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acknowledgements \n \n jay sankey
2003
Jay Sankey
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Acknowledgements
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11
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foreword \n \n jon racherbaumer
2003
Jon Racherbaumer
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Foreword
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13
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preface \n \n jay sankey \n preface \n jay sankey
2003
Jay Sankey
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Preface
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Also published here
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17
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a dance of glances \n \n jay sankey \n a dance of glances \n jay sankey
2003
Jay Sankey
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A Dance of Glances
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Also published here
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19
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is magic an art? \n \n jay sankey \n is magic an art? \n jay sankey
2003
Jay Sankey
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Is Magic An Art?
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Also published here
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20
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begin by connecting \n \n jay sankey \n begin by connecting \n jay sankey
2003
Jay Sankey
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Begin By Connecting
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Also published here
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21
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the myth of speed \n \n jay sankey \n the myth of speed \n jay sankey
2003
Jay Sankey
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The Myth Of Speed
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Also published here
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22
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incomprehensibility \n \n jay sankey \n incomprehensibility \n jay sankey
2003
Jay Sankey
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Incomprehensibility
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Also published here
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24
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magic as blood sport \n \n jay sankey \n magic as blood sport \n jay sankey
2003
Jay Sankey
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Magic As Blood Sport
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Also published here
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24
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orchestrating focus \n \n jay sankey \n orchestrating focus \n jay sankey
2003
Jay Sankey
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Orchestrating Focus
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Also published here
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26
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what is your market? \n \n jay sankey \n what is your market? \n jay sankey
2003
Jay Sankey
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What Is Your Market?
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Also published here
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28
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popular misperceptions \n \n jay sankey \n popular misperceptions \n jay sankey
2003
Jay Sankey
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Popular Misperceptions
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Also published here
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29
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the anatomy of an effect \n \n jay sankey \n the anatomy of an effect \n jay sankey
2003
Jay Sankey
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The Anatomy Of An Effect
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Also published here
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31
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intimate scripts \n \n jay sankey \n intimate scripts \n jay sankey
2003
Jay Sankey
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Intimate Scripts
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Also published here
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32
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what is the method? \n \n jay sankey \n what is the method? \n jay sankey
2003
Jay Sankey
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What is the Method?
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Also published here
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34
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if i were a real magician \n \n jay sankey \n if i were a real magician \n jay sankey
2003
Jay Sankey
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If I Were A Real Magician
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Also published here
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35
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a little experiment \n \n jay sankey \n a little experiment \n jay sankey
2003
Jay Sankey
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A Little Experiment
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Also published here
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36
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key images \n \n jay sankey \n key images \n jay sankey
2003
Jay Sankey
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Key Images
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Also published here
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38
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learning a sleight \n \n jay sankey \n learning a sleight \n jay sankey
2003
Jay Sankey
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Learning A Sleight
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Also published here
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39
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an actor playing the part \n \n jay sankey \n an actor playing the part \n jay sankey
2003
Jay Sankey
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An Actor Playing The Part
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Also published here
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40
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wonder without secrecy \n \n jay sankey \n wonder without secrecy \n jay sankey
2003
Jay Sankey
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Wonder Without Secrecy
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Also published here
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41
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creating magic \n \n jay sankey \n creating magic \n jay sankey
2003
Jay Sankey
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Creating Magic
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Also published here
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42
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wonder and emotion \n \n jay sankey \n wonder and emotion \n jay sankey
2003
Jay Sankey
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Wonder And Emotion
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Also published here
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44
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<i>how did you do that?</i> \n \n jay sankey \n how did you do that? \n jay sankey
2003
Jay Sankey
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How Did You Do That?
