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suspencil \n pencil sticks to hand, loops \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein \n suspencil \n philip t. goldstein
1988
Philip T. Goldstein*
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Suspencil
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Also published here - also in:
- Suspencil (Philip T. Goldstein*, Mix '86, 1986)
- Suspencil (Philip T. Goldstein*, Lecture, 1988)
- … and 5 more
- Suspencil (Philip T. Goldstein*, NYCANOTES, 1990)
- Suspencil (Philip T. Goldstein*, Music City Conclave 1992 Notes, 1991)
- Suspencil (Philip T. Goldstein*, Connotes, 1995)
- Suspencil (Philip T. Goldstein*, Singapore Notes, 2003)
- Suspencil (Philip T. Goldstein*, Applecture, 2004)
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1
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drop contrast \n only red-backed card in blue-backed deck is found by spectator, red/blue double backer \n philip t. goldstein \n drop contrast \n philip t. goldstein \n drop contrast \n philip t. goldstein \n drop contrast \n philip t. goldstein
1988
Philip T. Goldstein*
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Drop Contrast
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6
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strung-out \n card is selected and signed from a deck with hole drilled through it, deck threaded with a cord and selection removed under silk and then put back in deck but reversed, duplicate \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n philip t. goldstein \n strung-out \n max maven \n strung-out \n max maven
1988
Philip T. Goldstein*
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Strung-Out
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Also published here - also in:
- Strung-Out (Philip T. Goldstein*, Mix '86, 1986)
- Strung-Out (Philip T. Goldstein*, Lecture, 1988)
- … and 15 more
- Strung-Out (Philip T. Goldstein*, NYCANOTES, 1990)
- Strung-Out (Philip T. Goldstein*, Music City Conclave 1992 Notes, 1991)
- Strung-Out (Philip T. Goldstein*, Connotes, 1995)
- Strung-Out (Philip T. Goldstein*, Desert Seminar Notes, 1996)
- Strung-Out (Philip T. Goldstein*, Montreal Lecture Notes — Notes de Conférence, 1998)
- Strung-Out (Philip T. Goldstein*, Baltimore Notes, 1999)
- Strung-Out (Philip T. Goldstein*, Rocky Notes, 1999)
- Strung-Out (Philip T. Goldstein*, Missouri Notes, 2000)
- Strung-Out (Philip T. Goldstein*, Texas Notes, 2000)
- Strung-Out (Philip T. Goldstein*, San Francisco Notes, 2000)
- Strung-Out (Philip T. Goldstein*, Mawny Notes, 2002)
- Strung-Out (Philip T. Goldstein*, Singapore Notes, 2003)
- Strung-Out (Philip T. Goldstein*, Applecture, 2004)
- Strung-Out (Max Maven*, Max's Ayila Return Seminar, 2005)
- Strung-Out (Max Maven*, Return to Saint Vincent, 2012)
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8
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psign \n prediction of a sign, eight different symbols on a paper \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein \n psign \n philip t. goldstein
1988
Philip T. Goldstein*
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Psign
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10
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cash on the corner \n handling for shigeo takagi's "cash card", four cardboard with plastic film attached, blank pieces of paper are inserted and they transform into bills, with torn corner kicker \n philip t. goldstein \n shigeo takagi \n cash on the corner \n philip t. goldstein \n shigeo takagi
1988
Philip T. Goldstein*, Shigeo Takagi
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Cash on the Corner
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12
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psi-con ruse \n double ended cards are placed in book (instead of apparatus) \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n philip t. goldstein \n psi-con ruse \n max maven \n supersonic card prediction \n dr. stanley jaks \n impromptu psi-con ruse \n hiroyuki sakai \n impromptu psi-con ruse \n hiroyuki sakai
1988
Philip T. Goldstein*
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Psi-Con Ruse
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Also published here - also in:
- Psi-Con Ruse (Philip T. Goldstein*, Lecture, 1988)
- Psi-Con Ruse (Philip T. Goldstein*, Desert Seminar Notes, 1996)
- … and 8 more
- Psi-Con Ruse (Philip T. Goldstein*, FISM '97, 1997)
- Psi-Con Ruse (Philip T. Goldstein*, Montreal Lecture Notes — Notes de Conférence, 1998)
- Psi-Con Ruse (Philip T. Goldstein*, Rocky Notes, 1999)
- Psi-Con Ruse (Philip T. Goldstein*, Baltimore Notes, 1999)
- Psi-Con Ruse (Philip T. Goldstein*, Missouri Notes, 2000)
- PSI-Con Ruse (Philip T. Goldstein*, Texas Notes, 2000)
- PSI-Con Ruse (Philip T. Goldstein*, San Francisco Notes, 2000)
- Psi-Con Ruse (Max Maven*, Hollywood Hyperbole, 2011)
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17
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currency exchange \n five envelopes in wallet, one contains money, with prediction \n philip t. goldstein \n currency exchange \n philip t. goldstein \n currency exchange \n philip t. goldstein \n currency exchange \n philip t. goldstein \n currency exchange \n max maven \n oh, so simple currency exchange \n harry lorayne
1988
Philip T. Goldstein*
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Currency Exchange
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21
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