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Creators Title Comments & References Year Source Page AA Categories
Edward Marlo Cardician Makes Good
Variations 1953 119
Edward Marlo Visual Transposition
Variations 1953 121
Edward Marlo Red and Blue Telepathy two cards, written on red and blue slips of paper
1953 123
Edward Marlo Billet Switch
1953 125
Edward Marlo Double Thoughts - Single Deck two cards, one thought of, one ahead
Related toVariations 1953 126
Edward Marlo Mental Reverse
Related toVariations 1953 128
Edward Marlo Mental Reverse 2
1953 129
Edward Marlo, Bob Hummer Cardician's Dream counting procedure with value of thought of card, etc, see page 196 for credits
Related toVariations 1953 130
Edward Marlo Fishing
Related to 1953 133
Edward Marlo 21 Card Trick Streamlined
Also published here 1953 134
Edward Marlo Direct Statement Fishing
1953 137
Edward Marlo Touch Retouched - Retouched card reversed by spectator is predicted, force, see page 196 for credits
Inspired by 1953 138
Edward Marlo Insertion Break getting break underneath outjogged card
Related to 1953 139
Edward Marlo Magic Total:
Eight-Two Locator
Ace-Three-Five Locator
Three-Three-Three Loctaor
using some cards to count down to thought-of card, multiple out counting procedure, three methods
1953 141
Edward Marlo Bold Prediction card reversed by spectator is predicted, post billet writing
1953 147
Edward Marlo Glimpsing Reversed Card in Deck
Variations 1953 149
Edward Marlo The Whispering Queen card reversed by spectator is named
Related to 1953 151
Edward Marlo Open Prediction multiple methods
  • 1st Variation
  • 2nd Variation
Related to 1953 152
Edward Marlo Two-Card Push-Off to establish break
1953 153
Edward Marlo K.M. Righting of a reversed card in middle
1953 155
Edward Marlo Under-the-Spread Switch as card is tabled
Related toVariations 1953 160
Edward Marlo Follow the Leader
1953 161
Edward Marlo Four Ace Vanish featuring four different vanishes
Variations 1953 166
Edward Marlo The Trick Deck All Backs and All Faces, ungaffed, see page 196 for credits
Variations 1953 171
Edward Marlo The Torn Card Trick except one quarter, restored card minus corner shoots out when deck is riffled, see page 196 for credits
  • First Method
  • Second Method
Inspired byVariations 1953 178
Edward Marlo Anytime two methods
1953 186
Edward Marlo Some Challenging Ideas: The Spectator Coincidence posed as a problem
1953 189
Edward Marlo The Spectator's Prediction spectator writes the prediction, posed as a problem
Related to 1953 189
Edward Marlo Junior's Card Trick small packet all backs & all faces, four cards
1953 190
Edward Marlo The Impromptu Phantom five cards with selections are under handkerchief, two removed, rest vanishes
1953 192
Edward Marlo, Norman Osborn Improved Double Count five as six with six different faces, double facer, see also page 16 for variation
1953 8
Edward Marlo Effect One card from packet into odd-backed deck at named number
Related to 1953 9
Edward Marlo Christ Force Handling double facer
1953 11
Edward Marlo Unload from Small Spread
1953 12
Edward Marlo Effect Two straight flush shown with six cards, extra-card vanishes and reappears in sleeve
1953 13
Edward Marlo Effect Three card from deck to case, double facer
Related to 1953 16
Edward Marlo Effect Four card from deck to case, double facer
1953 18
Edward Marlo Effect Five six cards written on pellets, placed on tray on top of hat, selected card penetrates tray
1953 18
Edward Marlo Magician's Choice one out of six
1953 20
Edward Marlo Billet Switch crumpled up
1953 21
Edward Marlo Effect Six two cards, double facers
1953 22
Edward Marlo Effect Seven magician cuts to Aces, three cards on each, Aces vanish, reappear in deck, three double facers
1953 24
Edward Marlo False Fan Group Count off the top of the deck
1953 28
Edward Marlo The Group Count for More off the top of the deck
1953 29
Edward Marlo Impromptu Double Count e.g. seven as ten, cards counted reversed to bottom
1953 30
Edward Marlo Double Count Handling for More cards counted reversed to bottom
1953 31
Edward Marlo The Card Goeth Home
1953 32
Edward Marlo Red & Blue Routine I card travels from packet into odd-backed deck to chosen position
1953 36
Edward Marlo One-Hand Buckle Count brief
1953 37
Edward Marlo Red & Blue Routine II card travels from packet into odd-backed deck, then turns over there
1953 39
Edward Marlo Red & Blue Routine III card travels from packet into odd-backed deck twice
1953 40
Frank Garcia, Dai Vernon Topper Garcia's topper mover, two handed bluff display on top, Vernon's variation one handed
Related toVariations May 1953
The Phoenix (Issue 282)
1126
Dr. Jacob Daley Rouge et Noir five red cards and five black cards are shuffled, spectator separates the cards by color
Related toVariations Aug. 1953
The Phoenix (Issue 287)
1146
Edward Marlo X-Deck named card has an X on back
Related toVariationsAlso published here Dec. 1953
The Phoenix (Issue 296)
1182
Edward Marlo Miracle Card Changes
1954 2
Edward Marlo Miracle Change No. 1
  • Method No. 1 (seated)
  • Method No. 2 (seated or standing)
  • Method No. 3 (unload on deck)
  • Method No. 4 (stand-up)
Related toVariations 1954 3
Edward Marlo Dribble Double Lift deck dribbled onto table, double retained in hand
1954 6
Edward Marlo A Variation with Effect... Card with paper clip on changes
1954 9
Edward Marlo Side Steal Replacement
1954 10
Edward Marlo Miracle Change No. 2 into LTP
Related toVariations 1954 11
Edward Marlo Two Card Toss from deck into right hand
1954 11
Edward Marlo Miracle Change No. 3 into "Master Palm"
Related toAlso published here 1954 14
Edward Marlo Sleeving from Master Palm
1954 15
Edward Marlo A Multiple Effect... selection
1954 17
Edward Marlo Follow the Ace Ace changes into Eight as climax
1954 19
Edward Marlo Climax Sleeving complete
1954 22
Edward Marlo An Astounding Transposition two duplicates
1954 24
Dai Vernon Royal Monte "A Lesson in Artistic Card Handling"
Variations 1954
Stars of Magic (Vol. 12 No. 1)
158
Edward Marlo Age Old Card Control
Related to 1954 4
Al Leech, Edward Marlo The Replacement general comments with method by Ed Marlo
