different types of writers \n a. described as "the swami gimmick"
b. described as "c" type
c. described as the band writer
d. described as the overnail writer
e. described as an "adhesive writer" (eric mason's boon)
f. described as the thumbtip nailwriter \n tony corinda \n boon history \n eric mason \n barrie richardson
1958
Tony Corinda
|
Different Types of Writers
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Related to
|
4
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|
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points to consider with all types \n on nail writer \n tony corinda
1958
Tony Corinda
|
Points to Consider with All Types
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6
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how to use your swami gimmick \n \n tony corinda
1958
Tony Corinda
|
How to Use Your Swami Gimmick
|
6
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(a) getting the gimmick into position for use \n swami holdouts, and where to ditch it afterwards \n tony corinda
1958
Tony Corinda
|
(a) Getting the Gimmick Into Position For Use
|
6
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(b) how to handle the gimmick when it is on \n \n tony corinda
1958
Tony Corinda
|
(b) How to Handle the Gimmick When It Is On
|
8
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(c) how to write on - the right type of card \n \n tony corinda
1958
Tony Corinda
|
(c) How to Write On - The Right Type of Card
|
8
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(d) how to hold the card before, during and after writing \n \n tony corinda
1958
Tony Corinda
|
(d) How to Hold the Card Before, During and After Writing
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8
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an opening effect of mentalism \n number is predicted, written on a card \n unknown
1958
|
An Opening Effect of Mentalism
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9
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(e) the technique of writing \n \n tony corinda
1958
Tony Corinda
|
(e) The Technique of Writing
|
10
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(f) the style of writing and what to write \n \n tony corinda
1958
Tony Corinda
|
(f) The Style of Writing and What to Write
|
10
|
|
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section two: special techniques \n \n tony corinda
1958
Tony Corinda
|
Section Two: Special Techniques
|
11
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(a) the use of different colours \n \n tony corinda
1958
Tony Corinda
|
(a) The Use of Different Colours
|
11
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(b) the window envelope \n in combination with a swami \n theodore annemann
1958
Theodore Annemann
|
(b) The Window Envelope
|
12
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(c) the carbon impression technique \n for sealed envelopes, also with "no carbon required" paper \n tony corinda \n (a) the carbon prediction envelope \n tony corinda
1958
Tony Corinda
|
(c) The Carbon Impression Technique
|
Related to
|
12
|
|
|
(d) the ink writer \n \n tony corinda
1958
Tony Corinda
|
(d) The Ink Writer
|
13
|
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(e) preparation of the prediction \n for window envelopes and other swami predictions \n tony corinda
1958
Tony Corinda
|
(e) Preparation of the Prediction
|
13
|
|
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(f) the fingernail \n best length to wear a swami and the treatment of it \n tony corinda
1958
Tony Corinda
|
(f) The Fingernail
|
14
|
|
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(g) alternative methods of holding the card \n \n tony corinda \n nail writers: types and method \n franklin m. chapman
1958
Tony Corinda
|
(g) Alternative Methods of Holding the Card
|
Related to
|
14
|
|
|
(h) the visible pencil \n \n tony corinda
1958
Tony Corinda
|
(h) The Visible Pencil
|
15
|
|
|
section three: modesty and mentalism mixed \n exceptional uses of nail writer, henry slade, madam dis debar, carl franks, keeler, chung ling soo \n tony corinda
1958
Tony Corinda
|
Section Three: Modesty and Mentalism Mixed
|
16
|
|
|
conclusion \n on the nail writer \n tony corinda
1958
Tony Corinda
|
Conclusion
|
16
|
|
|
no. 1. the spectator as the telepathist \n spectator receives performer's number figure by figure \n tony corinda
1958
Tony Corinda
|
No. 1. The Spectator as the Telepathist
|
17
|
|
|
no. 2. first variation of the no. 1 principle \n spectator receives a thought of name \n tony corinda
1958
Tony Corinda
|
No. 2. First Variation of the No. 1 Principle
|
17
|
|
|
no. 3. second variation of the no. 1 principle \n slip of paper is sealed between two pennies, spectator receives a though of date \n tony corinda \n burling hull
1958
Tony Corinda, Burling Hull
|
No. 3. Second Variation of the No. 1 Principle
|
17
|
|
|
no. 4. straight to the point \n thought of number or amount of change is predicted \n tony corinda
1958
Tony Corinda
|
No. 4. Straight to the Point
|
18
|
|
|
no. 5. a stage trick \n color, city and date are predicted on three numbered cards \n tony corinda
1958
Tony Corinda
|
No. 5. A Stage Trick
|
18
|
|
|
no. 6. \n spectator is selected with ping pong ball, named place is predicted in an envelope \n tony corinda
1958
Tony Corinda
|
No. 6.
