on a piece of paper, full presentation and much detail on the scripting \n jamy ian swiss \n free association \n jamy ian swiss \n free association \n jamy ian swiss
1997
Jamy Ian Swiss
|
Free Association
|
Also published here
|
7
|
1997
|
7
|
|
center tear finesse \n to make the glimpse of the pieces more subtle \n jamy ian swiss \n "theyduit" center tear \n karrell fox
1997
Jamy Ian Swiss
|
Center Tear finesse
|
Inspired by
|
7
|
1997
|
11
|
|
hot pocket \n with left hand in pocket throughout, performer says he will do card trick with only one hand, after failing to find signed card, he removes left hand from pocket with card in hand, seven handlings \n john lovick \n the description of "pocket nightmare" (max maven, finally published on kayfabe dvds, 2017) \n keep your hands in your pockets \n steve mayhew \n hand in my pocket \n john lovick
1997
John Lovick
|
Hot Pocket
|
Inspired by- the description of "Pocket Nightmare" (Max Maven, finally published on Kayfabe DVDs, 2017)
VariationsAlso published here
|
7
|
1997
|
14
|
|
mcmillen's card from pocket \n card apparently removed from inside pocket with hand holding deck, really from deck \n jack mcmillen \n mcmillen's card from pocket \n jack mcmillen
1997
Jack McMillen
|
McMillen's Card from Pocket
|
Also published here
|
7
|
1997
|
16
|
|
foiled again! \n complete vanish of a coin from spellbound position, homemade gaff \n ben cohen
1997
Ben Cohen
|
Foiled Again!
|
7
|
1997
|
20
|
|
melt down \n a penny literally melts into little gobs when held over a flame, homemade gaff \n joe rindfleisch \n pocket forge \n mike helmer
1997
Joe Rindfleisch
|
Melt Down
|
Variations
|
7
|
1997
|
24
|
|
a $100 bill switch routine \n a $1 bill changes into a $5, a $20 changes to a $1, stack of $20 changes to $1s, then a $5 changes to a $20, presentation for all the changes \n steve mayhew \n das kapital \n steve mayhew \n das kapital \n steve mayhew
1997
Steve Mayhew
|
A $100 Bill Switch Routine
|
Also published here
|
7
|
1997
|
25
|
|
on the numerical prediction \n performer shows some large numbers he wrote down, audience generates a big number, when performer's numbers are added up they total the audience's number \n noel coughlin
1997
Noel Coughlin
|
On the Numerical Prediction
|
7
|
1997
|
28
|
|
regressive triumph: part 2 - a solution \n same plot as part 1 (see reference), but end by making the aces reverse in the deck, or have the aces available for a future trick \n karen beriss \n stephen hobbs \n regressive triumph: part 1 - an effect and a problem \n steve mayhew \n regressive triumph \n steve mayhew \n stephen hobbs \n karen beriss
1997
Karen Beriss, Stephen Hobbs
|
Regressive Triumph: Part 2 - A Solution
|
Inspired byAlso published here
|
7
|
1997
|
33
|
|
tenkai optical revolve \n \n tenkai ishida
1997
Tenkai Ishida
|
Tenkai Optical Revolve
|
7
|
1997
|
34
|
|
errata \n \n stephen hobbs \n the floating add-on \n william goodwin
1997
Stephen Hobbs
|
Errata
|
Related to
|
7
|
1997
|
36
|
|
preliminary \n \n stephen hobbs
1998
Stephen Hobbs
|
Preliminary
|
8 - Part 1
|
1998
|
3
|
|
mayhew's aces \n using riser subtlety (uncredited) \n steve mayhew \n mayhew's aces \n steve mayhew
1998
Steve Mayhew
|
Mayhew's Aces
|
Also published here
|
8 - Part 1
|
1998
|
4
|
|
side steal subtlety \n to cover side steal action, brief \n steve mayhew
1998
Steve Mayhew
|
Side Steal subtlety
|
8 - Part 1
|
1998
|
6
|
|
"attitude" \n spectator cuts to an ace and three indifferent cards, three cards changed into aces \n steve mayhew \n attitude \n steve mayhew
1998
Steve Mayhew
|
"Attitude"
|
Also published here
|
8 - Part 1
|
1998
|
9
|
|
card change \n back-to-back cards are changed on deck
"this is an old move, which steve associates with paul harris" \n paul harris