1954 10
Edward Marlo The Drop Switch
1954 14
Edward Marlo Marlo's Secret Card Add
1954 22
Dai Vernon, Edward Marlo The Multiple Shift
1954 25
Del Ray, Edward Marlo The Royal Assembly using Jacks, Kings, Queens and Aces
1954
Ireland's Yearbooks (Issue Yearbook 1954)
5
Bill Simon The Turnabout six or seven packets put together face-up and face-down, they sort themselves the same way
Variations 1954 18
Bill Simon The Four Packet Shuffle four packets are shuffled into each other face-up/face-down
Related toVariations 1954 21
Edward Marlo Marlo's Move with sponge balls, sequence
Oct. 1954
The New Phoenix (Issue 318)
78
Stewart James The Nullificator based on Henry Christ Force, card cut and turned over behind back of performer
Related toVariations 1954 3
Cy Endfield, Bill Simon There's Five Aces! four Aces are counted as five as a gag
Related toAlso published here 1955 44
Edward Marlo Tip-Over Change Handling
1955 8
Edward Marlo Bluff Ace Assembly
Related toVariationsAlso published here 1955
Ireland's Yearbooks (Issue Yearbook 1955)
43
Edward Marlo Card Miracles from 1949
1955
The New Phoenix (Issue 329)
125
Edward Marlo Throw in Location thumb riffle estimation to nineteenth/twentieth position, two methods
Related toAlso published here 1955
The New Phoenix (Issue 329)
125
Edward Marlo Side Riffle Estimation left thumb riffles down to same spot
Also published here 1955
The New Phoenix (Issue 329)
125
Edward Marlo Pull Down Estimation left thumb pulls down to same spot, see second method
Also published here 1955
The New Phoenix (Issue 329)
125
Edward Marlo Stab Force used as a multiple out
Also published here 1955
The New Phoenix (Issue 329)
125
Edward Marlo Automatic Placement cut off, count, remember card at position in reminder
Related to 1955
The New Phoenix (Issue 329)
126
Edward Marlo Challenge to You from Edward Marlo! description of three routines, no explanation
  • 1. The Separating Aces
  • 2. The New Elevator
  • 3. Real Gone Aces
Dec. 1955
The New Phoenix (Issue 334)
144
Stewart James The Open Prediction effect description reproduced from The Cardician
  • Major Points
  • Analysis of Motivation
  • Open Prediction Variants
  • Basic Card Prediction Principles
    • 1. Force
    • 2. Multiple Revealment
    • 3. Delayed Action
  • Approaching the Problem
Related to Aug. 1955
Ibidem (Issue 3)
2
P. Howard Lyons Break Even card peeked at, two halves made, performer shows written prediction, both cards are dealt simultaneously and performer shouts stop, next cards are selection and predicted card
Related toVariations Nov. 1955
Ibidem (Issue 4)
8
Edward Marlo The Shuffle Palm overhand shuffle, originally top Cards
Related toVariations 1956 1
Edward Marlo The Action Palms
1956 1
Edward Marlo Delayed Action Palm originally top Card are shuffled to bottom
1956 3
Edward Marlo The Count Cop Cards are counted into right hand, returned to left, different handlings
Variations 1956 6
Edward Marlo Count Cop for a Number of Cards
1956 8
Edward Marlo Count Cop for Small Packets routine for eleven-card-trick, two handlings
1956 9
Edward Marlo Count Cop and Transfer from packet to packet, sometimes called "Spontaneous Add"
Related toVariationsAlso published here 1956 10
Edward Marlo Card Vanishes from Small Packet
1956 10
Edward Marlo From Packet to Packet
1956 11
Edward Marlo Ace Assembly Application for last Ace in Assembly
1956 12
Edward Marlo Count Cop Exchange for example three of four
Related to 1956 13
Edward Marlo Count Cop for Left Hand
1956 14
Edward Marlo Count Cop for Left Hand one of five blue backed Card travells into red deck
1956 16
Edward Marlo Action Palm - One Hand Control & Palm Sequence
Related to 1956 16
Edward Marlo Card Vanish and Appearance vanish from five-card packet, reappearance in deck
1956 16
Edward Marlo The Clip Steal l.h. Steal during Overhand Shuffle
Related to 1956 18
Edward Marlo Clip Palmed Card from Pocket tip
1956 18
Edward Marlo Repeat Card to Pocket
1956 19
Edward Marlo Turn Down Palm
1956 19
Edward Marlo Ace Assembly Application
1956 20
Edward Marlo Misdirection Palm another Card is pushed into Pack while top card is palmed
1956 21
Edward Marlo Selected Card to Pocket using Misdirection Palm
1956 23
Edward Marlo Open Top Card Glimpse
1956 23
Edward Marlo The Cull Palm spread culled cards are palmed right away, or directly from peek
Related to 1956 25
Edward Marlo Cull Palm Replacement r.h. cop
1956 26
Edward Marlo Pressure Fan Palm and application as a color change
1956 27
Edward Marlo Pressure Fan Palm as Color Change
1956 28
Edward Marlo One Hand Palm as Action Palm during an Overhand Shuffle or Dovetail Shuffle
Related to 1956 29
Edward Marlo Take Techniques for Action Palm Overhand Shuffle Cover, two Methods
1956 31
Edward Marlo Square Up Drop Palm two Cards to Pocket
1956 33
Edward Marlo Double Action Palms both hands
Also published here 1956 34
Edward Marlo Drop Cut Palm Triple Cut Cover
1956 34
Edward Marlo The Table Edge Palm special small packet handling
1956 35
Edward Marlo Pivot Bottom Steal small packet handling
1956 36
Edward Marlo Brush Palm small packet palm handling
1956 38
Edward Marlo Bits of Misdirection for a variety of different Palming Techniques
1956 39
Edward Marlo Bits of Misdirection - For Bottom Palm
1956 40
Edward Marlo Bits of Misdirection various bits
1956 40
Edward Marlo The Drop Cover
1956 41
Edward Marlo The Wrist Turn
1956 42
Edward Marlo Delayed One Hand Palm
Related to 1956 43
Edward Marlo Palm Replacements Basic Replacement Move
1956 44
Edward Marlo The Rise and Riffle
1956 45
Edward Marlo The Turn Over
1956 45
Edward Marlo The Square Up
1956 46
Edward Marlo The Top Card Return
1956 46
Edward Marlo The Turn and Gesture
1956 46
Edward Marlo After the Cut
1956 47
Edward Marlo The Delayed Replacement
1956 48
Edward Marlo The Shuffle Replacement
1956 48
Edward Marlo Revolving Replacement
1956 49
Edward Marlo Holding Out tips
1956 50
Edward Marlo Easy Palm Transfer right Classic to left Cop Position
1956 51
Edward Marlo Card from Pocket ideas/"Search" Technique
Related to 1956 52
Edward Marlo Card from Pocket Ideas different subterfuges
