|
thought transmission \n flash light code \n dr. lazlo rothbart \n moonlight madness \n james g. thompson jr. \n improved light communicator \n tony corinda
1939
chap's scrapbook
Dr. Lazlo Rothbart
|
Thought Transmission
|
Related to
|
May 1939
|
|
2
|
|
|
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moonlight madness \n thorough discussion of his and julia thompson's two-person code act, involving flash light for coding, esp coding, see also p. 348 of pallbearers review for credit claim \n james g. thompson jr. \n improved light communicator \n tony corinda \n thought transmission \n dr. lazlo rothbart \n moonlight madness \n james g. thompson jr.
1941
the jinx
James G. Thompson Jr.
|
Moonlight Madness
|
Related toAlso published here
|
Apr. 1941
|
|
769
|
|
|
|
construction of the annemann billet index \n also for playing cards \n theodore annemann \n (6) the billet index \n tony corinda \n patrick page \n al baker
1944
practical mental effects
Theodore Annemann
|
Construction of the Annemann Billet Index
|
Related to
|
1944
|
|
92
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moonlight madness \n with flashlight bulb attached to the performer's rear \n james g. thompson jr. \n (3) electrical two-person communicator unit: code \n tony corinda
1945
my best
James G. Thompson Jr.
|
Moonlight Madness
|
Related to
|
1945
|
|
265
|
|
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the back room \n on how to win half the games at simultaneous chess, tangram \n bruce elliott \n the foolproof system of chess \n tony corinda
1945
the phoenix 51-100
Bruce Elliott
|
The Back Room
|
Related to
|
Nov. 1945
|
|
387
|
|
|
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it's a small world \n spectator marks any place on a globe, prediction, envelope switch behind chair \n john brown cook \n arthur h. buckley \n (1) a million to one \n tony corinda \n destination: earth \n michel asselin
1947
gems of mental magic
John Brown Cook, Arthur H. Buckley
|
It's A Small World
|
Related toVariations
|
1947
|
|
9
|
|
|
|
the spirit \n multiple prediction on a record \n john brown cook \n arthur h. buckley \n ultra-modern mentalism \n tony corinda \n robert harbin
1947
gems of mental magic
John Brown Cook, Arthur H. Buckley
|
The Spirit
|
Related to
|
1947
|
|
74
|
|
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deceptive perception \n five red backed cards and one blue backed card change into five blue backed cards and one red backed card \n paul lepaul \n deceptive perception \n paul lepaul \n did you get the odd one? \n randy wakeman \n odd card out \n jon racherbaumer \n why is the odd card so queer? \n jon racherbaumer \n how perceptive \n justin higham \n off color \n jerry k. hartman \n "odd man out" (tony corinda)
1949
the card magic of le paul
Paul LePaul
|
Deceptive Perception
|
Related toVariations
|
1949
|
|
135
|
|
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another sealed envelope - which i call "the bonded fifth" \n in envelopes \n george b. anderson \n (2) light \n tony corinda
1949
it must be mindreading
George B. Anderson
|
Another Sealed Envelope - Which I Call "The Bonded Fifth"
|
Related to
|
1949
|
|
18
|
|
|
|
tele-hypnosis \n girl sits on one of seven chairs, with alternative method for large cards \n aage darling \n no. 16. the seven chairs \n aage darling \n tony corinda \n tele-hypnose \n aage darling
1953
i'll read your mind
Aage Darling
|
Tele-Hypnosis
|
VariationsAlso published here
|
1953
|
|
12
|
|
|
|
different types of writers \n a. described as "the swami gimmick"
b. described as "c" type
c. described as the band writer
d. described as the overnail writer
e. described as an "adhesive writer" (eric mason's boon)
f. described as the thumbtip nailwriter \n tony corinda \n boon history \n eric mason \n barrie richardson
1958
the swami gimmick
Tony Corinda
|
Different Types of Writers
|
Related to
|
1958
|
|
4
|
|
|
|
points to consider with all types \n on nail writer \n tony corinda
1958
the swami gimmick
Tony Corinda
|
Points to Consider with All Types
|
1958
|
|
6
|
|
|
|
how to use your swami gimmick \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
How to Use Your Swami Gimmick
|
1958
|
|
6
|
|
|
|
(a) getting the gimmick into position for use \n swami holdouts, and where to ditch it afterwards \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(a) Getting the Gimmick Into Position For Use
|
1958
|
|
6
|
|
|
|
(b) how to handle the gimmick when it is on \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(b) How to Handle the Gimmick When It Is On
|
1958
|
|
8
|
|
|
|
(c) how to write on - the right type of card \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(c) How to Write On - The Right Type of Card
|
1958
|
|
8
|
|
|
|
(d) how to hold the card before, during and after writing \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(d) How to Hold the Card Before, During and After Writing
|
1958
|
|
8
|
|
|
|
(e) the technique of writing \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(e) The Technique of Writing
|
1958
|
|
10
|
|
|
|
(f) the style of writing and what to write \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(f) The Style of Writing and What to Write
|
1958
|
|
10
|
|
|
|
section two: special techniques \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
Section Two: Special Techniques
|
1958
|
|
11
|
|
|
|
(a) the use of different colours \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(a) The Use of Different Colours
|
1958
|
|
11
|
|
|
|
(c) the carbon impression technique \n for sealed envelopes, also with "no carbon required" paper \n tony corinda \n (a) the carbon prediction envelope \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(c) The Carbon Impression Technique
|
Related to
|
1958
|
|
12
|
|
|
|
(d) the ink writer \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(d) The Ink Writer
|
1958
|
|
13
|
|
|
|
(e) preparation of the prediction \n for window envelopes and other swami predictions \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(e) Preparation of the Prediction
|
1958
|
|
13
|
|
|
|
(f) the fingernail \n best length to wear a swami and the treatment of it \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(f) The Fingernail
|
1958
|
|
14
|
|
|
|
(g) alternative methods of holding the card \n \n tony corinda \n frank chapman and ralph read's "20 stunners with a nailwriter", 1944
1958
the swami gimmick
Tony Corinda
|
(g) Alternative Methods of Holding the Card
|
Related to- Frank Chapman and Ralph Read's "20 Stunners with a Nailwriter", 1944
|
1958
|
|
14
|
|
|
|
(h) the visible pencil \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
(h) The Visible Pencil
|
1958
|
|
15
|
|
|
|
section three: modesty and mentalism mixed \n exceptional uses of nail writer, henry slade, madam dis debar, carl franks, keeler, chung ling soo \n tony corinda
1958
the swami gimmick
Tony Corinda
|
Section Three: Modesty and Mentalism Mixed
|
1958
|
|
16
|
|
|
|
conclusion \n on the nail writer \n tony corinda
1958
the swami gimmick
Tony Corinda
|
Conclusion
|
1958
|
|
16
|
|
|
|
no. 1. the spectator as the telepathist \n spectator receives performer's number figure by figure \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 1. The Spectator as the Telepathist
|
1958
|
|
17
|
|
|
|
no. 2. first variation of the no. 1 principle \n spectator receives a thought of name \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 2. First Variation of the No. 1 Principle
|
1958
|
|
17
|
|
|
|
no. 3. second variation of the no. 1 principle \n slip of paper is sealed between two pennies, spectator receives a though of date \n tony corinda \n burling hull
1958
the swami gimmick
Tony Corinda, Burling Hull
|
No. 3. Second Variation of the No. 1 Principle
|
1958
|
|
17
|
|
|
|
no. 4. straight to the point \n thought of number or amount of change is predicted \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 4. Straight to the Point
|
1958
|
|
18
|
|
|
|
no. 5. a stage trick \n color, city and date are predicted on three numbered cards \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 5. A Stage Trick
|
1958
|
|
18
|
|
|
|
no. 6. \n spectator is selected with ping pong ball, named place is predicted in an envelope \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 6.