1998
Paul Harris
|
Card change
|
8 - Part 1
|
1998
|
11
|
|
t. n. t bottom deal \n brief, "take and turn bottom deal" \n larry jennings
1998
Larry Jennings
|
T. N. T Bottom Deal
|
8 - Part 1
|
1998
|
12
|
|
mayhew's opener \n deck is continuously shuffled, spectator makes decisions about what pile to use and when performer should stop and finds the four aces one by one, possible "encore phase" is to show the whole deck is only aces of hearts and three of them change back to indifferent cards and ace of hearts is in shirt \n steve mayhew \n mayhew's opener \n steve mayhew
1998
Steve Mayhew
|
Mayhew's Opener
|
Also published here
|
8 - Part 1
|
1998
|
13
|
|
everywhere and nowhere sequence \n \n derek dingle \n regal royal flush \n derek dingle
1998
Derek Dingle
|
Everywhere and Nowhere sequence
|
Related to
|
8 - Part 1
|
1998
|
17
|
|
quick 3-way sequence \n brief \n unknown
1998
|
Quick 3-Way sequence
|
8 - Part 1
|
1998
|
18
|
|
$100 gag \n gag trick, a $100 bill and a few $1s are rolled into balls and all tossed into audience, no one comes up with the $100 \n steve mayhew \n $100 gag \n steve mayhew
1998
Steve Mayhew
|
$100 Gag
|
Also published here
|
8 - Part 1
|
1998
|
19
|
|
multiple card control \n multiple cards are controlled as they are separately lost via assembling multiple packets into full deck \n steve mayhew
1998
Steve Mayhew
|
Multiple Card Control
|
8 - Part 1
|
1998
|
21
|
|
multiple top switch \n \n edward marlo \n multiple top switch \n jack carpenter
1998
Edward Marlo
|
Multiple Top Switch
|
Related to
|
8 - Part 1
|
1998
|
23
|
|
flash ace production \n as four small packets are cut from deck, an ace appears face up on top of each \n steve mayhew \n flash ace production \n steve mayhew
1998
Steve Mayhew
|
Flash Ace Production
|
Also published here
|
8 - Part 1
|
1998
|
25
|
|
thoughts on the dribble pass \n - dribble pass tips
- versatility (p. 30)
- tabled spread dribble pass (p. 31)
- bluff display (p. 32) \n steve mayhew \n on the dribble pass \n steve mayhew
1998
Steve Mayhew
|
Thoughts on the Dribble Pass
|
Related to
|
8 - Part 1
|
1998
|
28
|
|
preliminary \n \n stephen hobbs
1998
Stephen Hobbs
|
Preliminary
|
8 - Part 2
|
1998
|
3
|
|
ultimate blackjack \n spectator deals out many blackjack hands between the performer and himself, performer always has a great hand (20 or 21) and almost always wins \n steve mayhew \n multiple blackjack \n nick trost
1998
Steve Mayhew
|
Ultimate Blackjack
|
Variations
|
8 - Part 2
|
1998
|
4
|
|
lazy man’s ten-card poker deal \n uses snap crimp, multi-phased:
- performer deals poker hands to himself and spectator and he wins
- spectator repeatedly shuffles and deals those ten cards and performer without looking always knows whether he will win or lose
- for finale performer (sometimes spectator) deals from deck and has option to exchange three cards for any three cards in deck, performer still wins \n steve mayhew \n bolo jonah \n bob farmer \n steve mayhew \n lazy man's ten-card poker deal \n steve mayhew
1998
Steve Mayhew
|
Lazy Man’s Ten-Card Poker Deal
|
Related toAlso published here
|
8 - Part 2
|
1998
|
9
|
|
snap crimp \n putting in the crimp \n steve mayhew
1998
Steve Mayhew
|
Snap Crimp
|
8 - Part 2
|
1998
|
10
|
|
keep your hands in your pockets \n with one hand in pocket, performer produces selection on top of deck while it is behind his back, a second card is selected and its three mates are produced behind his back in similar fashion, hand is brought out from pocket and it holds the three mates of first selection, no jacket \n steve mayhew \n hot pocket \n john lovick \n keep your hands in your pockets \n steve mayhew
1998
Steve Mayhew
|
Keep Your Hands In Your Pockets
|
Inspired byRelated to
|