Related toVariationsAlso published here 1956 52
Edward Marlo The Fake Transfer
1956 52
Edward Marlo Finger-Tip Control
Related to 1956 3
Edward Marlo Basic Procedure fingertip peek
1956 3
Edward Marlo First Method forced estimation, fishing
Related toVariations 1956 5
Edward Marlo Second Method imperfection, nailnick, edgemark
Related to 1956 6
Edward Marlo Third Method corner-short, see note on page 22
1956 7
Edward Marlo Multiple Card Control Sequence imperfection, nailnick, edgemark
1956 7
Edward Marlo Third Method corner-short, see note on page 22
1956 8
Edward Marlo Cover Up Cut
1956 8
Edward Marlo Peek Spelling small progressive spelling set-up
Related to 1956 8
Edward Marlo Fingertip Peek Force corner short, also multiple cards, see note on page 22
1956 9
Edward Marlo Fourth Method in-jog
1956 10
Edward Marlo Double Peek Force fingertip
1956 12
Edward Marlo Fourth Method - Multiple Control in-jog
1956 13
Edward Marlo Fifth Method steps in advance
1956 13
Edward Marlo Fifth Method step in advance
1956 15
Edward Marlo Sixth Method - Tilt Glimpse glimpsing card
Related toVariations 1956 16
Edward Marlo Free Force Principle re-forcing following cards
1956 17
Edward Marlo Commercial Double Peek Force
1956 17
Edward Marlo Free Force multiple card control, re-forcing the break
1956 17
Edward Marlo Square-Up Glimpse see note on page 22
1956 18
Edward Marlo Definite Fingertip Control - D.F.C. stepping at selection
Related to 1956 19
Edward Marlo Broken Corner corner short substitute, Note 1
1956 22
Edward Marlo Marlo's Secret Card Add
1956 17
Edward Marlo X-Deck named card has an X on back
Also published here 1956 120
Al Leech Case Card cards are cased with a block sticking out, all cards slide down except selection in spectator's hand
Inspired byRelated toVariationsAlso published here Jan. 1956
The New Phoenix (Issue 335)
148
Edward Marlo Real Gone Aces
  • Additional Notes on Real Gone Aces
  • Swindle Aces Ideas
  • For Use in Real Gone Aces (Ace Layout)
1956
The New Phoenix (Issue 338)
160
Edward Marlo The Separating Aces four Aces distribute in the deck, three methods, all cards face-down
Variations 1956
The New Phoenix (Issue 338)
162
Edward Marlo The New Elevator progressive rises/penetrations, four methods
Variations 1956
The New Phoenix (Issue 338)
163
Edward Marlo Mislide card switched as it is laid down from in-the-hands spread on table, related to later handlings
1956
The New Phoenix (Issue 338)
163
Edward Marlo Small Packet Spread-Cull Displacement
1956
The New Phoenix (Issue 338)
163
Edward Marlo Small Packet Bottom Transfer two small packets, bottom card transferred to other packet with bottom deal type motion
1956
The New Phoenix (Issue 338)
165
Edward Marlo Vanishing Aces Theory
Related to 1956
The New Phoenix (Issue 338)
166
Edward Marlo Aces & Deuces Seven Card Assembly
Related to 1956
The New Phoenix (Issue 338)
166
Jose Diaz, Vynn Boyar, Edward Marlo Case Card Again
Inspired by 1956
The New Phoenix (Issue 339)
168
Jerry Andrus Repeating Change card changes into three selections one by one, diminishing lift sequence
Related to 1956 29
Jerry Andrus The Clip Slip card from injog position into right hand clip between right fingers to top or bottom
  • Variation
Related toVariationsAlso published here 1956 57
Edward Marlo, Carmen D'Amico Foreword
1956
Edward Marlo, Carmen D'Amico A Classical Quickie reversed card in deck changes into selection
  • First Method (saliva)
  • Second Method (sticky or all faced roughed)
  • Third Method (center reverse)
  • Fourth Method (side palm)
  • Fifth Method (hide-out)
  • Sixth Method (faced deck)
  • Seventh Method
Variations 1956 1
Edward Marlo, Carmen D'Amico Running Cut Stop Force
1956 1
Edward Marlo, Carmen D'Amico Rightning a Reversed Card clean-up, bottom card removed with left hand and quickly turned over to scoop up tabled cards
1956 2
Edward Marlo, Carmen D'Amico The Open Reverse deck is turned over under top card under guise of looking at top card
1956 5
Edward Marlo, Carmen D'Amico Eighth Method four cards reversed in deck change into four Aces
  • Ninth Method
  • Tenth Method (all cards roughed on faces)
1956 7
Carmen D'Amico The D'Amico Spread dated 1948
  • Action of the Spread
Variations 1956 8
Edward Marlo, Carmen D'Amico Doubly Ambitious two cards come to top repeatedly, D'Amico Spread application
Variations 1956 10
Edward Marlo, Carmen D'Amico Chameleon Queens red Queens change to black and back multiple times (New Tens), transposition finale
1956 12
Edward Marlo, Carmen D'Amico Double Transpositions
  • The Repeat
  • Straight Presentation
1956 16
Edward Marlo, Carmen D'Amico Combination of previous Doubly Ambitious and Double Transposition
1956 18
Edward Marlo Marlo-Curry Change for one or several cards
Also published here
  • The Linking Ring
1956 19
Edward Marlo Marlo Pivot Spread six handlings
  • Triple Pivot Spread (e.g. six as three)
Inspired byVariationsAlso published here 1956 22
Edward Marlo The Time Machine three reds and blacks are alternated, Ace of Spades put in center of one half, the other half shuffled upside-down, all things are undone when traveled back in time, writing of time written on a business card vanishes
Variations Sep. 1956
Ibidem (Issue 7)
2
Ken Beale Take Nine spectator remembers card and its position from the top, performer takes the cards behind the back and brings them back out, the card's value at the original position is used to count down to selection
Inspired byVariations Sep. 1956
Ibidem (Issue 7)
20
Edward Marlo An Ed Marlo Bibliography
Dec. 1956
Ibidem (Issue 8)
2
Edward Marlo Separating Aces (4th Method) four Aces are placed in the center face-down, deck spread and Aces have distributed in the deck and turned face-up
Inspired by Dec. 1956
Ibidem (Issue 8)
3
Edward Marlo Same Methode, Different Effect Aces removed, they change to Kings, Aces found reversed distributed through deck
Dec. 1956
Ibidem (Issue 8)
3
Edward Marlo Repeat Transposition two cards selected, sandwiched Ace of Spades away from deck transposes with the selections one by one, Ace found face up in center after each transposition
