1,033 entries in Articles / Theory & Essays
Creators Title Comments & References Source Page Categories
Unknown The Visible Invisible writing is washed from mirror and appears again on it, breathing glass, anecdote of a a magician who performed the routine and got caught by the audience, on originality Breslaw's Last Legacy 26
Professor Hoffmann Introduction some rules for conjuring Modern Magic 1
Professor Hoffmann The Value of Personal Instruction Modern Magic 40
Professor Hoffmann Concealing the Cause Modern Magic 69
Professor Hoffmann The "Click" and Delaying the Effect Modern Magic 155
Professor Hoffmann Electrical Tricks general comments Modern Magic 480
Professor Hoffmann Concluding Observations - Hints as to Working up Tricks
- Arrangement of Programme
- Stage Arrangements
- Parting Counsels
Modern Magic 502
Professor Hoffmann Sleeve as Explanation for Spectators More Magic 211
Friedrich W. Conradi-Horster On Accidental Convincers Der moderne Kartenkünstler 25
Charles Lang Neil The Principles of Natural Magic The Modern Conjurer 19
Charles Lang Neil Manner and Gesture The Modern Conjurer 23
Charles Lang Neil The Conjurer's Clothes for men & for ladies The Modern Conjurer 27
S. W. Erdnase Confederacy The Expert at the Card Table 19
S. W. Erdnase Uniformity of Action The Expert at the Card Table 22
S. W. Erdnase Deportment The Expert at the Card Table 22
S. W. Erdnase Display of Ability The Expert at the Card Table 23
S. W. Erdnase Effect of Suspicion The Expert at the Card Table 24
S. W. Erdnase Acquiring the Art The Expert at the Card Table 24
S. W. Erdnase Importance of Details The Expert at the Card Table 25
Professor Hoffmann, Professor Anderson Excessive Use of Apparatus Later Magic 172
Professor Hoffmann What is Best? Later Magic 222
John Northern Hilliard, T. Nelson Downs Don'ts tips The Art of Magic 347
Jack Merlin Theory short Merlin's Master Manipulations 3
Jack Merlin Practice on practice and other theory aspects Merlin's Master Manipulations 3
Lu Brent A Waste Paper Basket Advice on using an ornamental waste paper basket on stage for throwing away paper so as to remove suspicion, instead of throwing the paper off-stage Novel Magic 5
Jean Hugard Introduction - The Importance of Showmanship Mental Magic with Cards 7
Theodore Annemann Suggested Programs No. One - A Club Act of Magic combining some tricks of the Jinx into a program The Jinx 1-50 (Issue Summer Extra 1936) 133
Theodore Annemann Suggested Programs No. Two - A Mental Club Act combining some tricks of the Jinx into a program The Jinx 1-50 (Issue 23) 143
Jean Hugard Easy Moves With One Thimble describes four short sequences with one thimble, with some advice on how to execute thimble sleights and magic Thimble Magic 6
Jean Hugard Advanced Finger Practice Practice routine to master the different thimble palms Thimble Magic 19
Jean Hugard Finger Practice Practice routine to master the thimble thumb palmRelated to Thimble Magic 5
Victor Farelli For Artists Only Talks about culling, patter, misdirection, plot, selection of cards, building a programme, and building routines "Lend Me Your Pack" 7
Victor Farelli "Culling" Talks about how culling should be done, mentions Louis Nikola and how he stacks his deck during the course of another routine, also mentions Erdnase's stock securing and cull shufflingRelated to "Lend Me Your Pack" 12
Victor Farelli Lady Volunteer Assistants Short essay on how women in the audience should be treated, and why they should probably never be chosen to come on stage, or even pick a card "Lend Me Your Pack" 26
Theodore Annemann Suggested Programs No. Three - A Magical Club Routine combining some tricks out of the Jinx into a program The Jinx 1-50 (Issue 30) 194
Theodore Annemann Suggested Routines No. Four - A No Card Mystery Act combining some tricks of the Jinx into a program The Jinx 1-50 (Issue 34) 230