8 - Part 2
|
1998
|
14
|
|
one-handed card turnover \n reversing bottom card to top \n unknown
1998
|
One-handed card turnover
|
8 - Part 2
|
1998
|
16
|
|
the real world \n two spectators take many cards from deck (sometimes one spectator holds deck while other selects), one takes all red cards and other takes all black cards \n steve mayhew \n mayhew world \n steve mayhew
1998
Steve Mayhew
|
The Real World
|
Related to
|
8 - Part 2
|
1998
|
18
|
|
vanishing variations \n - the vanishing poker deal: aces vanish one at a time from top of deck, performer deals out five hands and aces turn up face up in his hand (or they are “center-dealt” to performer from deck)
- topsy-turvy vanishing poker deal (see p. 24)
- the vanishing fix (see p. 26) \n steve mayhew \n passing along the vanishing aces \n james swain \n the vanishing poker deal \n steve mayhew
1998
Steve Mayhew
|
Vanishing Variations
|
Inspired byAlso published here
|
8 - Part 2
|
1998
|
23
|
|
topsy-turvy vanishing poker deal \n aces vanished as in original (p. 23), deck is shuffled face up into face down, hands are dealt out and all cards come out face up except performer’s, rest of deck becomes all face up, performer’s cards are the aces \n steve mayhew \n the vanishing topsy-turvy poker deal \n steve mayhew
1998
Steve Mayhew
|
Topsy-Turvy Vanishing Poker Deal
|
Also published here
|
8 - Part 2
|
1998
|
24
|
|
tenkai optical revolve variation \n \n steve mayhew \n tenkai ishida
1998
Steve Mayhew, Tenkai Ishida
|
Tenkai Optical Revolve variation
|
8 - Part 2
|
1998
|
24
|
|
the vanishing fix \n aces placed on bottom, one by one they are placed on top and vanish, following each vanish the others are seen still on bottom, trick can end as in previous variation (p. 24), or without the "topsy-turvy" aspect and performer just gets the only face down cards – the aces \n steve mayhew \n the vanishing fix \n steve mayhew \n stephen hobbs
1998
Steve Mayhew
|
The Vanishing Fix
|
Also published here
|
8 - Part 2
|
1998
|
26
|
|
preliminary \n \n stephen hobbs
1999
Stephen Hobbs
|
Preliminary
|
9
|
1999
|
3
|
|
time flies \n clock trick plot, with red deck an hour is thought of and corresponding card of clock setup is noted by spectator, cards are re-dealt and there are only eleven, noted card appears reversed in blue deck \n dean dill
1999
Dean Dill
|
Time Flies
|
9
|
1999
|
4
|
|
vernon transfer \n with card of different colored back \n dai vernon
1999
Dai Vernon
|
Vernon Transfer
|
9
|
1999
|
7
|
|
con-clue-sion \n “clue” game theme, spectators think of a person, weapon and room, envelopes are randomly eliminated until down to one and inside is the correct prediction of all three items \n philip t. goldstein \n controlled fate \n roy walton
1999
Philip T. Goldstein
|
Con-Clue-Sion
|
Inspired by
|
9
|
1999
|
8
|
|
the trans-pocket switch and applications \n a card-to-back-pocket methodology
- overview
- first application: named card vanishes from deck and appears in pocket (p. 17)
- second application (“the interlaced mystery”): p. 17
- third application: see p. 19
- fourth application: see p. 19 \n john guastaferro \n pocketpick \n alex elmsley
1999
John Guastaferro
|
The Trans-Pocket Switch and Applications
|
Related to
|
9
|
1999
|
13
|
|
third application \n spectator thinks of number and notes card at that position from top, behind back performer places a card into pocket, card is shown to no longer be at noted position, it is in pocket \n john guastaferro
1999
John Guastaferro
|
Third Application
|
9
|
1999
|
19
|
|
fourth application \n joker placed in back pocket, spades are shown in order and spectator names one, they are dealt out and named spade changes to joker, named spade is in back pocket \n john guastaferro
1999
John Guastaferro
