Estimation

Revolutionary Card Technique — Chapter 13, 14

Book
1962
Written by Edward Marlo
Work of Edward Marlo
80 pages (Stapled), published by Magic, Inc.
Illustrated with drawings by Charles Aste Jr.
Language: English
92 entries
Cover photograph
Creators Title Comments & References Page AA Categories
Edward Marlo Estimation credit information and definitions
 		1
Edward Marlo Mechanical Estimation intro
 		2
Edward Marlo First Method: The Comparison Method comparing two packets, cited as Mechanical Estimation, but it's rather visual
Related to
 2
Edward Marlo Second Method: The Automatic Gauge Method on hard surface
 		3
Edward Marlo Variation of Automatic Gauge deck in longitudinal configuration
 		4
Edward Marlo Third Method: The Nail Gauge to find out how many cards a spectator cut off, running nail gauge cuts with the rest
Inspired by
 6
Edward Marlo Nail Gauge Variation left first finger's nail, packet pushed inwards and out the back
 		7
Edward Marlo Fourth Method: Marlo's Favorite finding out how many cards a spectator cut off by cutting remainder in half and counting those
 		8
Edward Marlo Fifth Method: The Faro Check
9
Edward Marlo Mechanical Estimation Effects as a location or spelling effect
 		10
Edward Marlo The Magic Card a Four-spot is used to find selection, estimation
Related to
 11
Edward Marlo "Think I'll Stop Here" using Vernon's ending procedure from OOSOOM as a multiple out for estimation location
Related to
 12
Edward Marlo "Chosen Card Count Down" value of free selection is used to find fair selection, estimation
 		13
Edward Marlo Toss Glimpse single card is tossed on table and tilted so it can be seen
 		13
Edward Marlo The Tipoff spectator cuts off a packet, performer removes some cards that add up to number of cut-off cards
 		14
Edward Marlo Reversed Card Out multiple out for estimation location, either selection is reversed or reversed card leads to selection
Also published here
 15
Edward Marlo Natural Estimation comments
 		15
Edward Marlo Side Riffle Estimation left thumb riffles down to same spot
Also published here
Related to
 16
Edward Marlo Throw in Location, First Method card is thrown next to selection
Also published here
Related to
 16
Edward Marlo Pull Down Estimation left thumb pulls down to same spot
Also published here
Related to
 17
Edward Marlo Throw in Location, Second Method magician's card is placed next to selection
Also published here
Related to
 17
Edward Marlo Back End Riffle Estimation on the table, tossed-next-to-selection effect
Related to
Variations
 18
Edward Marlo The Cut Estimate cutting off the same number of card, tabled or in-the-hands, Ace cutting application
Variations
 19
Edward Marlo Center Glimpse faro-cut split
 		19
Edward Marlo Visual Retention Estimate estimating visual size instead of number
 		20
Edward Marlo Fingertip Riffle Peek Estimation "Forced Estimation", Pinch Check
Related to
Variations
 20
Edward Marlo The Sudden Stop fingertip peek control, "Forced Estimation"
Related to
 21
Edward Marlo The Fan Spread Estimate spread count estimation between the hands
 		22
Edward Marlo Estimation Demonstration or Practice several packets, number of cards is estimated
 		23
Edward Marlo Packet Estimation performer announces position of card, estimation
 		24
Edward Marlo Key Card Plus Estimation: First Method in demonstration cut performer notes key in approximate center, then spectator cuts anywhere, remembers bottom card, replaces and cuts a few times
 		24
Edward Marlo Key Card Plus Estimation: Second Method spectator cuts anywhere, remembers bottom card, replaces, then performer notes bottom card and spectator cuts a few times
Related to
 26
Edward Marlo Key Card Plus Estimation: Third Method in demonstration nail gauge cut performer notes key near top, then spectator cuts anywhere, remembers bottom card, and cuts packet a few times, optionally with three key cards
 		26
Edward Marlo Key Card Plus Estimation: Fourth Method two card location, deck cut into three packets, bottom card of two of the packets remembered, all assembled and cut, estimation and key card
Related to
 28
Edward Marlo Key Card Plus Estimation: Fifth Method spectator's riffle shuffle likely retains top/bottom cards, key card on top
 		29
Edward Marlo Key Card Plus Estimation: Sixth Method out-of-hand key card placement, no estimation or risk
 		30
Edward Marlo Key Card Plus Estimation: Seventh Method spectator hopefully cuts into bridge crimp, otherwise estimation as out
 		30
Edward Marlo Key Card Plus Estimation: Eight Method "natural air pocket principle", spectator hopefully cuts at same position as performer earlier
 		31
Natural Air Pocket Principle squared deck is often cut at the same spot because of natural air pockets
Related to
 31
Edward Marlo Key Card Plus Estimation: Ninth Method "natural air pocket principle", performer tries to cut at same position as spectator did
 		31
Edward Marlo Key Card Plus Estimation: Tenth Method real overhand shuffle after fingertip peek estimation, estimated red/black key shuffle
 		32