Ellis Stanyon The Stanyon Lessons for the Cups and Balls part 2, discussing props, servante, misdirection The Jinx 1-50 (Issue 36) 241
Theodore Annemann Suggested Routines No. Five - "No Code" Telepathy combining some tricks of the Jinx into a program The Jinx 1-50 (Issue 38) 252
David Bamberg Stage Presentation tips on stage presentation, discussing:
- Stage Entrance
- Settings
- The Opening Illusion
- The Follow On
- Patter
- Balance
- Assistants
- Audience Work
- Routining
- Apparatus
- Working to Magicians
- The Climax
- Résumé
Greater Magic 936
Orville Wayne Meyer Suggested Routine No. 6 - "Strictly Impromptu" combining some card tricks of the Jinx into a program The Jinx 1-50 (Issue 49) 344
Oscar Weigle, Robert Parrish A Club Routine of General Magic routine of tricks in the book Do That Again! 75
Theodore Annemann A 68 Cent Patent tip on patenting, see page 456 The Jinx 51-100 (Issue 62) 441
Jean Hugard Introduction - Extempore Magic essay on impromptu magic, special props and magic that happens as a side note, with examples by Tarbell The Magic Annual for 1938 and 1939 11
Paul Rosini Etchings in Magic Rosini writes about his influences in magic The Jinx 101-151 (Issue 105) 629
Oscar Thomson Memory Aid for Programs remembering the order of tricks The Jinx 101-151 (Issue 111) 664
Theodore Annemann Playing Card Squiggles drawing contest The Jinx 101-151 (Issue 115) 681
George Johnson Your Magical Scrapbook tip The Jinx 101-151 (Issue 118) 697
Harry Houdini Houdini's Book Identification System for personal library, mentioned by Ralph W. Read The Jinx 101-151 (Issue 119) 702
Charles Hopkins Whose Fault When Things Go Wrong? "Outs" Precautions and Challenges 15
Charles Hopkins The Psychology of Failure "Outs" Precautions and Challenges 16
Charles Hopkins Use of "Sucker Gag" Technique "Outs" Precautions and Challenges 17
Charles Hopkins Secret And Open Outs Difference between rectifying mistakes secretly (before audience knows about it) and openly (when the mistake is known to everyone) "Outs" Precautions and Challenges 18
Charles Hopkins When Error Is Still Under Cover Techniques to get out of mistakes before audience catches on "Outs" Precautions and Challenges 18
Charles Hopkins When Error May Be Visible Techniques to get out of mistakes when audience knows "Outs" Precautions and Challenges 20
Charles Hopkins Either You Know You Are Wrong - Or Else... "Outs" Precautions and Challenges 21
Charles Hopkins This Time You MUST Be Right Importance of rectifying the mistake clearly to end successfully "Outs" Precautions and Challenges 22
Charles Hopkins Attitudes That Get Co-operation After finding wrong card, how to get selector to reveal the correct card for magician to try again "Outs" Precautions and Challenges 22
Charles Hopkins 8 - Use a thumb writer. How to use thumb writer to get out of sticky situations "Outs" Precautions and Challenges 24
Charles Hopkins 9 - Impression methods. Using carbon paper to make a copy "Outs" Precautions and Challenges 25
Charles Hopkins 10 - Pencil reading. "Outs" Precautions and Challenges 26
Charles Hopkins 11 - Friendly mirrors. Using reflective surfaces "Outs" Precautions and Challenges 26
Charles Hopkins Old Ideas Brought Up To Date; Also, A Few New Ones Useful sleights to use for outs "Outs" Precautions and Challenges 27
Charles Hopkins Other Useful Standard Sleights "Outs" Precautions and Challenges 36
Charles Hopkins Fit The Weapon To The Needs "Outs" Precautions and Challenges 36
Charles Hopkins Getting Down To Brass Tacks--- And The Selected Card "Outs" Precautions and Challenges 37
Charles Hopkins "Outs" Productions From Pockets And Other Places "Outs" Precautions and Challenges 42
Charles Hopkins 31 - Use of spectators for "outs" "Outs" Precautions and Challenges 44