|
Fourth Application
|
9
|
1999
|
19
|
|
dunbury aces \n performer cuts to cards to help identify features of selection (an ace), each time failing and one of the cards is actually the selection, a new card is changed into selection and the cut-to cards are changed into other aces \n steve silverman
1999
Steve Silverman
|
Dunbury Aces
|
9
|
1999
|
22
|
|
double load-up and turnover \n card is secretly added onto out-jogged to create a double, then both are turned over as one, done with half the deck in each hand \n unknown
1999
|
Double load-up and turnover
|
9
|
1999
|
24
|
|
out-jogged switch \n out-jogged card is switched for another (a double) in action of turning it face up as in previous technique \n unknown
1999
|
Out-jogged switch
|
9
|
1999
|
25
|
|
james/ellis loading move \n \n tom ellis \n wesley james
1999
Tom Ellis, Wesley James
|
James/Ellis Loading move
|
9
|
1999
|
26
|
|
push-out double lift \n right hand (holding top half) pushes forward and out-jogs a double on top of bottom half \n unknown
1999
|
Push-out Double Lift
|
9
|
1999
|
26
|
|
multi-level dealing \n follow-up to “dunbury aces” (p. 22), aces are interlaced with heart cards and false deals (second, third, fourth and bottom) are demonstrated, heart cards change to kings \n steve silverman \n devil's elevator \n bruce cervon \n kings' castle \n steve silverman
1999
Steve Silverman
|
Multi-Level Dealing
|
Inspired byRelated to
|
9
|
1999
|
28
|
|
card reversal \n deck is fanned face out and turned over onto bottom cards \n steve silverman
1999
Steve Silverman
|
Card reversal
|
9
|
1999
|
28
|
|
false interweave sequence \n brief \n ray kosby \n never the twain shall mix \n ray kosby
1999
Ray Kosby
|
False interweave sequence
|
Also published here
|
9
|
1999
|
30
|
|
pinky break \n performer bends his little finger 90 degrees \n anton van helden
1999
Anton van Helden
|
Pinky Break
|
9
|
1999
|
32
|
|
multiplex interchange \n kings placed in pocket, one by one the aces change into kings, they change back to aces, kings are produced from both pockets, the aces instantly vanish and are produced from both pockets
- silverman alternate display sequence (p. 38): alternative procedure to get into trick \n john lovick \n pocket interchange \n jack carpenter \n a double jack \n allan ackerman
1999
John Lovick
|
Multiplex Interchange
|
Inspired byRelated to
|
9
|
1999
|
35
|
|
preliminary \n \n stephen hobbs
1999
Stephen Hobbs
|
Preliminary
|
10
|
1999
|
3
|
|
the golden chain \n endless chain done in the hands, spectator’s choice always catches on performer’s thumbs, finale is done in spectator’s hands
- the basic technique (p. 5)
-- the display position
-- the starting position
-- the right thumb - no catch (p. 7)
-- the right thumb - catch
-- the left thumb - no catch (p. 8)
-- the left thumb - catch
-- pulling the chain free
- advanced subtleties (p. 9)
-- displaying the cross
-- the pull-out variants (p. 10)
-- on the spectator's thumbs
- notes & credits (p. 12): bonus idea for routine \n eric t. dockery \n decennial prelection lecture notes (scotty york, ca. 1980)
1999
Eric T. Dockery
|
The Golden Chain
|
Related to- Decennial Prelection lecture notes (Scotty York, ca. 1980)
|
10
|
1999
|
4
|
|
the rose \n rose sticker stuck onto card’s face, ambitious card sequence with it, real rose is produced from card and sticker is gone, uses dupe \n eric t. dockery
1999
Eric T. Dockery
|
The Rose
|
10
|
1999
|
13
|
|
rose production \n production of rose on deck \n eric t. dockery
1999
Eric T. Dockery
|
Rose production
|
10
|
1999
|
17
|
|
hot sauce \n vanishes and productions with colored sponge balls (referred to as “peppers”), chili pepper is produced and then changed into small tabasco sauce bottle \n eric t. dockery