  • First Method
  • Second Method
  • Third Method (only one selection and transposition)
  • Fourth Method (using four Aces, no selections)
  • Fifth Method (using four Aces, no selections)
Related to Dec. 1956
Ibidem (Issue 8)
4
Edward Marlo Covered Hit Break right first finger gets break under top cards under cover of spread packet
Dec. 1956
Ibidem (Issue 8)
4
Edward Marlo Secret Addition Release during display sequence, the extra cards are dropped
Dec. 1956
Ibidem (Issue 8)
4
Edward Marlo The Torn Joker performer wants to find selection but finds Joker twice, then tears it up, Joker is found again and torn pieces of Joker are shown to be selection
Related to Dec. 1956
Ibidem (Issue 8)
8
Edward Marlo Key Card Placement card replaced on lower half, Charlier cut, right hand cards are placed above and below
Dec. 1956
Ibidem (Issue 8)
8
Edward Marlo On the Memorized Deck
  • four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, after seeing the faces of the packets for a few seconds, the performer names the cards in all packets leaving the selection to last
  • then any number is named and performer names card at that position and vice versa
  • second deal and poker deal demo if Ireland stack is used
Variations Dec. 1956
Ibidem (Issue 8)
10
Edward Marlo A Miracle with Cards four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, performer looks at each packet and finds the selections, secretly counting the packets, last card from pocket
  • alternative in which the last wrong card changes into selection
Related toVariations Dec. 1956
Ibidem (Issue 8)
11
Edward Marlo For a Single spectator cuts off a packet, remembers the bottom card and shuffles the packet, performer takes packet and finds card, repeats, optional re-stack during location
Dec. 1956
Ibidem (Issue 8)
12
Edward Marlo Faro Shuffle as False Shuffle preparing by giving the deck six out-faros before performance
Dec. 1956
Ibidem (Issue 8)
13
Edward Marlo New Oil and Water Routine 4&4, fan insertion mix, two black extra cards
Dec. 1956
Ibidem (Issue 8)
14
Edward Marlo Oil and Water Climax 4&4, face-up fan mix, two black extra cards
Related to Dec. 1956
Ibidem (Issue 8)
15
Edward Marlo All One Way eight cards mixed face-up/face-down, then all one way again, repeat, two extra cards
  • Notes to All One Way (with roughed deck idea)
Variations Dec. 1956
Ibidem (Issue 8)
17
Edward Marlo Wedge Break Displacement
Related to Dec. 1956
Ibidem (Issue 8)
18
Edward Marlo Table Tap Half Pass Cover
Dec. 1956
Ibidem (Issue 8)
18
Edward Marlo Cased-In Shuffle reds and blacks separated, deck is cased, shuffle mimed, deck is uncased and shown mixed
  • First Method (rough-smooth)
  • Second Method (packet handling)
Related toVariations Dec. 1956
Ibidem (Issue 8)
20
Edward Marlo Solutions to a Problem deck is cut and put face-to-face, number named and card in lower half remembered, card in upper half at same or different number also remembered, the card transpose, Thomas Wright problem
  • Solution No. 1
    • Notes on the Above (half pass suggestion)
  • Solution No. 2 (cards transpose and also turn over)
  • Solution No. 3
  • Solution No. 4
  • Solution No. 5
Variations Dec. 1956
Ibidem (Issue 8)
21
Edward Marlo Notes On The Turnabout Pass cards from the top or center are pulled around the deck reversed to bottom, optional riffle cover
Dec. 1956
Ibidem (Issue 8)
26
Edward Marlo Mexican Solitaire shuffled deck, deck dealt into four piles according to rules, one of each value in each pile, memory demonstrations, all four-of-a-kinds together or controlled, can be followed by poker deals:
  • Progressive Poker
    • First Game
    • Three-Handed
    • Four-Handed
    • Five-Handed
    • Second Play of Five-Handed Poker
  • Royal Flush Control
    • Second Royal
    • Third Royal
    • Fourth Royal
    • Alternative Procedure for Four Royals
Variations Dec. 1956
Ibidem (Issue 8)
27
Jack Avis All Fair Card Transposition card in pocket with card at chosen position
Related to 1956 10
Edward Marlo The Switchless Switch packet switch as cards are taken from the top of the deck one by one and shown, application to E. G. Brown's thought card across problem
Related toVariations 1956 15
Edward Marlo Second Effect Switchless Switch application
1956 19
Edward Marlo Third Effect packet of red cards and black cards transpose, Switchless Switch application
1956 20
Edward Marlo Additional Technique for the Switchless Switch more open grip
Inspired by 1956 21
Edward Marlo The Side-Steal
1957 1
Edward Marlo Peek Handling
1957 2
Edward Marlo The Technical Steal see Note 4 on p. 58
Variations 1957 2
Edward Marlo The Deliberate Side-Steal see Note 2 on p. 58
Variations 1957 5
Edward Marlo The Curled Forefinger finesse for "The Deliberate Side-Steal"
1957 7
Edward Marlo The Bold Steal while showing that selection is not on top or bottom and other handlings, see Note 3 on p. 58
Related to 1957 9
Edward Marlo Bold Steal - Third Handling selection between Aces
1957 10
Edward Marlo Bold Steal - Second Handling one to ten
1957 10
Edward Marlo The Bold Stop Effect Out for Psychological Stop Trick, three methods
1957 12
Edward Marlo The Bottom Bold Steal suitable for stop trick
1957 12
Edward Marlo A Slight Difference small packet side steal handling, Pinch Technique
1957 13
Edward Marlo Standard Side Steal
1957 14
Edward Marlo Multiple Holdout palming multiple cards from different positions
1957 15
Edward Marlo On the Left Side covering the bad angles
1957 15
Edward Marlo, Tenkai Ishida Left Hand Side Steal see Note 4 on p.58
Related toVariations 1957 16
Edward Marlo Color Steal
1957 18
Edward Marlo Almost Standard variation on "Color Steal"
1957 19
Edward Marlo The Finger Flutter four methods for avoiding the left hand finger flutter
1957 21
Edward Marlo The Clip Steal
Related to
  • "An Old Card Effect" (The Magic Wand, Vol. 22 No. 159, Oct/Nov 1933, p. 140)
  • Hatton & Plate
Variations
1957 22
Edward Marlo Clip Steal to Bottom
Related to 1957 24
Edward Marlo Clip Steal Color Change
Variations 1957 25
Edward Marlo Palm Positions introducing four palming positions