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Also published here
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44
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any effect is possible \n \n jay sankey \n any effect is possible \n jay sankey
2003
Jay Sankey
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Any Effect Is Possible
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Also published here
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46
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cynicism, confusion and ego \n \n jay sankey \n cynicism, confusion and ego \n jay sankey
2003
Jay Sankey
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Cynicism, Confusion And Ego
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Also published here
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46
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for my next trick \n \n jay sankey \n for my next trick \n jay sankey
2003
Jay Sankey
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For My Next Trick
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Also published here
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48
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audience feedback \n \n jay sankey \n audience feedback \n jay sankey
2003
Jay Sankey
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Audience Feedback
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Also published here
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51
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the opposite of magic \n \n jay sankey \n the opposite of magic \n jay sankey
2003
Jay Sankey
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The Opposite Of Magic
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Also published here
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53
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simplicity \n \n jay sankey \n simplicity \n jay sankey
2003
Jay Sankey
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Simplicity
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Also published here
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54
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the emotional camera \n \n jay sankey \n the emotional camera \n jay sankey
2003
Jay Sankey
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The Emotional Camera
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Also published here
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55
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the imperfect theory \n \n jay sankey \n the imperfect theory \n jay sankey
2003
Jay Sankey
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The Imperfect Theory
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Also published here
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56
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the approach \n \n jay sankey \n the approach \n jay sankey
2003
Jay Sankey
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The Approach
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Also published here
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58
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inspiring humility \n \n jay sankey \n inspiring humility \n jay sankey
2003
Jay Sankey
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Inspiring Humility
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Also published here
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60
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the wonder of wit \n \n jay sankey \n the wonder of wit \n jay sankey
2003
Jay Sankey
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The Wonder Of Wit
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Also published here
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61
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classic audience members \n \n jay sankey \n classic audience members \n jay sankey
2003
Jay Sankey
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Classic Audience Members
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Also published here
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63
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performing new material \n \n jay sankey
2003
Jay Sankey
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Performing New Material
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69
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rhythm \n \n jay sankey
2003
Jay Sankey
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Rhythm
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71
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vulgar magic \n \n jay sankey
2003
Jay Sankey
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Vulgar Magic
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72
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whose magic is it? \n \n jay sankey
2003
Jay Sankey
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Whose Magic Is It?
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73
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learning from mime \n \n jay sankey
2003
Jay Sankey
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Learning From Mime
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74
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truth and credibility \n \n jay sankey
2003
Jay Sankey
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Truth And Credibility
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75
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minimum effort \n \n jay sankey
2003
Jay Sankey
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Minimum Effort
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76
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performer as product \n \n jay sankey
2003
Jay Sankey
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Performer As Product
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78
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what is the magic about? \n \n jay sankey
2003
Jay Sankey
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What Is The Magic About?
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81
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enthusiasm \n \n jay sankey
2003
Jay Sankey
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Enthusiasm
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82
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fewer words, more magic \n \n jay sankey
2003
Jay Sankey
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Fewer Words, More Magic
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83
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secrecy is fear \n \n jay sankey
2003
Jay Sankey
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Secrecy Is Fear
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84
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the art of practice \n \n jay sankey
2003
Jay Sankey
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The Art Of Practice
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87
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inside out/outside in \n \n jay sankey
2003
Jay Sankey
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Inside Out/Outside In
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87
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suspending disbelief \n \n jay sankey
2003
Jay Sankey
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Suspending Disbelief
|
89
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responding \n \n jay sankey
2003
Jay Sankey
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Responding
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90
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parade of characters \n \n jay sankey
2003
Jay Sankey
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Parade Of Characters
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91
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mirroring \n \n jay sankey
2003
Jay Sankey
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Mirroring
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94
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taking it personally \n \n jay sankey
2003
Jay Sankey
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Taking It Personally
|
95
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multiple climaxes \n \n jay sankey
2003
Jay Sankey
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Multiple Climaxes
|
97
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vivid language \n \n jay sankey
2003
Jay Sankey
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Vivid Language
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98
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the natural \n \n jay sankey
2003
Jay Sankey
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The Natural
|
103
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expressing and communicating \n \n jay sankey
2003
Jay Sankey
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Expressing And Communicating
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105
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suspicion \n \n jay sankey
2003
Jay Sankey
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Suspicion
|
106
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mind over matter \n \n jay sankey
2003
Jay Sankey
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Mind Over Matter
|
106
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what is a narrative? \n \n jay sankey
2003
Jay Sankey
|
What Is A Narrative?
|
108
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magic and mentalism \n \n jay sankey
2003
Jay Sankey
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Magic And Mentalism
|
109
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vulnerability \n \n jay sankey
2003
Jay Sankey
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Vulnerability
|
111
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choosing a spectator \n \n jay sankey
2003
Jay Sankey
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Choosing A Spectator
|
114
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under and over proving \n \n jay sankey
2003
Jay Sankey
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Under And Over Proving
|
115
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how do you feel? \n \n jay sankey
2003
Jay Sankey
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How Do You Feel?