|
1958
|
|
18
|
|
|
|
no. 7. a card trick \n unknown card is marked with initials of the spectator, who finds that card by coincidence \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 7. A Card Trick
|
1958
|
|
19
|
|
|
|
no. 9. a close up quickie \n date of a coin is predicted \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 9. A Close up Quickie
|
1958
|
|
19
|
|
|
|
no. 10. two person telepathy \n medium in other room gets a selected word from a book \n tony corinda \n frank chapman and ralph read's "20 stunners with a nailwriter", 1944
1958
the swami gimmick
Tony Corinda
|
No. 10. Two Person Telepathy
|
Inspired by- Frank Chapman and Ralph Read's "20 Stunners with a Nailwriter", 1944
|
1958
|
|
19
|
|
|
|
no. 12. time and space, an informal effect \n imaginary trip \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 12. Time and Space, An Informal Effect
|
1958
|
|
20
|
|
|
|
no. 13. the card in glass \n card with prediction put in a glass, hole in glass \n tony corinda \n eric mason \n misdirection \n al mann
1958
the swami gimmick
Tony Corinda, Eric Mason
|
No. 13. The Card in Glass
|
Related to
|
1958
|
|
21
|
|
|
|
no. 14. the week ahead prediction \n window envelope in second envelope, sent prediction \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 14. The Week Ahead Prediction
|
1958
|
|
21
|
|
|
|
no. 15. another publicity stunt \n sent prediction of the name of an audience member \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 15. Another Publicity Stunt
|
1958
|
|
22
|
|
|
|
no. 16. the seven chairs \n \n aage darling \n tony corinda \n tele-hypnosis \n aage darling \n any card at any numbered envelope \n patrik kuffs \n simplex chair mystery \n patrik kuffs
1958
the swami gimmick
Aage Darling, Tony Corinda
|
No. 16. The Seven Chairs
|
Inspired byVariations
|
1958
|
|
22
|
|
|
|
no. 17. any date of the year \n two calendars, spectator and performer mark the same date \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 17. Any Date of the Year
|
1958
|
|
22
|
|
|
|
18. the white swami \n writing appears between two slates \n tony corinda
1958
the swami gimmick
Tony Corinda
|
18. The White Swami
|
1958
|
|
22
|
|
|
|
no. 19. the sex detector \n sent prediction of the sex of a baby \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 19. The Sex Detector
|
1958
|
|
23
|
|
|
|
no. 20. headline predictions \n \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 20. Headline Predictions
|
1958
|
|
23
|
|
|
|
no. 21. topical effects \n prediction of sport results \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 21. Topical Effects
|
1958
|
|
23
|
|
|
|
no. 22. a first class newspaper test \n selected word of a newspaper is predicted \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 22. A First Class Newspaper Test
|
1958
|
|
23
|
|
|
|
no. 23. dartboard prediction \n prediction of the total score \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 23. Dartboard Prediction
|
1958
|
|
24
|
|
|
|
no. 24. matches or cigarettes \n prediction of the amount of spectator's cigarettes or matches \n tony corinda
1958
the swami gimmick
Tony Corinda
|
No. 24. Matches or Cigarettes
|
1958
|
|
24
|
|
|
|
part one: pencil reading \n general remarks \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
Part One: Pencil Reading
|
1958
|
|
28
|
|
|
|
(1) when to do it \n - favourable conditions
- unfavourable condtions \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(1) When To Do It
|
1958
|
|
29
|
|
|
|
(2) the pencil used for writing \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(2) The Pencil Used for Writing
|
1958
|
|
30
|
|
|
|
(3) the card used when writing is done \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(3) The Card Used When Writing Is Done
|
1958
|
|
31
|
|
|
|
(4) the distance between you and the spectator \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(4) The Distance Between You and the Spectator
|
1958
|
|
31
|
|
|
|
(5) safety checks to eliminate errors \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(5) Safety Checks to Eliminate Errors
|
1958
|
|
31
|
|
|
|
(6) pencil reading of numbers \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(6) Pencil Reading of Numbers
|
1958
|
|
32
|
|
|
|
(7) pencil reading words \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(7) Pencil Reading Words
|
1958
|
|
32
|
|
|
|
(8) pencil reading by position \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(8) Pencil Reading by Position
|
1958
|
|
33
|
|
|
|
summary \n \n tony corinda \n pencil reading \n theodore annemann
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
Summary
|
Related to
|
1958
|
|
33
|
|
|
|
(1) "get-outs gallore" \n written word is divined, with outs \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(1) "Get-outs Gallore"
|
1958
|
|
33
|
|
|
|
(3) the total result \n add-a-number divination \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(3) The Total Result
|
1958
|
|
34
|
|
|
|
(4) a debt repaid \n spectator writes down a sum of money, performer lets him subtract an amount and then hands him the exact change, he was holding from the beginning \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(4) A Debt Repaid
|
1958
|
|
34
|
|
|
|
(5) the swami and the pencil \n performer writes a prediction, spectator writes the same \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(5) The Swami and the Pencil
|
1958
|
|
34
|
|
|
|
part two: lip reading \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
Part Two: Lip Reading
|
1958
|
|
35
|
|
|
|
(1) any card called for \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(1) Any Card Called For
|
1958
|
|
35
|
|
|
|
(2) reconstructed evidence \n a thought of shape is drawn by a selected color, both are divined, blindfolded \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(2) Reconstructed Evidence
|
1958
|
|
36
|
|
|
|
(3) the whispering buddha \n revealing facts of a person, that were whispered to a buddha statue \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(3) The Whispering Buddha
|
1958
|
|
37
|
|
|
|
part three: sound reading \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
Part Three: Sound Reading
|
1958
|
|
38
|
|
|
|
(1) written information discovered by sound reading \n - the designs to use
- the numbers to use \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(1) Written Information Discovered by Sound Reading
|
1958
|
|
38
|
|
|
|
(2) sound reading applied to action - not writing \n coin dropped in which box, coin lands head or tails up \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(2) Sound Reading Applied to Action - Not Writing
|
1958
|
|
39
|
|
|
|
(1) tapping card location \n spectator thinks of one of seven cards and taps the cards with a pencil, performer stops him when he taps the thought of card \n tony corinda \n jon tremaine \n alex elmsley
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda, Jon Tremaine, Alex Elmsley
|
(1) Tapping Card Location
|
1958
|
|
41
|
|
|
|
(2) paranormal precognition \n one of five symbols is drawn on a blackboard and divined by the spectator \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(2) Paranormal Precognition
|
1958
|
|
41
|
|
|
|
(3) a pocket trick \n pencil is removed from a box, color is divined, fake pencil \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(3) A Pocket Trick
|
1958
|
|
42
|
|
|
|
(4) clean cut card trick \n card is written on board and then divined \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(4) Clean Cut Card Trick
|
1958
|
|
42
|
|
|
|
part four: touch reading \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
Part Four: Touch Reading
|
1958
|
|
42
|
|
|
|
(1) sujan location \n colored card is divined \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(1) Sujan Location
|
1958
|
|
43
|
|
|
|
(2) with a pinch of salt! \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(2) With a Pinch of Salt!