1957 27
Edward Marlo Fourth Palm Position called "Marlo Palm", see Note 5 on p. 58
Related to 1957 28
Edward Marlo Side Steal to Bottom six methods
Related to 1957 29
Edward Marlo Side Steal to the Bottom - Fifth Method Tenkai Palm replacement
1957 33
Edward Marlo Side Steal to Bottom - Fifth Method
1957 33
Edward Marlo Side Steal to Bottom - Sixth Method
Variations 1957 33
Edward Marlo Multiple Rear Palm Steal bringing bottom block into palm position
Related to 1957 36
Edward Marlo To the Top Tenkai Steals to top, two methods
1957 37
Edward Marlo Card from Case
1957 38
Edward Marlo The Stop Effect
1957 39
Edward Marlo The Insertion Steals from center
Variations 1957 40
Edward Marlo Full Left Hand Steal as an Insertion Steal
1957 41
Edward Marlo Right Hand Steal as a direct Insertion Steal
1957 43
Edward Marlo The Diagonal Steal as a direct Insertion Steal
Related to 1957 45
Edward Marlo Side Steal Cover Ups historic note on Covered Side Steals
1957 47
Edward Marlo First Cover Up with cover card
1957 48
Edward Marlo Clip Steal Cover Up cover card steal and applications, see Notes 6, 7 on p. 59
1957 50
Edward Marlo Between the Aces
1957 51
Edward Marlo Dribble Stop Effect card in clip palm during dribbling
Related toVariations 1957 53
Edward Marlo Card Stab
1957 54
Edward Marlo Clip Palm Ace Cutting
1957 54
Edward Marlo For the Purist spectator stabs
1957 56
Edward Marlo Concluding Observations: Note 1 two cards peeked for using Technical Side Steal
1957 57
Edward Marlo Note 4 from center
1957 58
Edward Marlo Note 9 note on psychology of Side Steal
1957 59
Edward Marlo Note 8 - The Dribble Replacement
1957 59
Edward Marlo Note note on approachment of right hand
1957 60
Dai Vernon The Jumping Jack using only two cards apparently, using Tenkai Palm
Variations 1957 78
Dai Vernon, Mac McDonald Seven Card Monte card vanishes from packet and reappears on top of the deck, repeat
Related toVariations 1957 88
Dai Vernon The Challenge mind-reading presentation for transposition plot
Related toVariations 1957 114
Dai Vernon "One Under and One Down" any one of ten cards is last one in down-under deal
Variations 1957 186
Edward Marlo The Tabled Palm
1957 1
Edward Marlo One Hand Table Palm
1957 2
Edward Marlo Tabled Riffle Palm during square up after tabled riffle shuffle, either hand
Also published here 1957 3
Edward Marlo Flat Palm Steal from tabled deck
1957 5
Edward Marlo Angle Palm Steal from tabled deck
VariationsAlso published here 1957 6
Edward Marlo Adjustment Misdirection from tabled deck as a card in front of deck is adjusted
Variations 1957 8
Edward Marlo Table Riffle Angle Palm for a certain number of cards
1957 9
Edward Marlo Longitudinal Angle Palm from tabled deck after riffle shuffle
1957 10
Edward Marlo Ribbon Spread Palm as the spread is adjusted with both hands
1957 11
Edward Marlo Travelling Double two cards travel to top of deck
1957 12
Edward Marlo Tabled Double Lift using crimped deck
1957 13
Edward Marlo Ten and Ten one selected card
1957 14
Edward Marlo Tabled Stop Effect using tabled palm
1957 15
Edward Marlo Out of Your Hands top card of tabled deck transforms
1957 16
Edward Marlo As a Control to apparently cut top card into center yet retain it under control, using tabled Tenkai Palm
1957 17
Edward Marlo Angle Palm Replacement to tabled deck
1957 18
Edward Marlo Card to Top on tabled deck, using tabled palm
1957 19
Edward Marlo Sell or Delusion
Inspired by 1957 19
Edward Marlo, Ernando Veneri Veneri Turn Variant bluff method for "card at any number"
1957 20
Edward Marlo Face Up Elimination selection appears as last card in face up eliminiation process, even though it was not there
1957 21
Edward Marlo Rise-Rise-Rise card from center rises to top visible, tabled, two methods (Tenkai and Flat Palm)
Variations 1957 23
Edward Marlo Angle Palm Transfer from right Tenkai Palm to left Rear Palm
1957 26
Edward Marlo Flat Palm to Tenkai Palm one-handed adjustment
1957 26
Edward Marlo Tip Up Angle Palm multiple cards, in the hands, to right hand
Variations 1957 26
Edward Marlo Full Buckle Palm one-handed bottom palm of a single card
Related to 1957 28
Edward Marlo, S. W. Erdnase Modified Erdnase Bottom Deal Grip for bottom palm application
1957 28
Edward Marlo Center Block Palm cards are spreaded face-up, right hand
Related to 1957 29
Edward Marlo Direct Rear Palm as top card is placed openly to bottom
Related to 1957 31
Edward Marlo Vanish from Packet vanishing a card from a packet of five, "Red and Blue Effect"
1957 32
Edward Marlo Card to Pocket Direct Rear Palm application
1957 32
Edward Marlo Direct Rear Palm - Multiple Cards
1957 32
Edward Marlo Ten Cards to Pocket Finale handling for the end
1957 33
Edward Marlo Direct Full Palm as card is placed openly to bottom
Related to 1957 33
Edward Marlo The Card Transfer for application ideas see also page 37
Variations 1957 34
Edward Marlo Classic Palm Replacement to Tabled Deck
1957 35
Edward Marlo The Lost Card sucker presentation, using The Card Transfer
1957 36
Edward Marlo Addition to Tabled Packet
1957 37
Edward Marlo The Card Transfer - Variation
1957 37
Edward Marlo The Card Transfer for Ace Cutting only idea mentioned
1957 37
Edward Marlo The Card Transfer with a Definite Number of Cards crimp
1957 38
Edward Marlo Paper and Coin multi phase routine
Related toVariations 1957 3
Edward Marlo The Dealer's Pitch
1957 6
Edward Marlo The Spider Vanish
Variations 1957 8
Edward Marlo Further Ideas on the Paperfold ideas "Flip Move Coin Fold", complete vanish ideas
1957 10
Edward Marlo The Spectator Wraps it Up
1957 11
Edward Marlo Shrinkage in paper fold
1957 12
Edward Marlo Copper-Silver Paper only two coins
1957 14
Edward Marlo Solid-Soft-Solid-Gone coin folded in paper is bent
1957 16
Edward Marlo Hand Penetration wrapped in paper
1957 17
Edward Marlo A New Method of Handling the Flip Move
1957 18
Edward Marlo Sans Dupliate coin through paper and card case
1957 19
Edward Marlo Flutterless
1957 21
Edward Marlo Unprepared
1957 22
Edward Marlo Ed Marlo's Personal Routine with various paper fold effects
1957 23
