Sleights
Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
---|---|---|---|---|---|---|---|---|
Applications | 1996 | |||||||
Roberto Giobbi | The Glimpse | 1996 | ||||||
Top-Card Riffle Glimpse | 1996 | |||||||
Top-Card Double Lift Glimpse | 1996 | |||||||
S. W. Erdnase | Top-card Riffle Shuffle Glimpse | 1996 | ||||||
Bottom Card All-around Square-up Glimpse | 1996 | |||||||
Situational Bottom Card Glimpses | 1996 | |||||||
Center Card Glimpse | 1996 | |||||||
Roberto Giobbi | The Reverse | 1996 | ||||||
Frederick Braue | The Braue Reverse | 1996 | ||||||
Dr. Jacob Daley, Sam Leo Horowitz | Double Lift Reverse | 1996 | ||||||
Dr. Jacob Daley | Double Turnover Reverse | 1996 | ||||||
The Leg Reverse | 1996 | |||||||
Deck Turnover Reverse | 1996 | |||||||
Roberto Giobbi | False Cut Techniques, Part 2 | 1996 | ||||||
A True, Single, Tabled Cut | 1996 | |||||||
Single, Tabled, False Cut I | 1996 | |||||||
Single, Tabled, False Cut II | 1996 | |||||||
A True Running Cut | 1996 | |||||||
Up the Ladder | 1996 | |||||||
Dai Vernon | Dai Vernon's Cold-deck Cut | 1996 | ||||||
S. W. Erdnase, Frank Garcia | Affas-gaffas False Cut | 1996 | ||||||
, Darwin Ortiz | Gambler's False Triple Cut | 1996 | ||||||
Roberto Giobbi | Flourishes, Part 2 | 1996 | ||||||
Turning Over the Top Card IV | 1996 | |||||||
Turning Over the Top Card V | 1996 | |||||||
Carmen D'Amico | Turning Over the Top Card VI | 1996 | ||||||
Springing the Cards | 1996 | |||||||
The Cascade | 1996 | |||||||
Hubert Lambert, Nate Leipzig | The Swivelleroo Cut | 1996 | ||||||
The Flip-flap Cut | 1996 | |||||||
Howard de Courcy | One-handed Riffle Shuffle | 1996 | ||||||
Theodore Annemann | Jinx Change | 1996 | ||||||
Side Glide | Winter 1996 |
The Looking Glass
(Issue 1)
|
||||||
Adrian Plate, S. W. Erdnase | Palm Change | Winter 1996 |
The Looking Glass
(Issue 1)
|
|||||
Bob Farmer | The Trapez Switch | Winter 1996 |
The Looking Glass
(Issue 1)
|
|||||
Larry Jennings | Small-Packet Mechanical Palm | Winter 1996 |
The Looking Glass
(Issue 1)
|
|||||
Jay Frasier | Rolling Elmsley | Spring 1996 |
The Looking Glass
(Issue 2)
|
|||||
Lennart Green | Packet Displacement | Spring 1996 |
The Looking Glass
(Issue 2)
|
|||||
Lennart Green | Half Deck Lapping | Spring 1996 |
The Looking Glass
(Issue 2)
|
|||||
Lennart Green | Toss Packet Switch | Spring 1996 |
The Looking Glass
(Issue 2)
|
|||||
Tenkai Ishida | Optical Revolve | Spring 1996 |
The Looking Glass
(Issue 2)
|
|||||
Drag-Over Switch | Summer 1996 |
The Looking Glass
(Issue 3)
|
||||||
Edward Marlo | Soft Havana Deal | Summer 1996 |
The Looking Glass
(Issue 3)
|
|||||
Stephen Hobbs | Cover Pass Credits | Summer 1996 |
The Looking Glass
(Issue 3)
|
|||||
Corner Short Riffle Force | 1996 | |||||||
Tommy Wonder | Clear Envelope Switch | 1996 | ||||||
Tommy Wonder | Center Control Production | 1996 | ||||||
Snap Over Change | 1996 | |||||||
Johann Nepomuk Hofzinser | Wild-Card Turnover Switch | 1996 | ||||||
Single Card Top Palm | 1996 | |||||||
Tommy Wonder | Top Change Handling | 1996 | ||||||
Tommy Wonder | Counting Cards, Unnatural Rhythms and Other Problems | 1996 | ||||||
Tommy Wonder, Crocker | Xkwizit - Card Hold-Out in Deck | 1996 | ||||||
Tommy Wonder | Ambi-Tilt | 1996 | ||||||
Tommy Wonder | The Two-Second Card Fold | 1996 | ||||||
Tommy Wonder | The Two-Pocket Deck Switch | 1996 | ||||||
Tommy Wonder | The Wondereverse | 1996 | ||||||
Tommy Wonder | Turnover of whole Deck | 1996 | ||||||
Tommy Wonder, Brother John Hamman | Broken Hamman Count | 1996 | ||||||
Tommy Wonder | Small Packet Bottom Deal | 1996 | ||||||
Ken Krenzel | Mechanical Reverse | 1996 | ||||||
Case Addition | 1996 | |||||||
Tommy Wonder | Card Forcing | 1996 | ||||||
Paul Harris | Flop Change | 1996 |
The Art of Astonishment — Book 1
(Issue New Stuff)
|
|||||
Card Cop at Table Edge | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
||||||
Paul Harris | P.H. Snap Count | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
|||||
Hindu Shuffle Force | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
||||||
Tenkai Ishida, Martin Gardner | Twistover (Optical Revolve) | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
|||||
Paul Harris | Flip Flop Plop | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
|||||
Paul Harris | Switch of Upjogged Card | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
|||||
Paul Harris | Top-Switch | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
|||||
Ray Kosby, Paul Harris | Simplified Raise-Rise | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
|||||
Turnover Switch | 1996 |
The Art of Astonishment — Book 1
(Issue The Magic of Paul Harris)
|
||||||
Randy Holt | The Curly-Cue Move | 1996 |
The Art of Astonishment — Book 1
(Issue Paul Harris Reveals some of his most Int...)