|
1958
|
|
43
|
|
|
|
impromptu "just chance" \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
Impromptu "Just Chance"
|
1958
|
|
43
|
|
|
|
(3) marked playing cards \n \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(3) Marked Playing Cards
|
1958
|
|
45
|
|
|
|
(4) psychic sorting \n ghost deck, performer divides deck in to red and black by touch, then sorts the red into hearts and diamonds and odd and even \n tony corinda \n (5) marked cards \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(4) Psychic Sorting
|
Related to
|
1958
|
|
45
|
|
|
|
(5) colour conscious \n with the ghost deck, selected card is found at position performer names \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(5) Colour Conscious
|
1958
|
|
47
|
|
|
|
(6) another version of the princess card trick \n ghost deck, with handkerchief \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(6) Another Version of the Princess Card Trick
|
1958
|
|
48
|
|
|
|
(7) another application of the touch reading envelope \n several ideas of identifying envelopes by touch, envelope index tip \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
(7) Another Application of the Touch Reading Envelope
|
1958
|
|
49
|
|
|
|
part five: muscle reading \n - advanced forms of contact mind reading
- the copper wire contact
- action with the chosen object following location
- when to use contact mind reading
- the blindfold
- hellstromism
- the blackboard test
- conclusion \n tony corinda
1958
pencil, lip, sound, touch and muscle reading
Tony Corinda
|
Part Five: Muscle Reading
|
1958
|
|
50
|
|
|
|
introduction \n overview and a little bit of history, gregor von feinaigle \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
Introduction
|
1958
|
|
59
|
|
|
|
the amazing memory test \n - the first stage (the system)
- the second stage (connecting the objects to the learned list)
- the application of the amazing memory system
- calling the objects back \n tony corinda \n the amazing memory test \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
The Amazing Memory Test
|
Also published here
|
1958
|
|
61
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|
|
|
quick calculations: mental arithmetic \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
Quick Calculations: Mental Arithmetic
|
1958
|
|
63
|
|
|
|
(1) squaring \n method for quickly squaring numbers from twenty-five to hundred \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(1) Squaring
|
1958
|
|
63
|
|
|
|
(2) extraction of square roots \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(2) Extraction of Square Roots
|
1958
|
|
64
|
|
|
|
(3) cubing \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(3) Cubing
|
1958
|
|
64
|
|
|
|
(4) extraction of cube roots \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(4) Extraction of Cube Roots
|
1958
|
|
65
|
|
|
|
the magic square \n 5x5 \n tony corinda \n fred barlow's " mental prodigies" \n errata and additions to the full "thirteen steps to mentalism" \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
The Magic Square
|
Related to
|
1958
|
|
65
|
|
|
|
the knight's tour \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
The Knight's Tour
|
1958
|
|
67
|
|
|
|
chess trickery \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
Chess Trickery
|
1958
|
|
68
|
|
|
|
the foolproof system of chess \n playing against several players simultaneously and winning the majority of them \n tony corinda \n the back room \n bruce elliott
1958
mnemonics and mental systems
Tony Corinda
|
The Foolproof System of Chess
|
Related to
|
1958
|
|
68
|
|
|
|
to play unlimited games at once \n other system for the foolproof system of chess, more people \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
To Play Unlimited Games at Once
|
1958
|
|
69
|
|
|
|
the mate in one problem \n chess problem \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
The Mate in One Problem
|
1958
|
|
70
|
|
|
|
a day for any date \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
A Day for any Date
|
1958
|
|
71
|
|
|
|
summary of the day for any date system \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
Summary of the Day for any Date System
|
1958
|
|
72
|
|
|
|
performance of the "a day for any date" effect \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
Performance of the "A Day for any Date" Effect
|
1958
|
|
72
|
|
|
|
(1) the stacked deck \n eight kings, simple card divination \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(1) The Stacked Deck
|
1958
|
|
73
|
|
|
|
some more tricks using the eight kings stack \n (a) blackjack (pontoon), winning deal for two people
(b) behind back top card is reversed in the deck, card divined
(c) three cards in pocket one is selected, fishing \n tony corinda \n a simple divination effect \n richard osterlind
1958
mnemonics and mental systems
Tony Corinda
|
Some More Tricks Using the Eight Kings Stack
|
Variations
|
1958
|
|
75
|
|
|
|
(2) si stebbins stack \n \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(2) Si Stebbins Stack
|
1958
|
|
76
|
|
|
|
(3) the fourteen/fifteen set up \n forcing number 14 or 15 \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(3) The Fourteen/Fifteen Set Up
|
1958
|
|
76
|
|
|
|
(4) the odd an even set up \n divided deck \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
(4) The Odd an Even Set Up
|
1958
|
|
76
|
|
|
|
the mnemonic number code \n based on the gregor von feinaigle memory system \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
The Mnemonic Number Code
|
1958
|
|
77
|
|
|
|
the application of the mnemonic number code \n - (1) for mental arithmetic
- (2) for coding at the phone (al baker)
- (3) two person act, arithmetic
- (4) corinda's "fourteenth book test", coding with medium \n tony corinda \n al baker \n the celebrity feat \n al baker
1958
mnemonics and mental systems
Tony Corinda, Al Baker
|
The Application of the Mnemonic Number Code
|
Related to
|
1958
|
|
78
|
|
|
|
take my word \n chosen word from a list is divined by medium \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
Take My Word
|
1958
|
|
79
|
|
|
|
the photographic memory \n list of numbers \n tony corinda
1958
mnemonics and mental systems
Tony Corinda
|
The Photographic Memory
|
1958
|
|
80
|
|
|
|
part one: introduction \n on predictions \n tony corinda
1958
predictions
Tony Corinda
|
Part One: Introduction
|
1958
|
|
85
|
|
|
|
part two: technique \n several techniques for predictions \n tony corinda
1958
predictions
Tony Corinda
|
Part Two: Technique
|
1958
|
|
86
|
|
|
|
(1) the billet pencil \n loading a billet in an envelope \n tony corinda \n challenge prediction \n gene nielsen \n the frankenstein affair \n al mann
1958
predictions
Tony Corinda
|
(1) The Billet Pencil
|
Related toVariations
|
1958
|
|
86
|
|
|
|
(4) the impromptu billet knife \n loading a billet in an envelope \n tony corinda
1958
predictions
Tony Corinda
|
(4) The Impromptu Billet Knife
|
1958
|
|
88
|
|
|
|
(5) the pocket index \n card indexes, construction
- standart type
-the q.5 pocket index (patrick page) \n tony corinda \n patrick page \n the pocket card index \n patrick page
1958
predictions
Tony Corinda, Patrick Page
|
(5) The Pocket Index
|
Related to
|
1958
|
|
88
|
|
|
|
card prediction \n prediction in envelope is put in wallet, two methods \n tony corinda
1958
predictions
Tony Corinda
|
Card Prediction
|
1958
|
|
92
|
|
|
|
(6) the billet index \n patrick page's q.5. pocket index for billets \n tony corinda \n patrick page \n al baker \n construction of the annemann billet index \n theodore annemann
1958
predictions
Tony Corinda, Patrick Page, Al Baker
|
(6) The Billet Index
|
Related to
|
1958
|
|
92
|
|
|
|
(7) the cigarette packet pellet index \n \n jon tremaine \n tony corinda
1958
predictions
Jon Tremaine, Tony Corinda
|
(7) The Cigarette Packet Pellet Index
|
1958
|
|
93
|
|
|
|
(8) the body index \n in pockets \n tony corinda
1958
predictions
Tony Corinda
|
(8) The Body Index
|
1958
|
|
95
|
|
|
|
(9) the swami gimmick \n short, referring to step one \n tony corinda
1958
predictions
Tony Corinda
|
(9) The Swami Gimmick
|
1958
|
|
95
|
|
|
|
(10) the switch and the force \n general comments, envelope, billet and cards \n tony corinda
1958
predictions
Tony Corinda
|
(10) The Switch and the Force
|
1958
|
|
95
|
|
|
|
the switch of a pack of cards \n bold \n tony corinda
1958
predictions
Tony Corinda
|
The Switch of a Pack of Cards
|
1958
|
|
97
|
|
|
|
the bare hand envelope switch \n switching two visible envelopes, one for the other \n tony corinda
1958
predictions
Tony Corinda
|
The Bare Hand Envelope Switch
|
1958
|
|
97
|
|
|
|
(b) force \n general comments, with props and different objects \n tony corinda
1958
predictions
Tony Corinda
|
(b) Force
|
1958
|
|
98
|
|
|
|
(12) trickery with envelopes \n \n tony corinda
1958
predictions
Tony Corinda
|
(12) Trickery with Envelopes
|
1958
|
|
98
|
|
|
|
(a) the carbon prediction envelope \n \n tony corinda \n (c) the carbon impression technique \n tony corinda
1958
predictions
Tony Corinda
|
(a) The Carbon Prediction Envelope
|
Related to
|
1958
|
|
98
|
|
|
|
(b) the nest of envelopes \n loading something in the middle envelope \n tony corinda
1958
predictions
Tony Corinda
|
