cardician makes good \n \n edward marlo \n standing out \n jason ladanye
1953
the cardician
Edward Marlo
|
Cardician Makes Good
|
Variations
|
1953
|
|
119
|
|
|
visual transposition \n \n edward marlo \n flash transposition \n roberto giobbi \n josé carroll
1953
the cardician
Edward Marlo
|
Visual Transposition
|
Variations
|
1953
|
|
121
|
|
|
red and blue telepathy \n two cards, written on red and blue slips of paper \n edward marlo
1953
the cardician
Edward Marlo
|
Red and Blue Telepathy
|
1953
|
|
123
|
|
|
billet switch \n \n edward marlo
1953
the cardician
Edward Marlo
|
Billet Switch
|
1953
|
|
125
|
|
|
double thoughts - single deck \n two cards, one thought of, one ahead \n edward marlo \n double thought - single deck \n edward marlo \n double thought and two billets \n edward marlo \n a.m. \n unknown \n empowered \n john carey
1953
the cardician
Edward Marlo
|
Double Thoughts - Single Deck
|
Related toVariations
|
1953
|
|
126
|
|
|
mental reverse \n \n edward marlo \n twisted inversion \n jack parker \n neglection selection \n lou gallo \n mental reverse iv \n roger smith \n thought over \n jerry k. hartman
1953
the cardician
Edward Marlo
|
Mental Reverse
|
Related toVariations
|
1953
|
|
128
|
|
|
mental reverse 2 \n \n edward marlo
1953
the cardician
Edward Marlo
|
Mental Reverse 2
|
1953
|
|
129
|
|
|
cardician's dream \n counting procedure with value of thought of card, etc, see page 196 for credits \n edward marlo \n bob hummer \n stolen hours \n edward marlo \n revisiting the dream \n jerry mentzer \n cardician's dream (improved) \n jerry mentzer \n al thatcher \n cardician's dream (modified) \n justin higham
1953
the cardician
Edward Marlo, Bob Hummer
|
Cardician's Dream
|
Related toVariations
|
1953
|
|
130
|
|
|
fishing \n \n edward marlo \n fishing sequence \n edward marlo
1953
the cardician
Edward Marlo
|
Fishing
|
Related to
|
1953
|
|
133
|
|
|
21 card trick streamlined \n \n edward marlo \n 21 card trick streamlined \n edward marlo
1953
the cardician
Edward Marlo
|
21 Card Trick Streamlined
|
Also published here
|
1953
|
|
134
|
|
|
direct statement fishing \n \n edward marlo
1953
the cardician
Edward Marlo
|
Direct Statement Fishing
|
1953
|
|
137
|
|
|
touch retouched - retouched \n card reversed by spectator is predicted, force, see page 196 for credits \n edward marlo \n touch \n paul curry \n "touch" retouched \n bill simon
1953
the cardician
Edward Marlo
|
Touch Retouched - Retouched
|
Inspired by
|
1953
|
|
138
|
|
|
insertion break \n getting break underneath outjogged card \n edward marlo \n insertion of the cards \n dai vernon
1953
the cardician
Edward Marlo
|
Insertion Break
|
Related to
|
1953
|
|
139
|
|
|
magic total:<br>eight-two locator<br>ace-three-five locator<br>three-three-three loctaor \n using some cards to count down to thought-of card, multiple out counting procedure, three methods \n edward marlo
1953
the cardician
Edward Marlo
|
Magic Total: Eight-Two Locator Ace-Three-Five Locator Three-Three-Three Loctaor
|
1953
|
|
141
|
|
|
bold prediction \n card reversed by spectator is predicted, post billet writing \n edward marlo
1953
the cardician
Edward Marlo
|
Bold Prediction
|
1953
|
|
147
|
|
|
glimpsing reversed card in deck \n \n edward marlo \n glimpsing reversed card in deck \n edward marlo \n juan tamariz
1953
the cardician
Edward Marlo
|
Glimpsing Reversed Card in Deck
|
Variations
|
1953
|
|
149
|
|
|
the whispering queen \n card reversed by spectator is named \n edward marlo \n ruse glimpse \n edward marlo \n speaking volumes \n david regal \n mark leveridge
1953
the cardician
Edward Marlo
|
The Whispering Queen
|
Related to
|
1953
|
|
151
|
|
|
open prediction \n multiple methods
- 1st variation
- 2nd variation \n edward marlo \n the open prediction \n stewart james
1953
the cardician
Edward Marlo
|
Open Prediction
|
Related to
|
1953
|
|
152
|
|
|
two-card push-off \n to establish break \n edward marlo
1953
the cardician
Edward Marlo
|
Two-Card Push-Off
|
1953
|
|
153
|
|
|
k.m. righting \n of a reversed card in middle \n edward marlo
1953
the cardician
Edward Marlo
|
K.M. Righting
|
1953
|
|
155
|
|
|
under-the-spread switch \n as card is tabled \n edward marlo \n reversed card transfer switch \n paul curry \n deuce sandwich switch \n edward marlo
1953
the cardician
Edward Marlo
|
Under-the-Spread Switch
|
Related toVariations
|
1953
|
|
160
|
|
|
follow the leader \n \n edward marlo
1953
the cardician
Edward Marlo
|
Follow the Leader
|
1953
|
|
161
|
|
|
four ace vanish \n featuring four different vanishes \n edward marlo \n invisible poker deal \n steve reynolds
1953
the cardician
Edward Marlo
|
Four Ace Vanish
|
Variations
|
1953
|
|
166
|
|
|
the trick deck \n all backs and all faces, ungaffed, see page 196 for credits \n edward marlo \n all-backs \n arturo de ascanio
1953
the cardician
Edward Marlo
|
The Trick Deck
|
Variations
|
1953
|
|
171
|
|
|
the torn card trick \n except one quarter, restored card minus corner shoots out when deck is riffled, see page 196 for credits
- first method
- second method \n edward marlo \n the torn and restored card of marlo and le paul \n arturo de ascanio \n the marker \n darwin ortiz \n impromptu torn and restored card \n paul lepaul
1953
the cardician
Edward Marlo
|
The Torn Card Trick
|
Inspired byVariations
|
1953
|
|
178
|
|
|
anytime \n two methods \n edward marlo
1953
the cardician
Edward Marlo
|
Anytime
|
1953
|
|
186
|
|
|
some challenging ideas: the spectator coincidence \n posed as a problem \n edward marlo
1953
the cardician
Edward Marlo
|
Some Challenging Ideas: The Spectator Coincidence
|
1953
|
|
189
|
|
|
the spectator's prediction \n spectator writes the prediction, posed as a problem \n edward marlo \n the spectator's prediction \n edward marlo
1953
the cardician
Edward Marlo
|
The Spectator's Prediction
|
Related to
|
1953
|
|
189
|
|
|
junior's card trick \n small packet all backs & all faces, four cards \n edward marlo
1953
the cardician
Edward Marlo
|
Junior's Card Trick
|
1953
|
|
190
|
|
|
the impromptu phantom \n five cards with selections are under handkerchief, two removed, rest vanishes \n edward marlo
1953
the cardician
Edward Marlo
|
The Impromptu Phantom
|
1953
|
|
192
|
|
|
improved double count \n five as six with six different faces, double facer, see also page 16 for variation \n edward marlo \n norman osborn
1953
unlimited
Edward Marlo, Norman Osborn
|
Improved Double Count
|
1953
|
|
8
|
|
|
effect one \n card from packet into odd-backed deck at named number \n edward marlo \n colorado \n aldo colombini
1953
unlimited
Edward Marlo
|
Effect One
|
Related to
|
1953
|
|
9
|
|
|
christ force handling \n double facer \n edward marlo
1953
unlimited
Edward Marlo
|
Christ Force Handling
|
1953
|
|
11
|
|
|
unload from small spread \n \n edward marlo
1953
unlimited
Edward Marlo
|
Unload from Small Spread
|
1953
|
|
12
|
|
|
effect two \n straight flush shown with six cards, extra-card vanishes and reappears in sleeve \n edward marlo
1953
unlimited
Edward Marlo
|
Effect Two
|
1953
|
|
13
|
|
|
effect three \n card from deck to case, double facer \n edward marlo \n unlimited card-to-case \n edward marlo
1953
unlimited
Edward Marlo
|
Effect Three
|
Related to
|
1953
|
|
16
|
|
|
effect four \n card from deck to case, double facer \n edward marlo
1953
unlimited
Edward Marlo
|
Effect Four
|
1953
|
|
18
|
|
|
effect five \n six cards written on pellets, placed on tray on top of hat, selected card penetrates tray \n edward marlo
1953
unlimited
Edward Marlo
|
Effect Five
|
1953
|
|
18
|
|
|
magician's choice \n one out of six \n edward marlo
1953
unlimited
Edward Marlo
|
Magician's Choice
|
1953
|
|
20
|
|
|
billet switch \n crumpled up \n edward marlo
1953
unlimited
Edward Marlo
|
Billet Switch
|
1953
|
|
21
|
|
|
effect six \n two cards, double facers \n edward marlo
1953
unlimited
Edward Marlo
|
Effect Six
|
1953
|
|
22
|
|
|
effect seven \n magician cuts to aces, three cards on each, aces vanish, reappear in deck, three double facers \n edward marlo
1953
unlimited
Edward Marlo
|
Effect Seven
|
1953
|
|
24
|
|
|
false fan group count \n off the top of the deck \n edward marlo
1953
unlimited
Edward Marlo
|
False Fan Group Count
|
1953
|
|
28
|
|
|
the group count for more \n off the top of the deck \n edward marlo
1953
unlimited
Edward Marlo
|
The Group Count for More
|
1953
|
|
29
|
|
|
impromptu double count \n e.g. seven as ten, cards counted reversed to bottom \n edward marlo
1953
unlimited
Edward Marlo
|
Impromptu Double Count
|
1953
|
|
30
|
|
|
double count handling for more \n cards counted reversed to bottom \n edward marlo
1953
unlimited
Edward Marlo
|
Double Count Handling for More
|
1953
|
|
31
|
|
|
the card goeth home \n \n edward marlo
1953
unlimited
Edward Marlo
|
The Card Goeth Home
|
1953
|
|
32
|
|
|
red & blue routine i \n card travels from packet into odd-backed deck to chosen position \n edward marlo
1953
unlimited
Edward Marlo
|
Red & Blue Routine I
|
1953
|
|
36
|
|
|
one-hand buckle count \n brief \n edward marlo
1953
unlimited
Edward Marlo
|
One-Hand Buckle Count
|
1953
|
|
37
|
|
|
red & blue routine ii \n card travels from packet into odd-backed deck, then turns over there \n edward marlo
1953
unlimited
Edward Marlo
|
Red & Blue Routine II
|
1953
|
|
39
|
|
|
red & blue routine iii \n card travels from packet into odd-backed deck twice \n edward marlo
1953
unlimited
Edward Marlo
|
Red & Blue Routine III
|
1953
|
|
40
|
|
|
topper \n garcia's topper mover, two handed bluff display on top, vernon's variation one handed \n frank garcia \n dai vernon \n topper \n frank garcia \n bill spooner \n topper tack \n jay sankey \n frank garcia \n spooner's ambitious card move \n bill spooner \n topper move handling \n edward marlo \n who's on top? \n jon racherbaumer
1953
the phoenix
Frank Garcia, Dai Vernon
|
Topper
|
Related toVariations
|
May 1953
|
|
1126
|
|
|
rouge et noir \n five red cards and five black cards are shuffled, spectator separates the cards by color \n dr. jacob daley \n footnotes on rouge et noir \n william zavis \n more footnotes on: rouge et noir \n william zavis \n ruse et noir \n ken krenzel \n five red and five black \n arturo de ascanio \n day for night \n philip t. goldstein \n double rouge et noir \n peter duffie \n robin robertson \n small world \n jerry k. hartman \n on rouge et noire \n edward marlo
1953
the phoenix
Dr. Jacob Daley
|
Rouge et Noir
|
Related toVariations
|
Aug. 1953
|
|
1146
|
|
|
x-deck \n named card has an x on back \n edward marlo \n old marlo - new handle \n edward marlo \n allan ackerman \n x marks the spot \n edward marlo \n x-deck \n edward marlo
1953
the phoenix
Edward Marlo
|
X-Deck
|
Related toVariationsAlso published here
|
Dec. 1953
|
|
1182
|
|
|
miracle card changes \n \n edward marlo
1954
miracle card changes
Edward Marlo
|
Miracle Card Changes
|
1954
|
|
2
|
|
|
miracle change no. 1 \n - method no. 1 (seated)
- method no. 2 (seated or standing)
- method no. 3 (unload on deck)
- method no. 4 (stand-up) \n edward marlo \n the multiple colour change \n patrick page \n ltp miracle steal \n roger crosthwaite \n the revolving pass \n tony slydini \n put and take \n ellison poland \n sleeve change \n rick todd
1954
miracle card changes
Edward Marlo
|
Miracle Change No. 1
|
Related toVariations
|
1954
|
|
3
|
|
|
dribble double lift \n deck dribbled onto table, double retained in hand \n edward marlo
1954
miracle card changes
Edward Marlo
|
Dribble Double Lift
|
1954
|
|
6
|
|
|
a variation with effect... \n card with paper clip on changes \n edward marlo
1954
miracle card changes
Edward Marlo
|
A Variation with Effect...