|
18
|
|
|
no. 7. a card trick \n unknown card is marked with initials of the spectator, who finds that card by coincidence \n tony corinda
1958
Tony Corinda
|
No. 7. A Card Trick
|
19
|
|
|
no. 8. living and dead. \n \n al baker \n stunner no. 7 \n franklin m. chapman \n al baker
1958
Al Baker
|
No. 8. Living and Dead.
|
Related to
|
19
|
|
|
no. 9. a close up quickie \n date of a coin is predicted \n tony corinda
1958
Tony Corinda
|
No. 9. A Close up Quickie
|
19
|
|
|
no. 10. two person telepathy \n medium in other room gets a selected word from a book, secretly written with nail writer inside matchbook \n tony corinda \n stunner no. 6 \n franklin m. chapman
1958
Tony Corinda
|
No. 10. Two Person Telepathy
|
Inspired by
|
19
|
|
|
no. 11. a mediumistic effect \n message from a dead person \n unknown \n joseph rinn's " searchlight of psychical research", 1954
1958
|
No. 11. A Mediumistic Effect
|
Related to- Joseph Rinn's " Searchlight of Psychical Research", 1954
|
20
|
|
|
no. 12. time and space, an informal effect \n imaginary trip \n tony corinda
1958
Tony Corinda
|
No. 12. Time and Space, An Informal Effect
|
20
|
|
|
no. 13. the card in glass \n card with prediction put in a glass, hole in glass \n tony corinda \n eric mason \n misdirection \n al mann
1958
Tony Corinda, Eric Mason
|
No. 13. The Card in Glass
|
Related to
|
21
|
|
|
no. 14. the week ahead prediction \n window envelope in second envelope, sent prediction \n tony corinda
1958
Tony Corinda
|
No. 14. The Week Ahead Prediction
|
21
|
|
|
no. 15. another publicity stunt \n sent prediction of the name of an audience member \n tony corinda
1958
Tony Corinda
|
No. 15. Another Publicity Stunt
|
22
|
|
|
no. 16. the seven chairs \n \n aage darling \n tony corinda \n tele-hypnosis \n aage darling \n any card at any numbered envelope \n patrik kuffs \n simplex chair mystery \n patrik kuffs
1958
Aage Darling, Tony Corinda
|
No. 16. The Seven Chairs
|
Inspired byVariations
|
22
|
|
|
no. 17. any date of the year \n two calendars, spectator and performer mark the same date \n tony corinda
1958
Tony Corinda
|
No. 17. Any Date of the Year
|
22
|
|
|
18. the white swami \n writing appears between two slates \n tony corinda
1958
Tony Corinda
|
18. The White Swami
|
22
|
|
|
no. 19. the sex detector \n sent prediction of the sex of a baby \n tony corinda
1958
Tony Corinda
|
No. 19. The Sex Detector
|
23
|
|
|
no. 20. headline predictions \n \n tony corinda
1958
Tony Corinda
|
No. 20. Headline Predictions
|
23
|
|
|
no. 21. topical effects \n prediction of sport results \n tony corinda
1958
Tony Corinda
|
No. 21. Topical Effects
|
23
|
|
|
no. 22. a first class newspaper test \n selected word of a newspaper is predicted \n tony corinda
1958
Tony Corinda
|
No. 22. A First Class Newspaper Test
|
23
|
|
|
no. 23. dartboard prediction \n prediction of the total score \n tony corinda
1958
Tony Corinda
|
No. 23. Dartboard Prediction
|
24
|
|
|
no. 24. matches or cigarettes \n prediction of the amount of spectator's cigarettes or matches \n tony corinda
1958
Tony Corinda
|
No. 24. Matches or Cigarettes
|
24
|
|
|