(b) The Nest of Envelopes
|
1958
|
|
99
|
|
|
|
(13) stooges \n comments, trick by "teddy" love where two spectator's select the same card as the performer does, three decks \n tony corinda \n "teddy" love \n three stooges, minus one \n "teddy" love
1958
predictions
Tony Corinda, "Teddy" Love
|
(13) Stooges
|
Also published here
|
1958
|
|
99
|
|
|
|
summary of technique \n predictions, comments and tips on presentation \n tony corinda
1958
predictions
Tony Corinda
|
Summary of Technique
|
1958
|
|
100
|
|
|
|
(1) a million to one \n blindfolded spectator pushes a pin through a map, closest city is predicted \n tony corinda \n it's a small world \n john brown cook \n arthur h. buckley \n destination: earth \n michel asselin
1958
predictions
Tony Corinda
|
(1) A Million to One
|
Inspired byVariations
|
1958
|
|
101
|
|
|
|
(2) quadruplication \n one card is selected from a face up deck and signed, card is predicted with several ways, only odd back, written in an envelope and another odd card duplicate in performer's pocket. routine includes the no-gag (maurice fogel) \n tony corinda
1958
predictions
Tony Corinda
|
(2) Quadruplication
|
1958
|
|
103
|
|
|
|
(3) de profundis \n a color, number and city are predicted in a clear box attached to a rope, held by spectator \n tony corinda \n joseph dunninger \n maurice fogel \n the box \n ted lesley
1958
predictions
Tony Corinda, Joseph Dunninger, Maurice Fogel
|
(3) De Profundis
|
Variations
|
1958
|
|
105
|
|
|
|
(4) the £75,000 test \n prediction of numbers, carbon impression envelope \n tony corinda
1958
predictions
Tony Corinda
|
(4) The £75,000 Test
|
1958
|
|
107
|
|
|
|
(5) astrnomical \n add a number prediction, serial number of a bill \n tony corinda
1958
predictions
Tony Corinda
|
(5) Astrnomical
|
1958
|
|
109
|
|
|
|
(6) the mentalist's four ace trick \n four cards are selected and put into a glass each, in the glasses are odd backed cards as predictions, two times four aces \n tony corinda \n jon tremaine
1958
predictions
Tony Corinda, Jon Tremaine
|
(6) The Mentalist's Four Ace Trick
|
1958
|
|
111
|
|
|
|
(7) novel adaption of the "card in balloon" \n prediction of a number is inside a balloon \n tony corinda
1958
predictions
Tony Corinda
|
(7) Novel Adaption of the "Card in Balloon"
|
1958
|
|
113
|
|
|
|
(8) psy function \n spectator writes card on blackboard which predicts the selection by another spectator \n tony corinda
1958
predictions
Tony Corinda
|
(8) Psy Function
|
1958
|
|
114
|
|
|
|
part four: predictions for the drawing room \n introduction
(9) step one (swami): no. 4,5,6,7,12,22 and 24 are possible for the drawing room \n tony corinda
1958
predictions
Tony Corinda
|
Part Four: Predictions for the Drawing Room
|
1958
|
|
114
|
|
|
|
(10) mind over matter \n prediction pellet is put on any card, which is the same as prediction \n tony corinda
1958
predictions
Tony Corinda
|
(10) Mind Over Matter
|
1958
|
|
114
|
|
|
|
(11) my word! \n spectator writes three numbers for a page, line and position, word in book is predicted \n tony corinda
1958
predictions
Tony Corinda
|
(11) My Word!
|
1958
|
|
115
|
|
|
|
(12) the third choice \n one of five cards is predicted, cards put in envelopes and eliminated until one remains \n tony corinda \n dowsing for dollars \n philip t. goldstein \n designation \n philip t. goldstein \n the only path \n helder guimarães \n the third choice \n tony corinda \n that's the one \n joseph m. white \n one point five \n philip t. goldstein \n stephen minch
1958
predictions
Tony Corinda
|
(12) The Third Choice
|
Related toVariationsAlso published here
|
1958
|
|
116
|
|
|
|
(13) the lottery routine \n lottery prediction three numbers are selected and predicted in an envelope, assistant \n tony corinda
1958
predictions
Tony Corinda
|
(13) The Lottery Routine
|
1958
|
|
117
|
|
|
|
(14) the prophesy \n card is selected and predicted in a letter \n tony corinda \n gypsee \n thomas alan waters
1958
predictions
Tony Corinda
|
(14) The Prophesy
|
Variations
|
1958
|
|
119
|
|
|
|
(15) the informative joker \n prediction on joker \n tony corinda
1958
predictions
Tony Corinda
|
(15) The Informative Joker
|
1958
|
|
120
|
|
|
|
(16) double-impact prediction \n card is named and a position, the position is written on an envelope and the card is inside \n tony corinda
1958
predictions
Tony Corinda
|
(16) Double-Impact Prediction
|
1958
|
|
120
|
|
|
|
(17) the matchbox mystery \n amount of matches are removed, the reminder is predicted \n tony corinda
1958
predictions
Tony Corinda
|
(17) The Matchbox Mystery
|
1958
|
|
121
|
|
|
|
(18) the mystery of the chest \n seven keys are numberer by spectators, one key opens the box, in the box is a prediction with the number given to the key that opens the box \n tony corinda
1958
predictions
Tony Corinda
|
(18) The Mystery of the Chest
|
1958
|
|
121
|
|
|
|
(19) x - marks the spot \n prediction of one card, spectator marks one card on the face behind his back \n tony corinda
1958
predictions
Tony Corinda
|
(19) X - Marks the Spot
|
1958
|
|
122
|
|
|
|
(20) nicely suited \n verbal force of any three \n tony corinda
1958
predictions
Tony Corinda
|
(20) Nicely Suited
|
1958
|
|
122
|
|
|
|
introduction \n \n tony corinda \n will dexter's "sealed vision"
1958
blindfolds & x-ray eyes
Tony Corinda
|
Introduction
|
Related to- Will Dexter's "Sealed Vision"
|
1958
|
|
129
|
|
|
|
(1) the unfaked mask \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(1) The Unfaked Mask
|
1958
|
|
129
|
|
|
|
(3) the felt mask - faked \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(3) The Felt Mask - Faked
|
1958
|
|
131
|
|
|
|
(4) the folded silk blindfold \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(4) The Folded Silk Blindfold
|
1958
|
|
131
|
|
|
|
(5) the bag blindfold \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(5) The Bag Blindfold
|
1958
|
|
132
|
|
|
|
(6) the sheet or blanket cover \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(6) The Sheet or Blanket Cover
|
1958
|
|
133
|
|
|
|
(7) the bucket \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(7) The Bucket
|
1958
|
|
134
|
|
|
|
(8) cotton, wool, dough, coins, plaster and suchlike \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(8) Cotton, Wool, Dough, Coins, Plaster and Suchlike
|
1958
|
|
134
|
|
|
|
(9) summary \n general comments \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(9) Summary
|
1958
|
|
134
|
|
|
|
(1) downward glimpse \n glimpsing with a blindfold \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(1) Downward Glimpse
|
1958
|
|
135
|
|
|
|
(2) one ahead system \n applied to blindfolds \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(2) One Ahead System
|
1958
|
|
136
|
|
|
|
(3) the magnetic blindfold \n detecting metal objects, idea for sex detecter routine, seven keys to baldpate and playing cards \n tony corinda \n punx
1958
blindfolds & x-ray eyes
Tony Corinda, Punx
|
(3) The Magnetic Blindfold
|
1958
|
|
136
|
|
|
|
(4) the stacked deck \n in conjunction with blindfolds \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(4) The Stacked Deck
|
1958
|
|
137
|
|
|
|
(5) marked cards \n in conjunction with blindfolds, ghost deck \n tony corinda \n (4) psychic sorting \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(5) Marked Cards
|
Related to
|
1958
|
|
137
|
|
|
|
(6) annemann's one way deck \n on the faces, applied to routines with blindfolds \n tony corinda \n psi-touch \n jean boucher
1958
blindfolds & x-ray eyes
Tony Corinda
|
(6) Annemann's One Way Deck
|
Variations
|
1958
|
|
137
|
|
|
|
(7) mirrors \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(7) Mirrors
|
1958
|
|
138
|
|
|
|
(8) reflectors and shiners \n short routine, feeling cards with fingertips \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(8) Reflectors and Shiners
|
1958
|
|
138
|
|
|
|
(9) self-working effects \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(9) Self-Working Effects
|
1958
|
|
139
|
|
|
|
(10) prior observation \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(10) Prior Observation
|
1958
|
|
139
|
|
|
|
(11) memory systems \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(11) Memory Systems
|
1958
|
|
141
|
|
|
|
(12) patter and movement during performance \n general comments on patter, movement, theory \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(12) Patter and Movement During Performance
|
1958
|
|
141
|
|
|
|
part three tricks: introduction \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
Part Three Tricks: Introduction
|
1958
|
|
143
|
|
|
|
(1) psychical research versus mentalism \n esp cards, with assistant \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(1) Psychical Research versus Mentalism
|
1958
|
|
146
|
|
|
|
(3) x-ray eyes \n location by "negative reasoning", finding one of seven playing cards \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(3) X-Ray Eyes
|
1958
|
|
148
|
|
|
|
(4) a gem of mental magic \n blindfold and center tear \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(4) A Gem of Mental Magic
|
1958
|
|
149
|
|
|
|
(5) the bartender's nightmare! \n divination of a serial number, blindfolded \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(5) The Bartender's Nightmare!