|
1954
|
|
9
|
|
|
side steal replacement \n \n edward marlo
1954
miracle card changes
Edward Marlo
|
Side Steal Replacement
|
1954
|
|
10
|
|
|
miracle change no. 2 \n into ltp \n edward marlo \n miracle change no. 2 \n edward marlo \n double lift substitute \n baltazar fuentes
1954
miracle card changes
Edward Marlo
|
Miracle Change No. 2
|
Related toVariations
|
1954
|
|
11
|
|
|
two card toss \n from deck into right hand \n edward marlo
1954
miracle card changes
Edward Marlo
|
Two Card Toss
|
1954
|
|
11
|
|
|
miracle change no. 3 \n into "master palm" \n edward marlo \n card switch \n clayton rawson \n miracle change no. 3 \n edward marlo \n fan steal \n gordon bruce \n miracle change no. 3 \n edward marlo \n miracle change no. 3 \n edward marlo
1954
miracle card changes
Edward Marlo
|
Miracle Change No. 3
|
Related toAlso published here
|
1954
|
|
14
|
|
|
sleeving from master palm \n \n edward marlo
1954
miracle card changes
Edward Marlo
|
Sleeving from Master Palm
|
1954
|
|
15
|
|
|
a multiple effect... \n selection \n edward marlo
1954
miracle card changes
Edward Marlo
|
A Multiple Effect...
|
1954
|
|
17
|
|
|
follow the ace \n ace changes into eight as climax \n edward marlo
1954
miracle card changes
Edward Marlo
|
Follow the Ace
|
1954
|
|
19
|
|
|
climax sleeving \n complete \n edward marlo
1954
miracle card changes
Edward Marlo
|
Climax Sleeving
|
1954
|
|
22
|
|
|
an astounding transposition \n two duplicates \n edward marlo
1954
miracle card changes
Edward Marlo
|
An Astounding Transposition
|
1954
|
|
24
|
|
|
royal monte \n "a lesson in artistic card handling" \n dai vernon \n royal monte \n edward marlo \n added attraction \n gerald deutsch \n "roy"-al monte \n roy walton
1954
stars of magic
Dai Vernon
|
Royal Monte
|
Variations
|
1954
|
|
158
|
|
|
age old card control \n \n edward marlo \n age old card control \n edward marlo
1954
handbook of card sleights
Edward Marlo
|
Age Old Card Control
|
Related to
|
1954
|
|
4
|
|
|
the replacement \n general comments with method by ed marlo \n al leech \n edward marlo
1954
handbook of card sleights
Al Leech, Edward Marlo
|
The Replacement
|
1954
|
|
10
|
|
|
the drop switch \n \n edward marlo
1954
handbook of card sleights
Edward Marlo
|
The Drop Switch
|
1954
|
|
14
|
|
|
marlo's secret card add \n \n edward marlo
1954
handbook of card sleights
Edward Marlo
|
Marlo's Secret Card Add
|
1954
|
|
22
|
|
|
the multiple shift \n \n dai vernon \n edward marlo
1954
handbook of card sleights
Dai Vernon, Edward Marlo
|
The Multiple Shift
|
1954
|
|
25
|
|
|
the royal assembly \n using jacks, kings, queens and aces \n del ray \n edward marlo
1954
ireland's yearbooks
Del Ray, Edward Marlo
|
The Royal Assembly
|
1954
|
|
5
|
|
|
the turnabout \n six or seven packets put together face-up and face-down, they sort themselves the same way \n bill simon \n to set up \n edward marlo \n bill simon
1954
sleightly sensational
Bill Simon
|
The Turnabout
|
Variations
|
1954
|
|
18
|
|
|
the four packet shuffle \n four packets are shuffled into each other face-up/face-down \n bill simon \n to set up \n edward marlo \n bill simon \n the hindu double-undercut \n dai vernon \n no sleight triumph \n dai vernon \n tahoe triumph \n larry jennings \n a personal triumph \n peter duffie \n overtrick \n jerry k. hartman \n over-reaction \n jerry k. hartman \n over-reaction \n jerry k. hartman \n same faced lie \n jerry k. hartman \n ups and downs \n j. "rink" van rinkhuyzen
1954
sleightly sensational
Bill Simon
|
The Four Packet Shuffle
|
Related toVariations
|
1954
|
|
21
|
|
|
marlo's move \n with sponge balls, sequence \n edward marlo
1954
the new phoenix
Edward Marlo
|
Marlo's Move
|
Oct. 1954
|
|
78
|
|
|
the nullificator \n based on henry christ force, card cut and turned over behind back of performer \n stewart james \n card force \n john riggs \n nullifactoring \n edward marlo
1954
the nullificator
Stewart James
|
The Nullificator
|
Related toVariations
|
1954
|
|
3
|
|
|
there's five aces! \n four aces are counted as five as a gag \n cy endfield \n bill simon \n endfield-simon count \n cy endfield \n bill simon \n the false count \n edward marlo
1955
cy endfield's entertaining card magic — part ii
Cy Endfield, Bill Simon
|
There's Five Aces!
|
Related toAlso published here
|
1955
|
|
44
|
|
|
tip-over change handling \n \n edward marlo
1955
cy endfield's entertaining card magic — part iii
Edward Marlo
|
Tip-Over Change Handling
|
1955
|
|
8
|
|
|
bluff ace assembly \n \n edward marlo \n bluff ace assembly \n edward marlo \n advanced ace assembly \n paul swinford \n edward marlo \n bluff ace assembly \n steve draun \n bluff-bluff assembly \n edward marlo \n bluff ace assembly \n edward marlo \n bluff poker \n john cornelius \n k.b.v. aces \n edward marlo \n bluff ace assembly \n edward marlo \n surprise bluff aces \n allan ackerman \n marloeske \n roy johnson \n bluff ace assembly \n edward marlo \n bluff ace assembly \n edward marlo \n one at a time aces \n gerald kosky \n speaking volumes \n john cornelius \n finally unassembled \n allan ackerman \n surprise bluff aces \n allan ackerman
1955
ireland's yearbooks
Edward Marlo
|
Bluff Ace Assembly
|
Related toVariations- Advanced Ace Assembly (Paul Swinford, Edward Marlo, 1974)
- Marloeske (Roy Johnson, 1980)
- Bluff Ace Assembly (Steve Draun, 1993)
- Bluff-Bluff Assembly (Edward Marlo, 1993)
- Bluff Poker (John Cornelius, 2001)
- Bluff Ace Assembly (Edward Marlo, 2007)
- K.B.V. Aces (Edward Marlo, 2007)
- Surprise Bluff Aces (Allan Ackerman, 2019)
- Finally Unassembled (Allan Ackerman, 2024)
- Surprise Bluff Aces (Allan Ackerman, 2024)
Also published here
|
1955
|
|
43
|
|
|
card miracles from 1949 \n \n edward marlo
1955
the new phoenix
Edward Marlo
|
Card Miracles from 1949
|
1955
|
|
125
|
|
|
throw in location \n thumb riffle estimation to nineteenth/twentieth position, two methods \n edward marlo \n mental stab \n edward marlo \n throw in location, first method \n edward marlo \n throw in location, second method \n edward marlo
1955
the new phoenix
Edward Marlo
|
Throw in Location
|
Related toAlso published here
|
1955
|
|
125
|
|
|
side riffle estimation \n left thumb riffles down to same spot \n edward marlo \n side riffle estimation \n edward marlo
1955
the new phoenix
Edward Marlo
|
Side Riffle Estimation
|
Also published here
|
1955
|
|
125
|
|
|
pull down estimation \n left thumb pulls down to same spot, see second method \n edward marlo \n pull down estimation \n edward marlo
1955
the new phoenix
Edward Marlo
|
Pull Down Estimation
|
Also published here
|
1955
|
|
125
|
|
|
stab force \n used as a multiple out \n edward marlo \n stab force \n edward marlo
1955
the new phoenix
Edward Marlo
|
Stab Force
|
Also published here
|
1955
|
|
125
|
|
|
automatic placement \n cut off, count, remember card at position in reminder \n edward marlo \n automatic placement \n edward marlo
1955
the new phoenix
Edward Marlo
|
Automatic Placement
|
Related to
|
1955
|
|
126
|
|
|
challenge to you from edward marlo! \n description of three routines, no explanation
- 1. the separating aces
- 2. the new elevator
- 3. real gone aces \n edward marlo
1955
the new phoenix
Edward Marlo
|
Challenge to You from Edward Marlo!
|
Dec. 1955
|
|
144
|
|
|
the open prediction \n effect description reproduced from the cardician
- major points
- analysis of motivation
- open prediction variants
- basic card prediction principles
-- 1. force
-- 2. multiple revealment
-- 3. delayed action
- approaching the problem \n stewart james \n open prediction \n edward marlo
1955
ibidem
Stewart James
|
The Open Prediction
|
Related to
|
Aug. 1955
|
|
2
|
|
|
break even \n card peeked at, two halves made, performer shows written prediction, both cards are dealt simultaneously and performer shouts stop, next cards are selection and predicted card \n p. howard lyons \n tri-multaneous \n sam schwartz \n doublestop \n simon aronson \n david solomon \n almost a miracle \n eddie joseph \n affinity \n edward marlo
1955
ibidem
P. Howard Lyons
|
Break Even
|
Related toVariations
|
Nov. 1955
|
|
8
|
|
|
the shuffle palm \n overhand shuffle, originally top cards \n edward marlo \n the action cop \n thomas baxter \n edward marlo \n overhand cop \n edo huang
1956
action palm
Edward Marlo
|
The Shuffle Palm
|
Related toVariations
|
1956
|
|
1
|
|
|
the action palms \n \n edward marlo
1956
action palm
Edward Marlo
|
The Action Palms
|
1956
|
|
1
|
|
|
delayed action palm \n originally top card are shuffled to bottom \n edward marlo
1956
action palm
Edward Marlo
|
Delayed Action Palm
|
1956
|
|
3
|
|
|
the count cop \n cards are counted into right hand, returned to left, different handlings \n edward marlo \n move c. c. \n edward marlo
1956
action palm
Edward Marlo
|
The Count Cop
|
Variations
|
1956
|
|
6
|
|
|
count cop for a number of cards \n \n edward marlo
1956
action palm
Edward Marlo
|
Count Cop for a Number of Cards
|
1956
|
|
8
|
|
|
count cop for small packets \n routine for eleven-card-trick, two handlings \n edward marlo
1956
action palm
Edward Marlo
|
Count Cop for Small Packets
|
1956
|
|
9
|
|
|
count cop and transfer \n from packet to packet, sometimes called "spontaneous add" \n edward marlo \n bluff count cop \n steve reynolds \n count cop and transfer \n edward marlo \n marlo's spontaneous add \n edward marlo
1956
action palm
Edward Marlo
|
Count Cop and Transfer
|
Related toVariationsAlso published here
|
1956
|
|
10
|
|
|
card vanishes from small packet \n \n edward marlo
1956
action palm
Edward Marlo
|
Card Vanishes from Small Packet
|
1956
|
|
10
|
|
|
from packet to packet \n \n edward marlo
1956
action palm
Edward Marlo
|
From Packet to Packet
|
1956
|
|
11
|
|
|
ace assembly application \n for last ace in assembly \n edward marlo
1956
action palm
Edward Marlo
|
Ace Assembly Application
|
1956
|
|
12
|
|
|
count cop exchange \n for example three of four \n edward marlo \n additional deuce sandwich switches \n edward marlo
1956
action palm
Edward Marlo
|
Count Cop Exchange
|
Related to
|
1956
|
|
13
|
|
|
count cop for left hand \n \n edward marlo
1956
action palm
Edward Marlo
|
Count Cop for Left Hand
|
1956
|
|
14
|
|
|
count cop for left hand \n one of five blue backed card travells into red deck \n edward marlo
1956
action palm
Edward Marlo
|
Count Cop for Left Hand
|
1956
|
|
16
|
|
|
action palm - one hand \n control & palm sequence \n edward marlo \n one hand top palm cover \n edward marlo
1956
action palm
Edward Marlo
|
Action Palm - One Hand
|
Related to
|
1956
|
|
16
|
|
|
card vanish and appearance \n vanish from five-card packet, reappearance in deck \n edward marlo
1956
action palm
Edward Marlo
|
Card Vanish and Appearance
|
1956
|
|
16
|
|
|
the clip steal \n l.h. steal during overhand shuffle \n edward marlo \n thumb clip steal \n jack avis
1956
action palm
Edward Marlo
|
The Clip Steal
|
Related to
|
1956
|
|
18
|
|
|
clip palmed card from pocket \n tip \n edward marlo
1956
action palm
Edward Marlo
|
Clip Palmed Card from Pocket
|
1956
|
|
18
|
|
|
repeat card to pocket \n \n edward marlo
1956
action palm
Edward Marlo
|
Repeat Card to Pocket
|
1956
|
|
19
|
|
|
turn down palm \n \n edward marlo
1956
action palm
Edward Marlo
|
Turn Down Palm
|
1956
|
|
19
|
|
|
ace assembly application \n \n edward marlo
1956
action palm
Edward Marlo
|
Ace Assembly Application
|
1956
|
|
20
|
|
|
misdirection palm \n another card is pushed into pack while top card is palmed \n edward marlo
1956
action palm
Edward Marlo
|
Misdirection Palm
|
1956
|
|
21
|
|
|
selected card to pocket \n using misdirection palm \n edward marlo
1956
action palm
Edward Marlo
|
Selected Card to Pocket
|
1956
|
|
23
|
|
|
open top card glimpse \n \n edward marlo
1956
action palm
Edward Marlo
|
Open Top Card Glimpse
|
1956
|
|
23
|
|
|
the cull palm \n spread culled cards are palmed right away, or directly from peek \n edward marlo \n center block palm \n edward marlo
1956
action palm
Edward Marlo
|
The Cull Palm
|
Related to
|
1956
|
|
25
|
|
|
cull palm replacement \n r.h. cop \n edward marlo
1956
action palm
Edward Marlo
|
Cull Palm Replacement
|
1956
|
|
26
|
|
|
pressure fan palm \n and application as a color change \n edward marlo
1956
action palm
Edward Marlo
|
Pressure Fan Palm
|
1956
|
|
27
|
|
|
pressure fan palm as color change \n \n edward marlo
1956
action palm
Edward Marlo
|
Pressure Fan Palm as Color Change
|
1956
|
|
28
|
|
|
one hand palm as action palm \n during an overhand shuffle or dovetail shuffle \n edward marlo \n palming from a shuffle \n edward marlo
1956
action palm
Edward Marlo
|
One Hand Palm as Action Palm