Laurie Ireland, Theodore Annemann* Red/Black Shuffle for Key retaining a key at its twenty-sixth position, credit information by Marlo
Related to
 32
Edward Marlo Key Card Plus Estimation: Eleventh Method real riffle shuffle in lieu of a faro after estimated fingertip peek
Related to
 33
Edward Marlo Key Card Plus Estimation: Twelfth Method based on principle that spectator shuffles top card to bottom in small packet overhand shuffle
Variations
 33
John S. Frazee The Shuffle Force spectator shuffles top card to bottom in small packet overhand shuffle
Also published here
  • Linking Ring, Vol. 26 No. 2, April 1946, page 56
Related to
 33
Edward Marlo Estimation and the Glimpse card fingertip peeked at estimated position, glimpsed and break dropped, can be controlled by knowing its approximate position
Variations
 34
Edward Marlo Color Eliminator color reflects on back of other card or nail polish on fingertip, (back-)dated "over a dozen years ago", quoted from a 1958 letter
Related to
Variations
 35
Edward Marlo Color Eliminator plus Fingertip Peek estimated fingertip peek force, color known by Color Eliminator principle
 		36
Edward Marlo Color Eliminator Effect card fingertip riffle peeked, no question asked, estimation, small stack and Color Eliminator
 		36
Edward Marlo Marlo's Order Cull culling four cards in order
 		38
Edward Marlo Five Card Order Cull culling five cards in order
 		40
Edward Marlo Fingertip Location fingertip peeked at card is located, estimation and key
 		42
Edward Marlo Triple Estimation Peek three key cards start out at different positions
  • Method 2 (only one key card)
 		42
Effects
42
Smith's Myth in multiple challenge location
 		44
Edward Marlo Miracle Estimation Peek card peeked at, found with psychological stop trick
 		45
Ernando Veneri Veneri Turn bluff method for "card at any number"
 		45
Edward Marlo Rapid Deal Psychological Stop Force card starts at fourteenth position
 		45
Edward Marlo A Three Locator set-up and multiple out, estimation peek
 		46
Edward Marlo 15-K-11 Speller fingertip peeked at card is spelled to, estimation and key card
 		47
Edward Marlo Mental Spell (is this Paul Rosini's?) fingertip peeked at card is spelled to, progressive spelling set-up
 		49
Edward Marlo 7-5-2 values of three cards are used to count down to fingertip peeked at card
 		50
Edward Marlo X-Ray Spelling performer names a card and spells it out, estimated cut and spelling
Related to
 51
Edward Marlo Fingertip Face Up Locator card fingertip peeked, performer reverses a card behind back which lies next to selection
 		51
Edward Marlo Double Peek Face Up Locators two cards fingertip peeked, performer reverses two cards behind back which lie next to both selections
 		52
Edward Marlo Spin Cut Stunner deck cuts itself at fingertip peeked at card
 		53
Neal Elias Self Cutting Pack top portion jumps off to table
Also published here
 53
Edward Marlo Sudden Stop Effect cards riffled, spectator stops, there is previously fingertip-peeked selection
  • Second Method
  • Third Method
  • Fourth Method
Related to
 54
Edward Marlo Mental Stab performer places Four spot card next to thought-of card
Related to
 55
Edward Marlo Stab Force used as a multiple out
Also published here
 56
Edward Marlo Super Mental Stab thought-of card is always above a face up indicator
 		57
Cull Load loading spread-culled card next to reversed card
 		58
Edward Marlo Miracle Card Stab Location estimation
Inspired by
Related to
 59
Edward Marlo Marlo's Favorite Out
Related to
 60
Edward Marlo Sensitive Fingers fingertip peeked card located apparently by sense of touch
 		62
Edward Marlo Push Down Glimpse multiple cards at bottom of packet/deck
 		62
Edward Marlo Jog Glimpse multiple cards on top
 		63
Edward Marlo A Marlo Miracle card vanishes via double push-off deal, then it is stabbed in paper-wrapped deck
 		64
Edward Marlo Marlo Miracle "Stop" Stab deck wrapped in paper, estimation, faro
Inspired by
Related to
 65
Edward Marlo Miracle Coincidence Toss odd-backed card tossed in deck to find mate, Back End Riffle Estimation
 		69
Under-the-Spread Force
69
Edward Marlo The Magic Throw #1 challenge conditions, Back End Riffle Estimation
Related to
 70
Edward Marlo The Magic Throw #2 challenge conditions, Back End Riffle Estimation
 		71
Edward Marlo The Magic Throw #3 no selection, performer names card next to locator, Back End Riffle Estimation
 		72
Carmen D'Amico Face Up Finder card tossed in deck with force (no riffling), bottom slip force
Related to
 73
Edward Marlo Sure Throw #1 bridge crimp
 		74
Edward Marlo Sure Throw #2 and #3 long and short card
 		75
Edward Marlo Sure Throw #4 jog
 		75
Carmen D'Amico D'Amico's Latest Method cut at crimp
Also published here
Related to
Variations
 76
Edward Marlo, Carmen D'Amico Marlo's Suggestion
Inspired by
 77
Edward Marlo The Dribble Stop spectator stops dribbling next to selection, crimp
 		78
Edward Marlo The Dribbling Spectator spectator dribbles cards, performer tosses card in next to selection
 		79
Data entered by Denis Behr, July 2008.