|
|||||
Edward Marlo, Dai Vernon | Tilt | 1996 |
The Art of Astonishment — Book 1
(Issue Paul Harris Reveals some of his most Int...)
|
|||||
Paul Harris | Open Revelation (revised) | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Paul Harris | Three Way Display | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Steve Blencoe, Harry Eng | Machine-Gun Aces | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Jerry K. Hartman | Hartman Addition | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Arturo de Ascanio, Paul Harris | Ascanio Spread Display | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Double Card Brush | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
||||||
Kiss Transfer | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
||||||
Chad Long | Re-Set Options - Chad Long's Short Cop | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Paul Harris | The Two-For-One Top Change | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Paul Harris | Flash Control | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Paul Harris | Ace Switch-Out | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Carmen D'Amico | Multiple Shift | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
|||||
Biddle Steal | 1996 |
The Art of Astonishment — Book 1
(Issue Super Magic)
|
||||||
Paul Harris | Las Vegas Leaper Count | 1996 |
The Art of Astonishment — Book 1
(Issue Las Vegas Close-Up)
|
|||||
Bill Malone | Las Vegas Leaper Count II | 1996 |
The Art of Astonishment — Book 1
(Issue Las Vegas Close-Up)
|
|||||
Half Pass | 1996 |
The Art of Astonishment — Book 1
(Issue Las Vegas Close-Up)
|
||||||
Snap-Over Change | 1996 |
The Art of Astonishment — Book 1
(Issue Las Vegas Close-Up)
|
||||||
Paul Harris | Snap Count | 1996 |
The Art of Astonishment — Book 2
(Issue New Stuff)
|
|||||
Allan Ackerman | Ackerman's Automatic Lap | 1996 |
The Art of Astonishment — Book 2
(Issue Connections)
|
|||||
Dai Vernon, Edward Marlo | Tilt | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
|||||
Allan Ackerman | Ackerman Varies Kelly | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
|||||
Paul Harris | Jinx Change/Switch Handling | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
|||||
Paul Harris | Cross-Cut Force | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
|||||
Arturo de Ascanio, Paul Harris | Five Card Ascanio Spread | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
|||||
Terry LaGerould | Blind Peek | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
|||||
Drop Switch | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
||||||
Paul Harris, Theodore Annemann | Jinx Change Variation | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
|||||
The One-Handed Top Palm | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Entertainer)
|
||||||
Paul Harris | Packet Turnover | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
A Cutting Discovery | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
||||||
Side Steal | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
||||||
Edward Marlo | Wriste Stroke Change | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
Daryl Martinez, Paul Harris | Flap Jacks | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
Tony Miller | Pre-Mixed Flap Jacks | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
Hindu Shuffle Display | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
||||||
Paul Harris | Tuning Fork | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
Martin Lewis, Paul Harris | Stamped Second | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
Don Voltz | Stuck! | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
Srechko Howard | How to Pop a Floating Deck | 1996 |
The Art of Astonishment — Book 2
(Issue Close-up Fantasies 1 & 2)
|
|||||
Charlie Miller, Paul Harris | Up the Ladder and Down Your Shorts | 1996 |
The Art of Astonishment — Book 2