|
Related to
|
1956
|
|
29
|
|
|
take techniques for action palm \n overhand shuffle cover, two methods \n edward marlo
1956
action palm
Edward Marlo
|
Take Techniques for Action Palm
|
1956
|
|
31
|
|
|
square up drop palm \n two cards to pocket \n edward marlo
1956
action palm
Edward Marlo
|
Square Up Drop Palm
|
1956
|
|
33
|
|
|
double action palms \n both hands \n edward marlo \n double action palms \n edward marlo
1956
action palm
Edward Marlo
|
Double Action Palms
|
Also published here
|
1956
|
|
34
|
|
|
drop cut palm \n triple cut cover \n edward marlo
1956
action palm
Edward Marlo
|
Drop Cut Palm
|
1956
|
|
34
|
|
|
the table edge palm \n special small packet handling \n edward marlo
1956
action palm
Edward Marlo
|
The Table Edge Palm
|
1956
|
|
35
|
|
|
pivot bottom steal \n small packet handling \n edward marlo
1956
action palm
Edward Marlo
|
Pivot Bottom Steal
|
1956
|
|
36
|
|
|
brush palm \n small packet palm handling \n edward marlo
1956
action palm
Edward Marlo
|
Brush Palm
|
1956
|
|
38
|
|
|
bits of misdirection \n for a variety of different palming techniques \n edward marlo
1956
action palm
Edward Marlo
|
Bits of Misdirection
|
1956
|
|
39
|
|
|
bits of misdirection - for bottom palm \n \n edward marlo
1956
action palm
Edward Marlo
|
Bits of Misdirection - For Bottom Palm
|
1956
|
|
40
|
|
|
bits of misdirection \n various bits \n edward marlo
1956
action palm
Edward Marlo
|
Bits of Misdirection
|
1956
|
|
40
|
|
|
the drop cover \n \n edward marlo
1956
action palm
Edward Marlo
|
The Drop Cover
|
1956
|
|
41
|
|
|
the wrist turn \n \n edward marlo
1956
action palm
Edward Marlo
|
The Wrist Turn
|
1956
|
|
42
|
|
|
delayed one hand palm \n \n edward marlo \n misdirection brushing \n edward marlo
1956
action palm
Edward Marlo
|
Delayed One Hand Palm
|
Related to
|
1956
|
|
43
|
|
|
palm replacements \n basic replacement move \n edward marlo
1956
action palm
Edward Marlo
|
Palm Replacements
|
1956
|
|
44
|
|
|
the rise and riffle \n \n edward marlo
1956
action palm
Edward Marlo
|
The Rise and Riffle
|
1956
|
|
45
|
|
|
the turn over \n \n edward marlo
1956
action palm
Edward Marlo
|
The Turn Over
|
1956
|
|
45
|
|
|
the square up \n \n edward marlo
1956
action palm
Edward Marlo
|
The Square Up
|
1956
|
|
46
|
|
|
the top card return \n \n edward marlo
1956
action palm
Edward Marlo
|
The Top Card Return
|
1956
|
|
46
|
|
|
the turn and gesture \n \n edward marlo
1956
action palm
Edward Marlo
|
The Turn and Gesture
|
1956
|
|
46
|
|
|
after the cut \n \n edward marlo
1956
action palm
Edward Marlo
|
After the Cut
|
1956
|
|
47
|
|
|
the delayed replacement \n \n edward marlo
1956
action palm
Edward Marlo
|
The Delayed Replacement
|
1956
|
|
48
|
|
|
the shuffle replacement \n \n edward marlo
1956
action palm
Edward Marlo
|
The Shuffle Replacement
|
1956
|
|
48
|
|
|
revolving replacement \n \n edward marlo
1956
action palm
Edward Marlo
|
Revolving Replacement
|
1956
|
|
49
|
|
|
holding out \n tips \n edward marlo
1956
action palm
Edward Marlo
|
Holding Out
|
1956
|
|
50
|
|
|
easy palm transfer \n right classic to left cop position \n edward marlo
1956
action palm
Edward Marlo
|
Easy Palm Transfer
|
1956
|
|
51
|
|
|
card from pocket ideas/"search" technique \n \n edward marlo \n a variation to a sixy effect \n edward marlo
1956
action palm
Edward Marlo
|
Card from Pocket ideas/"Search" Technique
|
Related to
|
1956
|
|
52
|
|
|
card from pocket ideas \n different subterfuges \n edward marlo \n transfer with jacket \n edward marlo \n ken krenzel \n card from pocket idea variation \n edward marlo \n allan ackerman \n producing a card from your inner right jacket-pocket (2) \n edward marlo \n card from pocket idea variation \n edward marlo \n allan ackerman
1956
action palm
Edward Marlo
|
Card from Pocket Ideas
|
Related toVariationsAlso published here
|
1956
|
|
52
|
|
|
the fake transfer \n \n edward marlo
1956
action palm
Edward Marlo
|
The Fake Transfer
|
1956
|
|
52
|
|
|
finger-tip control \n \n edward marlo \n the force at your fingertips \n jeff busby
1956
fingertip control
Edward Marlo
|
Finger-Tip Control
|
Related to
|
1956
|
|
3
|
|
|
basic procedure \n fingertip peek \n edward marlo
1956
fingertip control
Edward Marlo
|
Basic Procedure
|
1956
|
|
3
|
|
|
first method \n forced estimation, fishing \n edward marlo \n fingertip riffle peek estimation \n edward marlo \n the sudden stop \n edward marlo \n a.m. \n unknown
1956
fingertip control
Edward Marlo
|
First Method
|
Related toVariations
|
1956
|
|
5
|
|
|
second method \n imperfection, nailnick, edgemark \n edward marlo \n 45 - look for informal "readers". \n charles hopkins \n influence \n james steranko
1956
fingertip control
Edward Marlo
|
Second Method
|
Related to
|
1956
|
|
6
|
|
|
third method \n corner-short, see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Third Method
|
1956
|
|
7
|
|
|
multiple card control sequence \n imperfection, nailnick, edgemark \n edward marlo
1956
fingertip control
Edward Marlo
|
Multiple Card Control Sequence
|
1956
|
|
7
|
|
|
third method \n corner-short, see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Third Method
|
1956
|
|
8
|
|
|
cover up cut \n \n edward marlo
1956
fingertip control
Edward Marlo
|
Cover Up Cut
|
1956
|
|
8
|
|
|
peek spelling \n small progressive spelling set-up \n edward marlo \n using the texan key to force other cards \n jeff busby
1956
fingertip control
Edward Marlo
|
Peek Spelling
|
Related to
|
1956
|
|
8
|
|
|
fingertip peek force \n corner short, also multiple cards, see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Fingertip Peek Force
|
1956
|
|
9
|
|
|
fourth method \n in-jog \n edward marlo
1956
fingertip control
Edward Marlo
|
Fourth Method
|
1956
|
|
10
|
|
|
double peek force \n fingertip \n edward marlo
1956
fingertip control
Edward Marlo
|
Double Peek Force
|
1956
|
|
12
|
|
|
fourth method - multiple control \n in-jog \n edward marlo
1956
fingertip control
Edward Marlo
|
Fourth Method - Multiple Control
|
1956
|
|
13
|
|
|
fifth method \n steps in advance \n edward marlo
1956
fingertip control
Edward Marlo
|
Fifth Method
|
1956
|
|
13
|
|
|
fifth method \n step in advance \n edward marlo
1956
fingertip control
Edward Marlo
|
Fifth Method
|
1956
|
|
15
|
|
|
sixth method - tilt glimpse \n glimpsing card \n edward marlo \n tilt glimpse variatiion \n william goodwin \n s.a.l.o.b. \n r. paul wilson \n simple glimpse \n t. page wright \n influence \n james steranko
1956
fingertip control
Edward Marlo
|
Sixth Method - Tilt Glimpse
|
Related toVariations
|
1956
|
|
16
|
|
|
free force principle \n re-forcing following cards \n edward marlo
1956
fingertip control
Edward Marlo
|
Free Force Principle
|
1956
|
|
17
|
|
|
commercial double peek force \n \n edward marlo
1956
fingertip control
Edward Marlo
|
Commercial Double Peek Force
|
1956
|
|
17
|
|
|
free force \n multiple card control, re-forcing the break \n edward marlo
1956
fingertip control
Edward Marlo
|
Free Force
|
1956
|
|
17
|
|
|
square-up glimpse \n see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Square-Up Glimpse
|
1956
|
|
18
|
|
|
definite fingertip control - d.f.c. \n stepping at selection \n edward marlo \n putting in the step \n edward marlo \n moving the steps \n edward marlo
1956
fingertip control
Edward Marlo
|
Definite Fingertip Control - D.F.C.
|
Related to
|
1956
|
|
19
|
|
|
broken corner \n corner short substitute, note 1 \n edward marlo
1956
fingertip control
Edward Marlo
|
Broken Corner
|
1956
|
|
22
|
|
|
marlo's secret card add \n \n edward marlo
1956
pretty sneaky
Edward Marlo
|
Marlo's Secret Card Add
|
1956
|
|
17
|
|
|
x-deck \n named card has an x on back \n edward marlo \n x-deck \n edward marlo
1956
the best in magic
Edward Marlo
|
X-Deck
|
Also published here
|
1956
|
|
120
|
|
|
case card \n cards are cased with a block sticking out, all cards slide down except selection in spectator's hand \n al leech \n case card \n al leech \n relative rise \n al leech \n kevin davie \n case card again \n jose diaz \n vynn boyar \n edward marlo \n low rise \n ken krenzel \n al leech \n whistle and i'll come \n roy walton \n spectator's card rise \n nick trost \n the descending cards \n al leech
1956
the new phoenix
Al Leech
|
Case Card
|
Inspired byRelated toVariationsAlso published here
|
Jan. 1956
|
|
148
|
|
|
real gone aces \n - additional notes on real gone aces
- swindle aces ideas
- for use in real gone aces (ace layout) \n edward marlo
1956
the new phoenix
Edward Marlo
|
Real Gone Aces
|
1956
|
|
160
|
|
|
the separating aces \n four aces distribute in the deck, three methods, all cards face-down \n edward marlo \n the splits \n steve reynolds \n allan ackerman \n separating aces (4th method) \n edward marlo
1956
the new phoenix
Edward Marlo
|
The Separating Aces
|
Variations
|
1956
|
|
162
|
|
|
the new elevator \n progressive rises/penetrations, four methods \n edward marlo \n the new elevator variation \n philip t. goldstein \n u.p: up \n ian land \n one thru four elevator \n david solomon \n cabbages & kings \n jon racherbaumer \n progressive elevator \n max maven
1956
the new phoenix
Edward Marlo
|
The New Elevator
|
Variations
|
1956
|
|
163
|
|
|
mislide \n card switched as it is laid down from in-the-hands spread on table, related to later handlings \n edward marlo
1956
the new phoenix
Edward Marlo
|
Mislide
|
1956
|
|
163
|
|
|
small packet spread-cull displacement \n \n edward marlo
1956
the new phoenix
Edward Marlo
|
Small Packet Spread-Cull Displacement
|
1956
|
|
163
|
|
|
small packet bottom transfer \n two small packets, bottom card transferred to other packet with bottom deal type motion \n edward marlo
1956
the new phoenix
Edward Marlo
|
Small Packet Bottom Transfer
|
1956
|
|
165
|
|
|
vanishing aces theory \n \n edward marlo \n forward to ---- \n edward marlo
1956
the new phoenix
Edward Marlo
|
Vanishing Aces Theory
|
Related to
|
1956
|
|
166
|
|
|
aces & deuces \n seven card assembly \n edward marlo \n ace deuce transposition \n edward marlo \n 7 card assembly (3rd method) \n edward marlo \n bert fenn
1956
the new phoenix
Edward Marlo
|
Aces & Deuces
|
Related to
|
1956
|
|
166
|
|
|
case card again \n \n jose diaz \n vynn boyar \n edward marlo \n case card \n al leech
1956
the new phoenix
Jose Diaz, Vynn Boyar, Edward Marlo
|
Case Card Again
|
Inspired by
|
1956
|
|
168
|
|
|
repeating change \n card changes into three selections one by one, diminishing lift sequence \n jerry andrus \n diminishing lift switch \n edward marlo
1956
andrus deals you in
Jerry Andrus
|
Repeating Change
|
Related to
|
1956
|
|
29
|
|
|
the clip slip \n card from injog position into right hand clip between right fingers to top or bottom
- variation \n jerry andrus \n the clip slip \n jerry andrus \n steranko's center steal change \n james steranko \n the fingertip peek steal \n edward marlo
1956
andrus deals you in
Jerry Andrus
|
The Clip Slip
|
Related toVariationsAlso published here
|
1956
|
|
57
|
|
|
foreword \n \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Foreword
|
1956
|
|
|
|
|
a classical quickie \n reversed card in deck changes into selection
- first method (saliva)
- second method (sticky or all faced roughed)
- third method (center reverse)
- fourth method (side palm)
- fifth method (hide-out)
- sixth method (faced deck)
- seventh method \n edward marlo \n carmen d'amico \n (c) semi-classical quickie \n jerry k. hartman \n svengali quickie \n justin higham
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
A Classical Quickie
|
Variations
|
1956
|
|
1
|
|
|
running cut stop force \n \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Running Cut Stop Force
|
1956
|
|
1
|
|
|
rightning a reversed card \n clean-up, bottom card removed with left hand and quickly turned over to scoop up tabled cards \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Rightning a Reversed Card
|
1956
|
|
2
|
|
|
the open reverse \n deck is turned over under top card under guise of looking at top card \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
The Open Reverse
|
1956
|
|
5
|
|
|
eighth method \n four cards reversed in deck change into four aces
- ninth method
- tenth method (all cards roughed on faces) \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Eighth Method
|
1956
|
|
7
|
|
|
the d'amico spread \n dated 1948
- action of the spread \n carmen d'amico \n marlo pivot spread \n edward marlo
1956
classical foursome
Carmen D'Amico
|
The D'Amico Spread
|
Variations
|
1956
|
|
8
|
|
|
doubly ambitious \n two cards come to top repeatedly, d'amico spread application \n edward marlo \n carmen d'amico \n the corsican climbers \n dai vernon
