|
foreword \n \n edward marlo
1942
Edward Marlo
|
Foreword
|
3
|
|
|
|
casanova card trick \n two at a time production of queens when two halves are rubbed face to face \n edward marlo \n martin gardner \n elusive jacks \n al leech \n edward marlo \n martin gardner \n elusive jacks \n al leech \n edward marlo \n martin gardner \n breakless kiss double transformation \n john f. mendoza
1942
Edward Marlo, Martin Gardner*
|
Casanova Card Trick
|
|
5
|
|
|
|
setting up in front of spectator \n strategy \n edward marlo
1942
Edward Marlo
|
Setting Up in Front of Spectator
|
7
|
|
|
|
double vanish and recovery \n two cards vanish from face of two halves when rubbed together, reappear in deck \n edward marlo \n "the performer can't be wrong!" (dr. laszlo rothbart, deck in hand, 1940, p. 27) \n the static vector change \n jon racherbaumer \n variations on double vanish & recovery \n edward marlo \n variations on double vanish & recovery \n edward marlo \n what from whom \n karl fulves \n turning tricks \n peter duffie \n robin robertson \n karl fulves: the great pretender \n jon racherbaumer \n after all one way \n edward marlo \n double vanish and recovery \n edward marlo
1942
Edward Marlo
|
Double Vanish and Recovery
|
Related to - "The Performer Can't Be Wrong!" (Dr. Laszlo Rothbart, Deck in Hand, 1940, p. 27)
- Variations on Double Vanish & Recovery (Edward Marlo, Marlo's Magazine — Volume 2, 1977)
- … and 4 more
- What From Whom (Karl Fulves*, Interlocutor, 1988)
- Karl Fulves: The Great Pretender (Jon Racherbaumer, Inside Out, 1989)
- Turning Tricks (Peter Duffie, Robin Robertson, Card Conspiracy — Vol. 2, 2003)
- After All One Way (Edward Marlo, Output, 2021)
|
8
|
|
|
|
torn deck mystery \n deck is torn in quarters which are mixed in hat, performer locates four pieces of selection without looking \n edward marlo \n torn deck mystery \n vanni bossi \n a "tear-able" card trick \n karrell fox \n torn card revealed \n val le-val \n the torn deck mystery \n edward marlo
1942
Edward Marlo
|
Torn Deck Mystery
|
|
10
|
|
|
|
a good number \n spectators stops while performer is shuffling four times and cards are turned over, next to aces \n edward marlo \n the magic phone number \n roberto giobbi \n notes on a miracle \n edward marlo \n notes on a miracle \n edward marlo \n force multiplier \n steve beam
1942
Edward Marlo
|
A Good Number
|
|
11
|
|
|
|
number transpo \n card at chosen position changes to different chosen position \n edward marlo \n take nine \n ken beale \n number transposition \n edward marlo
1942
Edward Marlo
|
Number Transpo
|
|
13
|
|
|
|
marlo's running cut \n in-the-hands swing cut running cut, also as top stock control \n edward marlo \n running false cut \n ken simmons \n the false triple spinning center cut \n gerry griffin
1942
Edward Marlo
|
Marlo's Running Cut
|
|
14
|
|
|
|
marlo's lessinout system of cull and stock shuffles \n without injogs or outjogs
- lessinout cull
- lessinout stack \n edward marlo \n the lessinout shuffle \n edward marlo \n roberto giobbi \n lessinout stock less crimp \n neal elias \n 8451 plus \n harry lorayne \n lessinout shuffle \n edward marlo \n lessinout system \n edward marlo
1942
Edward Marlo
|
Marlo's Lessinout System of Cull and Stock Shuffles
|
|
14
|
|
|
|
the spy \n \n edward marlo
1942
Edward Marlo
|
The Spy
|
17
|
|
|
|
tip-over switch \n \n unknown
1942
|
Tip-Over Switch
|
17
|
|
|
|
divining hanky \n handkerchief finds card by bending its corner by itself to identify it \n edward marlo \n divining hanky \n edward marlo
1942
Edward Marlo
|
Divining Hanky
|
|
18
|
|
|
|
card to card case \n palmed onto case and removed \n edward marlo \n the production of the card from the wallet \n bob ostin \n card to card case \n edward marlo
1942
Edward Marlo
|
Card to Card Case
|
|
19
|
|
|
|
the magical gambler \n performer gets queens, spectator kings, queens change to aces \n edward marlo
1942
Edward Marlo
|
The Magical Gambler
|
20
|
|
|
|
buckle count \n \n unknown
1942
|
Buckle Count
|
21
|
|
|
|
and in conclusion \n \n edward marlo
1942
Edward Marlo
|
And in conclusion
|
23
|
|
|