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one, two, three, 4\nfour sponge balls produced and put between fingers of the left hand, they change into a numeral four out of sponge\nray kosby
1986
Ray Kosby
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One, Two, Three, 4
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1
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delayed pop-up move\n\nwilliam goodwin
1986
William Goodwin
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Delayed Pop-Up Move
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2
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square 1\nwith backfire, three extra coins\nray kosby\nchink a chink\ndavid roth
1986
Ray Kosby
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Square 1
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Inspired by |
4
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short hop\nvisual transposition from card between in-the-hand sandwich to tabled sandwich cards\nray kosby\ngrasshopper\npaul harris
1986
Ray Kosby
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Short Hop
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Inspired by |
8
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|
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alignment laydown\napparently the bottom two cards of three cards are put on table, actually only one\nray kosby
1986
Ray Kosby
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Alignment Laydown
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8
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sideways alignment move\nend grip, two-handed\nray kosby
1986
Ray Kosby
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Sideways Alignment Move
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9
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sandwich vanish\nsandwiched card vanishes via a one-handed palm\nray kosby\none handed palm\ndai vernon
1986
Ray Kosby
|
Sandwich Vanish
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Inspired by |
9
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out of space\nfour jacks shown, three aces appear reversed between them, all jacks change into final ace leaving only the aces\nray kosby
1986
Ray Kosby
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Out of Space
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10
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|
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packet switch\n\nray kosby\nversa switch\njohn carney
1986
Ray Kosby
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Packet Switch
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Inspired by |
10
|
|
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interlaced vanish count\n\nray kosby
1986
Ray Kosby
|
Interlaced Vanish Count
|
11
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forward to the beginning\n\nray kosby\nreassembled finale\nallan ackerman
1986
Ray Kosby
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Forward to the Beginning
|
Inspired by |
13
|
|
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olram subtlety\n\nedward marlo
1986
Edward Marlo
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Olram Subtlety
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13
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|
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rhythm count\nbrief\nlarry jennings
1986
Larry Jennings
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Rhythm Count
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14
|
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freedom of choice\nfour cards touched by spectator and outjogged, spread immediately held high and they are the aces\nray kosby\nthe stripout insertion addition\nbruce cervon\nlarry jennings
1986
Ray Kosby
|
Freedom of Choice
|
Inspired by |
15
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