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Doubly Ambitious
|
Variations
|
1956
|
|
10
|
|
|
chameleon queens \n red queens change to black and back multiple times (new tens), transposition finale \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Chameleon Queens
|
1956
|
|
12
|
|
|
double transpositions \n - the repeat
- straight presentation \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Double Transpositions
|
1956
|
|
16
|
|
|
combination \n of previous doubly ambitious and double transposition \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Combination
|
1956
|
|
18
|
|
|
marlo-curry change \n for one or several cards \n edward marlo \n the linking ring
1956
classical foursome
Edward Marlo
|
Marlo-Curry Change
|
Also published here
|
1956
|
|
19
|
|
|
marlo pivot spread \n six handlings
- triple pivot spread (e.g. six as three) \n edward marlo \n the d'amico spread \n carmen d'amico \n marlo pivot spread \n edward marlo \n pivot spread variation \n mike rogers \n spread notes \n jon racherbaumer \n five of a kind show \n steve reynolds
1956
classical foursome
Edward Marlo
|
Marlo Pivot Spread
|
Inspired byVariationsAlso published here
|
1956
|
|
22
|
|
|
the time machine \n three reds and blacks are alternated, ace of spades put in center of one half, the other half shuffled upside-down, all things are undone when traveled back in time, writing of time written on a business card vanishes \n edward marlo \n time machine \n edward marlo \n ron bauer
1956
ibidem
Edward Marlo
|
The Time Machine
|
Variations
|
Sep. 1956
|
|
2
|
|
|
take nine \n spectator remembers card and its position from the top, performer takes the cards behind the back and brings them back out, the card's value at the original position is used to count down to selection \n ken beale \n roundabout retreat \n john hostler \n number transpo \n edward marlo
1956
ibidem
Ken Beale
|
Take Nine
|
Inspired byVariations
|
Sep. 1956
|
|
20
|
|
|
an ed marlo bibliography \n \n edward marlo
1956
ibidem
Edward Marlo
|
An Ed Marlo Bibliography
|
Dec. 1956
|
|
2
|
|
|
separating aces (4th method) \n four aces are placed in the center face-down, deck spread and aces have distributed in the deck and turned face-up \n edward marlo \n the separating aces \n edward marlo \n "puzzle for wantons" (jack avis, the pentagram, march 1956, vol. 10 no. 6)
1956
ibidem
Edward Marlo
|
Separating Aces (4th Method)
|
Inspired by
|
Dec. 1956
|
|
3
|
|
|
same methode, different effect \n aces removed, they change to kings, aces found reversed distributed through deck \n edward marlo
1956
ibidem
Edward Marlo
|
Same Methode, Different Effect
|
Dec. 1956
|
|
3
|
|
|
repeat transposition \n two cards selected, sandwiched ace of spades away from deck transposes with the selections one by one, ace found face up in center after each transposition
- first method
- second method
- third method (only one selection and transposition)
- fourth method (using four aces, no selections)
- fifth method (using four aces, no selections) \n edward marlo \n displaced \n jerry k. hartman
1956
ibidem
Edward Marlo
|
Repeat Transposition
|
Related to
|
Dec. 1956
|
|
4
|
|
|
covered hit break \n right first finger gets break under top cards under cover of spread packet \n edward marlo
1956
ibidem
Edward Marlo
|
Covered Hit Break
|
Dec. 1956
|
|
4
|
|
|
secret addition release \n during display sequence, the extra cards are dropped \n edward marlo
1956
ibidem
Edward Marlo
|
Secret Addition Release
|
Dec. 1956
|
|
4
|
|
|
the torn joker \n performer wants to find selection but finds joker twice, then tears it up, joker is found again and torn pieces of joker are shown to be selection \n edward marlo \n once torn, twice restored \n bob stencel
1956
ibidem
Edward Marlo
|
The Torn Joker
|
Related to
|
Dec. 1956
|
|
8
|
|
|
key card placement \n card replaced on lower half, charlier cut, right hand cards are placed above and below \n edward marlo
1956
ibidem
Edward Marlo
|
Key Card Placement
|
Dec. 1956
|
|
8
|
|
|
on the memorized deck \n - four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, after seeing the faces of the packets for a few seconds, the performer names the cards in all packets leaving the selection to last
- then any number is named and performer names card at that position and vice versa
- second deal and poker deal demo if ireland stack is used \n edward marlo \n two routines - two \n tony cabral
1956
ibidem
Edward Marlo
|
On the Memorized Deck
|
Variations
|
Dec. 1956
|
|
10
|
|
|
a miracle with cards \n four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, performer looks at each packet and finds the selections, secretly counting the packets, last card from pocket
- alternative in which the last wrong card changes into selection \n edward marlo \n two routines - two \n tony cabral \n talismanacle \n thomas alan waters \n groupease \n thomas alan waters \n cutout \n thomas alan waters \n group shuffle \n simon aronson \n group shuffle \n simon aronson \n psi stebbins - method i \n p. howard lyons \n adaption d'une routine de marlo-cornélius \n claude rix
1956
ibidem
Edward Marlo
|
A Miracle with Cards
|
Related toVariations
|
Dec. 1956
|
|
11
|
|
|
for a single \n spectator cuts off a packet, remembers the bottom card and shuffles the packet, performer takes packet and finds card, repeats, optional re-stack during location \n edward marlo
1956
ibidem
Edward Marlo
|
For a Single
|
Dec. 1956
|
|
12
|
|
|
faro shuffle as false shuffle \n preparing by giving the deck six out-faros before performance \n edward marlo
1956
ibidem
Edward Marlo
|
Faro Shuffle as False Shuffle
|
Dec. 1956
|
|
13
|
|
|
new oil and water routine \n 4&4, fan insertion mix, two black extra cards \n edward marlo
1956
ibidem
Edward Marlo
|
New Oil and Water Routine
|
Dec. 1956
|
|
14
|
|
|
oil and water climax \n 4&4, face-up fan mix, two black extra cards \n edward marlo \n oil and water \n edward marlo
1956
ibidem
Edward Marlo
|
Oil and Water Climax
|
Related to
|
Dec. 1956
|
|
15
|
|
|
all one way \n eight cards mixed face-up/face-down, then all one way again, repeat, two extra cards
- notes to all one way (with roughed deck idea) \n edward marlo \n all one way fix \n edward marlo \n after all one way \n edward marlo
1956
ibidem
Edward Marlo
|
All One Way
|
Variations
|
Dec. 1956
|
|
17
|
|
|
wedge break displacement \n \n edward marlo \n wedge break displacement \n dai vernon
1956
ibidem
Edward Marlo
|
Wedge Break Displacement
|
Related to
|
Dec. 1956
|
|
18
|
|
|
table tap half pass cover \n \n edward marlo
1956
ibidem
Edward Marlo
|
Table Tap Half Pass Cover
|
Dec. 1956
|
|
18
|
|
|
cased-in shuffle \n reds and blacks separated, deck is cased, shuffle mimed, deck is uncased and shown mixed
- first method (rough-smooth)
- second method (packet handling) \n edward marlo \n cased-in shuffle \n william goodwin \n cased-in shuffle \n william goodwin \n faromatic \n jerry k. hartman \n faromatic \n jerry k. hartman
1956
ibidem
Edward Marlo
|
Cased-In Shuffle
|
Related toVariations
|
Dec. 1956
|
|
20
|
|
|
solutions to a problem \n deck is cut and put face-to-face, number named and card in lower half remembered, card in upper half at same or different number also remembered, the card transpose, thomas wright problem
- solution no. 1
-- notes on the above (half pass suggestion)
- solution no. 2 (cards transpose and also turn over)
- solution no. 3
- solution no. 4
- solution no. 5 \n edward marlo \n what's your number? \n edward marlo \n david solomon
1956
ibidem
Edward Marlo
|
Solutions to a Problem
|
Variations
|
Dec. 1956
|
|
21
|
|
|
notes on the turnabout pass \n cards from the top or center are pulled around the deck reversed to bottom, optional riffle cover \n edward marlo
1956
ibidem
Edward Marlo
|
Notes On The Turnabout Pass
|
Dec. 1956
|
|
26
|
|
|
mexican solitaire \n shuffled deck, deck dealt into four piles according to rules, one of each value in each pile, memory demonstrations, all four-of-a-kinds together or controlled, can be followed by poker deals:
- progressive poker
-- first game
-- three-handed
-- four-handed
-- five-handed
-- second play of five-handed poker
- royal flush control
-- second royal
-- third royal
-- fourth royal
-- alternative procedure for four royals \n edward marlo \n what a m-e-s! \n harry lorayne \n royal flush control variation \n alex elmsley
1956
ibidem
Edward Marlo
|
Mexican Solitaire
|
Variations
|
Dec. 1956
|
|
27
|
|
|
all fair card transposition \n card in pocket with card at chosen position \n jack avis \n surprising transposition \n edward marlo
1956
1956 card annual
Jack Avis
|
All Fair Card Transposition
|
Related to
|
1956
|
|
10
|
|
|
the switchless switch \n packet switch as cards are taken from the top of the deck one by one and shown, application to e. g. brown's thought card across problem \n edward marlo \n put-back move \n sam leo horowitz \n unloading/putback false count \n edward marlo \n ditch switch \n jerry k. hartman \n thought experiment \n andi gladwin \n switchless packet switch \n steve reynolds \n additional technique for the switchless switch \n edward marlo
1956
1956 card annual
Edward Marlo
|
The Switchless Switch
|
Related toVariations
|
1956
|
|
15
|
|
|
second effect \n switchless switch application \n edward marlo
1956
1956 card annual
Edward Marlo
|
Second Effect
|
1956
|
|
19
|
|
|
third effect \n packet of red cards and black cards transpose, switchless switch application \n edward marlo
1956
1956 card annual
Edward Marlo
|
Third Effect
|
1956
|
|
20
|
|
|
additional technique for the switchless switch \n more open grip \n edward marlo \n the switchless switch \n edward marlo
1956
1956 card annual
Edward Marlo
|
Additional Technique for the Switchless Switch
|
Inspired by
|
1956
|
|
21
|
|
|
the side-steal \n \n edward marlo
1957
side steal
Edward Marlo
|
The Side-Steal
|
1957
|
|
1
|
|
|
peek handling \n \n edward marlo
1957
side steal
Edward Marlo
|
Peek Handling
|
1957
|
|
2
|
|
|
the technical steal \n see note 4 on p. 58 \n edward marlo \n on the side steal \n lance pierce
1957
side steal
Edward Marlo
|
The Technical Steal
|
Variations
|
1957
|
|
2
|
|
|
the deliberate side-steal \n see note 2 on p. 58 \n edward marlo \n side steal and replacement \n john carney \n edward marlo
1957
side steal
Edward Marlo
|
The Deliberate Side-Steal
|
Variations
|
1957
|
|
5
|
|
|
the curled forefinger \n finesse for "the deliberate side-steal" \n edward marlo
1957
side steal
Edward Marlo
|
The Curled Forefinger
|
1957
|
|
7
|
|
|
the bold steal \n while showing that selection is not on top or bottom and other handlings, see note 3 on p. 58 \n edward marlo \n the card between \n jack avis
1957
side steal
Edward Marlo
|
The Bold Steal
|
Related to
|
1957
|
|
9
|
|
|
bold steal - third handling \n selection between aces \n edward marlo
1957
side steal
Edward Marlo
|
Bold Steal - Third Handling
|
1957
|
|
10
|
|
|
bold steal - second handling \n one to ten \n edward marlo
1957
side steal
Edward Marlo
|
Bold Steal - Second Handling
|
1957
|
|
10
|
|
|
the bold stop effect \n out for psychological stop trick, three methods \n edward marlo
1957
side steal
Edward Marlo
|
The Bold Stop Effect
|
1957
|
|
12
|
|
|
the bottom bold steal \n suitable for stop trick \n edward marlo
1957
side steal
Edward Marlo
|
The Bottom Bold Steal
|
1957
|
|
12
|
|
|
a slight difference \n small packet side steal handling, pinch technique \n edward marlo
1957
side steal
Edward Marlo
|
A Slight Difference
|
1957
|
|
13
|
|
|
standard side steal \n \n edward marlo
1957
side steal
Edward Marlo
|
Standard Side Steal
|
1957
|
|
14
|
|
|
multiple holdout \n palming multiple cards from different positions \n edward marlo
1957
side steal
Edward Marlo
|
Multiple Holdout
|
1957
|
|
15
|
|
|
on the left side \n covering the bad angles \n edward marlo
1957
side steal
Edward Marlo
|
On the Left Side
|
1957
|
|
15
|
|
|
left hand side steal \n see note 4 on p.58 \n edward marlo \n tenkai ishida \n kort's center steal \n milton kort \n peeked card to full palm \n baltazar fuentes
1957
side steal
Edward Marlo, Tenkai Ishida
|
Left Hand Side Steal
|
Related toVariations
|
1957
|
|
16
|
|
|
color steal \n \n edward marlo
1957
side steal
Edward Marlo
|
Color Steal
|
1957
|
|
18
|
|
|
almost standard \n variation on "color steal" \n edward marlo
1957
side steal
Edward Marlo
|
Almost Standard
|
1957
|
|
19
|
|
|
the finger flutter \n four methods for avoiding the left hand finger flutter \n edward marlo
1957
side steal
Edward Marlo
|
The Finger Flutter