(Issue Misc. Pieces of Paul)
|
|||||
Paul Harris | Cheap Shot Boomerang | 1996 |
The Art of Astonishment — Book 2
(Issue Misc. Pieces of Paul)
|
|||||
Jeff Altman | The Altman Maneuver | 1996 |
The Art of Astonishment — Book 2
(Issue Astonishing Friends)
|
|||||
Looy Simonoff | Flippant Move | 1996 |
The Art of Astonishment — Book 2
(Issue Astonishing Friends)
|
|||||
Paul Harris | Packet Switch | 1996 |
The Art of Astonishment — Book 3
(Issue New Stuff)
|
|||||
Paul Harris | Free Ride | 1996 |
The Art of Astonishment — Book 3
(Issue New Stuff)
|
|||||
Charlier | Charlier Cut | 1996 |
The Art of Astonishment — Book 3
(Issue New Stuff)
|
|||||
Boomerang Card Flourish | 1996 |
The Art of Astonishment — Book 3
(Issue New Stuff)
|
||||||
Paul Harris | Switching 8 Cards and a Bill | 1996 |
The Art of Astonishment — Book 3
(Issue New Stuff)
|
|||||
Elmer Biddle | Biddle Steal | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Fantasies Finale)
|
|||||
Paul Harris | Just Call Me Mr. Wonderful | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Fantasies Finale)
|
|||||
Longitudinal Glide Switch | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Fantasies Finale)
|
||||||
Paul Harris | The Perfectionist | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Kinda Guy)
|
|||||
Paul Harris | Red and Black Switch | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Kinda Guy)
|
|||||
Paul Harris | Perpendicular Ribbonspread Hide-Out | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Kinda Guy)
|
|||||
Paul Harris, Daryl Martinez, Eddie Fechter | Instant Replay | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Kinda Guy)
|
|||||
Paul Harris | Simple Switch | 1996 |
The Art of Astonishment — Book 3
(Issue Close-up Kinda Guy)
|
|||||
Paul Harris | Giggle Switch | 1996 |
The Art of Astonishment — Book 3
(Issue Brainstorm in the Bahamas)
|
|||||
Paul Cummins, Bill Herz | The Hedonists Make Up All The Rules | 1996 |
The Art of Astonishment — Book 3
(Issue Brainstorm in the Bahamas)
|
|||||
Elmer Biddle | Biddle Steal | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
|||||
Arturo de Ascanio | Ascanio Spread with Double Card Laydown | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
|||||
Allan Ackerman | Two Packet Display Switch | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
|||||
Rub-a-Dub Vanish | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
||||||
Paul Harris | Paul's Venezuela Vanish | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
|||||
One-Handed Double Card Snap | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
||||||
Paul Harris | Las Vegas Leaper Count | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
|||||
Paul Harris | Overcount from Deck | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
|||||
Francis Carlyle, Paul Harris | The Carlyle False Count | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
|||||
Spectator Riffle Shuffles Once | 1996 |
The Art of Astonishment — Book 3
(Issue Magical Arts Journal)
|
||||||
Bill Simon | Business Card Prophecy Move | 1996 |
The Art of Astonishment — Book 3
(Issue Misc. Pieces of Paul)
|
|||||
Chad Long | The Shuffling Lesson | 1996 |
The Art of Astonishment — Book 3
(Issue Astonishing Friends)
|
|||||
Paul Harris, Jay Ose | Spectator's Ose False Cut | 1996 |
The Art of Astonishment — Book 3
(Issue Astonishing Friends)
|
|||||
Paul Harris, Daryl Martinez | Daryl's Hot-Shot Cut (Simplified) | 1996 |
The Art of Astonishment — Book 3
(Issue Astonishing Friends)
|
|||||
Harry Lorayne | Ride And Align | Feb. 1996 |
Apocalypse
(Vol. 19 No. 2)
|
|||||
Rajneesh Madhok | Startling Color Change | Feb. 1996 |
Apocalypse
(Vol. 19 No. 2)
|
|||||
Harry G. Franke | Finessed Mexican Change | Feb. 1996 |
Apocalypse
(Vol. 19 No. 2)
|
|||||
Wesley James | Action Palm Variant | Feb. 1996 |
Apocalypse
(Vol. 19 No. 2)
|
|||||
Doug Edwards | "Visual" In-Hand Flase Cut | Mar. 1996 |
