a flourish and a pass\ndeck spreads itself between hands\npaul lepaul\nthe curley-cue-move\nrandy holt\nthe spread half pass\nroy walton\nthe lepaul spread\npaul lepaul\nspread variations\nkarl fulves\npassing gear\ntony biscardi\nthe spread pass\npaul lepaul\nroberto giobbi\nriding the lepaul\njohn born\nmark-a-place force\nharapan ong
1949
Paul LePaul
the diagonal left hand palm (improved method)\n\npaul lepaul\nthe diagonal steal\nedward marlo\nthe left hand diagonal palm\npaul lepaul\nmichael close\nedward marlo
1949
Paul LePaul
an automatic jog-control\n\npaul lepaul\na general utility "location"\n unknown\nthe fan location: by means of the regular fan\n unknown\nautomatic jog control handling\nwalt lees\nmarlo's unbelievable ribbon spread control\nedward marlo\na card control\ndavid "fu manchu" bamberg
1949
Paul LePaul
deceptive perception\nfive red backed cards and one blue backed card change into five blue backed cards and one red backed card\npaul lepaul\ndeceptive perception\npaul lepaul\ndid you get the odd one?\nrandy wakeman\nwhy is the odd card so queer?\njon racherbaumer\nodd card out\njon racherbaumer
1949
Paul LePaul
Deceptive Perception
five red backed cards and one blue backed card change into five blue backed cards and one red backed card
the substitution envelope mystery\nselection changes places with a card in an envelope\npaul lepaul\ndas geheimnisvolle kuvert\nroberto giobbi
1949
Paul LePaul
The Substitution Envelope Mystery
selection changes places with a card in an envelope
a perfect stop effect\ncards removed one at a time from pocket by performer until spectator stops, card held at that time is selection\npaul lepaul
1949
Paul LePaul
A Perfect Stop Effect
cards removed one at a time from pocket by performer until spectator stops, card held at that time is selection
impromptu torn and restored card\n\npaul lepaul\npickin' up the pieces\nrichard kaufman\ntorn, torn, and restored\njack carpenter\nquarterback\npeter duffie\nrobin robertson\nthe torn and restored card of marlo and le paul\narturo de ascanio
1949
Paul LePaul
a quadruplicate mystery\nfour spectators each find their selection\npaul lepaul\nto change three cards, placed in the pocket of a spectator, into three others previously chosen\ngordon wigan\nle paul's multiple discovery\njim ryan\npaul lepaul\nr.w. four card stunner\nrandy wakeman\nr.w. four-card stunner\nrandy wakeman\nsimon takes on le paul\nsimon lovell\nhomenaje a le paul\niñaki zabaletta
1949
Paul LePaul
the bashful queens\nthree queens on the table change to indifferent cards. all four queens are found in four different pockets\ndr. jacob daley\npaul lepaul\neight ladies?\nroy walton\nthe five of diamonds\njerry sadowitz\ngambler's kings to magician's pockets\nlarry jennings
1949
Dr. Jacob Daley, Paul LePaul
The Bashful Queens
Three Queens on the table change to indifferent cards. All four Queens are found in four different pockets
an impromptu rising card effect\n\npaul lepaul\nnotes on "an impromptu rising card effect"\nkarl fulves\nthanks to lepaul\nchuck smith\npaul lepaul
1949
Paul LePaul
the hand picked aces\nbluff spacing in fan\npaul lepaul\nbluff spacing multiple shift\nwalt lees\nbluff spacing fan\nfrank simon\npaul lepaul\nle contrôle en Éventail\nyves carbonnier\ncontrole des trois cartes\npaul lepaul\nle contrôle en Éventail\nyves carbonnier
1949
Paul LePaul
cards in a sealed envelope\n\npaul lepaul\nthe nest of envelopes\nbert allerton\npaul lepaul\nthe paul le paul signed cards to sealed envelope & wallet\npaul lepaul\nfrancis carlyle\nferly defragmentation etc.\nsteven hamilton\nder präparierte kuvertsatz nach le paul\nroberto giobbi\npaul lepaul\ndas aranka-prinzip\nalexander de cova\non the lepaul envelope set\nroberto giobbi\npaul lepaul\ncard to envelope finale\ndai vernon\npaul lepaul
1949
Paul LePaul