Edward Marlo S.O.C. half dollar and three copper coins, transposition, coins to box, coins through card case, see also page 40
Related toVariations 1957 24
Edward Marlo Coin Box Load
1957 27
Edward Marlo Technique for Visible Coin Change
1957 31
Edward Marlo The 1050 Transposition coin in paper transposes with coin in hand
1957 32
Edward Marlo Impromptu S.O.C. Routine no copper/silver coin
Related to 1957 33
Edward Marlo Marlo One Hand Turnover
1957 37
Edward Marlo Coin Box Turnover
1957 38
Edward Marlo Concluding Observations
1957 40
Edward Marlo Six Card Repeat Climax
July 1957
The New Phoenix (Issue 346)
209
Edward Marlo Latest Oil and Water 4&4, no extra cards
  • First Phase
  • Second Phase
  • Third Phase
  • Fourth Phase
Mar. 1957
Ibidem (Issue 9)
13
Edward Marlo Swindle Aces Display four cards shown one by one and tabled, one shown twice and one hidden
Related to Mar. 1957
Ibidem (Issue 9)
13
Edward Marlo Miracle Transposition card on top of packet transposes with card on table, using Miracle Change No. 1
Mar. 1957
Ibidem (Issue 9)
24
Edward Marlo Red Black Locations two-card location with divided deck, faro
  • Second Phase (red-black-alternating)
  • Third Phase (red-black-alternating in pairs)
  • Fourth Phase (divided deck)
Variations June 1957
Ibidem (Issue 10)
3
Edward Marlo Cull Separation Shuffle deck alternates in pairs, after overhand shuffle sequence the colors are separated
June 1957
Ibidem (Issue 10)
5
Edward Marlo Double Buckle Vanish card vanishes from packet
  • With all Five Cards Face Down
  • With all Cards Face Down
  • With all Cards Face Up
  • To Show all Cards and Reverse the Selection During the Process
  • Devilish Miracle Handling
  • The Triple Buckle Vanish
June 1957
Ibidem (Issue 10)
15
Edward Marlo Skipping Elevator with Ace through Four, two ahead
June 1957
Ibidem (Issue 10)
19
P. Howard Lyons Psi Stebbins - Method I spectator cuts off a packet, remembers the bottom card and shuffles the whole packet, then reads out all the cards and performer names selections, spectator shuffles packet, remembers new bottom card, puts packet on deck and reads off cards, performer stops at selection
Inspired byRelated toVariations Sep. 1957
Ibidem (Issue 11)
6
Edward Marlo 3 Mental Effects intro
Sep. 1957
Ibidem (Issue 11)
8
Edward Marlo New Tail of the Q
  • #1 of "3 Mental Effects"
back-count force with Q-shaped layout, two cards and a number are divined
Related to Sep. 1957
Ibidem (Issue 11)
8
Edward Marlo Telephone Test
  • #2 of "3 Mental Effects"
over telephone or from another room, spectator deals cards one at a time and calls them out and thinks of one of them, performer divines it, repeat with two cards (one thought of, another selection placed besides it, then the order called out), optional ideas for further phase
VariationsAlso published here Sep. 1957
Ibidem (Issue 11)
10
Edward Marlo Majority Fishing
Sep. 1957
Ibidem (Issue 11)
10
Edward Marlo Mental and Physical
  • #3 of "3 Mental Effects"
card thought of, another selection placed next to it, both found
  • Additional Ideas for Mental and Physical Choice
    • 1. Force
    • 2. Marked Deck
    • 3. Stacked deck
    • 4. One way deck on faces
Inspired byRelated to Sep. 1957
Ibidem (Issue 11)
11
P. Howard Lyons Telephone Extension different handling for second phase of Marlo's routine
Inspired by Sep. 1957
Ibidem (Issue 11)
13
Alex Elmsley Royal Flush Control Variation
Inspired by Sep. 1957
Ibidem (Issue 11)
15
Edward Marlo Hummer-Marlo packet mixed with cato procedure by spectator under table, one card remembered, performer sorts all except selection, faro
Related to Dec. 1957
Ibidem (Issue 12)
2
Edward Marlo The Backward Faro out-jogging every other card, with some properties, also for setting up for a "false" shuffle
Related toVariations Dec. 1957
Ibidem (Issue 12)
4
Edward Marlo The Faro Calculator getting into stack with faros, reverse-principle
Also published here Dec. 1957
Ibidem (Issue 12)
5
Edward Marlo Marlo's Hofzinser two duplicates, presentation with three glasses (placing block as one card in a glass)
1957 26
Edward Marlo Shuffle Stop Force spectator stops during overhand shuffle, timing
1957 26
Edward Marlo Block Handling block of four cards is removed from glass as one card and turned over
1957 28
Edward Marlo Additional Climax to Marlo's Hofzinser after the three cards changed to the selection, they change into Aces, four-of-a-kind matching the selection is produced from pocket paper-clipped together
1957 29
Edward Marlo The Buckle Break multiple cards
Related to 1957 31
Edward Marlo Marlo Bottom Count cards spring off right thumb via buckling with diagonal pressure at upper left corner
1957 31
R. A. Moershall Mystical Location spectator removes cards and remembers card at same position from top, then cuts, performer locates card
Variations 1957 33
John Derris Hockley's Prediction prediction written on face of card which is left out-jogged, spectator stops during deal and selection matches prediction
Variations 1957 34
Edward Marlo The Faro Shuffle
1958 1
Edward Marlo The First Technique detailed description
1958 1
Edward Marlo First Variation
1958 6
Edward Marlo Faro Aids
  • The Rock and Reweave
  • Fan Spread and Weave
  • Resquaring the Packets (three methods)
  • Cutting at 26
1958 7
Edward Marlo, Alex Elmsley 26th Card Faro Check for credit information see reference
Related to 1958 11
Edward Marlo The 4th Finger Table tip
1958 12
Edward Marlo Faro Riffle Shuffle
1958 13
Edward Marlo Variations in Technique on the Faro Riffle Shuffle five variations
1958 16
Edward Marlo In the Hands table faro done without table
1958 19
Edward Marlo The Butt Faro
1958 21
Edward Marlo Partial Faro Check to get several packets with the same number of cards
1958 22
Edward Marlo Throw-Off Faro - Top if only the top portion is important
Related to 1958 24
Edward Marlo Cover-Up Slip Cut
1958 24
Edward Marlo Throw-Off Faro - Bottom if only the bottom portion is important
1958 25
Edward Marlo Above Crimp Faro
1958 26
Edward Marlo Off Center Faro
  • Another Application of the Off Center Shuffle
  • Left Over Faro
  • Using the Faro Riffle Faro (Table Faro) for Throw Off