|
1957
|
|
21
|
|
|
the clip steal \n \n edward marlo \n side steal to flexible palm \n dan macmillan \n side steal to flexible palm \n dan macmillan \n "an old card effect" (the magic wand, vol. 22 no. 159, oct/nov 1933, p. 140) \n hatton & plate
1957
side steal
Edward Marlo
|
The Clip Steal
|
Related to- "An Old Card Effect" (The Magic Wand, Vol. 22 No. 159, Oct/Nov 1933, p. 140)
- Hatton & Plate
Variations
|
1957
|
|
22
|
|
|
clip steal to bottom \n \n edward marlo \n side to side \n harry lorayne
1957
side steal
Edward Marlo
|
Clip Steal to Bottom
|
Related to
|
1957
|
|
24
|
|
|
clip steal color change \n \n edward marlo \n clip steal color change finesse \n ed andres
1957
side steal
Edward Marlo
|
Clip Steal Color Change
|
Variations
|
1957
|
|
25
|
|
|
palm positions \n introducing four palming positions \n edward marlo
1957
side steal
Edward Marlo
|
Palm Positions
|
1957
|
|
27
|
|
|
fourth palm position \n called "marlo palm", see note 5 on p. 58 \n edward marlo \n m.p. side steal \n edward marlo
1957
side steal
Edward Marlo
|
Fourth Palm Position
|
Related to
|
1957
|
|
28
|
|
|
side steal to bottom \n six methods \n edward marlo \n the side-steal bottom placemant and variations \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to Bottom
|
Related to
|
1957
|
|
29
|
|
|
side steal to the bottom - fifth method \n tenkai palm replacement \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to the Bottom - Fifth Method
|
1957
|
|
33
|
|
|
side steal to bottom - fifth method \n \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to Bottom - Fifth Method
|
1957
|
|
33
|
|
|
side steal to bottom - sixth method \n \n edward marlo \n side steal into tenkai palm \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to Bottom - Sixth Method
|
Variations
|
1957
|
|
33
|
|
|
multiple rear palm steal \n bringing bottom block into palm position \n edward marlo \n bottom block side-jog \n edward marlo
1957
side steal
Edward Marlo
|
Multiple Rear Palm Steal
|
Related to
|
1957
|
|
36
|
|
|
to the top \n tenkai steals to top, two methods \n edward marlo
1957
side steal
Edward Marlo
|
To the Top
|
1957
|
|
37
|
|
|
card from case \n \n edward marlo
1957
side steal
Edward Marlo
|
Card from Case
|
1957
|
|
38
|
|
|
the stop effect \n \n edward marlo
1957
side steal
Edward Marlo
|
The Stop Effect
|
1957
|
|
39
|
|
|
the insertion steals \n from center \n edward marlo \n rear jogging cards \n roger smith \n the master position \n edward marlo
1957
side steal
Edward Marlo
|
The Insertion Steals
|
Variations
|
1957
|
|
40
|
|
|
full left hand steal \n as an insertion steal \n edward marlo
1957
side steal
Edward Marlo
|
Full Left Hand Steal
|
1957
|
|
41
|
|
|
right hand steal \n as a direct insertion steal \n edward marlo
1957
side steal
Edward Marlo
|
Right Hand Steal
|
1957
|
|
43
|
|
|
the diagonal steal \n as a direct insertion steal \n edward marlo \n the diagonal left hand palm (improved method) \n paul lepaul \n the left hand diagonal palm \n paul lepaul \n michael close \n edward marlo \n the center steal \n edward marlo
1957
side steal
Edward Marlo
|
The Diagonal Steal
|
Related to
|
1957
|
|
45
|
|
|
side steal cover ups \n historic note on covered side steals \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal Cover Ups
|
1957
|
|
47
|
|
|
first cover up \n with cover card \n edward marlo
1957
side steal
Edward Marlo
|
First Cover Up
|
1957
|
|
48
|
|
|
clip steal cover up \n cover card steal and applications, see notes 6, 7 on p. 59 \n edward marlo
1957
side steal
Edward Marlo
|
Clip Steal Cover Up
|
1957
|
|
50
|
|
|
between the aces \n \n edward marlo
1957
side steal
Edward Marlo
|
Between the Aces
|
1957
|
|
51
|
|
|
dribble stop effect \n card in clip palm during dribbling \n edward marlo \n slide-around top/bottom dribble force \n justin higham \n clip palm dribble control \n edward marlo
1957
side steal
Edward Marlo
|
Dribble Stop Effect
|
Related toVariations
|
1957
|
|
53
|
|
|
card stab \n \n edward marlo
1957
side steal
Edward Marlo
|
Card Stab
|
1957
|
|
54
|
|
|
clip palm ace cutting \n \n edward marlo
1957
side steal
Edward Marlo
|
Clip Palm Ace Cutting
|
1957
|
|
54
|
|
|
for the purist \n spectator stabs \n edward marlo
1957
side steal
Edward Marlo
|
For the Purist
|
1957
|
|
56
|
|
|
concluding observations: note 1 \n two cards peeked for using technical side steal \n edward marlo
1957
side steal
Edward Marlo
|
Concluding Observations: Note 1
|
1957
|
|
57
|
|
|
note 4 \n from center \n edward marlo
1957
side steal
Edward Marlo
|
Note 4
|
1957
|
|
58
|
|
|
note 9 \n note on psychology of side steal \n edward marlo
1957
side steal
Edward Marlo
|
Note 9
|
1957
|
|
59
|
|
|
note 8 - the dribble replacement \n \n edward marlo
1957
side steal
Edward Marlo
|
Note 8 - The Dribble Replacement
|
1957
|
|
59
|
|
|
note \n note on approachment of right hand \n edward marlo
1957
side steal
Edward Marlo
|
Note
|
1957
|
|
60
|
|
|
the jumping jack \n using only two cards apparently, using tenkai palm \n dai vernon \n der mehrfache farbwechsel einer spielkarte \n patrick page \n jumping jacks redux \n earl nelson \n blackjaq \n james steranko \n a reblocking of "the jumping jack" \n dai vernon \n jack and ace transposition \n edward marlo
1957
the dai vernon book of magic
Dai Vernon
|
The Jumping Jack
|
Variations
|
1957
|
|
78
|
|
|
seven card monte \n card vanishes from packet and reappears on top of the deck, repeat \n dai vernon \n mac mcdonald \n seven card monte redux \n edward marlo \n seven-card-monte \n alexander de cova \n dai vernon \n five card monte \n harry riser \n thoughts on vernon's seven card monte \n paul swinford \n pitch tricks \n mac mcdonald \n seven card monte \n dai vernon \n seven card monte \n tom gagnon
1957
the dai vernon book of magic
Dai Vernon, Mac McDonald
|
Seven Card Monte
|
Related toVariations
|
1957
|
|
88
|
|
|
the challenge \n mind-reading presentation for transposition plot \n dai vernon \n magnetic thought \n bert allerton \n the standing challenge \n gordon bean \n nine & three \n tyler wilson \n two-part invention \n ken krenzel \n magnetic thought \n bert allerton \n zennerphobia \n david britland \n second quickie \n edward marlo
1957
the dai vernon book of magic
Dai Vernon
|
The Challenge
|
Related toVariations
|
1957
|
|
114
|
|
|
"one under and one down" \n any one of ten cards is last one in down-under deal \n dai vernon \n "pulldown eliminator" \n edward marlo
1957
the dai vernon book of magic
Dai Vernon
|
"One Under and One Down"
|
Variations
|
1957
|
|
186
|
|
|
the tabled palm \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Tabled Palm
|
1957
|
|
1
|
|
|
one hand table palm \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
One Hand Table Palm
|
1957
|
|
2
|
|
|
tabled riffle palm \n during square up after tabled riffle shuffle, either hand \n edward marlo \n tabled riffle palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tabled Riffle Palm
|
Also published here
|
1957
|
|
3
|
|
|
flat palm steal \n from tabled deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Flat Palm Steal
|
1957
|
|
5
|
|
|
angle palm steal \n from tabled deck \n edward marlo \n angle palm steal \n edward marlo \n two-card tabled tenkai palm \n scott baird
1957
the tabled palm
Edward Marlo
|
Angle Palm Steal
|
VariationsAlso published here
|
1957
|
|
6
|
|
|
adjustment misdirection \n from tabled deck as a card in front of deck is adjusted \n edward marlo \n adjustment misdirection \n edward marlo \n ken krenzel
1957
the tabled palm
Edward Marlo
|
Adjustment Misdirection
|
Variations
|
1957
|
|
8
|
|
|
table riffle angle palm \n for a certain number of cards \n edward marlo
1957
the tabled palm
Edward Marlo
|
Table Riffle Angle Palm
|
1957
|
|
9
|
|
|
longitudinal angle palm \n from tabled deck after riffle shuffle \n edward marlo
1957
the tabled palm
Edward Marlo
|
Longitudinal Angle Palm
|
1957
|
|
10
|
|
|
ribbon spread palm \n as the spread is adjusted with both hands \n edward marlo
1957
the tabled palm
Edward Marlo
|
Ribbon Spread Palm
|
1957
|
|
11
|
|
|
travelling double \n two cards travel to top of deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Travelling Double
|
1957
|
|
12
|
|
|
tabled double lift \n using crimped deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tabled Double Lift
|
1957
|
|
13
|
|
|
ten and ten \n one selected card \n edward marlo
1957
the tabled palm
Edward Marlo
|
Ten and Ten
|
1957
|
|
14
|
|
|
tabled stop effect \n using tabled palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tabled Stop Effect
|
1957
|
|
15
|
|
|
out of your hands \n top card of tabled deck transforms \n edward marlo
1957
the tabled palm
Edward Marlo
|
Out of Your Hands
|
1957
|
|
16
|
|
|
as a control \n to apparently cut top card into center yet retain it under control, using tabled tenkai palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
As a Control
|
1957
|
|
17
|
|
|
angle palm replacement \n to tabled deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Angle Palm Replacement
|
1957
|
|
18
|
|
|
card to top \n on tabled deck, using tabled palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Card to Top
|
1957
|
|
19
|
|
|
sell or delusion \n \n edward marlo \n the partagas "sell" \n victor farelli \n the dunbury delusion \n charlie miller
1957
the tabled palm
Edward Marlo
|
Sell or Delusion
|
Inspired by
|
1957
|
|
19
|
|
|
veneri turn variant \n bluff method for "card at any number" \n edward marlo \n ernando veneri
1957
the tabled palm
Edward Marlo, Ernando Veneri
|
Veneri Turn Variant
|
1957
|
|
20
|
|
|
face up elimination \n selection appears as last card in face up eliminiation process, even though it was not there \n edward marlo
1957
the tabled palm
Edward Marlo
|
Face Up Elimination
|
1957
|
|
21
|
|
|
rise-rise-rise \n card from center rises to top visible, tabled, two methods (tenkai and flat palm) \n edward marlo \n raised! \n edward marlo \n shane cobalt
1957
the tabled palm
Edward Marlo
|
Rise-Rise-Rise
|
Variations
|
1957
|
|
23
|
|
|
angle palm transfer \n from right tenkai palm to left rear palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Angle Palm Transfer
|
1957
|
|
26
|
|
|
flat palm to tenkai palm \n one-handed adjustment \n edward marlo
1957
the tabled palm
Edward Marlo
|
Flat Palm to Tenkai Palm
|
1957
|
|
26
|
|
|
tip up angle palm \n multiple cards, in the hands, to right hand \n edward marlo \n wrist turn palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tip Up Angle Palm
|
Variations
|
1957
|
|
26
|
|
|
full buckle palm \n one-handed bottom palm of a single card \n edward marlo \n buckle bottom palm \n francis carlyle
1957
the tabled palm
Edward Marlo
|
Full Buckle Palm
|
Related to
|
1957
|
|
28
|
|
|
modified erdnase bottom deal grip \n for bottom palm application \n edward marlo \n s. w. erdnase
1957
the tabled palm
Edward Marlo, S. W. Erdnase
|
Modified Erdnase Bottom Deal Grip
|
1957
|
|
28
|
|
|
center block palm \n cards are spreaded face-up, right hand \n edward marlo \n the cull palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Center Block Palm
|
Related to
|
1957
|
|
29
|
|
|
direct rear palm \n as top card is placed openly to bottom \n edward marlo \n the depth-illusion palm \n steve draun \n edward marlo
1957
the tabled palm
Edward Marlo
|
Direct Rear Palm
|
Related to
|
1957
|
|
31
|
|
|
vanish from packet \n vanishing a card from a packet of five, "red and blue effect" \n edward marlo
1957
the tabled palm
Edward Marlo
|
Vanish from Packet
|
1957
|
|
32
|
|
|
card to pocket \n direct rear palm application \n edward marlo
1957
the tabled palm
Edward Marlo
|
Card to Pocket
|
1957
|
|
32
|
|
|
direct rear palm - multiple cards \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
Direct Rear Palm - Multiple Cards
|
1957
|
|
32
|
|
|
ten cards to pocket finale \n handling for the end \n edward marlo
1957
the tabled palm
Edward Marlo
|
Ten Cards to Pocket Finale
|
1957
|
|
33
|
|
|
direct full palm \n as card is placed openly to bottom \n edward marlo \n the depth-illusion palm \n steve draun \n edward marlo
1957
the tabled palm
Edward Marlo
|
Direct Full Palm
|
Related to
|
1957
|
|
33
|
|
|
the card transfer \n for application ideas see also page 37 \n edward marlo \n notes on marlo's card transfer \n ken simmons \n dribble application of the card transfer no. 1 \n justin higham
1957
the tabled palm
Edward Marlo
|
The Card Transfer
|
Variations
|
1957
|
|
34
|
|
|
classic palm replacement to tabled deck \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
Classic Palm Replacement to Tabled Deck
