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final fred \n thin cards \n philip t. goldstein \n final fred \n philip t. goldstein \n final fred \n philip t. goldstein \n final fred \n philip t. goldstein \n final fred \n philip t. goldstein \n final fred \n philip t. goldstein \n final fred \n max maven
1986
Philip T. Goldstein*
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Final Fred
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Also published here - also in:
- Final Fred (Philip T. Goldstein*, NYCANOTES, 1990)
- Final Fred (Philip T. Goldstein*, Mawny Notes, 2002)
- … and 3 more
- Final Fred (Philip T. Goldstein*, Notes You Covet, 2004)
- Final Fred (Philip T. Goldstein*, Easthournotes, 2004)
- Final Fred (Max Maven*, Las Vegas Lecture, 2009)
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1
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humthing \n cards with names of different songs, chosen one is played / divined, using non-existent titles that sound plausible \n philip t. goldstein \n chester sass' "music was my first love" in "120% chestosterone" \n princess of the opera \n ted lesley \n photo and music telepathy \n kurt bai \n humthing \n philip t. goldstein \n humthing \n philip t. goldstein \n humthing \n philip t. goldstein \n humthing \n philip t. goldstein \n humthing \n philip t. goldstein
1986
Philip T. Goldstein*
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Humthing
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Variations - Chester Sass' "Music Was My First Love" in "120% Chestosterone"
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2
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drop contrast \n only red-backed card in blue-backed deck is found by spectator, red/blue double backer \n philip t. goldstein \n drop contrast \n philip t. goldstein \n drop contrast \n philip t. goldstein \n drop contrast \n philip t. goldstein
1986
Philip T. Goldstein*
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Drop Contrast
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3
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suspencil \n pencil sticks to hand, loops \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein
1986
Philip T. Goldstein*
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Suspencil
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Also published here - also in:
- Suspencil (Philip T. Goldstein*, Das Phil Goldstein Seminar, 1988)
- Suspencil (Philip T. Goldstein*, Lecture, 1988)
- … and 5 more
- Suspencil (Philip T. Goldstein*, NYCANOTES, 1990)
- Suspencil (Philip T. Goldstein*, Music City Conclave 1992 Notes, 1991)
- Suspencil (Philip T. Goldstein*, Connotes, 1995)
- Suspencil (Philip T. Goldstein*, Singapore Notes, 2003)
- Suspencil (Philip T. Goldstein*, Applecture, 2004)
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4
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strung-out \n card is selected and signed from a deck with hole drilled through it, deck threaded with a cord and selection removed under silk and then put back in deck but reversed, duplicate \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n max maven \n strung-out \n max maven
1986
Philip T. Goldstein*
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Strung-Out
|
Also published here - also in:
- Strung-Out (Philip T. Goldstein*, Das Phil Goldstein Seminar, 1988)
- Strung-Out (Philip T. Goldstein*, Lecture, 1988)
- … and 15 more
- Strung-Out (Philip T. Goldstein*, NYCANOTES, 1990)
- Strung-Out (Philip T. Goldstein*, Music City Conclave 1992 Notes, 1991)
- Strung-Out (Philip T. Goldstein*, Connotes, 1995)
- Strung-Out (Philip T. Goldstein*, Desert Seminar Notes, 1996)
- Strung-Out (Philip T. Goldstein*, Montreal Lecture Notes — Notes de Conférence, 1998)
- Strung-Out (Philip T. Goldstein*, Baltimore Notes, 1999)
- Strung-Out (Philip T. Goldstein*, Rocky Notes, 1999)
- Strung-Out (Philip T. Goldstein*, Missouri Notes, 2000)
- Strung-Out (Philip T. Goldstein*, Texas Notes, 2000)
- Strung-Out (Philip T. Goldstein*, San Francisco Notes, 2000)
- Strung-Out (Philip T. Goldstein*, Mawny Notes, 2002)
- Strung-Out (Philip T. Goldstein*, Singapore Notes, 2003)
- Strung-Out (Philip T. Goldstein*, Applecture, 2004)
- Strung-Out (Max Maven*, Max's Ayila Return Seminar, 2005)
- Strung-Out (Max Maven*, Return to Saint Vincent, 2012)
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6
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psign \n prediction of a sign, eight different symbols on a paper \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein
1986
Philip T. Goldstein*
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Psign
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7
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currency exchange \n five envelopes in wallet, one contains money, with prediction \n philip t. goldstein \n oh, so simple currency exchange \n harry lorayne \n currency exchange \n philip t. goldstein \n currency exchange \n philip t. goldstein \n currency exchange \n philip t. goldstein \n currency exchange \n max maven
1986
Philip T. Goldstein*
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Currency Exchange
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8
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