die volte, mit einer hand auszuführen\n"die kartenschule von carl willmann"
- aeltere methode\n unknown\nto make the pass - fourth method\n unknown
1895
die zauberwelt
Unknown
Die Volte, mit einer Hand auszuführen
"Die Kartenschule von Carl Willmann"
- Aeltere Methode
die volte, mit den fingerspitzen einer hand auszuführen\n"die kartenschule von carl willmann"
- aeltere methode\n unknown\nto make the pass - sixth method\n unknown\ndie halbe volte oder "das teilen des spieles"\n unknown
1895
die zauberwelt
Unknown
Die Volte, mit den Fingerspitzen einer Hand auszuführen
"Die Kartenschule von Carl Willmann"
- Aeltere Methode
falsches mischen\ntabled cuts in multiple packets that retain cyclical order, methods for up to five packets\n unknown\ndas falsche mischen\n unknown
1896
der moderne kartenkünstler
Unknown
Falsches Mischen
tabled cuts in multiple packets that retain cyclical order, methods for up to five packets
das falsche mischen\ntabled cuts in multiple packets that retain cyclical order, methods for up to five packets\n unknown\nfalsches mischen\n unknown\ndas falsche mischen\n unknown
1896
der zauberspiegel
Unknown
Das falsche Mischen
tabled cuts in multiple packets that retain cyclical order, methods for up to five packets
die concert- oder kunst-volte\none-handed flourish pass, rubber-banded halves to make it easier\nfriedrich w. conradi-horster
1897
der zauberspiegel Friedrich W. Conradi-Horster
Die Concert- oder Kunst-Volte
one-handed flourish pass, rubber-banded halves to make it easier
to ascertain the top cards while riffling and reserve them at bottom\nsee elegant title, tabled double cut\ns. w. erdnase\nerdnase aces\nharry riser\nundercut transfer\njohnny thompson
1902
the expert at the card table S. W. Erdnase
To Ascertain the Top Cards while Riffling and Reserve them at Bottom
one-handed fancy true cut\ntabled\n unknown\nthe dave price false cut\ndave price\na triple fancy table cut\nross bertram\none-handed genuine "cut"\n unknown\na triple fancy table cut\nmsgr. vincent foy\na simple fancy one hand table cut\nmsgr. vincent foy
1902
the expert at the card table
Unknown
the erdnase shift. one hand\n\ns. w. erdnase\nthe erdnase one hand shift\ns. w. erdnase\ncovering erdnase\ncharlie miller\njohnny's glimpse\njohnny thompson
1902
the expert at the card table S. W. Erdnase
iv. to retain the bottom stock\n\ns. w. erdnase\nhandling of false cuts and blinds\nedward marlo\ns. w. erdnase\nto retain the bottom stock\ns. w. erdnase\nto retain bottom stock without breaking stride\nshane cobalt
1902
the expert at the card table S. W. Erdnase
iii. to retain the top stock\nrunning cut with break\n unknown\ncombinación del corte múltiple a un mano con el corte para retener el paquete superior de erdnase\njuan villarejo\ntop stock control\ns. w. erdnase\nto retain the top stock\ns. w. erdnase\nto retain top stock without breaking stride\nshane cobalt
1902
the expert at the card table
Unknown
the downs' hinge shift\nactually apparently just a cut, also as slip cut with left thumb and with rubber banded deck\nt. nelson downs
1920
ten new sleight of hand card tricks T. Nelson Downs
The Downs' Hinge Shift
actually apparently just a cut, also as slip cut with left thumb and with rubber banded deck
double cut handling\nin-the-hands with side jog\ncharles t. jordan\nthe jordan double cut\nkarl fulves\ncharles t. jordan
1921
the four full hands Charles T. Jordan
production of chosen card by riffling pack from one hand to the other\nselection is at place where spectator stops, springing cards from one hand to the other\njack merlin\nspring flourish production\njack merlin
1927/28
merlin's master miracles Jack Merlin
Production of Chosen Card by Riffling Pack from One Hand to the Other
selection is at place where spectator stops, springing cards from one hand to the other
false cuts\n- false cut no.1 (on the table three packets)
- false cut no. 2 (on the table, five packets)\njean hugard
1945
hugard's magic monthly — volumes i, ii, iii and iv Jean Hugard
False Cuts
- False Cut No.1 (on the table three packets)
- False Cut No. 2 (on the table, five packets)
demonstration build of the four aces using the buckley double cuts\ncutting system to stack cards\narthur h. buckley
1946
card control Arthur H. Buckley
Demonstration Build of the Four Aces using the Buckley Double Cuts
one handed slip cut\n\ndai vernon\ndevilish digit cut\nrichard kaufman\nthrow cut\ndai vernon\nthe top-block slip cut\nharry riser
1946
stars of magic Dai Vernon
one hand center cut\n\nneal elias\nthe one hand center cut\nneal elias\none hand center cut\nneal elias\nthe joe berg one-hand shuffle\njoe berg
1946
at the table tricks Neal Elias
