technique of the peek \n basic peek handling with riffling \n edward marlo
1952
Edward Marlo
|
Technique of the Peek
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5
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the double peek \n for two selections at different positions \n edward marlo
1952
Edward Marlo
|
The Double Peek
|
6
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the triple peek \n for three selections at different positions \n edward marlo
1952
Edward Marlo
|
The Triple Peek
|
8
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a bit of handling \n flexing the deck while holding a break \n edward marlo
1952
Edward Marlo
|
A Bit of Handling
|
8
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|
|
marlo's step control \n multiple cuts to table sequences to control peeked-at cards
- a. to control one or more cards to the top
- b. to control one or more cards to bottom
- c. double peek control - top and bottom
- d. double peek to bottom
- e. double peek to top
- f. triple peek to bottom
- g. triple peek to the top \n edward marlo
1952
Edward Marlo
|
Marlo's Step Control
|
12
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|
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double cut from top to bottom \n \n unknown
1952
|
Double Cut from Top to Bottom
|
19
|
|
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double cut from bottom to top \n \n unknown
1952
|
Double Cut from Bottom to Top
|
20
|
|
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swing cut \n \n unknown
1952
|
Swing Cut
|
20
|
|
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to control cards singly to the bottom \n controlling multiple peeked cards one by one \n edward marlo
1952
Edward Marlo
|
To Control Cards Singly To the Bottom
|
26
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bottom slip cut \n in the hands \n edward marlo \n bottom slip cut \n james g. thompson jr.
1952
Edward Marlo
|
Bottom Slip Cut
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Related to
|
26
|
|
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to control two peeked at cards \n with basically one cut to table \n edward marlo
1952
Edward Marlo
|
To Control Two Peeked At Cards
|
27
|
|
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to control three peeked cards \n with basically one cut to table \n edward marlo \n three break control \n dai vernon
1952
Edward Marlo
|
To Control Three Peeked Cards
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Related to
|
28
|
|
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to control six or more cards quickly \n in two sets of three cards each \n edward marlo
1952
Edward Marlo
|
To Control Six or More Cards Quickly
|
29
|
|
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bottom block slip cut \n swing cut \n edward marlo
1952
Edward Marlo
|
Bottom Block Slip Cut
|
30
|
|
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the shuffle control \n sequences to control peeked at cards with overhand shuffles, one by one or more at once
- a. shuffle control for one or more cards to the top
- b. shuffle control to bottom
- c. double peek shuffle control to bottom
- d. double peek shuffle control with repeat
- e. double peek shuffle control to top and bottom
- f. double peek shuffle control to bottom by pull out method
- g. triple peek shuffle control to the bottom \n edward marlo
1952
Edward Marlo
|
The Shuffle Control
|
32
|
|
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establishing a step from a break \n book break \n unknown
1952
|
Establishing a Step from a Break
|
32
|
|
|
overhand step shuffles \n with multiple steps \n edward marlo
1952
Edward Marlo
|
Overhand Step Shuffles
|
32
|
|
|
cut control \n sequences to control peeked at cards with in the hands cuts
- a. cut control to the top
- b. bottom or top cut control
- c. double peek cut control to top
- d. double peek cut control to bottom
- e. alternate cut control
- f. triple peek cut control
- g. triple peek cut control no. 2 \n edward marlo
1952
Edward Marlo
|
Cut Control
|
48
|
|
|
slip undercut \n \n edward marlo
1952
Edward Marlo
|
Slip Undercut
|
50
|
|
|
bottom slip cut \n in the hands, kind of kelly bottom dynamics \n edward marlo
1952
Edward Marlo
|
Bottom Slip Cut
|
52
|
|
|
quadruple peek control \n four individual breaks, running cut to table
- a. quadruple peek control to the bottom
- b. quadruple peek control to the top \n edward marlo
1952
Edward Marlo
|
Quadruple Peek Control
|
63
|
|
|
placing the key cards \n placing key card next to peeked at cards with cutting sequences
- a. placing key card by step control
- b. placing key card using cut control
- c. placing of key card using shuffle control
- d. placing of key card by use of side steal control \n edward marlo \n post-peek key placement \n edward marlo \n peek key card placement \n unknown \n bottom key placement \n jeff busby
1952
Edward Marlo
|
Placing the Key Cards
|
Related toVariations
|
71
|
|
|
placing the selection \n after peek, cutting sequence
- a. placing selection at position from top
- b. placing selection at position from bottom \n edward marlo \n two-card placement \n simon aronson
1952
Edward Marlo
|
Placing the Selection
|
Variations
|
75
|
|
|
the five card peek control \n running cut sequence, with five actual breaks \n edward marlo
1952
Edward Marlo
|
The Five Card Peek Control
|
79
|
|
|
delayed fan control \n step fan, as triple peek control, two methods \n edward marlo
1952
Edward Marlo
|
Delayed Fan Control
|
83
|
|
|
delayed spread control \n spreading deck with jogged selections, as two card peek control \n edward marlo
1952
Edward Marlo
|
Delayed Spread Control
|
87
|
|
|
delayed crimp control \n crimping peeked card, complete edge bent \n edward marlo
1952
Edward Marlo
|
Delayed Crimp Control
|
91
|
|
|
cards to pockets \n two cards to two different pockets, basic \n edward marlo
1952
Edward Marlo
|
Cards to Pockets
|
92
|
|
|
cards to pockets ii \n three cards to three different pockets \n edward marlo
1952
Edward Marlo
|
Cards to Pockets II
|
93
|
|
|
multiple production sequence \n suggestion for five cards \n edward marlo
1952
Edward Marlo
|
Multiple Production Sequence
|
94
|
|
|
combination controls \n for two, three or four peeked cards \n edward marlo
1952
Edward Marlo
|
Combination Controls
|
95
|
|
|
two card peek control \n \n edward marlo
1952
Edward Marlo
|
Two Card Peek Control
|
103
|
|
|
two card stab \n deck wrapped in newspaper, knife \n edward marlo
1952
Edward Marlo
|
Two Card Stab
|
103
|
|
|
devilish miracle \n \n edward marlo
1952
Edward Marlo
|
Devilish Miracle
|
103
|
|
|
casino count down \n \n edward marlo
1952
Edward Marlo
|
Casino Count Down
|
105
|
|
|
the secret number \n card counted to from reference card \n edward marlo
1952
Edward Marlo
|
The Secret Number
|
105
|
|
|
the build up \n red aces produced, turn over when pushed through deck, sandwich black aces, then previous selection \n edward marlo
1952
Edward Marlo
|
The Build Up
|
106
|
|
|
the magic four \n multiple out location with an openly reversed four-spot \n edward marlo \n four options \n dai vernon \n the magic card \n edward marlo
1952
Edward Marlo
|
The Magic Four
|
Related to
|
107
|
|
|
using a short in combination with peeks \n or any type of key card \n edward marlo
1952
Edward Marlo
|
Using a Short in Combination with Peeks
|
108
|
|
|
two aces and a card \n two aces inserted face up separated in deck, after some cutting they sandwich selection \n edward marlo
1952
Edward Marlo
|
Two Aces and a Card
|
108
|
|
|
the stabber \n stabbing into run of spades, value then is used to count to selection \n edward marlo
1952
Edward Marlo
|
The Stabber
|
109
|
|
|