|
1958
|
|
150
|
|
|
|
(6) the blindfold drive and location of objects hidden at a distance \n \n tony corinda \n corinda's step twelve, "publicity stunts"
1958
blindfolds & x-ray eyes
Tony Corinda
|
(6) The Blindfold Drive and Location of Objects Hidden at a Distance
|
Related to- Corinda's Step Twelve, "Publicity Stunts"
|
1958
|
|
150
|
|
|
|
(7) corinda's "money box" \n coins in box are removed, performer names amount and dates on the coins, electronic version \n tony corinda \n precoinition \n philip t. goldstein \n cashseer \n thomas alan waters
1958
blindfolds & x-ray eyes
Tony Corinda
|
(7) Corinda's "Money Box"
|
Related toVariations
|
1958
|
|
150
|
|
|
|
(8) evidence \n bill in one of five envelopes is found by blindfolded performer \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(8) Evidence
|
1958
|
|
154
|
|
|
|
(10) blindfold "noughts and crosses" \n assistant plays tic-tac-toe blindfolded \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(10) Blindfold "Noughts and Crosses"
|
1958
|
|
155
|
|
|
|
(11) the blackboard test \n \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(11) The Blackboard Test
|
1958
|
|
157
|
|
|
|
(12) the three cards \n three cards put in a box and are divined, changing card box \n tony corinda
1958
blindfolds & x-ray eyes
Tony Corinda
|
(12) The Three Cards
|
1958
|
|
157
|
|
|
|
introduction \n on billets \n tony corinda
1959
billets
Tony Corinda
|
Introduction
|
1959
|
|
165
|
|
|
|
(1) a few simple rules for working with billets \n \n tony corinda
1959
billets
Tony Corinda
|
(1) A Few Simple Rules for Working with Billets
|
1959
|
|
166
|
|
|
|
(2) the centre tear (corinda variation) \n in depth instruction \n tony corinda
1959
billets
Tony Corinda
|
(2) The Centre Tear (Corinda Variation)
|
1959
|
|
166
|
|
|
|
centre tear (one hand variation) \n \n tony corinda \n al koran \n the occultear \n thomas alan waters \n jack avis \n the rainbow pad \n robert cassidy
1959
billets
Tony Corinda, Al Koran
|
Centre Tear (One Hand Variation)
|
Related to
|
1959
|
|
171
|
|
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|
(4) centre tear (corinda's "backward" variation) \n magician's joke \n tony corinda
1959
billets
Tony Corinda
|
(4) Centre Tear (Corinda's "Backward" Variation)
|
1959
|
|
173
|
|
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|
(5) centre tear (preparation of the billet) \n (a) folding
(b) misdirection for the circle \n tony corinda
1959
billets
Tony Corinda
|
(5) Centre Tear (Preparation of the Billet)
|
1959
|
|
174
|
|
|
|
(6) centre tear (reading the billet) \n when to glimpse \n tony corinda
1959
billets
Tony Corinda
|
(6) Centre Tear (Reading the Billet)
|
1959
|
|
175
|
|
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|
(7) the billet switch (bare hand method - corinda) \n rolled up \n tony corinda \n cigarette miracle \n slydini
1959
billets
Tony Corinda
|
(7) The Billet Switch (Bare Hand Method - Corinda)
|
Inspired by
|
1959
|
|
177
|
|
|
|
(8) the billet switch (by lapping) \n \n tony corinda
1959
billets
Tony Corinda
|
(8) The Billet Switch (by lapping)
|
1959
|
|
178
|
|
|
|
(9) the billet switch (magnetic clip method) \n \n tony corinda
1959
billets
Tony Corinda
|
(9) The Billet Switch (Magnetic Clip Method)
|
1959
|
|
178
|
|
|
|
(10) the billet switch (corinda's billet pull) \n six methods to switch billets with a pull, pull on paper clip \n tony corinda
1959
billets
Tony Corinda
|
(10) The Billet Switch (Corinda's Billet Pull)
|
1959
|
|
178
|
|
|
|
(14) summary of billet switching \n theory and tips \n tony corinda
1959
billets
Tony Corinda
|
(14) Summary of Billet Switching
|
1959
|
|
184
|
|
|
|
(15) marking of billets \n \n tony corinda
1959
billets
Tony Corinda
|
(15) Marking of Billets
|
1959
|
|
185
|
|
|
|
(16) billet stands \n \n tony corinda
1959
billets
Tony Corinda
|
(16) Billet Stands
|
1959
|
|
185
|
|
|
|
(17) the use of a crystal ball \n crystal ball as magnifying glass to read billets \n tony corinda
1959
billets
Tony Corinda
|
(17) The Use of a Crystal Ball
|
1959
|
|
186
|
|
|
|
(18) references on technique with billets in other steps \n \n tony corinda \n (1) the billet pencil \n tony corinda \n (2) the billet knife \n dr. stanley jaks \n (6) the billet index \n tony corinda \n patrick page \n al baker \n (7) the cigarette packet pellet index \n jon tremaine \n tony corinda \n "questions and answers witch billets" in corinda (step 11)
1959
billets
Tony Corinda
|
(18) References on Technique with Billets in Other Steps
|
Related to
|
1959
|
|
187
|
|
|
|
three little questions \n \n tony corinda
1959
billets
Tony Corinda
|
Three Little Questions
|
1959
|
|
189
|
|
|
|
it's a record \n music catalogue is torn, and a piece selected, prediction in form of a record \n tony corinda
1959
billets
Tony Corinda
|
It's a Record
|
1959
|
|
191
|
|
|
|
presenting the l & l test \n presentation \n tony corinda
1959
billets
Tony Corinda
|
Presenting the L & L Test
|
1959
|
|
192
|
|
|
|
the flames of zor \n with flash paper and water \n tony corinda
1959
billets
Tony Corinda
|
The Flames of Zor
|
1959
|
|
194
|
|
|
|
a card and billet routine \n cards are noted on billets, cards on board, spectator selects a billet and throws a dart into the noted card \n tony corinda \n maurice fogel
1959
billets
Tony Corinda, Maurice Fogel
|
A Card and Billet Routine
|
1959
|
|
195
|
|
|
|