Apocalypse
(Vol. 19 No. 3)
|
|||||
Tom Daugherty | Nervous Ace & Hartman Force | Mar. 1996 |
Apocalypse
(Vol. 19 No. 3)
|
|||||
Gene Maze | Hello Stranger | Mar. 1996 |
Apocalypse
(Vol. 19 No. 3)
|
|||||
Harry Lorayne | The Lorayne, Force | Apr. 1996 |
Apocalypse
(Vol. 19 No. 4)
|
|||||
Martin A. Nash | Block HaLo | May 1996 |
Apocalypse
(Vol. 19 No. 5)
|
|||||
Doug Edwards | A Double Lift is a Double Lift | May 1996 |
Apocalypse
(Vol. 19 No. 5)
|
|||||
David Garrard | Disappearing Ink | June 1996 |
Apocalypse
(Vol. 19 No. 6)
|
|||||
Dan Block | One-Card Poker | July 1996 |
Apocalypse
(Vol. 19 No. 7)
|
|||||
Doug Edwards | "Pancake" Handling | July 1996 |
Apocalypse
(Vol. 19 No. 7)
|
|||||
Barry Stevenson | Casual Force | July 1996 |
Apocalypse
(Vol. 19 No. 7)
|
|||||
Barry Stevenson | Bottom Stock Slip Shuffle | July 1996 |
Apocalypse
(Vol. 19 No. 7)
|
|||||
John W. McClure | The Double-Cross Switch | July 1996 |
Apocalypse
(Vol. 19 No. 7)
|
|||||
Aldo Colombini | Your Lucky Day | Aug. 1996 |
Apocalypse
(Vol. 19 No. 8)
|
|||||
Doug Edwards | Sneaky Peek | Aug. 1996 |
Apocalypse
(Vol. 19 No. 8)
|
|||||
Mark Sicher | Palm Fold | Sep. 1996 |
Apocalypse
(Vol. 19 No. 9)
|
|||||
Dr. James Nuzzo | Faro Slough Off | Sep. 1996 |
Apocalypse
(Vol. 19 No. 9)
|
|||||
Randy Tanner | Force Handling | Sep. 1996 |
Apocalypse
(Vol. 19 No. 9)
|
|||||
Jerry K. Hartman | Apocalypse Variations Or Additions | Sep. 1996 |
Apocalypse
(Vol. 19 No. 9)
|
|||||
Harry Lorayne | Cover Pass | Oct. 1996 |
Apocalypse
(Vol. 19 No. 10)
|
|||||
Mercury Card Fold | Oct. 1996 |
Apocalypse
(Vol. 19 No. 10)
|
||||||
Gene Maze | A Switch in Time | Nov. 1996 |
Apocalypse
(Vol. 19 No. 11)
|
|||||
Roger Crosthwaite | LTP Change | Dec. 1996 |
Apocalypse
(Vol. 19 No. 12)
|
|||||
Harry Lorayne | Spread Lap | Dec. 1996 |
Apocalypse
(Vol. 19 No. 12)
|
|||||
Wylee Packer | Overhand Shuffle Stack Extension | Dec. 1996 |
Apocalypse
(Vol. 19 No. 12)
|
|||||
Johann Nepomuk Hofzinser | Spread Cull | 1996 | ||||||
Edward Marlo | Bomb-Door Bottom from Spread | 1996 | ||||||
Dribble Force | 1996 | |||||||
Eddie Fechter | Cutting Stop Force | 1996 | ||||||
Ken Krenzel | Mechanical Reverse | 1996 | ||||||
Lin Searles | Auto-Break | 1996 | ||||||
Packet Switch | 1996 | |||||||
Roy Walton | Triple Cut Zarrow | 1996 | ||||||
Dai Vernon | Reversal of Bottom Cards | 1996 | ||||||
Dai Vernon | Transferring a bottom stock to the top | 1996 | ||||||
S. W. Erdnase | Diagonal Palm Shift | 1996 | ||||||
Michael Skinner | From Palm to Inner Pocket | 1996 | ||||||
Morris Loewy | Loewy Palm | 1996 | ||||||
Bottom Steal | 1996 | |||||||
Michael Skinner | One for the Boys | 1996 | ||||||
Edward Marlo | Bottop Change Variation | 1996 | ||||||
S. W. Erdnase | Erdnase Top Palm | 1996 | ||||||
Michael Skinner | Tapping Replacement | 1996 | ||||||
Dr. James Nuzzo | Faro Slough Off | 1996 | ||||||
Dai Vernon | Angle Jog Ribbon Spread | 1996 | ||||||
Top Card Glimpse | 1996 | |||||||
Edward Marlo | Ribbon Spread Palm | 1996 | ||||||
Michael Skinner | One-Handed Hole Card Switch | 1996 | ||||||
Turn Around Glimpse | 1996 | |||||||
Counting Cards in Spread | 1996 | |||||||
Bridge | 1996 | |||||||
Carmen D'Amico | Riffle Shuffle Production | 1996 | ||||||
Dai Vernon | The Cutting Edge | 1996 | ||||||
Prof. Robert Hellis | Double-Palm Change | 1996 | ||||||
Michael Close, Johann Nepomuk Hofzinser | Under-the-Spread Force Handling | 1996 | ||||||
Jean-Pierre Vallarino | Rhumba Count | 1996 | ||||||
Ken Krenzel | Mechanical Reverse | 1996 | ||||||
The Elevator Pass | 1996 | |||||||
Roger Klause | Roger's Lovely Idea | 1996 | ||||||
Packet Flip-Over | 1996 | |||||||
Michael Close | On Sleights | 1996 | ||||||
Michael Close | The Bottom Deal | 1996 | ||||||
Michael Close, Johann Nepomuk Hofzinser | Culling | 1996 | ||||||
Michael Close | The Faro Shuffle | 1996 | ||||||
Michael Close | The Last Card Push | 1996 | ||||||