|
1957
|
|
35
|
|
|
the lost card \n sucker presentation, using the card transfer \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Lost Card
|
1957
|
|
36
|
|
|
addition to tabled packet \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
Addition to Tabled Packet
|
1957
|
|
37
|
|
|
the card transfer - variation \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Card Transfer - Variation
|
1957
|
|
37
|
|
|
the card transfer for ace cutting \n only idea mentioned \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Card Transfer for Ace Cutting
|
1957
|
|
37
|
|
|
the card transfer with a definite number of cards \n crimp \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Card Transfer with a Definite Number of Cards
|
1957
|
|
38
|
|
|
paper and coin \n multi phase routine \n edward marlo \n münze und papier \n jörg alexander weber \n paper prison \n bob ostin
1957
coining magic
Edward Marlo
|
Paper and Coin
|
Related toVariations
|
1957
|
|
3
|
|
|
the dealer's pitch \n \n edward marlo
1957
coining magic
Edward Marlo
|
The Dealer's Pitch
|
1957
|
|
6
|
|
|
the spider vanish \n \n edward marlo \n the eight-legged coin vanish \n mike gallo
1957
coining magic
Edward Marlo
|
The Spider Vanish
|
Variations
|
1957
|
|
8
|
|
|
further ideas \n on the paperfold ideas "flip move coin fold", complete vanish ideas \n edward marlo
1957
coining magic
Edward Marlo
|
Further Ideas
|
1957
|
|
10
|
|
|
the spectator wraps it up \n \n edward marlo
1957
coining magic
Edward Marlo
|
The Spectator Wraps it Up
|
1957
|
|
11
|
|
|
shrinkage \n in paper fold \n edward marlo
1957
coining magic
Edward Marlo
|
Shrinkage
|
1957
|
|
12
|
|
|
copper-silver paper \n only two coins \n edward marlo
1957
coining magic
Edward Marlo
|
Copper-Silver Paper
|
1957
|
|
14
|
|
|
solid-soft-solid-gone \n coin folded in paper is bent \n edward marlo
1957
coining magic
Edward Marlo
|
Solid-Soft-Solid-Gone
|
1957
|
|
16
|
|
|
hand penetration \n wrapped in paper \n edward marlo
1957
coining magic
Edward Marlo
|
Hand Penetration
|
1957
|
|
17
|
|
|
a new method of handling the flip move \n \n edward marlo
1957
coining magic
Edward Marlo
|
A New Method of Handling the Flip Move
|
1957
|
|
18
|
|
|
sans dupliate \n coin through paper and card case \n edward marlo
1957
coining magic
Edward Marlo
|
Sans Dupliate
|
1957
|
|
19
|
|
|
flutterless \n \n edward marlo
1957
coining magic
Edward Marlo
|
Flutterless
|
1957
|
|
21
|
|
|
unprepared \n \n edward marlo
1957
coining magic
Edward Marlo
|
Unprepared
|
1957
|
|
22
|
|
|
ed marlo's personal routine \n with various paper fold effects \n edward marlo
1957
coining magic
Edward Marlo
|
Ed Marlo's Personal Routine
|
1957
|
|
23
|
|
|
s.o.c. \n half dollar and three copper coins, transposition, coins to box, coins through card case, see also page 40 \n edward marlo \n soc ii \n al schneider \n edward marlo \n soc iii \n blair bowling \n s-o-see thru \n simon aronson \n copper, silver, gold coin box routine \n harry riser
1957
coining magic
Edward Marlo
|
S.O.C.
|
Related toVariations
|
1957
|
|
24
|
|
|
coin box load \n \n edward marlo
1957
coining magic
Edward Marlo
|
Coin Box Load
|
1957
|
|
27
|
|
|
technique for visible coin change \n \n edward marlo
1957
coining magic
Edward Marlo
|
Technique for Visible Coin Change
|
1957
|
|
31
|
|
|
the 1050 transposition \n coin in paper transposes with coin in hand \n edward marlo
1957
coining magic
Edward Marlo
|
The 1050 Transposition
|
1957
|
|
32
|
|
|
impromptu s.o.c. routine \n no copper/silver coin \n edward marlo \n s.o.c. \n edward marlo
1957
coining magic
Edward Marlo
|
Impromptu S.O.C. Routine
|
Related to
|
1957
|
|
33
|
|
|
marlo one hand turnover \n \n edward marlo
1957
coining magic
Edward Marlo
|
Marlo One Hand Turnover
|
1957
|
|
37
|
|
|
coin box turnover \n \n edward marlo
1957
coining magic
Edward Marlo
|
Coin Box Turnover
|
1957
|
|
38
|
|
|
concluding observations \n \n edward marlo
1957
coining magic
Edward Marlo
|
Concluding Observations
|
1957
|
|
40
|
|
|
six card repeat climax \n \n edward marlo
1957
the new phoenix
Edward Marlo
|
Six Card Repeat Climax
|
July 1957
|
|
209
|
|
|
latest oil and water \n 4&4, no extra cards
- first phase
- second phase
- third phase
- fourth phase \n edward marlo
1957
ibidem
Edward Marlo
|
Latest Oil and Water
|
Mar. 1957
|
|
13
|
|
|
swindle aces display \n four cards shown one by one and tabled, one shown twice and one hidden \n edward marlo \n swindle aces \n edward marlo
1957
ibidem
Edward Marlo
|
Swindle Aces Display
|
Related to
|
Mar. 1957
|
|
13
|
|
|
miracle transposition \n card on top of packet transposes with card on table, using miracle change no. 1 \n edward marlo
1957
ibidem
Edward Marlo
|
Miracle Transposition
|
Mar. 1957
|
|
24
|
|
|
red black locations \n two-card location with divided deck, faro
- second phase (red-black-alternating)
- third phase (red-black-alternating in pairs)
- fourth phase (divided deck) \n edward marlo \n ever ready-black routine \n edward marlo
1957
ibidem
Edward Marlo
|
Red Black Locations
|
Variations
|
June 1957
|
|
3
|
|
|
cull separation shuffle \n deck alternates in pairs, after overhand shuffle sequence the colors are separated \n edward marlo
1957
ibidem
Edward Marlo
|
Cull Separation Shuffle
|
June 1957
|
|
5
|
|
|
double buckle vanish \n card vanishes from packet
- with all five cards face down
- with all cards face down
- with all cards face up
- to show all cards and reverse the selection during the process
- devilish miracle handling
- the triple buckle vanish \n edward marlo
1957
ibidem
Edward Marlo
|
Double Buckle Vanish
|
June 1957
|
|
15
|
|
|
skipping elevator \n with ace through four, two ahead \n edward marlo
1957
ibidem
Edward Marlo
|
Skipping Elevator
|
June 1957
|
|
19
|
|
|
psi stebbins - method i \n spectator cuts off a packet, remembers the bottom card and shuffles the whole packet, then reads out all the cards and performer names selections, spectator shuffles packet, remembers new bottom card, puts packet on deck and reads off cards, performer stops at selection \n p. howard lyons \n suggestion box \n norman houghton \n a miracle with cards \n edward marlo \n psi stebbins - method ii \n p. howard lyons \n psi stebbins - method iii \n p. howard lyons \n psi on the telephone \n p. howard lyons
1957
ibidem
P. Howard Lyons
|
Psi Stebbins - Method I
|
Inspired byRelated toVariations
|
Sep. 1957
|
|
6
|
|
|
3 mental effects \n intro \n edward marlo
1957
ibidem
Edward Marlo
|
3 Mental Effects
|
Sep. 1957
|
|
8
|
|
|
new tail of the q \n - #1 of "3 mental effects"
back-count force with q-shaped layout, two cards and a number are divined \n edward marlo \n the capital q \n unknown
1957
ibidem
Edward Marlo
|
New Tail of the Q
|
Related to
|
Sep. 1957
|
|
8
|
|
|
telephone test \n - #2 of "3 mental effects"
over telephone or from another room, spectator deals cards one at a time and calls them out and thinks of one of them, performer divines it, repeat with two cards (one thought of, another selection placed besides it, then the order called out), optional ideas for further phase \n edward marlo \n ma bell ringers \n edward marlo \n ma bell ringers - korem variation of telephone test \n danny korem \n mental and physical \n edward marlo \n telephone extension \n p. howard lyons
1957
ibidem
Edward Marlo
|
Telephone Test
|
VariationsAlso published here
|
Sep. 1957
|
|
10
|
|
|
majority fishing \n \n edward marlo
1957
ibidem
Edward Marlo
|
Majority Fishing
|
Sep. 1957
|
|
10
|
|
|
mental and physical \n - #3 of "3 mental effects"
card thought of, another selection placed next to it, both found
- additional ideas for mental and physical choice
-- 1. force
-- 2. marked deck
-- 3. stacked deck
-- 4. one way deck on faces \n edward marlo \n telephone test \n edward marlo \n a selected card and a thought-of card \n dani daortiz \n jorge luengo
1957
ibidem
Edward Marlo
|
Mental and Physical
|
Inspired byRelated to
|
Sep. 1957
|
|
11
|
|
|
telephone extension \n different handling for second phase of marlo's routine \n p. howard lyons \n telephone test \n edward marlo
1957
ibidem
P. Howard Lyons
|
Telephone Extension
|
Inspired by
|
Sep. 1957
|
|
13
|
|
|
royal flush control variation \n \n alex elmsley \n mexican solitaire \n edward marlo
1957
ibidem
Alex Elmsley
|
Royal Flush Control Variation
|
Inspired by
|
Sep. 1957
|
|
15
|
|
|
hummer-marlo \n packet mixed with cato procedure by spectator under table, one card remembered, performer sorts all except selection, faro \n edward marlo \n solo-hummer \n david solomon
1957
ibidem
Edward Marlo
|
Hummer-Marlo
|
Related to
|
Dec. 1957
|
|
2
|
|
|
the backward faro \n out-jogging every other card, with some properties, also for setting up for a "false" shuffle \n edward marlo \n reverse or backward faro \n edward marlo \n rusduck thinks \n russell "rusduck" duck
1957
ibidem
Edward Marlo
|
The Backward Faro
|
Related toVariations
|
Dec. 1957
|
|
4
|
|
|
the faro calculator \n getting into stack with faros, reverse-principle \n edward marlo \n the faro calculator \n edward marlo
1957
ibidem
Edward Marlo
|
The Faro Calculator
|
Also published here
|
Dec. 1957
|
|
5
|
|
|
marlo's hofzinser \n two duplicates, presentation with three glasses (placing block as one card in a glass) \n edward marlo
1957
1957 card annual
Edward Marlo
|
Marlo's Hofzinser
|
1957
|
|
26
|
|
|
shuffle stop force \n spectator stops during overhand shuffle, timing \n edward marlo
1957
1957 card annual
Edward Marlo
|
Shuffle Stop Force
|
1957
|
|
26
|
|
|
block handling \n block of four cards is removed from glass as one card and turned over \n edward marlo
1957
1957 card annual
Edward Marlo
|
Block Handling
|
1957
|
|
28
|
|
|
additional climax to marlo's hofzinser \n after the three cards changed to the selection, they change into aces, four-of-a-kind matching the selection is produced from pocket paper-clipped together \n edward marlo
1957
1957 card annual
Edward Marlo
|
Additional Climax to Marlo's Hofzinser
|
1957
|
|
29
|
|
|
the buckle break \n multiple cards \n edward marlo \n the double and triple buckle \n edward marlo
1957
1957 card annual
Edward Marlo
|
The Buckle Break
|
Related to
|
1957
|
|
31
|
|
|
marlo bottom count \n cards spring off right thumb via buckling with diagonal pressure at upper left corner \n edward marlo
1957
1957 card annual
Edward Marlo
|
Marlo Bottom Count
|
1957
|
|
31
|
|
|
mystical location \n spectator removes cards and remembers card at same position from top, then cuts, performer locates card \n r. a. moershall \n impossible? \n edward marlo
1957
1957 card annual
R. A. Moershall
|
Mystical Location
|
Variations
|
1957
|
|
33
|
|
|
hockley's prediction \n prediction written on face of card which is left out-jogged, spectator stops during deal and selection matches prediction \n john derris \n who's hockley \n edward marlo
1957
1957 card annual
John Derris
|
Hockley's Prediction
|
Variations
|
1957
|
|
34
|
|
|
the faro shuffle \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The Faro Shuffle
|
1958
|
|
1
|
|
|
the first technique \n detailed description \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The First Technique
|
1958
|
|
1
|
|
|
first variation \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
First Variation
|
1958
|
|
6
|
|
|
faro aids \n - the rock and reweave
- fan spread and weave
- resquaring the packets (three methods)
- cutting at 26 \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Faro Aids
|
1958
|
|
7
|
|
|
26th card faro check \n for credit information see reference \n edward marlo \n alex elmsley \n faro check \n alex elmsley
1958
the faro shuffle
Edward Marlo, Alex Elmsley
|
26th Card Faro Check
|
Related to
|
1958
|
|
11
|
|
|
the 4th finger table \n tip \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The 4th Finger Table
|
1958
|
|
12
|
|
|
faro riffle shuffle \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Faro Riffle Shuffle
|
1958
|
|
13
|
|
|
variations in technique on the faro riffle shuffle \n five variations \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Variations in Technique on the Faro Riffle Shuffle
|
1958
|
|
16
|
|
|
in the hands \n table faro done without table \n edward marlo
1958
the faro shuffle
Edward Marlo
|
In the Hands
|
1958
|
|
19
|
|
|
the butt faro \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The Butt Faro
|
1958
|
|
21
|
|
|
partial faro check \n to get several packets with the same number of cards \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Partial Faro Check
|
1958
|
|
22
|
|
|