zarkamorta ii. - the ceremony of reincarnation \n page is torn from a magazine and a word selected by randomly sticking a pin in that page, the page is burnt and reappears back in the book, with a hole in the chosen word and burnt edges \n tony corinda \n ashes to ashes \n dr. e. raymond carlyle \n torn, marked, stabbed, crumpled, burned & restored page \n asi wind
1959
book tests
Tony Corinda
|
Zarkamorta II. - The Ceremony of Reincarnation
|
Related toVariations
|
1959
|
|
201
|
|
|
|
page force \n same as david hoy's \n tony corinda \n page force \n david hoy
1959
book tests
Tony Corinda
|
Page Force
|
Related to
|
1959
|
|
205
|
|
|
|
a classic swindle - magazine test \n several magazines, same cover \n tony corinda
1959
book tests
Tony Corinda
|
A Classic Swindle - Magazine Test
|
1959
|
|
206
|
|
|
|
impromptu book test simplified \n serial number of a bill will define page number, line and word \n tony corinda
1959
book tests
Tony Corinda
|
Impromptu Book Test Simplified
|
1959
|
|
208
|
|
|
|
a lesson in mentalism \n total of six dice leads to a card, value is used for page number, line and word \n tony corinda
1959
book tests
Tony Corinda
|
A Lesson in Mentalism
|
1959
|
|
209
|
|
|
|
the crossword puzzle \n page marked with big x, word in center memorized and page torn \n tony corinda \n theodore annemann \n dubbook \n thomas alan waters \n tony corinda \n tom sellers
1959
book tests
Tony Corinda, Theodore Annemann
|
The Crossword Puzzle
|
Related to
|
1959
|
|
211
|
|
|
|
novel revelation of a selected word \n page is set on fire, everything burns down except a circle with the selected word \n tony corinda
1959
book tests
Tony Corinda
|
Novel Revelation of a Selected Word
|
1959
|
|
212
|
|
|
|
tele-directory test \n with assistand \n tony corinda
1959
book tests
Tony Corinda
|
Tele-Directory Test
|
1959
|
|
213
|
|
|
|
ultra-modern mentalism \n prediction of a word, with tape recorder and assistant \n tony corinda \n robert harbin \n unknown power \n thomas alan waters \n the spirit \n john brown cook \n arthur h. buckley
1959
book tests
Tony Corinda, Robert Harbin
|
Ultra-Modern Mentalism
|
Related to
|
1959
|
|
215
|
|
|
|
the missing link \n book on the table, bowl with billets, one is selected and is found to be a corner the missing corner of the book \n tony corinda \n missing link \n gene nielsen
1959
book tests
Tony Corinda
|
The Missing Link
|
Variations
|
1959
|
|
219
|
|
|
|
summary of book tests \n general comments \n tony corinda
1959
book tests
Tony Corinda
|
Summary of Book Tests
|
1959
|
|
220
|
|
|
|
an interview with fogel \n on mentalism \n tony corinda \n maurice fogel \n errata and additions to the full "thirteen steps to mentalism" \n tony corinda \n ein interview mit fogel \n tony corinda \n maurice fogel
1959
book tests
Tony Corinda, Maurice Fogel
|
An Interview with Fogel
|
Related toAlso published here
|
1959
|
|
222
|
|
|
|
introduction \n general remarks on two person telepathy, major and minor codes \n tony corinda
1959
two person telepathy
Tony Corinda
|
Introduction
|
1959
|
|
237
|
|
|
|
(1) the code act: verbal \n general remarks on verbal coding systems \n tony corinda
1959
two person telepathy
Tony Corinda
|
(1) The Code Act: Verbal
|
1959
|
|
238
|
|
|
|
(2) sub-miniature radio equipment \n transmitter/receiver, technical method \n tony corinda
1959
two person telepathy
Tony Corinda
|
(2) Sub-Miniature Radio Equipment
|
1959
|
|
250
|
|
|
|
(3) electrical two-person communicator unit: code \n with torch \n tony corinda \n moonlight madness \n james g. thompson jr.
1959
two person telepathy
Tony Corinda
|
(3) Electrical Two-Person Communicator Unit: CODE
|
Related to
|
1959
|
|
252
|
|
|
|
improved light communicator \n based on the thompson method \n tony corinda \n moonlight madness \n james g. thompson jr. \n hans th. hiebber's "auch eine gedankenübertragung" in "magie", 1948. vol. 1, p.7. \n thought transmission \n dr. lazlo rothbart
1959
two person telepathy
Tony Corinda
|
Improved Light Communicator
|
Related to
|
1959
|
|
252
|
|
|
|
how to code with the light communicator \n - numbers
- playing cards
- the alphabet \n tony corinda
1959
two person telepathy
Tony Corinda
|
How to Code with the Light Communicator
|
1959
|
|
255
|
|
|
|
(4) summary of the light communicator \n \n tony corinda
1959
two person telepathy
Tony Corinda
|
(4) Summary of the Light Communicator
|
1959
|
|
257
|
|
|
|
(5) miscellaneous code systems for full routines \n - radio-controlled pulse
- action signals
-sound reading \n tony corinda
1959
two person telepathy
Tony Corinda
|
(5) Miscellaneous Code Systems for Full Routines
|
1959
|
|
257
|
|
|
|
(6) conclusion of major code systems \n \n tony corinda
1959
two person telepathy
Tony Corinda
|
(6) Conclusion of Major Code Systems
|
1959
|
|
258
|
|
|
|
part two: minor systems \n introduction to minor systems, for single effects \n tony corinda
1959
two person telepathy
Tony Corinda
|
Part Two: Minor Systems
|
1959
|
|
259
|
|
|
|
(7) the pre-arranged list of objects or numbers \n same list, in order \n tony corinda
1959
two person telepathy
Tony Corinda
|
(7) The Pre-Arranged List of Objects or Numbers
|
1959
|
|
259
|
|
|
|
(8) playing cards in pre-arranged order \n \n tony corinda
1959
two person telepathy
Tony Corinda
|
(8) Playing Cards in Pre-Arranged Order
|
1959
|
|
259
|
|
|
|
(9) time codes \n coding, both count at the same time \n tony corinda \n telepathy by the clock \n james g. thompson jr.