1999
Eric T. Dockery
|
Hot Sauce
|
10
|
1999
|
18
|
|
sleeving technique \n inserting item into sleeve from inside jacket, holding at elbow until ready to produce \n unknown
1999
|
Sleeving technique
|
10
|
1999
|
19
|
|
the genie bottle \n “genie vase”, wand hangs from bottle and bottle hangs from wand, spectator is allowed to pull hard on the wand, flash of fire from bottle for finale \n eric t. dockery
1999
Eric T. Dockery
|
The Genie Bottle
|
10
|
1999
|
22
|
|
no camera trickery \n three phases, a “no camera trickery” sign is torn and restored in flash of fire, a camera is produced, a signed card vanishes and reappears folded inside camera
- variation to have card in camera with different colored back, implying spectator’s signature traveled to camera (p. 30) \n eric t. dockery
1999
Eric T. Dockery
|
No Camera Trickery
|
10
|
1999
|
27
|
|
sleeving technique \n camera dropped down sleeve from inside jacket and held at elbow to be produced later \n unknown
1999
|
Sleeving technique
|
10
|
1999
|
28
|
|
folded card in container finesse \n items falling from container enhance illusion \n jamy ian swiss \n kiss of the big apple \n jamy ian swiss
1999
Jamy Ian Swiss
|
Folded card in container finesse
|
Also published here
|
10
|
1999
|
30
|
|
repeat card to envelope \n two signed selections, first appears inside envelope taken from wallet, after failing to find second one, first envelope is shown to be resealed and second one is inside \n eric t. dockery
1999
Eric T. Dockery
|
Repeat Card to Envelope
|
10
|
1999
|
31
|
|
paddle routine notes \n couple tips to make knife paddle routine (see reference) more deceptive and more practical \n eric t. dockery \n "tricks with common objects - knives" (edwin sachs, sleight of hand, 1877)
1999
Eric T. Dockery
|
Paddle Routine Notes
|
Inspired by- "Tricks with Common Objects - Knives" (Edwin Sachs, Sleight of Hand, 1877)
|
10
|
1999
|
36
|
|
preliminary \n \n stephen hobbs
1999
Stephen Hobbs
|
Preliminary
|
11
|
1999
|
3
|
|
a labyrinth in a labyrinth \n cards are dealt out in a snake fashion, card is chosen based on spectator’s free choice and additional randomization, performer shows that the “snake” is in the shape of the card’s initials \n gordon bean \n "koynini's karpet" (tony koynini, the magic wand, march 1953, p. 42)
1999
Gordon Bean
|
A Labyrinth in a Labyrinth
|
Related to- "Koynini's Karpet" (Tony Koynini, The Magic Wand, March 1953, p. 42)
|
11
|
1999
|
4
|
|
the ballet cut \n fancy false cut,
applications (p. 10):
- false cut
- card production (two variations)
- force
- transformation (see entry on p. 10)
- center deal demo (p. 11) \n john guastaferro
1999
John Guastaferro
|
The Ballet Cut
|
11
|
1999
|
7
|
|
fifth application: visual color changing deck \n joker is produced from deck, entire deck changes color as deck is given flashy cut which brings reversed joker to middle, face-up joker is removed and its back has also changed \n john guastaferro \n dai vernon's colour changing pack \n dai vernon
1999
John Guastaferro
|
Fifth Application: Visual Color Changing Deck
|
Inspired by
|
11
|
1999
|
10
|
|
card production \n card is pivoted to top from middle of deck \n unknown
1999
|
Card production
|
11
|
1999
|
11
|
|
kings' castle \n follow up to steve's "multi-level dealing" (see reference), kings are dealt down into diamond formation, aces placed in center, they change places \n steve silverman \n multi-level dealing \n steve silverman
1999
Steve Silverman
|
Kings' Castle
|
Related to
|
11
|
1999
|
12
|
|
action cover pass \n cover pass is executed during open action of turning over cards in packet \n steve silverman
1999
Steve Silverman
|
Action cover pass
|
11
|
1999
|
12
|
|
double deal \n \n unknown
1999
|
Double Deal
|
11