Michael Close | The MC Spread Double Lift | 1996 | ||||||
Michael Close | Flourishes | 1996 | ||||||
Derek Dingle, Michael Close | Bluff Shift Handling | 1996 | ||||||
Larry Jennings | One-Hand Bottom Palm | 1996 | ||||||
Larry Jennings, Michael Close | L.J. Angle Steal Handling | 1996 | ||||||
Michael Close | Center Steal | 1996 | ||||||
Michael Close | On the Memorized Deck | 1996 | ||||||
Michael Close | First Finger Estimation | 1996 | ||||||
Michael Close | The Half Pass | 1996 | ||||||
Michael Close | Center Glimpse | 1996 | ||||||
Michael Close, Steve Draun | Midnight Shift Variation | 1996 | ||||||
Allan Ackerman | Optical Rhythm | 1996 | ||||||
Allan Ackerman | HPC with Cards | 1996 | ||||||
Allan Ackerman | OPOS Count | 1996 | ||||||
Allan Ackerman | Case Shift | 1996 | ||||||
Mike Schwartz | Pop Over | 1996 | ||||||
Karl Fulves | Karl Fulves Reverse | 1996 | ||||||
Ariel Frailich | Information on Pinky Rise | 1996 | ||||||
Karl Fulves | Rise as Addition | 1996 | ||||||
Brother John Hamman | Flushtration Count | 1996 | ||||||
Tweezer Double | 1996 | |||||||
Karl Fulves | Scarne's Secret | 1996 | ||||||
Karl Fulves | Stop & Think | 1996 | ||||||
J. W. Sarles | Riffle and Think | 1996 | ||||||
Karl Fulves | Remotely Possible | 1996 | ||||||
Karl Fulves | Psychological Riffle Force Handling | 1996 | ||||||
Jack McMillen, Judson S. Brown | Telltale Color | 1996 | ||||||
Karl Fulves | Notes | 1996 | ||||||
Karl Fulves | Riffle Glimpse | 1996 | ||||||
Karl Fulves | Color Fast | 1996 | ||||||
Karl Fulves | Color Double | 1996 | ||||||
Karl Fulves | Two Handed Glimpse | 1996 | ||||||
Karl Fulves | How Fast? | 1996 | ||||||
Karl Fulves | Random Stop | 1996 | ||||||
Karl Fulves | Stop Order | 1996 | ||||||
Karl Fulves | Concluding Notes | 1996 | ||||||
Karl Fulves | Sizing Up Breaks | 1996 | ||||||
Karl Fulves | How Small A Break? | 1996 | ||||||
Karl Fulves | The Shallow Cut | 1996 | ||||||
Karl Fulves, John Scarne | Blocking Off | 1996 | ||||||
Karl Fulves | Angled Square-Up | 1996 | ||||||
Karl Fulves | Reverse Step | 1996 | ||||||
Karl Fulves | Two Step | 1996 | ||||||
Karl Fulves | Advanced Placement | 1996 | ||||||
Karl Fulves | Blocking The Aces | 1996 | ||||||
Karl Fulves | Mastering The Riffle Stop | 1996 | ||||||
Karl Fulves | Blocking Out X | 1996 | ||||||
Karl Fulves | Not Here | 1996 | ||||||
Karl Fulves | Open Handed | 1996 | ||||||
Karl Fulves | In-Line Breaks | 1996 | ||||||
Karl Fulves | Peripherals | 1996 | ||||||
Karl Fulves | No Contact Location | 1996 | ||||||
Karl Fulves | Stand-Up Maneuvers | 1996 | ||||||
Karl Fulves | End Tap | 1996 | ||||||
Karl Fulves | Across the Table Glimpse | 1996 | ||||||
Karl Fulves | Self-Force | 1996 | ||||||
Karl Fulves | Tabled Multiple Lift | 1996 | ||||||
Karl Fulves | Trifecta | 1996 | ||||||
Karl Fulves | A Note On Timing | 1996 | ||||||
Karl Fulves | Center To Center | 1996 | ||||||
Karl Fulves | No Breaks | 1996 | ||||||
Karl Fulves | Shuffle Crimp | 1996 | ||||||
Karl Fulves | On Crimp Work | 1996 | ||||||
Karl Fulves | Short End | 1996 | ||||||
Karl Fulves | No-Break Cull | 1996 | ||||||
Karl Fulves | Cull-Stock Notes | 1996 | ||||||
Karl Fulves | Color Cull | 1996 | ||||||
Karl Fulves | Cull To The Top | 1996 | ||||||
Karl Fulves | Royal Cull | 1996 | ||||||
John Scarne | The Flush Cull | 1996 | ||||||
Karl Fulves | A Quick Pair | 1996 | ||||||
John Scarne | John Scarne's Method | 1996 | ||||||
Karl Fulves | Four Of A Kind | 1996 | ||||||
Karl Fulves | The Edge | 1996 | ||||||
Karl Fulves | Cool Hand Duke | 1996 | ||||||
Karl Fulves | Retaining Full Deck Order - Push Thru Method | 1996 | ||||||
Karl Fulves | Zarrow Shuffle Method | 1996 | ||||||
Karl Fulves | No Looking | 1996 | ||||||
Karl Fulves | Nail Glimpse | 1996 | ||||||
Karl Fulves | Stationary Shiner for Shuffle Work | 1996 | ||||||
Karl Fulves | Glimpse via Scarne | 1996 | ||||||
Karl Fulves | Block Cut | 1996 | ||||||