1959
two person telepathy
Tony Corinda
|
(9) Time Codes
|
Related to
|
1959
|
|
260
|
|
|
|
(10) positional codes \n \n tony corinda \n code of silence \n gary kurtz
1959
two person telepathy
Tony Corinda
|
(10) Positional Codes
|
Related to
|
1959
|
|
260
|
|
|
|
(11) graph or chart code \n \n tony corinda \n over the phone \n al baker \n punx' "card code"
1959
two person telepathy
Tony Corinda
|
(11) Graph or Chart Code
|
Related to
|
1959
|
|
261
|
|
|
|
(12) white elastic indicator \n \n tony corinda
1959
two person telepathy
Tony Corinda
|
(12) White Elastic Indicator
|
1959
|
|
262
|
|
|
|
(13) conclusion of part two \n \n tony corinda
1959
two person telepathy
Tony Corinda
|
(13) Conclusion of Part Two
|
1959
|
|
262
|
|
|
|
(1) the lady is a mindreader \n medium gets thought of card, date on a coin and date of birth \n tony corinda
1959
two person telepathy
Tony Corinda
|
(1) The Lady is a Mindreader
|
1959
|
|
263
|
|
|
|
(2) smoke gets in your eyes \n positional code, with ashtray and cigarette \n tony corinda
1959
two person telepathy
Tony Corinda
|
(2) Smoke Gets in Your Eyes
|
1959
|
|
263
|
|
|
|
(3) all in order \n pre-arranged list \n tony corinda
1959
two person telepathy
Tony Corinda
|
(3) All in Order
|
1959
|
|
265
|
|
|
|
(4) reference to effects for two person telepathy in other steps \n \n tony corinda \n no. 10. two person telepathy \n tony corinda \n no. 11. a mediumistic effect \n unknown \n part three: sound reading \n tony corinda \n take my word \n tony corinda \n (1) psychical research versus mentalism \n tony corinda \n (10) blindfold "noughts and crosses" \n tony corinda \n (11) the blackboard test \n tony corinda \n corinda's step 9, 11 & 12
1959
two person telepathy
Tony Corinda
|
(4) Reference to Effects for Two Person Telepathy in Other Steps
|
Related to
|
1959
|
|
266
|
|
|
|
(6) wrist watch code \n playing card code \n tony corinda
1959
two person telepathy
Tony Corinda
|
(6) Wrist Watch Code
|
1959
|
|
267
|
|
|
|
(7) the third man \n two telephone books, with medium \n tony corinda
1959
two person telepathy
Tony Corinda
|
(7) The Third Man
|
1959
|
|
268
|
|
|
|
(8) musical mindreading \n spectator's name composer and pianist starts to play their songs \n tony corinda \n punx
1959
two person telepathy
Tony Corinda, Punx
|
(8) Musical Mindreading
|
1959
|
|
269
|
|
|
|
(9) conclusion on two person telepathy \n \n tony corinda
1959
two person telepathy
Tony Corinda
|
(9) Conclusion on Two Person Telepathy
|
1959
|
|
270
|
|
|
|
introduction \n on medium / seance effects \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
Introduction
|
1959
|
|
275
|
|
|
|
mediumistic patter \n \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
Mediumistic Patter
|
1959
|
|
276
|
|
|
|
establishing "atmosphere" in the seance room \n \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
Establishing "Atmosphere" in the Seance Room
|
1959
|
|
277
|
|
|
|
the stage medium \n \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
The Stage Medium
|
1959
|
|
278
|
|
|
|
reference to mediumistic effect in other steps \n \n tony corinda \n no. 11. a mediumistic effect \n unknown \n no. 8. living and dead. \n al baker \n part three: sound reading \n tony corinda \n the mnemonic number code \n tony corinda \n take my word \n tony corinda \n (1) psychical research versus mentalism \n tony corinda \n three little questions \n tony corinda \n (17) the use of a crystal ball \n tony corinda \n zarkamorta ii - the ceremony of reincarnation \n tony corinda \n step 8 & 11, step 12 "the haunted house" & "the challenge seance"
1959
mediumistic stunts
Tony Corinda
|
Reference to Mediumistic Effect in Other Steps
|
Related to
|
1959
|
|
278
|
|
|
|
bibliography - reference books on mediumship \n \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
Bibliography - Reference Books on Mediumship
|
1959
|
|
279
|
|
|
|
(1) spirit writing \n on slate, chemical \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(1) Spirit Writing
|
1959
|
|
280
|
|
|
|
(2) spooky stunts for a blackout \n \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(2) Spooky Stunts for a Blackout
|
1959
|
|
281
|
|
|
|
(3) astral signs \n signs in mid air in the dark, luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(3) Astral Signs
|
1959
|
|
281
|
|
|
|
(4) the spirit hand \n hand appears and tries to grasp at the audience, luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(4) The Spirit Hand
|
1959
|
|
281
|
|
|
|
(5) carboard skeleton \n luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(5) Carboard Skeleton
|
1959
|
|
281
|
|
|
|
(6) fire balls \n table tennis balls and luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(6) Fire Balls
|
1959
|
|
281
|
|
|
|
(7) "it" \n luminous appearance, paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(7) "It"
|
1959
|
|
281
|
|
|
|
(10) spirit lights \n small sparks of light, wire wool and battery \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(10) Spirit Lights
|
1959
|
|
281
|
|
|
|
(8) ectoplasm \n producing ectoplasm, luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(8) Ectoplasm
|
1959
|
|
282
|
|
|
|
(9) apports \n tapping noises in the dark \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(9) Apports
|
1959
|
|
282
|
|
|
|
(11) the icy hand \n weird touches in the dark, wet and cold \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(11) The Icy Hand
|
1959
|
|
283
|
|
|
|
(12) the message in mid air \n writing appears in mid air then it vanishes, luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(12) The Message in Mid Air
|
1959
|
|
283
|
|
|
|
(13) the spirit candles \n three candles go out one by one \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(13) The Spirit Candles
|
1959
|
|
283
|
|
|
|
(14) the waistcoat escape \n removing waistcoat and leaving jacket on, while one hand is held by spectator \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(14) The Waistcoat Escape
|
1959
|
|
284
|
|
|
|
(15) the stage spirit cabinet \n different effects (instruments etc.) special rope \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(15) The Stage Spirit Cabinet
|
1959
|
|
286
|
|
|
|
(18) table lifting with arm hooks \n two person method \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(18) Table Lifting with Arm Hooks
|
1959
|
|
291
|
|
|
|
(19) table lifting with waist hooks \n two person method \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(19) Table Lifting with Waist Hooks
|
1959
|
|
291
|
|
|
|
(20) the haunted ball \n tennis ball rolls from table \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(20) The Haunted Ball
|
1959
|
|
292
|
|
|
|
(21) spirit guide \n ghostly figure appears, luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(21) Spirit Guide
|
1959
|
|
293
|
|
|
|
(22) the dead hand writes \n dead hand in a box marks billet with the dead name \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(22) The Dead Hand Writes
|
1959
|
|
293
|
|
|
|
(23) corinda's ghost walk \n ghost appears, luminous paint \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(23) Corinda's Ghost Walk
|
1959
|
|
294
|
|
|
|
(24) spirit moulding \n ghost mould his hand in wax, as a proof \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(24) Spirit Moulding
|
1959
|
|
295
|
|
|
|
(25) phoney business \n no medium, four cards and a letter \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(25) Phoney Business
|
1959
|
|
296
|
|
|
|
(26) "yes-no" slate gag \n comedy prediction, yes/no gag \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(26) "Yes-No" Slate Gag
|
1959
|
|
298
|
|
|
|
(27) cryptopsychism \n medium reveals word, code \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(27) Cryptopsychism
|
1959
|
|
298
|
|
|
|
(28) the ouija board \n \n al koran \n tony corinda
1959
mediumistic stunts
Al Koran, Tony Corinda
|
(28) The Ouija Board
|
1959
|
|
299
|
|
|
|
(29) spirit writing on a slate \n writing appears, with assistant \n tony corinda
1959
mediumistic stunts
Tony Corinda
|
(29) Spirit Writing on a Slate
|
1959
|
|
299
|
|
|
|
introduction to mentalism with cards \n general remarks and theory \n tony corinda
1959
card tricks
Tony Corinda
|
Introduction to Mentalism with Cards
|
1959
|
|
307
|
|
|
|
corinda's incredible slate test \n alphabet cards are shuffled and put on a board under two elastic bands, word is predicted \n tony corinda \n errata and additions to the full "thirteen steps to mentalism" \n tony corinda
1959
card tricks
Tony Corinda
|
Corinda's Incredible Slate Test
|
Related to
|
1959
|
|
309
|
|
|
|
bird of a feather \n a lot of cut card pieces, four are selected and form one card, with variations \n tony corinda \n a bruce bernstein pendulum routine \n bruce bernstein
1959
card tricks
Tony Corinda
|
Bird of a Feather
|
Variations
|
1959
|
|
320
|
|
|
|
reference to card tricks and technique in other steps \n \n tony corinda \n step 1,2,3,4,5,6,7,8,9
1959
card tricks
Tony Corinda
|
Reference to Card Tricks and Technique in Other Steps
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Related to
|
1959
|
|
330
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|
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introduction \n general comments and theory for q&a \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Introduction
|
1959
|
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339
|
|