bottom up\n- method i (tabled transfer cut from bottom card to top)
- method ii (hindu shuffle to bring bottom card to top)\nj. b. bobo
1947
watch this one! J. B. Bobo
Bottom Up
- Method I (tabled transfer cut from bottom card to top)
- Method II (Hindu shuffle to bring bottom card to top)
cut up\nmethod to cut bottom card to top, cards on the table, small trick, where several cards come back to the top as a gambling demo\nbruce elliott
1948
the phoenix 151-200 Bruce Elliott
Cut Up
method to cut bottom card to top, cards on the table, small trick, where several cards come back to the top as a gambling demo
the chinese cut\ncutting procedure with perpendicular configuration\nbill simon\nin-the-hands chinese cut\nbill simon\ntyler wilson
1949
controlled miracles Bill Simon
The Chinese Cut
cutting procedure with perpendicular configuration
a lesson in magic\nselection is produced with variation of leipzigs twirl cut\nbruce elliott\na lesson in magic\nbruce elliott
1953
the phoenix 251 — 300 Bruce Elliott
A Lesson in Magic
selection is produced with variation of Leipzigs twirl Cut
one hand throw cut\none handed slip cut from left hand to table\nedward marlo\none-hand slip cut\n unknown\none hand throw cut\nedward marlo\none-hand throw cut\nedward marlo
1953
the cardician Edward Marlo
a lesson in magic\nselection is produced with variation of leipzigs twirl cut\nbruce elliott\na lesson in magic\nbruce elliott
1956
the best in magic Bruce Elliott
A Lesson in Magic
selection is produced with variation of Leipzigs twirl Cut
handling of false cuts and blinds\n\nedward marlo\ns. w. erdnase\niv. to retain the bottom stock\ns. w. erdnase
1959
riffle shuffle systems Edward Marlo, S. W. Erdnase
ose's cut\ntriple cut to table\njay ose\nfalse cutting and shuffling\nken de courcy\njay ose\nspectator's ose false cut\npaul harris\njay ose\nnacar's holdout sequence\ndr. alpen nacar
1962
close-up card magic Jay Ose
uses for marlo's bottom slip cut\nthree techniques for bottom slip cut\nedward marlo\nmarlo technique for the top and bottom slip cut\nedward marlo
1964
the patented shuffle Edward Marlo
marlo's double slip cut\ntop and bottom\nedward marlo\nmarlo technique for the top and bottom slip cut\nedward marlo
1964
the patented shuffle Edward Marlo
the master key\nmaster move bottom slip cut\njames g. thompson jr.\n"magic to delight" (thompson jr.)
1968
the pallbearers review vol. 1-4 James G. Thompson Jr.
the marlo slip cuts\nfor some credit information on some of the cuts, see page 19
i. the first slip cut (in the hands)
ii. the variation (block slip cut)
iii. strictly on the table
iv. slip cut no. 2 (table)
v. slip cut no. 3 (table, see also tyler wilson reference)
vi. shuffler's slip cut (tabled)
vii. retaining slip cut (top card retained, deck cut underneath)\nedward marlo\nmore slip cuts\nedward marlo\nslip cut handling\ntyler wilson
1968
expert card conjuring Edward Marlo
The Marlo Slip Cuts
for some credit information on some of the cuts, see page 19
I. The First Slip Cut (in the hands)
II. The Variation (block slip cut)
III. Strictly on the Table
IV. Slip Cut No. 2 (table)
V. Slip Cut No. 3 (table, see also Tyler Wilson reference)
VI. Shuffler's Slip Cut (tabled)
VII. Retaining Slip Cut (top card retained, deck cut underneath)
one-cut, double-control\ncenter slip cut, see notes on page 165\nedward marlo\none-cut, double-control\nedward marlo\nmartin a. nash\none-cut, double-control\nedward marlo
1969
hierophant Edward Marlo
cut to transpose\ncutting sequence that exchanges to card with card in center without altering the rest of the deck\nedward marlo
1970
advanced fingertip control Edward Marlo
Cut to Transpose
cutting sequence that exchanges to card with card in center without altering the rest of the deck
marlo bottom slip cut\nusing pad of left first finger and friction, a bit similar to halo cut\nedward marlo
1970
advanced fingertip control Edward Marlo
Marlo Bottom Slip Cut
using pad of left first finger and friction, a bit similar to HaLo cut
the center cut\ncenter block pass false cut, credit information, as key placement for peeked at card\nharvey rosenthal\ncrazy eddie\nkarl fulves\nthe center cut\nharvey rosenthal
1971
epilogue Harvey Rosenthal
The Center Cut
center block pass false cut, credit information, as key placement for peeked at card
educated fingers\none-handed cut and production of selection\njoseph k. schmidt\njerry andrus "educated thumb"
1971
the compleat magick - volume 1 Joseph K. Schmidt
calculated cut\nto place selection at desired position, see also p. 486\nben christopher\nblock slip cut\nbill simon\ntwo placement cuts\nlarry jennings\ncalculated cut\nkarl fulves
1972
the pallbearers review vol. 5-8 Ben Christopher