  • Off Center and Above Crimp Faros
1958 26
Edward Marlo Half and Half Shuffle basically the stay stack principle applied to two cards
1958 29
Edward Marlo "Half Plus One" bringing a key card next to a certain card with faro shuffle
1958 30
Edward Marlo Combining Riffle Shuffles & Faros for stacking cards, examples are ten hands and seven (!) hands
1958 31
Edward Marlo Reverse or Backward Faro out-jogging every other card
Related to 1958 33
Edward Marlo Observations faro as a false shuffle and other comments
1958 34
Edward Marlo On Discrepancies correcting slight mistakes
1958 35
Edward Marlo Faro Notes
1958 1
Edward Marlo Faro as a Control how to control a card at known position to top with faro shuffles, with subsections:
  • Less Than 52
  • With Two Cards
  • For 2 Cards at Undetermined Positions
Inspired by 1958 2
Edward Marlo A Correction commentary on ECT tables, see also new hardcover edition for further commentary
Inspired by 1958 8
Edward Marlo Odd Faro how to cut the deck like in an odd-numbered deck when having an even number of cards
1958 9
Edward Marlo The Faro Calculator getting into stack with faros, reverse-principle
Also published here 1958 10
Edward Marlo The Chain Calculator how to calculate position of any card after faro shuffles, memorized deck
Related to 1958 12
Edward Marlo The Left Over Faro Shuffle partial faro as an ace multiple control
1958 14
Edward Marlo Shuffling the Aces after every (in-)shuffle, an Ace is on top
Variations 1958 16
Edward Marlo Placement Shuffle placing Aces thirteen cards apart, with stacking application
1958 18
Edward Marlo Control of the Aces four card control using faro shuffles, different versions
1958 19
Edward Marlo An Out Shuffle Effect using faro shuffles
Related to 1958 21
Edward Marlo Progressive Miracle repeated multiple times
Inspired byVariations 1958 22
Edward Marlo New Deck P.M. version from new deck order
Inspired byVariations 1958 27
Edward Marlo 76-76-67-67 no selection, using faro shuffle, with variation that ends in red-black separated deck
Related toVariations 1958 29
Edward Marlo The Memorized Stack a memorized stack from NPO, but only with jokers (as "keys") and faros
1958 31
Edward Marlo Fingertip Miracle three selections, memorized deck, improvisation
Variations 1958 33
Edward Marlo Full Deck - Five Faros returning 52 cards to their original order after only five faro shuffles
1958 34
Edward Marlo The Reverse or Backward Faro
1958 36
Edward Marlo A False Shuffle Combination combining faros with partial faros
1958 37
Edward Marlo The Wrong Hand player receives Aces, performer straight flush
1958 38
Edward Marlo It's Mathematical stay stack principle applied to memorized deck, two effects
Related to 1958 40
Edward Marlo Alternative Procedures stay stack principle applied to memorized deck, see previous item
1958 43
Edward Marlo Two Disclosures
  • 1) another card is selected, its value used to count to selection
  • 2) stop effect
1958 45
Edward Marlo Automatic Placement with several applications following
Related toVariations 1958 47
Edward Marlo Variants on Automatic Placement
1958 48
Edward Marlo Faro Foolers: First Fooler as many cards as one likes, automatic placement
1958 49
Edward Marlo Second Fooler with two selections in two halves of one deck, automatic placement
1958 50
Edward Marlo Third Fooler two cards, faro and automatic placement
1958 51
Edward Marlo "Shuffle around Selections" no. 7
1958 51
Edward Marlo Fourth Fooler two cards selected, a card turns face-up between selections, see also page 55 for two further notes
Variations 1958 52
Edward Marlo Fifth Fooler twenty-sixth card is forced with procedure similar to automatic placement
1958 52
Edward Marlo, Warren Wiersbe Sixth Fooler
Inspired by 1958 53
Edward Marlo Seventh Fooler two cards
1958 54
Edward Marlo Variation on Automatic Placement two variations
1958 55
Edward Marlo Faro Fooler #8 using natural estimation
Related to 1958 56
Edward Marlo Automatic Cut Principle left thumb pulls down on left side
1958 57
Edward Marlo Uses of Partial Faro Check - Faro Fooler #9 face-up card is sandwiched by two selections, or used to count to them
1958 57
Edward Marlo Faro Fooler #10 three cards
1958 60
Edward Marlo Exact Placement placing top card into position indicated by value of bottom card, left over bottom faro
1958 61
Edward Marlo Faro Fooler #11 Exact Placement, two selections are found at thought of number, with three variations
1958 62
Edward Marlo Faro Fooler #12 two separated face up cards come together to sandwich selection
Variations 1958 65
Edward Marlo Instant 26th Location getting a selection to top with faro, crimp, twenty-sixth faro check and half plus one principle
1958 66
Edward Marlo The 17th Location two cards
1958 67
Edward Marlo The 13th Location three selections
1958 68
Edward Marlo Wrong to Right two wrong cards are changed into selections
1958 69
Edward Marlo Magical Seven selection reversed in face-up portion travels down into lower face-down portion into seventh position, several repeats
  • Phase One
  • Phase Two
  • Phase Three
  • Phase Four
  • Phase Five
Related toVariations 1958 2
Edward Marlo Cut Reverse a bit similar to Braue
1958 3
Edward Marlo Picking up a Break by moving hand down instead of cards up
1958 5
Edward Marlo Table Edge Break Concealment to conceal break when held with right thumb in end grip
1958 13
Edward Marlo Block Turnover seven as one
1958 18
Edward Marlo Opening Phase after spectator shuffles, a Seven is at seventh position, three methods
1958 21
Edward Marlo The Climax Phase production of the four Sevens
1958 22
Bert Allerton Card Stabbing Trick any named card
Related toVariations 1958 36
Edward Marlo Mental Disclosure
  • First Method (one of ten memorized cards thought of, fishing and showing piles and asking whether the card is among them)
  • Second Method (shuffled, one of nine, asking whether the card is among them)
Mar. 1958
Ibidem (Issue 13)
6
Edward Marlo Thoughts on Piano on the piano card trick
  • First Method (two roughed pairs)
  • Second Method
  • Third Method
Sep. 1958
Ibidem (Issue 14)
2