|
116
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fear and the sudden audience \n \n jay sankey
2003
Jay Sankey
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Fear And The Sudden Audience
|
118
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power \n \n jay sankey
2003
Jay Sankey
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Power
|
119
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the mysterious and the humorous \n \n jay sankey
2003
Jay Sankey
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The Mysterious And The Humorous
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121
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becoming a better magician \n \n jay sankey
2003
Jay Sankey
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Becoming A Better Magician
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123
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control and trust \n \n jay sankey
2003
Jay Sankey
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Control And Trust
|
124
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circuit practicing \n \n jay sankey
2003
Jay Sankey
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Circuit Practicing
|
125
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purge your puzzles \n \n jay sankey
2003
Jay Sankey
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Purge Your Puzzles
|
126
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magician, clown, priest \n \n jay sankey
2003
Jay Sankey
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Magician, Clown, Priest
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128
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which direction? \n \n jay sankey
2003
Jay Sankey
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Which Direction?
|
129
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magic and the magical \n \n jay sankey
2003
Jay Sankey
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Magic and the Magical
|
131
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sanding \n \n jay sankey
2003
Jay Sankey
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Sanding
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133
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those who will resist \n \n jay sankey
2003
Jay Sankey
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Those Who Will Resist
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134
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let the audience lead \n \n jay sankey
2003
Jay Sankey
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Let the Audience Lead
|
137
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in the blink of an eye \n \n jay sankey
2003
Jay Sankey
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In the Blink of An Eye
|
139
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the master imagined \n \n jay sankey
2003
Jay Sankey
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The Master Imagined
|
140
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secrets, understanding & wonder \n \n jay sankey
2003
Jay Sankey
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Secrets, Understanding & Wonder
|
141
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is there such a thing as a bad trick? \n \n jay sankey
2003
Jay Sankey
|
Is There Such A Thing As A Bad Trick?
|
142
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articulate hands \n \n jay sankey
2003
Jay Sankey
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Articulate Hands
|
143
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the best teacher \n \n jay sankey
2003
Jay Sankey
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The Best Teacher
|
146
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random acts of magic \n \n jay sankey
2003
Jay Sankey
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Random Acts of Magic
|
148
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self-expression \n \n jay sankey
2003
Jay Sankey
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Self-Expression
|
149
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stick to your weaknesses \n \n jay sankey
2003
Jay Sankey
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Stick to Your Weaknesses
|
150
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creative promotion \n \n jay sankey
2003
Jay Sankey
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Creative Promotion
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151
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the play's the thing \n \n jay sankey
2003
Jay Sankey
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The Play's the Thing
|
157
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in search of real magic \n \n jay sankey
2003
Jay Sankey
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In Search of Real Magic
|
158
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encouraging co-creation \n \n jay sankey
2003
Jay Sankey
|
Encouraging Co-Creation
|
159
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knowing and forgetting \n \n jay sankey
2003
Jay Sankey
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Knowing and Forgetting
|
161
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exposure, appreciation and education \n \n jay sankey
2003
Jay Sankey
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Exposure, Appreciation and Education
|
162
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clothing \n \n jay sankey
2003
Jay Sankey
|
Clothing
|
163
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magician vs. entertainer \n \n jay sankey
2003
Jay Sankey
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Magician Vs. Entertainer
|
164
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tension, expectation and release \n \n jay sankey
2003
Jay Sankey
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Tension, Expectation and Release
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165
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an invitation to wonder \n \n jay sankey
2003
Jay Sankey
|
An Invitation to Wonder
|
168
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larger truths \n \n jay sankey
2003
Jay Sankey
|
Larger Truths
|
168
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all of you \n \n jay sankey
2003
Jay Sankey
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All of You
|
169
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unpresentations \n \n jay sankey
2003
Jay Sankey
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Unpresentations
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171
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ending \n \n jay sankey
2003
Jay Sankey
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Ending
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172
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re: creation \n \n jay sankey
2003
Jay Sankey
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Re: Creation
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173
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it takes time \n \n jay sankey
2003
Jay Sankey
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It Takes Time
|
176
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a new magic \n \n jay sankey
2003
Jay Sankey
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A New Magic
|
176
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effects only happen in the past \n \n jay sankey
2003
Jay Sankey
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Effects Only Happen in the Past
|
178
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the love of magic \n \n jay sankey
2003
Jay Sankey
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The Love of Magic
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181
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