throw-off faro - top \n if only the top portion is important \n edward marlo \n straddle faro glimpse \n grace ann morgan
1958
the faro shuffle
Edward Marlo
|
Throw-Off Faro - Top
|
Related to
|
1958
|
|
24
|
|
|
cover-up slip cut \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Cover-Up Slip Cut
|
1958
|
|
24
|
|
|
throw-off faro - bottom \n if only the bottom portion is important \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Throw-Off Faro - Bottom
|
1958
|
|
25
|
|
|
above crimp faro \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Above Crimp Faro
|
1958
|
|
26
|
|
|
off center faro \n - another application of the off center shuffle
- left over faro
- using the faro riffle faro (table faro) for throw off
- off center and above crimp faros \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Off Center Faro
|
1958
|
|
26
|
|
|
half and half shuffle \n basically the stay stack principle applied to two cards \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Half and Half Shuffle
|
1958
|
|
29
|
|
|
"half plus one" \n bringing a key card next to a certain card with faro shuffle \n edward marlo
1958
the faro shuffle
Edward Marlo
|
"Half Plus One"
|
1958
|
|
30
|
|
|
combining riffle shuffles & faros \n for stacking cards, examples are ten hands and seven (!) hands \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Combining Riffle Shuffles & Faros
|
1958
|
|
31
|
|
|
reverse or backward faro \n out-jogging every other card \n edward marlo \n the backward faro \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Reverse or Backward Faro
|
Related to
|
1958
|
|
33
|
|
|
observations \n faro as a false shuffle and other comments \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Observations
|
1958
|
|
34
|
|
|
on discrepancies \n correcting slight mistakes \n edward marlo
1958
the faro shuffle
Edward Marlo
|
On Discrepancies
|
1958
|
|
35
|
|
|
faro notes \n \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Notes
|
1958
|
|
1
|
|
|
faro as a control \n how to control a card at known position to top with faro shuffles, with subsections:
- less than 52
- with two cards
- for 2 cards at undetermined positions \n edward marlo \n binary translocations \n alex elmsley
1958
faro notes
Edward Marlo
|
Faro as a Control
|
Inspired by
|
1958
|
|
2
|
|
|
a correction \n commentary on ect tables, see also new hardcover edition for further commentary \n edward marlo \n the shuffle \n fred black
1958
faro notes
Edward Marlo
|
A Correction
|
Inspired by
|
1958
|
|
8
|
|
|
odd faro \n how to cut the deck like in an odd-numbered deck when having an even number of cards \n edward marlo
1958
faro notes
Edward Marlo
|
Odd Faro
|
1958
|
|
9
|
|
|
the faro calculator \n getting into stack with faros, reverse-principle \n edward marlo \n the faro calculator \n edward marlo
1958
faro notes
Edward Marlo
|
The Faro Calculator
|
Also published here
|
1958
|
|
10
|
|
|
the chain calculator \n how to calculate position of any card after faro shuffles, memorized deck \n edward marlo \n calculating removed card \n edward marlo
1958
faro notes
Edward Marlo
|
The Chain Calculator
|
Related to
|
1958
|
|
12
|
|
|
the left over faro shuffle \n partial faro as an ace multiple control \n edward marlo
1958
faro notes
Edward Marlo
|
The Left Over Faro Shuffle
|
1958
|
|
14
|
|
|
shuffling the aces \n after every (in-)shuffle, an ace is on top \n edward marlo \n free count aces \n roger crosthwaite
1958
faro notes
Edward Marlo
|
Shuffling the Aces
|
Variations
|
1958
|
|
16
|
|
|
placement shuffle \n placing aces thirteen cards apart, with stacking application \n edward marlo
1958
faro notes
Edward Marlo
|
Placement Shuffle
|
1958
|
|
18
|
|
|
control of the aces \n four card control using faro shuffles, different versions \n edward marlo
1958
faro notes
Edward Marlo
|
Control of the Aces
|
1958
|
|
19
|
|
|
an out shuffle effect \n using faro shuffles \n edward marlo \n three-seven-jack \n sebastian talbot
1958
faro notes
Edward Marlo
|
An Out Shuffle Effect
|
Related to
|
1958
|
|
21
|
|
|
progressive miracle \n repeated multiple times \n edward marlo \n miracle location \n edward marlo \n new deck p.m. \n edward marlo \n add note to p. m. \n edward marlo
1958
faro notes
Edward Marlo
|
Progressive Miracle
|
Inspired byVariations
|
1958
|
|
22
|
|
|
new deck p.m. \n version from new deck order \n edward marlo \n the missing card \n edward marlo \n juan tamariz \n progressive miracle \n edward marlo \n add note to p. m. \n edward marlo \n progressive miracle using the half & half principle \n edward marlo
1958
faro notes
Edward Marlo
|
New Deck P.M.
|
Inspired byVariations
|
1958
|
|
27
|
|
|
76-76-67-67 \n no selection, using faro shuffle, with variation that ends in red-black separated deck \n edward marlo \n sober slop poker \n edward marlo \n sober slop shuffle deal \n edward marlo \n ladanye's ultimate triumph \n jason ladanye \n red and black \n bill hendricks \n vernon's mix up weave shuffle \n dai vernon
1958
faro notes
Edward Marlo
|
76-76-67-67
|
Related toVariations
|
1958
|
|
29
|
|
|
the memorized stack \n a memorized stack from npo, but only with jokers (as "keys") and faros \n edward marlo
1958
faro notes
Edward Marlo
|
The Memorized Stack
|
1958
|
|
31
|
|
|
fingertip miracle \n three selections, memorized deck, improvisation \n edward marlo \n mnemonicosis (tamariz on ideas by marlo and vernon) \n juan tamariz
1958
faro notes
Edward Marlo
|
Fingertip Miracle
|
Variations
|
1958
|
|
33
|
|
|
full deck - five faros \n returning 52 cards to their original order after only five faro shuffles \n edward marlo
1958
faro notes
Edward Marlo
|
Full Deck - Five Faros
|
1958
|
|
34
|
|
|
the reverse or backward faro \n \n edward marlo
1958
faro notes
Edward Marlo
|
The Reverse or Backward Faro
|
1958
|
|
36
|
|
|
a false shuffle combination \n combining faros with partial faros \n edward marlo
1958
faro notes
Edward Marlo
|
A False Shuffle Combination
|
1958
|
|
37
|
|
|
the wrong hand \n player receives aces, performer straight flush \n edward marlo
1958
faro notes
Edward Marlo
|
The Wrong Hand
|
1958
|
|
38
|
|
|
it's mathematical \n stay stack principle applied to memorized deck, two effects \n edward marlo \n stay-stack with mnemonica \n juan tamariz
1958
faro notes
Edward Marlo
|
It's Mathematical
|
Related to
|
1958
|
|
40
|
|
|
alternative procedures \n stay stack principle applied to memorized deck, see previous item \n edward marlo
1958
faro notes
Edward Marlo
|
Alternative Procedures
|
1958
|
|
43
|
|
|
two disclosures \n - 1) another card is selected, its value used to count to selection
- 2) stop effect \n edward marlo
1958
faro notes
Edward Marlo
|
Two Disclosures
|
1958
|
|
45
|
|
|
automatic placement \n with several applications following \n edward marlo \n the automatic joker \n paul swinford \n automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Automatic Placement
|
Related toVariations
|
1958
|
|
47
|
|
|
variants on automatic placement \n \n edward marlo
1958
faro notes
Edward Marlo
|
Variants on Automatic Placement
|
1958
|
|
48
|
|
|
faro foolers: first fooler \n as many cards as one likes, automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Foolers: First Fooler
|
1958
|
|
49
|
|
|
second fooler \n with two selections in two halves of one deck, automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Second Fooler
|
1958
|
|
50
|
|
|
third fooler \n two cards, faro and automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Third Fooler
|
1958
|
|
51
|
|
|
"shuffle around selections" \n no. 7 \n edward marlo
1958
faro notes
Edward Marlo
|
"Shuffle around Selections"
|
1958
|
|
51
|
|
|
fourth fooler \n two cards selected, a card turns face-up between selections, see also page 55 for two further notes \n edward marlo \n the custodial card \n alex elmsley
1958
faro notes
Edward Marlo
|
Fourth Fooler
|
Variations
|
1958
|
|
52
|
|
|
fifth fooler \n twenty-sixth card is forced with procedure similar to automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Fifth Fooler
|
1958
|
|
52
|
|
|
sixth fooler \n \n edward marlo \n warren wiersbe \n packet prediction \n warren wiersbe
1958
faro notes
Edward Marlo, Warren Wiersbe
|
Sixth Fooler
|
Inspired by
|
1958
|
|
53
|
|
|
seventh fooler \n two cards \n edward marlo
1958
faro notes
Edward Marlo
|
Seventh Fooler
|
1958
|
|
54
|
|
|
variation on automatic placement \n two variations \n edward marlo
1958
faro notes
Edward Marlo
|
Variation on Automatic Placement
|
1958
|
|
55
|
|
|
faro fooler #8 \n using natural estimation \n edward marlo \n pull down estimation \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #8
|
Related to
|
1958
|
|
56
|
|
|
automatic cut principle \n left thumb pulls down on left side \n edward marlo
1958
faro notes
Edward Marlo
|
Automatic Cut Principle
|
1958
|
|
57
|
|
|
uses of partial faro check - faro fooler #9 \n face-up card is sandwiched by two selections, or used to count to them \n edward marlo
1958
faro notes
Edward Marlo
|
Uses of Partial Faro Check - Faro Fooler #9
|
1958
|
|
57
|
|
|
faro fooler #10 \n three cards \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #10
|
1958
|
|
60
|
|
|
exact placement \n placing top card into position indicated by value of bottom card, left over bottom faro \n edward marlo
1958
faro notes
Edward Marlo
|
Exact Placement
|
1958
|
|
61
|
|
|
faro fooler #11 \n exact placement, two selections are found at thought of number, with three variations \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #11
|
1958
|
|
62
|
|
|
faro fooler #12 \n two separated face up cards come together to sandwich selection \n edward marlo \n correction on faro fooler #12 \n edward marlo \n packet handling for faro fooler #12 \n neal elias \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #12
|
Variations
|
1958
|
|
65
|
|
|
instant 26th location \n getting a selection to top with faro, crimp, twenty-sixth faro check and half plus one principle \n edward marlo
1958
faro notes
Edward Marlo
|
Instant 26th Location
|
1958
|
|
66
|
|
|
the 17th location \n two cards \n edward marlo
1958
faro notes
Edward Marlo
|
The 17th Location
|
1958
|
|
67
|
|
|
the 13th location \n three selections \n edward marlo
1958
faro notes
Edward Marlo
|
The 13th Location
|
1958
|
|
68
|
|
|
wrong to right \n two wrong cards are changed into selections \n edward marlo
1958
faro notes
Edward Marlo
|
Wrong to Right
|
1958
|
|
69
|
|
|
magical seven \n selection reversed in face-up portion travels down into lower face-down portion into seventh position, several repeats
- phase one
- phase two
- phase three
- phase four
- phase five \n edward marlo \n mystic seven \n peter duffie \n disco \n david britland \n faith counter \n peter duffie \n robin robertson \n combined forces \n peter duffie \n robin robertson \n seven down \n peter duffie \n for the magic seven \n edward marlo
1958
the magic seven
Edward Marlo
|
Magical Seven
|
Related toVariations
|
1958
|
|
2
|
|
|
cut reverse \n a bit similar to braue \n edward marlo
1958
the magic seven
Edward Marlo
|
Cut Reverse
|
1958
|
|
3
|
|
|
picking up a break \n by moving hand down instead of cards up \n edward marlo
1958
the magic seven
Edward Marlo
|
Picking up a Break
|
1958
|
|
5
|
|
|
table edge break concealment \n to conceal break when held with right thumb in end grip \n edward marlo
1958
the magic seven
Edward Marlo
|
Table Edge Break Concealment
|
1958
|
|
13
|
|
|
block turnover \n seven as one \n edward marlo
1958
the magic seven
Edward Marlo
|
Block Turnover
|
1958
|
|
18
|
|
|
opening phase \n after spectator shuffles, a seven is at seventh position, three methods \n edward marlo
1958
the magic seven
Edward Marlo
|
Opening Phase
|
1958
|
|
21
|
|
|
the climax phase \n production of the four sevens \n edward marlo
1958
the magic seven
Edward Marlo
|
The Climax Phase
|
1958
|
|
22
|
|
|
card stabbing trick \n any named card \n bert allerton \n card affinity \n bill simon \n the card stab \n michael close \n pat hennesy's any card \n pat hennessy \n stabbing 1 carte \n dr. zina bennett \n marlo miracle "stop" stab \n edward marlo
1958
the close-up magician
Bert Allerton
|
Card Stabbing Trick
|
Related toVariations
|
1958
|
|
36
|
|
|
mental disclosure \n - first method (one of ten memorized cards thought of, fishing and showing piles and asking whether the card is among them)
- second method (shuffled, one of nine, asking whether the card is among them) \n edward marlo
1958
ibidem
Edward Marlo
|
Mental Disclosure
|
Mar. 1958
|
|
6
|
|
|
thoughts on piano \n on the piano card trick
- first method (two roughed pairs)
- second method
- third method \n edward marlo