|
1999
|
14
|
|
moment of egress \n follow-up to “kings’ castle” (p. 12), selection vanishes from between aces and reappears reversed in deck \n steve silverman
1999
Steve Silverman
|
Moment of Egress
|
11
|
1999
|
15
|
|
wondereverse \n card displayed face up in spread deck is apparently turned face down, but really is retained hidden face up \n tommy wonder
1999
Tommy Wonder
|
Wondereverse
|
11
|
1999
|
15
|
|
false count \n face-down card below three face-up aces is shown as a face-down card between four aces \n unknown
1999
|
False count
|
11
|
1999
|
17
|
|
card case cascade \n flashy way to remove deck from case \n lee asher
1999
Lee Asher
|
Card Case Cascade
|
11
|
1999
|
19
|
|
silverman’s outjog insertion \n versatile, ex: four face-up aces displayed at top of deck, one is left behind beneath top card of deck \n steve silverman \n two moves – the carpenter outjog insertion \n jack carpenter
1999
Steve Silverman
|
Silverman’s Outjog Insertion
|
Related to
|
11
|
1999
|
22
|
|
on the bottle production \n different handlings:
- first technique: ketchup bottle held-out in pants, produced from handkerchief
- second technique (p. 28): ketchup bottle held-out in unbuttoned jacket, produced from newspaper
- third technique (p. 30): ketchup bottle or glass of liquid produced from buttoned double-breasted jacket
- the soda bottle kicker (p. 31): following the glass production (above), soda bottle produced from handkerchief \n john lovick
1999
John Lovick
|
On the Bottle Production
|
11
|
1999
|
25
|
|
preliminary \n \n stephen hobbs
1999
Stephen Hobbs
|
Preliminary
|
12
|
1999
|
3
|
|
the name tag trick \n blank deck (“name tags”), spectator signs one, ambitious card sequence, signature vanishes and reappears, travels onto another card signed by performer on back
- alternative final phase: whole deck changes to spectator’s signed card, then changes back and card is produced from pocket \n gregory wilson \n “blank ambition” (seth kramer, ruminations, vol. 1 no. 5, nov. 1986, p. 4)
1999
Gregory Wilson
|
The Name Tag Trick
|
Related to- “Blank Ambition” (Seth Kramer, Ruminations, Vol. 1 No. 5, Nov. 1986, p. 4)
|
12
|
1999
|
4
|
|
dribble double \n brief, deck dribbled and last two held as one, leads into stuart gordon double \n unknown
1999
|
Dribble Double
|
12
|
1999
|
6
|
|
two-card swap \n to make signature travel from one card to another \n unknown
1999
|
Two-card swap
|
12
|
1999
|
8
|
|
the outjog spread pass \n spread pass executed while selection is out-jogged in deck bringing it to bottom, selection can also be face up \n gregory wilson \n michael weber
1999
Gregory Wilson, Michael Weber
|
The Outjog Spread Pass
|
12
|
1999
|
9
|
|
professional card to pocket \n card jumps to pocket three times, then deck goes to pocket leaving card in hand \n gregory wilson \n homing card \n francis carlyle \n 51 cards to pocket \n david williamson
1999
Gregory Wilson
|
Professional Card to Pocket
|
Inspired byRelated to
|
12
|
1999
|
12
|
|
break finesse \n spreading deck while retaining break in middle, casual and open display to delay a control \n unknown
1999
|
Break finesse
|
12
|
1999
|
12
|
|
miracle move \n with sadowitz finesse, brief \n randy wakeman \n jerry sadowitz
1999
Randy Wakeman, Jerry Sadowitz
|
Miracle Move
|
12
|
1999
|
13
|
|
open card-to-pocket loading sequence \n using a double card, as you openly “explain” how you palm it into your pocket \n unknown
1999
|
Open card-to-pocket loading sequence
|
12
|
1999
|
15
|
|
single card masquerades as deck \n card inserted beneath it, tilt illusion \n gregory wilson
1999
Gregory Wilson
|
Single card masquerades as deck
|
12
|
1999
|
16
|
|