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part one: dealing with questions that are known \n \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Part One: Dealing with Questions that Are Known
|
1959
|
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343
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|
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how to get information \n methods from other steps \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
How to Get Information
|
1959
|
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344
|
|
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(1) alcohol or chemicals \n \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
(1) Alcohol or Chemicals
|
1959
|
|
344
|
|
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(2) light \n \n tony corinda \n another sealed envelope - which i call "the bonded fifth" \n george b. anderson
1959
question and answer (readings)
Tony Corinda
|
(2) Light
|
Related to
|
1959
|
|
344
|
|
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(3) the window envelope \n \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
(3) The Window Envelope
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1959
|
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345
|
|
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(4) the clip board \n several versions, eric mason's dubbul \n tony corinda \n eric mason
1959
question and answer (readings)
Tony Corinda, Eric Mason
|
(4) The Clip Board
|
1959
|
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345
|
|
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(5) the record card \n gaining multiple information \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
(5) The Record Card
|
1959
|
|
346
|
|
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(6) the stooge \n for instance for setting up a one ahead routine \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
(6) The Stooge
|
1959
|
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346
|
|
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(7) switching of envelopes \n \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
(7) Switching of Envelopes
|
1959
|
|
347
|
|
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(8) planting of envelopes and slips \n answering questions that are planted by performer and are not by an actual audience member \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
(8) Planting of Envelopes and Slips
|
1959
|
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347
|
|
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how to convey information \n coding question to reduce length \n tony corinda \n maurice fogel
1959
question and answer (readings)
Tony Corinda, Maurice Fogel
|
How to Convey Information
|
1959
|
|
348
|
|
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general means of conveying information secretly \n (1) hand rollers, faro boxes, slip-boxes
(2) pencilled slate
(3) the thumbnail
(4) cigarette holder
(5) roller on microphone
(6) watchface
(7) cuff
(8) on a small card
(9) large card or blackboard
(10) written on glass \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
General Means of Conveying Information Secretly
|
1959
|
|
348
|
|
|
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selection of suitable questions to use \n \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Selection of Suitable Questions to Use
|
1959
|
|
349
|
|
|
|
answering questions known \n questions of general and specific interest \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Answering Questions Known
|
1959
|
|
350
|
|
|
|
answering questions from platform \n private reader vs. stage reader, how to answer questions with a public, funny answers \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Answering Questions From Platform
|
1959
|
|
351
|
|
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|
summary \n private reading
platform reading \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Summary
|
1959
|
|
355
|
|
|
|
table of probabilities - explanation \n what people are concerned about \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Table of Probabilities - Explanation
|
1959
|
|
355
|
|
|
|
part two: dealing with questions unknown \n \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Part Two: Dealing with Questions Unknown
|
1959
|
|
356
|
|
|
|
main objectives when cold reading \n overview on cold reading \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Main Objectives when Cold Reading
|
1959
|
|
357
|
|
|
|
conclusion \n \n tony corinda
1959
question and answer (readings)
Tony Corinda
|
Conclusion
|
1959
|
|
359
|
|
|
|
part one: introduction \n on publicity, semi-pros and selling \n tony corinda
1960
publicity stunts
Tony Corinda
|
Part One: Introduction
|
1960
|
|
367
|
|
|
|
the law of supply and demand \n \n tony corinda
1960
publicity stunts
Tony Corinda
|
The Law of Supply and Demand
|
1960
|
|
368
|
|
|
|
creating a demand \n \n tony corinda
1960
publicity stunts
Tony Corinda
|
Creating a Demand
|
1960
|
|
369
|
|
|
|
personal publicity \n \n tony corinda
1960
publicity stunts
Tony Corinda
|
Personal Publicity
|
1960
|
|
371
|
|
|
|
personal advertising \n - visiting cards (or business cards)
- the brochure
- photographs
- headed paper
- the publicity campaign \n tony corinda
1960
publicity stunts
Tony Corinda
|
Personal Advertising
|
1960
|
|
371
|
|
|
|
part two: publicity stunts \n \n tony corinda
1960
publicity stunts
Tony Corinda
|
Part Two: Publicity Stunts
|
1960
|
|
376
|
|
|
|
radio prediction \n anecdote working with david berglas \n tony corinda
1960
publicity stunts
Tony Corinda
|
Radio Prediction
|
1960
|
|
377
|
|
|
|
personal column advert stunt \n prediction in newspaper, anecdote with david berglas \n tony corinda
1960
publicity stunts
Tony Corinda
|
Personal Column Advert Stunt
|
1960
|
|
378
|
|
|
|
registered letter prediction \n \n tony corinda
1960
publicity stunts
Tony Corinda
|
Registered Letter Prediction
|
1960
|
|
379
|
|
|
|
fogel's bullet catching \n \n maurice fogel \n tony corinda
1960
publicity stunts
Maurice Fogel, Tony Corinda
|
Fogel's Bullet Catching
|
1960
|
|
379
|
|
|
|
example of personal publicity: raymond hafler \n \n tony corinda
1960
publicity stunts
Tony Corinda
|
Example of Personal Publicity: Raymond Hafler
|
1960
|
|
380
|
|
|
|
visiting card gimmick \n numbers printed on business card, spectator thinks of one, that on was crossed by performer \n tony corinda
1960
publicity stunts
Tony Corinda
|
Visiting Card Gimmick
|
1960
|
|
382
|
|
|
|
the haunted house \n exorcice a ghost, maurice fogel anecdote \n tony corinda
1960
publicity stunts
Tony Corinda
|
The Haunted House
|
1960
|
|
382
|
|
|
|
the challenge seance \n challenge a medium \n tony corinda
1960
publicity stunts
Tony Corinda
|
The Challenge Seance
|
1960
|
|
383
|
|
|
|
headline predictions \n on its staging and presentation \n tony corinda
1960
publicity stunts
Tony Corinda
|
Headline Predictions
|
1960
|
|
383
|
|
|
|
glorified muscle reading \n presentation and staging contact mindreading \n tony corinda
1960
publicity stunts
Tony Corinda
|
Glorified Muscle Reading
|
1960
|
|
384
|
|
|
|
publicity pencils \n branded pencils \n tony corinda
1960
publicity stunts
Tony Corinda
|
Publicity Pencils
|
1960
|
|
385
|
|
|
|
blindfold drives and walks \n presentation and staging \n tony corinda
1960
publicity stunts
Tony Corinda
|
Blindfold Drives and Walks
|
1960
|
|
386
|
|
|
|
conclusion \n ten bare essentials for good publicity \n tony corinda
1960
publicity stunts
Tony Corinda
|
Conclusion
|
1960
|
|
386
|
|
|
|
the essentials of good presentation \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
The Essentials of Good Presentation
|
1960
|
|
292
|
|
|
|
introduction \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
Introduction
|
1960
|
|
391
|
|
|
|
(a) personal appearance \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(A) Personal Appearance
|
1960
|
|
392
|
|
|
|
(b) manner and speech \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(B) Manner and Speech
|
1960
|
|
393
|
|
|
|
(c) patter \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(c) Patter
|
1960
|
|
394
|
|
|
|
(d) good effects \n choosing good and fitting material, structure of tricks, applause \n tony corinda
1960
patter and presentation
Tony Corinda
|
(D) Good Effects
|
1960
|
|
398
|
|
|
|
(e) handling \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(E) Handling
|
1960
|
|
403
|
|
|
|
(f) timing \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(F) Timing
|
1960
|
|
404
|
|
|
|
(g) misdirection \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(G) Misdirection
|
1960
|
|
407
|
|
|
|
(h) co-ordination \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(H) Co-Ordination
|
1960
|
|
411
|
|
|
|
an interview with claude chandler \n \n tony corinda \n claude chandler \n der schauspieler \n claude chandler
1960
patter and presentation
Tony Corinda, Claude Chandler
|
An Interview with Claude Chandler
|
Also published here
|
1960
|
|
412
|
|
|
|
errata and additions to the full "thirteen steps to mentalism" \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
Errata and Additions to the Full "Thirteen Steps to Mentalism"
|
1960
|
|
420
|
|
|
|
thirteen steps to mentalism - index \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
Thirteen Steps to Mentalism - Index
|
1960
|
|
421
|
|