Calculated Cut
to place selection at desired position, see also p. 486
two placement cuts\n- the first cut
- the second cut\nlarry jennings\ncalculated cut\nben christopher
1972
the pallbearers review vol. 5-8 Larry Jennings
card flourishes\ntwo moves schmidt saw used by gis
- pistol grip deal (flourish deal)
- downtown cut (one handed on table)\njoseph k. schmidt
1972
the compleat magick - volume 1 Joseph K. Schmidt
Card Flourishes
two moves Schmidt saw used by GIs
- Pistol Grip Deal (flourish deal)
- Downtown Cut (one handed on table)
bottom slip cut\nin context of remember and forget routine
- summary of the bottom slip cut\nlarry jennings\nthe jennings bottom slip cut\nlarry jennings\n(c) cut to lock\nkarl fulves\nlarry jennings
1972
the pallbearers review vol. 5-8 Larry Jennings
Bottom Slip Cut
in context of remember and forget routine
- Summary Of The Bottom Slip Cut
spring flourish production\nselection is at place where spectator stops, springing cards from one hand to the other\njack merlin\nproduction of chosen card by riffling pack from one hand to the other\njack merlin
1972
the living end Jack Merlin
Spring Flourish Production
selection is at place where spectator stops, springing cards from one hand to the other
shuttle cut\ntransposing two cards at any position during cutting action, two methods with open and secret cutting\nkarl fulves\ncenter to center\nkarl fulves\ncards and numbers\nkarl fulves
1973
notes from underground Karl Fulves
Shuttle Cut
transposing two cards at any position during cutting action, two methods with open and secret cutting
swing slip cut\nslip cut in the action of a swing cut\njerry k. hartman\n"marlo slip cut" (the gen)\nswing slip cut\njerry k. hartman
1973
means & ends Jerry K. Hartman
z-notes\nseveral notes, including
- triple cut zarrow
- to cull cards to face or top of pack (positions initially known)\nroy walton
1975
riffle shuffle technique — part one Roy Walton
Z-Notes
several notes, including
- Triple Cut Zarrow
- To Cull Cards To Face Or Top Of Pack (positions initially known)
the jennings bottom slip cut\ntransposing top and bottom card during double cut\nlarry jennings\nbottom slip cut\nlarry jennings
1975
methods with cards — part 3 Larry Jennings
the if cover up control #1\nkey card placed in break in originally lower half of if peek, faro brings it next to selection\nroger smith\ncover up cut\nedward marlo\nincomplete faro - multiple peeks\nedward marlo
1975
the faro sorcery trilogy — number 1 Roger Smith
The IF Cover Up Control #1
key card placed in break in originally lower half of IF peek, faro brings it next to selection
the if cover up control #4\nwith a block instead of single key card, using a block version of cover up cut\nroger smith
1975
the faro sorcery trilogy — number 1 Roger Smith
The IF Cover Up Control #4
with a block instead of single key card, using a block version of cover up cut
triple cut control\nfrom hindu shuffle position with perpendicular packets
- as top stock control
- as bottom stock control
- as full deck control\n unknown
1975
new and novel knowledge
Unknown
Triple Cut Control
from hindu shuffle position with perpendicular packets
- as top stock control
- as bottom stock control
- as full deck control
the "bordello" false cut\ntabled, looks like a packet from the center was cut to the top, with a false single strip action\nray kuhn
1975
new and novel knowledge Ray Kuhn
The "Bordello" False Cut
tabled, looks like a packet from the center was cut to the top, with a false single strip action
covered slip cut\nfor riffle force, possible with stranger card\nkarl fulves\nsecond card from the top slip pass\ndr. jacob daley\nfrom ken beale\nken beale
1975
methods with cards — part 1 Karl Fulves
the triple cut\nthree sections of the deck spin and flip through the air and a selection flies out
- the flying card
- experimental notes for the expert (the double flying card, the multiple flying card, the flying card variations, experimental variations)
- author's own use for the triple cut\nt. g. murphy
1976
the triple cut T. G. Murphy
The Triple Cut
three sections of the deck spin and flip through the air and a selection flies out
- The Flying Card
- Experimental Notes for the Expert (The Double Flying Card, The Multiple Flying Card, The Flying Card Variations, Experimental Variations)
- Author's Own Use for the Triple Cut
double cut break handling\ndouble cutting with jog, then deck turned over and break retained\ndai vernon\ndouble cut break handling\ndai vernon\nband o'notes [d]\ndai vernon
1977
the pallbearers review vol. 9-10 Dai Vernon
Double Cut Break Handling
double cutting with jog, then deck turned over and break retained