Karl Fulves | 3-Way Cut | 1996 | ||||||
Purvis W. Miller | The Gambler | 1996 | ||||||
Karl Fulves | Transfer Cut | 1996 | ||||||
Karl Fulves | Delayed Response | 1996 | ||||||
Karl Fulves, Sammy Green | Con Man's Cut | 1996 | ||||||
Karl Fulves | Blackjack Cut | 1996 | ||||||
Karl Fulves | Bait & Switch | 1996 | ||||||
Karl Fulves | Option Cut | 1996 | ||||||
Karl Fulves | The Agent's Cut | 1996 | ||||||
Audley Walsh | Ace Assembly | 1996 | ||||||
Karl Fulves, John Scarne | Cut For High Card | 1996 | ||||||
Karl Fulves | Leverage | 1996 | ||||||
Karl Fulves | Reparation | 1996 | ||||||
Karl Fulves | Retaining Top Stock | 1996 | ||||||
Karl Fulves | Shuffle Functions | 1996 | ||||||
Karl Fulves | Bottom Stock Stays | 1996 | ||||||
Karl Fulves | Bottom Stock To Top | 1996 | ||||||
Karl Fulves | Stock Transfer | 1996 | ||||||
Karl Fulves | Two Edged | 1996 | ||||||
Karl Fulves | Securing Break | 1996 | ||||||
John Scarne | Overhand Shuffle Control | 1996 | ||||||
Karl Fulves, Alek Akalaitis | All Angle Square Up | 1996 | ||||||
Karl Fulves | Center Stacking | 1996 | ||||||
Gary Najarian | Practicing Riffle Stacking | 1996 | ||||||
William Larsen, T. Page Wright | Switching Cardboard | 1996 | ||||||
Cut Deeper Force Key Placement | 1996 | |||||||
Karl Fulves | Red Handed | 1996 | ||||||
Karl Fulves | 20 Faces Twice | 1996 | ||||||
John Scarne | Fake Envelope Insertion | 1996 | ||||||
Dominique Duvivier | Somersaulting Double | 1996 | ||||||
Dominique Duvivier | Spring Set Double | 1996 | ||||||
Dominique Duvivier | French Tap False Cut | 1996 | ||||||
Dominique Duvivier | Double Drop-Cut Control | 1996 | ||||||
Brother John Hamman | Le Hamman Count | 1996 | ||||||
Edward Marlo | Le Atfus | 1996 | ||||||
Arturo de Ascanio, Dominique Duvivier | Le Ascanio Spread | 1996 | ||||||
Dominique Duvivier | Holding Clout | 1996 | ||||||
Bob Veeser | Veeser Concept | 1996 | ||||||
Derek Dingle, Harry Lorayne | HaLo Bottom Slip Cut | 1996 | ||||||
Edward Marlo, Bob Page, Dr. James Nuzzo | Throw-Off Faro-Top Variation | 1996 | ||||||
Dai Vernon | Through-the-Fist Flourish | 1996 | ||||||
"Senator" Clarke Crandall | Mexican Turnover handling | 1996 | ||||||
Tony Giorgio | Introduction | 1996 | ||||||
Tony Giorgio | The Bottom Deal | 1996 | ||||||
Tony Giorgio | The One-handed Bottom | 1996 | ||||||
Michael Kaminskas | Triumphant Return | 1996 | ||||||
Dai Vernon | Dai Vernon False Shuffle | 1996 | ||||||
Herb Zarrow | Zarrow Shuffle | 1996 | ||||||
S. W. Erdnase, Howard Schwarzman | Erdnase Color Change Variation | 1996 | ||||||
The Stripout Switch | 1996 | |||||||
Forcing the Card | 1996 | |||||||
Dai Vernon | Through the Fist Flourish | 1996 | ||||||
Dai Vernon, Edward Marlo | Tilt | 1996 | ||||||
S. W. Erdnase, | Erdnase Color Change | 1996 | ||||||
Through the Deck Change | 1996 | |||||||
Riffle Force | 1996 | |||||||
Loading the Card Box | 1996 | |||||||
Edward Marlo, Tony Kardyro | T.K. Drop Sleight | 1996 | ||||||
Edward Marlo | Marlo on the Christ Force | 1996 |
Facsimile
(Issue 4)
|
|||||
Jon Racherbaumer | Putting a Placement in its Place | 1996 |
Facsimile
(Issue 4)
|
|||||
Dai Vernon, Edward Marlo | Direct Addition | 1996 |
Facsimile
(Issue 4)
|
|||||
Lee Freed | All-Around Elmsley Display | 1996 |
Facsimile
(Issue 4)
|
|||||
Edward Marlo | Easy One-Hand Card Switch - Second Variation | 1996 |
Facsimile
(Issue 4)
|
|||||
Edward Marlo | Card Stack Demo | 1996 |
Facsimile
(Issue 4)
|
|||||
Edward Marlo | Lessinout Stack Handling | 1996 |
Facsimile
(Issue 4)
|
|||||
Frederick Braue | Ditching Card in Back Pocket | 1996 |
The Fred Braue Notebooks
(Issue 7)
|
|||||
Frederick Braue | Holding Cards Back in Case | 1996 |
The Fred Braue Notebooks
(Issue 7)
|
|||||
Dealing Cross Cut Force | 1996 |
The Fred Braue Notebooks
(Issue 7)
|
||||||
Dai Vernon | Triumph | 1996 |
The Fred Braue Notebooks
(Issue 7)
|
|||||
Rightening Reverse | 1996 |
The Fred Braue Notebooks