king-size travelers \n travelers without jacket (kings travel to front pants pockets and back pockets) and without deck, two kings begin preloaded - see reference \n gregory wilson \n the bashful queens \n dr. jacob daley \n paul lepaul
1999
Gregory Wilson
|
King-Size Travelers
|
Related to
|
12
|
1999
|
17
|
|
jacks as kings \n two kings and two jacks are shown in a fan as four kings \n gregory wilson
1999
Gregory Wilson
|
Jacks as Kings
|
12
|
1999
|
18
|
|
card false transfer \n card false-transferred from right hand to left, used as vanish \n gregory wilson \n an instant card(s) vanish \n seth kramer
1999
Gregory Wilson
|
Card false transfer
|
Related to
|
12
|
1999
|
20
|
|
all-around vanish \n used here to transfer card from right hand to left hand (behind back), also see p. 43 \n gregory wilson
1999
Gregory Wilson
|
All-around Vanish
|
12
|
1999
|
21
|
|
two-as-one display sequence \n double card is twirled around in a flashy manner and snapped to emphasize singularity
- stunt double (see p. 26) \n gregory wilson
1999
Gregory Wilson
|
Two-As-One Display Sequence
|
12
|
1999
|
24
|
|
stunt double \n double snaps out of hand and spins/boomerangs in air
- variation to make double split apart in mid-air (p. 28) \n gregory wilson \n "the wilson whirl" (gregory wilson, genii, vol. 61 no. 4, aug. 1998, p. 68)
1999
Gregory Wilson
|
Stunt Double
|
Also published here- "The Wilson Whirl" (Gregory Wilson, Genii, Vol. 61 No. 4, Aug. 1998, p. 68)
|
12
|
1999
|
26
|
|
the training deck \n using deck numbered on backs from 1 to 52 in order, multiple phases:
- number is named and performer demonstrates cutting straight to specific numbers
- spectator names number and performer’s cut is off by one, performer produces named-number card from pocket
- card vanishes from top of deck and reappears back in proper position
- performer removes a card unseen, spectator names card and it is correct (last phase uses mem deck) \n gregory wilson
1999
Gregory Wilson
|
The Training Deck
|
12
|
1999
|
29
|
|
dribble in-jog \n to obtain break below dribbled cards \n unknown
1999
|
Dribble in-jog
|
12
|
1999
|
30
|
|
out-jogged double load-up \n card out-jogged on bottom of deck, culled card loaded beneath it and squared with it as deck is lifted away \n gregory wilson
1999
Gregory Wilson
|
Out-jogged double load-up
|
12
|
1999
|
34
|
|
the open action cull \n four aces (e. g.) are culled to top of deck as deck is spread through and fronts and backs of cards are flashed numerous times during spreading \n gregory wilson
1999
Gregory Wilson
|
The Open Action Cull
|
12
|
1999
|
35
|
|
lethal fours \n “four card trick”, many phases:
- three cards continuously becomes four each time one is eliminated
- becomes one card – a four
- it is lost in deck and then all four fours are visually produced on top
- the fours multiply into many cards
- the fours and then card case are produced from under spectator’s arm
- deck is shown to be thick due to all the produced cards, shrinks back to normal \n gregory wilson \n the famous 3-card trick \n david williamson
1999
Gregory Wilson
|
Lethal Fours
|
Inspired by
|
12
|
1999
|
39
|
|
leech pick-up move \n \n al leech
1999
Al Leech
|
Leech Pick-up move
|
12
|
1999
|
39
|
|
km move \n to reverse cards on top of deck in action of placing card face down on top \n edward marlo \n tony kardyro
1999
Edward Marlo, Tony Kardyro
|
KM Move
|
12
|
1999
|
41
|
|
super-flip \n to visually produce the four fours face up on top at the end of a dribble \n ben harris
1999
Ben Harris
|
Super-Flip
|
12
|
1999
|
42
|
|
all-around vanish \n to transfer card case from right hand to left (behind back), also see p. 21 \n gregory wilson
1999
Gregory Wilson
|
All-around Vanish
|
12
|
1999
|
43
|
|
inflated deck illusion \n \n lin searles
1999
Lin Searles
|
Inflated Deck illusion
|
12
|
1999
|
44
|
|