1958
ibidem
Edward Marlo
|
Thoughts on Piano
|
Sep. 1958
|
|
2
|
|
|
reverse stud \n hand with aces changes into royal flush \n p. howard lyons \n duts \n edward marlo
1958
ibidem
P. Howard Lyons
|
Reverse Stud
|
Related to
|
Sep. 1958
|
|
12
|
|
|
ladies looking glass application \n \n edward marlo
1958
ibidem
Edward Marlo
|
Ladies Looking Glass Application
|
Dec. 1958
|
|
1
|
|
|
quick 3-way \n three-alike display \n edward marlo \n les quick cartes \n johnny thompson \n monkey business’ uncle \n jerry k. hartman \n quick three-way \n edward marlo \n 3 card monkey business \n bill elliott
1958
ibidem
Edward Marlo
|
Quick 3-Way
|
Related toVariationsAlso published here
|
Dec. 1958
|
|
2
|
|
|
in lieu of the hindoo shuffle \n all alike display for deck
- first method (sequence of under-cuts and shows)
- second method (swing cuts in the hands)
- third method (swing cuts onto the table)
- fourth method (packets cut from top to bottom with pull-down of bottom card)
- fifth method (deck face up, packets dropped onto table face down with slip cut action)
- sixth method (deck face up, slip cuts with face towards performer) \n edward marlo \n displaying all the cards as identical \n edward marlo \n in lieu of the hindoo shuffle \n edward marlo \n flushtration control \n justin higham
1958
ibidem
Edward Marlo
|
In Lieu of the Hindoo Shuffle
|
Related to
|
Dec. 1958
|
|
3
|
|
|
mini-classic (1st method) \n selection lost, it is shown on top, bottom and reversed in center, the three cards are shown as all alike, card then taken from pocket, deck shown as all selection \n edward marlo
1958
ibidem
Edward Marlo
|
Mini-Classic (1st method)
|
Dec. 1958
|
|
5
|
|
|
mini-classic (2nd method) \n three cards change into selection, then selection taken from pocket, card then taken from pocket, deck shown as all selection \n edward marlo \n a sixy effect \n edward marlo
1958
ibidem
Edward Marlo
|
Mini-Classic (2nd method)
|
Related to
|
Dec. 1958
|
|
6
|
|
|
a sixy effect \n three cards change into selection (a six), then selection taken from pocket, card then taken from pocket, deck shown as all selection, all four sixes produced from pocket, puns in the patter \n edward marlo \n mini-classic (2nd method) \n edward marlo \n a variation to a sixy effect \n edward marlo
1958
ibidem
Edward Marlo
|
A Sixy Effect
|
Related toVariations
|
Dec. 1958
|
|
7
|
|
|
a variation to a sixy effect \n variation of the ending with a pocket transfer sequence, passing a nine as a six \n edward marlo \n a sixy effect \n edward marlo \n card from pocket ideas/"search" technique \n edward marlo
1958
ibidem
Edward Marlo
|
A Variation to a Sixy Effect
|
Inspired byRelated to
|
Dec. 1958
|
|
8
|
|
|
buffalo'd \n transposition with bluff display \n edward marlo \n buf'd \n john bannon \n marlo's transposition routine \n edward marlo
1958
ibidem
Edward Marlo
|
Buffalo'd
|
Variations
|
Dec. 1958
|
|
9
|
|
|
jack and ace transposition \n two extra phases after dai vernon's "the jumping jack", clean-up with pocket phase \n edward marlo \n the jumping jack \n dai vernon
1958
ibidem
Edward Marlo
|
Jack and Ace Transposition
|
Inspired by
|
Dec. 1958
|
|
10
|
|
|
oil & water - water & oil - oil & water \n intro \n edward marlo
1958
ibidem
Edward Marlo
|
Oil & Water - Water & Oil - Oil & Water
|
Dec. 1958
|
|
12
|
|
|
first routine: using 3 jacks and 3 tens \n 3&3, extra card, three phases \n edward marlo \n handling for marlo's jacks & tens routine \n ken simmons
1958
ibidem
Edward Marlo
|
First Routine: Using 3 jacks and 3 tens
|
Variations
|
Dec. 1958
|
|
12
|
|
|
the second b and r routine \n 3&3, from the backs, three phases \n edward marlo
1958
ibidem
Edward Marlo
|
The Second B and R Routine
|
Dec. 1958
|
|
14
|
|
|
sleightless sleight \n oil & water fan with 3&3 is separated in display gesture, two cards switched/displaced \n edward marlo
1958
ibidem
Edward Marlo
|
Sleightless Sleight
|
Dec. 1958
|
|
15
|
|
|
all face up oil and water routine \n 3&3, also suggestion of using three cards face up and three face down \n edward marlo
1958
ibidem
Edward Marlo
|
All Face Up Oil and Water Routine
|
Dec. 1958
|
|
16
|
|
|
add note to p. m. \n handling with stay stack \n edward marlo \n progressive miracle \n edward marlo \n new deck p.m. \n edward marlo
1958
ibidem
Edward Marlo
|
Add Note to P. M.
|
Inspired by
|
Dec. 1958
|
|
17
|
|
|
progressive miracle using the half & half principle \n memorized deck as stay stack with calculations, marlo calls "stay stack principle" the "half & half principle" \n edward marlo \n new deck p.m. \n edward marlo
1958
ibidem
Edward Marlo
|
Progressive Miracle using the Half & Half Principle
|
Inspired by
|
Dec. 1958
|
|
18
|
|
|
to tell the truth \n deck faro shuffled, then one half placed face up and one face down on the table, face-up cards key the performer so he can name the face-down ones one by one, memorized deck as stay stack \n edward marlo
1958
ibidem
Edward Marlo
|
To Tell the Truth
|
Dec. 1958
|
|
18
|
|
|
calculating removed card \n from memorized deck, card removed and eight faros shuffled in total \n edward marlo \n the chain calculator \n edward marlo
1958
ibidem
Edward Marlo
|
Calculating Removed Card
|
Related to
|
Dec. 1958
|
|
19
|
|
|
the bent corner prediction \n spectator names number up to 52, card there is predicted by performer \n dai vernon \n inner secrets of card magic \n edward marlo \n dai vernon \n lewis ganson \n prediction \n martin gardner \n the best prediction \n paul rosini \n scarne's number card crimp for vernon's reverse effect \n john scarne \n bent sinister \n eddie fields \n edward marlo
1959
inner secrets of card magic
Dai Vernon
|
The Bent Corner Prediction
|
Related toVariations
|
1959
|
|
12
|
|
|
ginsburg poke \n \n dai vernon \n the olram poke \n edward marlo \n poke poker \n marty kane \n as a substitute for a top or bottom key \n jeff busby \n perpetual ginsberg \n al smith
1959
inner secrets of card magic
Dai Vernon
|
Ginsburg Poke
|
Related toVariations
|
1959
|
|
36
|
|
|
erdnase plus vernon \n \n dai vernon \n erdnase plus marlo \n edward marlo
1959
inner secrets of card magic
Dai Vernon
|
Erdnase Plus Vernon
|
Related to
|
1959
|
|
49
|
|
|
the notis stop trick \n using "pivot flourish" \n senor notis \n ambitious rise \n edward marlo
1959
inner secrets of card magic
Senor Notis
|
The Notis Stop Trick
|
Variations
|
1959
|
|
65
|
|
|
the chinese second deal \n one-handed pop-over flourish \n dai vernon \n chinese second deal variation \n dai vernon \n tyler wilson \n chinese second deal variation \n edward marlo \n chinese card spin \n tom gagnon \n chinese second \n steve forte \n t. k's master deal supreme \n tony kardyro
1959
inner secrets of card magic
Dai Vernon
|
The Chinese Second Deal
|
Related toVariations
|
1959
|
|
71
|
|
|
the shooting single handed deal \n see reference for credit information \n dai vernon \n inner secrets of card magic \n edward marlo \n dai vernon \n lewis ganson
1959
inner secrets of card magic
Dai Vernon
|
The Shooting Single Handed Deal
|
Related to
|
1959
|
|
74
|
|
|
foreword \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Foreword
|
1959
|
|
1
|
|
|
unorthodox second deal \n top card is buckled, also as third deal by marlo \n unknown \n edward marlo \n buckle second - marlo \n steve forte \n straddle buckle second \n steve forte
1959
seconds, centers, bottoms
, Edward Marlo
|
Unorthodox Second Deal
|
Related toVariations
|
1959
|
|
2
|
|
|
"seconds, centers, bottoms" \n introduction \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
"Seconds, Centers, Bottoms"
|
1959
|
|
5
|
|
|
the master grip and deal \n normal deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Master Grip and Deal
|
1959
|
|
7
|
|
|
new push out bottom deal \n unit movement \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
New Push Out Bottom Deal
|
1959
|
|
9
|
|
|
double deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Double Deal
|
1959
|
|
11
|
|
|
the over count \n selection found at a freely chosen number \n edward marlo \n alternate method of producing a card at any number \n ellis stanyon
1959
seconds, centers, bottoms
Edward Marlo
|
The Over Count
|
Related to
|
1959
|
|
11
|
|
|
the bottom deal count \n rearranging cards while counting them in the hands via bottom deals \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Bottom Deal Count
|
1959
|
|
12
|
|
|
strike bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Strike Bottom Deal
|
1959
|
|
14
|
|
|
strike bottom deal count \n rearranging cards while counting them in the hands via bottom deals \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Strike Bottom Deal Count
|
1959
|
|
15
|
|
|
the second deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Second Deal
|
1959
|
|
16
|
|
|
the take second deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Take Second Deal
|
1959
|
|
16
|
|
|
the push-off second \n with suggestion to push off two cards every time \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Push-Off Second
|
1959
|
|
17
|
|
|
the stud deal \n introduction \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Stud Deal
|
1959
|
|
19
|
|
|
the havana deal or "the myth of manuel pedro" \n commentary on the havana stud bottom deal, no technical description \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Havana Deal or "The Myth of Manuel Pedro"
|
1959
|
|
20
|
|
|
the new bottom stud \n \n edward marlo \n new bottom stud \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The New Bottom Stud
|
Also published here
|
1959
|
|
21
|
|
|
the stud second \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Stud Second
|
1959
|
|
22
|
|
|
the push-off stud \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Push-Off Stud
|
1959
|
|
24
|
|
|
one hand bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
One Hand Bottom Deal
|
1959
|
|
26
|
|
|
one hand count down \n selection appears at named small number, bottom deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
One Hand Count Down
|
1959
|
|
27
|
|
|
shifting the grip \n a- shifting the inner corner
b- the shifting forefinger
c- shifting the thumb
d- beveling the pack \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Shifting the Grip
|
1959
|
|
28
|
|
|
two strike methods \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Two Strike Methods
|
1959
|
|
31
|
|
|
special push-off techniques: the second deal count \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Special Push-Off Techniques: The Second Deal Count
|
1959
|
|
34
|
|
|
small packet second deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Small Packet Second Deal
|
1959
|
|
37
|
|
|
push-off technique \n from break \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Push-Off Technique
|
1959
|
|
37
|
|
|
first example \n packet is spread out and cards are hidden, triple buckle substitute \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
First Example
|
1959
|
|
38
|
|
|
second example \n in example: twelve as nine \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Second Example
|
1959
|
|
39
|
|
|
third example \n a card vanishes from a small packet \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Third Example
|
1959
|
|
40
|
|
|
fourth example \n spreading five as four \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Fourth Example
|
1959
|
|
40
|
|
|
the side push-off second \n \n s. w. erdnase \n edward marlo \n second dealing \n s. w. erdnase
1959
seconds, centers, bottoms
S. W. Erdnase, Edward Marlo
|
The Side Push-Off Second
|
Related to
|
1959
|
|
41
|
|
|
the related bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Related Bottom Deal
|
1959
|
|
44
|
|
|
the throw bottom deal \n two versions:
- the outward deal
- the inward deal \n edward marlo \n one hand bottom deal \n john murray \n throw bottom deal \n edward marlo \n one-handed bottom deal force \n jerry streicher \n lateral bottom deal \n tom gagnon \n outward bottom deal \n tom gagnon \n switcharoo force \n tom gagnon \n a mcdonald vanish \n tom gagnon \n one-hand behind the back force \n tom gagnon \n outward throw bottom deal \n edward marlo \n riffle-toss force \n tom gagnon
1959
seconds, centers, bottoms
Edward Marlo
|
The Throw Bottom Deal
|
Related toVariationsAlso published here
|
1959
|
|
45
|
|
|
my favorite stop effect \n from a routine called "never miss" \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
My Favorite Stop Effect
|
1959
|
|
49
|
|
|
the deep bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Deep Bottom Deal
|
1959
|
|
50
|
|
|