P. Howard Lyons Reverse Stud hand with Aces changes into Royal Flush
Related to Sep. 1958
Ibidem (Issue 14)
12
Edward Marlo Ladies Looking Glass Application
Dec. 1958
Ibidem (Issue 15)
1
Edward Marlo Quick 3-Way three-alike display
Related toVariationsAlso published here Dec. 1958
Ibidem (Issue 15)
2
Edward Marlo In Lieu of the Hindoo Shuffle all alike display for deck
  • First Method (sequence of under-cuts and shows)
  • Second Method (swing cuts in the hands)
  • Third Method (swing cuts onto the table)
  • Fourth Method (packets cut from top to bottom with pull-down of bottom card)
  • Fifth Method (deck face up, packets dropped onto table face down with slip cut action)
  • Sixth Method (deck face up, slip cuts with face towards performer)
Related to Dec. 1958
Ibidem (Issue 15)
3
Edward Marlo Mini-Classic (1st method) selection lost, it is shown on top, bottom and reversed in center, the three cards are shown as all alike, card then taken from pocket, deck shown as all selection
Dec. 1958
Ibidem (Issue 15)
5
Edward Marlo Mini-Classic (2nd method) three cards change into selection, then selection taken from pocket, card then taken from pocket, deck shown as all selection
Related to Dec. 1958
Ibidem (Issue 15)
6
Edward Marlo A Sixy Effect three cards change into selection (a Six), then selection taken from pocket, card then taken from pocket, deck shown as all selection, all four Sixes produced from pocket, puns in the patter
Related toVariations Dec. 1958
Ibidem (Issue 15)
7
Edward Marlo A Variation to a Sixy Effect variation of the ending with a pocket transfer sequence, passing a Nine as a Six
Inspired byRelated to Dec. 1958
Ibidem (Issue 15)
8
Edward Marlo Buffalo'd transposition with bluff display
Variations Dec. 1958
Ibidem (Issue 15)
9
Edward Marlo Jack and Ace Transposition two extra phases after Dai Vernon's "The Jumping Jack", clean-up with pocket phase
Inspired by Dec. 1958
Ibidem (Issue 15)
10
Edward Marlo Oil & Water - Water & Oil - Oil & Water intro
Dec. 1958
Ibidem (Issue 15)
12
Edward Marlo First Routine: Using 3 jacks and 3 tens 3&3, extra card, three phases
Variations Dec. 1958
Ibidem (Issue 15)
12
Edward Marlo The Second B and R Routine 3&3, from the backs, three phases
Dec. 1958
Ibidem (Issue 15)
14
Edward Marlo Sleightless Sleight oil & water fan with 3&3 is separated in display gesture, two cards switched/displaced
Dec. 1958
Ibidem (Issue 15)
15
Edward Marlo All Face Up Oil and Water Routine 3&3, also suggestion of using three cards face up and three face down
Dec. 1958
Ibidem (Issue 15)
16
Edward Marlo Add Note to P. M. handling with stay stack
Inspired by Dec. 1958
Ibidem (Issue 15)
17
Edward Marlo Progressive Miracle using the Half & Half Principle memorized deck as stay stack with calculations, Marlo calls "Stay Stack Principle" the "Half & Half Principle"
Inspired by Dec. 1958
Ibidem (Issue 15)
18
Edward Marlo To Tell the Truth deck faro shuffled, then one half placed face up and one face down on the table, face-up cards key the performer so he can name the face-down ones one by one, memorized deck as stay stack
Dec. 1958
Ibidem (Issue 15)
18
Edward Marlo Calculating Removed Card from memorized deck, card removed and eight faros shuffled in total
Related to Dec. 1958
Ibidem (Issue 15)
19
Dai Vernon The Bent Corner Prediction spectator names number up to 52, card there is predicted by performer
Related toVariations 1959 12
Dai Vernon Ginsburg Poke
Related toVariations 1959 36
Dai Vernon Erdnase Plus Vernon
Related to 1959 49
Senor Notis The Notis Stop Trick using "pivot flourish"
Variations 1959 65
Dai Vernon The Chinese Second Deal one-handed pop-over flourish
Related toVariations 1959 71
Dai Vernon The Shooting Single Handed Deal see reference for credit information
Related to 1959 74
Edward Marlo Foreword
1959 1
, Edward Marlo Unorthodox Second Deal top card is buckled, also as third deal by Marlo
Related toVariations 1959 2
Edward Marlo "Seconds, Centers, Bottoms" introduction
1959 5
Edward Marlo The Master Grip and Deal normal deal
1959 7
Edward Marlo New Push Out Bottom Deal Unit Movement
1959 9
Edward Marlo Double Deal
1959 11
Edward Marlo The Over Count selection found at a freely chosen number
Related to 1959 11
Edward Marlo The Bottom Deal Count rearranging cards while counting them in the hands via bottom deals
1959 12
Edward Marlo Strike Bottom Deal
1959 14
Edward Marlo Strike Bottom Deal Count rearranging cards while counting them in the hands via bottom deals
1959 15
Edward Marlo The Second Deal
1959 16
Edward Marlo The Take Second Deal
1959 16
Edward Marlo The Push-Off Second with suggestion to push off two cards every time
1959 17
Edward Marlo The Stud Deal introduction
1959 19
Edward Marlo The Havana Deal or "The Myth of Manuel Pedro" commentary on the Havana Stud Bottom Deal, no technical description
1959 20
Edward Marlo The New Bottom Stud
Also published here 1959 21
Edward Marlo The Stud Second
1959 22
Edward Marlo The Push-Off Stud
1959 24
Edward Marlo One Hand Bottom Deal
1959 26
Edward Marlo One Hand Count Down selection appears at named small number, bottom deal
1959 27
Edward Marlo Shifting the Grip A- Shifting The Inner Corner
B- The Shifting Forefinger
C- Shifting The Thumb
D- Beveling the Pack
1959 28
Edward Marlo Two Strike Methods
1959 31
Edward Marlo Special Push-Off Techniques: The Second Deal Count
1959 34
Edward Marlo Small Packet Second Deal
1959 37
Edward Marlo Push-Off Technique from break
1959 37
Edward Marlo First Example packet is spread out and cards are hidden, triple buckle substitute
1959 38
Edward Marlo Second Example in example: twelve as nine
1959 39
Edward Marlo Third Example a card vanishes from a small packet
1959 40
Edward Marlo Fourth Example spreading five as four
1959 40
S. W. Erdnase, Edward Marlo The Side Push-Off Second
Related to 1959 41
Edward Marlo The Related Bottom Deal
1959 44
Edward Marlo The Throw Bottom Deal two versions:
  • The Outward Deal
  • The Inward Deal
Related toVariationsAlso published here 1959 45
Edward Marlo My Favorite Stop Effect from a routine called "Never Miss"
1959 49
Edward Marlo The Deep Bottom Deal
1959 50