(Issue 7)
|
||||||
Joel Givens | New Way Pop | 1996 |
The Trapdoor — Volume Three
(Issue 60)
|
|||||
Joel Givens | Rubbed Out | 1996 |
The Trapdoor — Volume Three
(Issue 60)
|
|||||
Deck Turnover | 1996 |
The Trapdoor — Volume Three
(Issue 60)
|
||||||
Harry Lorayne | Illogical Double Lift | 1996 |
The Trapdoor — Volume Three
(Issue 60)
|
|||||
Joel Givens | Passed Ambitions | 1996 |
The Trapdoor — Volume Three
(Issue 60)
|
|||||
Shigeo Futagawa | Bottoms Up | 1996 |
The Trapdoor — Volume Three
(Issue 61)
|
|||||
Steve Bedwell | The Dribble Toss Control | 1996 |
The Trapdoor — Volume Three
(Issue 61)
|
|||||
Tenkai Palm Steal | 1996 |
The Trapdoor — Volume Three
(Issue 61)
|
||||||
Edward Marlo | Opec Count | 1996 |
The Trapdoor — Volume Three
(Issue 61)
|
|||||
Steve Beam | Business Card Prophecy Force Variation | 1996 |
The Trapdoor — Volume Three
(Issue 61)
|
|||||
William Goodwin | Mechanical Reverse Variation | 1996 |
The Trapdoor — Volume Three
(Issue 62)
|
|||||
Steve Beam | The Rubaway Card Vanish - Tips & Tweaks | 1996 |
The Trapdoor — Volume Three
(Issue 62)
|
|||||
Dai Vernon | Through-the-Fist Flourish | 1996 | ||||||
Brother John Hamman | Flushtration Count | 1996 | ||||||
Jeff Busby | History and Background | 1996 | ||||||
Dai Vernon | Strip-Out Addition | 1996 | ||||||
Karl Germain | Flash Card Change | 1996 | ||||||
William Goodwin | Block Turnover Force | 1996 | ||||||
James Swain | Clue | 1996 | ||||||
James Swain, Edward Marlo | Small Packet Simple Shift | 1996 | ||||||
James Swain | Out of this World | 1996 | ||||||
Center Block Pass | 1996 | |||||||
James Swain, Bob Stencel | The Stencel Move | 1996 | ||||||
James Swain | Four-Card Display | 1996 | ||||||
Card behind Cellophane | 1996 | |||||||
Ed Balducci, Henry Christ | Cut Deeper Force | 1996 | ||||||
Matt Schulien | Card from Case Extraction | 1996 | ||||||
James Swain | Four-Card Equivoque | 1996 | ||||||
Arturo de Ascanio | Ascanio Display | 1996 | ||||||
Charles Nyquist | Ribbonspread Hide-Out | 1996 | ||||||
James Swain | The Swain Simplicity Control | 1996 | ||||||
James Swain | The Swain Simplicity Switch | 1996 | ||||||
Larry Jennings, Daryl Martinez | Rising Crime Display from Natural Grip | 1996 | ||||||
Up-the-Ladder Cut | 1996 | |||||||
James Swain | Tabled Pop-Out | 1996 | ||||||
Michael Skinner | Pocket Packet Switch | 1996 | ||||||
Edward Marlo | Frictionless Bottom Deal | 1996 | ||||||
Turnover Move | 1996 | |||||||
Bruce Cervon | One-Handed Flip Over Force | 1996 | ||||||
One-Handed Bottom Deal | 1996 | |||||||
Frank Simon | Fan Revelation | 1996 | ||||||
Derek Dingle | NoLap Switch | 1996 | ||||||
Dai Vernon, Larry Jennings | Interlock Steal | 1996 | ||||||
Snap Turnover | 1996 | |||||||
Trevor Lewis | Monte Plus Move | 1996 | ||||||
James Swain | The Swain Bluff Control | 1996 | ||||||
James Swain | Bluff Control Palm | 1996 | ||||||
James Swain | The Unweave Revelation | 1996 | ||||||
James Swain | Face-up Benzais Spin-Out | 1996 | ||||||
Push-Through Shuffle | 1996 | |||||||
Ronald A. Wohl (Ravelli) | Ron Wohl Popout | 1996 | ||||||
James Swain | Invisible Load Move | 1996 | ||||||
Jeff Busby | Snap Finesse | 1996 | ||||||
Ken Beale | Sandwich Switch | 1996 | ||||||
James Swain | Secrets of the Pass | 1996 | ||||||
James Swain | Tips on the Pass | 1996 | ||||||
James Swain | The "Block"Buster Pass | 1996 | ||||||
James Swain | The Bottom Card Cover Pass | 1996 | ||||||
James Swain | The Pass Palm | 1996 | ||||||
James Swain | The Swain Drop Switch | 1996 | ||||||
Carmen D'Amico | D'Amico Multiple Shift | 1996 | ||||||
John Cornelius | Spring Set | 1996 | ||||||
Bill Malone | Malone Revelation | 1996 | ||||||
Bruce Cervon | Pivot Revelation | 1996 | ||||||
James Swain | Card to Case Load | 1996 | ||||||
Floyd Beatlebaum | Soul Mates | Mar. 1996 |
The Minotaur
(Vol. 8 No. 1)
|
|||||
Karl Fulves | Omega Count | June 1996 |
The Minotaur
(Vol. 8 No. 2)
|
|||||
Half Pass | June 1996 |
The Minotaur
(Vol. 8 No. 2)
|
||||||
Wild Card Move | 1996 | |||||||
Paul Harris | Spelling Force | 1996 | ||||||
Brother John Hamman | Flustration Move | 1996 | ||||||
Baltazar Fuentes | The Fake Take | 1996 | ||||||
Baltazar Fuentes | Wedge Break Palm | 1996 | ||||||
Larry Jennings, Baltazar Fuentes | One-Hand Bottom Palm | 1996 | ||||||
Edward Marlo | Miracle Change No. 2 | 1996 | ||||||
Baltazar Fuentes | Baltazar Flip | 1996 | ||||||
Gene Castillon, Baltazar Fuentes | Spirit Count Variation | 1996 | ||||||
Baltazar Fuentes, Jerry Andrus | Thumb Wrist Pivot Move | 1996 | ||||||
Steve Bedwell | Dribble Toss Control | 1996 | ||||||
Shelfing a Card | 1996 | |||||||
Baltazar Fuentes | Baltazar's Packet Switch | 1996 | ||||||
Baltazar Fuentes | Vertigo Secret Deck Reversal | 1996 | ||||||
Baltazar Fuentes | The Fuentes Square Up Pass | 1996 | ||||||
Joseph K. Schmidt | Commentary on The Mechanic's Grip | 1996 |
Underworld
(Issue 3)
|
|||||
John Scarne | Business Card ESP | 1996 |
Underworld
(Issue 3)
|
|||||
Tony Kardyro, Edward Marlo | K.M. Move | 1996 |
Underworld
(Issue 4)
|
|||||
Simple Cut Force | 1996 |
Underworld
(Issue 4)
|
||||||
Karl Fulves | Riffle Shuffle Transfer | 1996 |
The Fine Print
(Issue 3)
|
|||||
Karl Fulves | Multiple Shift as Displacement | 1996 |
The Fine Print
(Issue 3)
|
|||||
Vernon Winiecke | Bottom Reverse | 1996 |
The Fine Print
(Issue 3)
|
|||||
Joseph K. Schmidt | Counterfeit Shuffle | 1996 |
The Fine Print
(Issue 3)
|
|||||
Karl Fulves | Counterfeit Comments | 1996 |
The Fine Print
(Issue 3)
|
|||||
Karl Fulves | Counterfeit Cull Shuffle | 1996 |
The Fine Print
(Issue 3)
|
|||||
Karl Fulves | One-Handed Air Drop | 1996 |
The Fine Print
(Issue 4)
|
|||||
Dai Vernon | Double Cut | 1996 |
The Fine Print
(Issue 4)
|
|||||
Karl Fulves | Digit Counts | 1996 |
The Fine Print
(Issue 4)
|
|||||
Harry Riser | Gambler's Top Cop | 1996 | ||||||
Harry Riser | The Instant Speller | 1996 | ||||||
Harry Riser | Fan Replacement Glimpse | 1996 | ||||||
Harry Riser | Greek Break & Overhand Shuffle | 1996 | ||||||
Harry Riser | Erdnase Aces | 1996 | ||||||
Francis Carlyle | Paddle Move with Cards | 1996 | ||||||
Small Packet Rightening | 1996 | |||||||
Harry Riser, Karl Fulves | Five-Cent Switch Variation | 1996 | ||||||
Harry Riser, Dai Vernon | Deep Glide | 1996 | ||||||
Charlie Miller | Charlie Miller's Table Pass | 1996 | ||||||
Harry Riser | Quick Three-Way Display | 1996 | ||||||
Small Packet Half Pass | 1996 | |||||||
Harry Riser | Double Put-Down Variation | 1996 | ||||||
Larry Jennings | Five-as-Five False Count | 1996 | ||||||
Pablo Domenèch | False Count | 1996 | ||||||
Pablo Domenèch | Lapping a Card | 1996 | ||||||
Double Lift | 1996 | |||||||
Brother John Hamman | El Principio de la Cuesta Visual Optica | 1996 | ||||||
Pablo Domenèch | False Count | 1996 | ||||||
Card Switch | 1996 | |||||||
Pablo Domenèch | Overhand Action Palm | 1996 | ||||||
Pablo Domenèch | Top Change Handling | 1996 | ||||||
Pablo Domenèch | Carta Al Numero (La Pequeña Historia de un Juego) | 1996 | ||||||
Edward Victor | EYE Count | 1996 | ||||||
Pablo Domenèch | Empalme de la Carta del Centro a una Solo Mano | 1996 | ||||||
Pablo Domenèch | En Torno a las Mezclas Falsas | 1996 | ||||||
Pablo Domenèch | Mezcla al Doble Corte y Falsa Imbrincacion | 1996 | ||||||
Pablo Domenèch | Una Mezcla Falsa Total | 1996 | ||||||
Pablo Domenèch | Mezcla Falsa Total por Paquetes | 1996 | ||||||
Pablo Domenèch | Cuenta por Doble Retencion | 1996 | ||||||
Pablo Domenèch | Cuenta por Triple Retencion | 1996 | ||||||
Pablo Domenèch, Jon Racherbaumer | Forzaje por Extension / Inversion sobre la Mesa | 1996 | ||||||
Pablo Domenèch | Aportaciones a la 'Cuenta Hamman' | 1996 | ||||||
Pablo Domenèch | Control Bottom | 1996 | ||||||
Pablo Domenèch | Empalme Bottom en la Mano Izquierda | 1996 | ||||||
Pablo Domenèch | Cuenta 5 Como 4 | 1996 |