Charles Hopkins Apparatus Alibis Outs when apparatus is used to reveal cards, but goes wrong "Outs" Precautions and Challenges 46
Charles Hopkins First Aid For Feeble Memories What to do if spectator forgets card "Outs" Precautions and Challenges 47
Charles Hopkins "Outs" Compared with Challenges "Outs" Precautions and Challenges 51
Charles Hopkins A Word of Caution "Outs" Precautions and Challenges 52
Charles Hopkins Try To Keep As Much Control As Possible "Outs" Precautions and Challenges 53
Charles Hopkins How "Plenty of Rein" Trips Them "Outs" Precautions and Challenges 63
Charles Hopkins The Magician's Little Helpers Mechanical aids "Outs" Precautions and Challenges 66
Charles Hopkins When Information-Getting Becomes Ticklish How to gain information not by pretending to confess to failure, but by proper methods in performance "Outs" Precautions and Challenges 68
Charles Hopkins They Commit Themselves In Writing "Outs" Precautions and Challenges 69
Charles Hopkins 51 - Pencil reading. "Outs" Precautions and Challenges 69
Charles Hopkins 53 - Billet index. "Outs" Precautions and Challenges 71
Unknown 54 - Pad impressions. "Outs" Precautions and Challenges 71
Charles Hopkins 55 - Trick notebooks. Carbon paper in notebooks "Outs" Precautions and Challenges 71
Charles Hopkins 56 - A "Case of Hambuggery" Annemann's "Mental Masterpiece" "Outs" Precautions and Challenges 71
Charles Hopkins A Prophet In his Own Land "Outs" Precautions and Challenges 72
Charles Hopkins 57 - Thumb writers. "Outs" Precautions and Challenges 72
Charles Hopkins What Makes Audiences Get That Way Why do audiences heckle? "Outs" Precautions and Challenges 74
Charles Hopkins Circumstances That Lead Up To Challenges "Outs" Precautions and Challenges 75
Charles Hopkins Specific Handling of Various Situations "Outs" Precautions and Challenges 76
Charles Hopkins The Heckler... Ding Bust His Buttons! "Outs" Precautions and Challenges 76
Charles Hopkins For The Intelligent Analyst Type "Outs" Precautions and Challenges 77
Charles Hopkins Troubles Arising Out of Pure Friendship "Outs" Precautions and Challenges 78
Fulton Oursler The Sane Viewpoint of Exposure reprinted from Linking Ring The Jinx 101-151 (Issue 125) 726
Cagliostro, Jr. Fifth Row, Center Aisle rant on too positive reviews of magic show The Jinx 101-151 (Issue 128) 738
Cagliostro, Jr. (reviewer) S.A.M. Benefit Show
Show Review with performers: Fred Keating, The Hanlons, Jay Palmer & Co, The Great Le Roy, Al Baker, Dai Vernon, Dagmar & Co, The Five Elgins, Roner, Prince Leon and Gus Wayne, Roy Benson
The Jinx 101-151 (Issue 129) 743
Theodore Annemann Suggested Program No. 7 - "A Varied Magic Act" combining some tricks of the Jinx into a program The Jinx 101-151 (Issue 129) 745
Rhadamanthus, Jr. (reviewer) The Old Timers of the Y.M.H.A. present Master Magicians in "A Night of Magic"
show review
The Jinx 101-151 (Issue 130) 749
Charles J. Maly The Health Magician program aimed at children on the subject of being healthy, how to dress, tricks and patter ideas Ireland's Yearbooks (Issue Yearbook 1942) 18
Walter B. Gibson The Back Room on trick exposure The Phoenix 1-50 (Issue 5) 20
Bruce Elliott The Back Room on Stuart Robson, Al Chris describing a miracle from India, Dell O'Dell, Russ Swann, selling and promotion The Phoenix 1-50 (Issue 49) 203
Jean Hugard Editorial - What is Magic? Hugard's definition what magic is Hugard's Magic Monthly - Volumes I, II, III and IV (Vol. 1, No. 4) 15
Laurie Ireland Dressing Up the Show on the use of props, practicability and show construction Ireland's Yearbooks (Issue Yearbook 1944) 29
Jean Hugard Gestures on gestures, style and manners Hugard's Magic Monthly - Volumes I, II, III and IV (Vol. 1, No. 9) 38
Jean Hugard Bare Stage Bugbear how to move on a stage, fishing rod to get objects from the audience Hugard's Magic Monthly - Volumes I, II, III and IV (Vol. 1, No. 9) 38
Jean Hugard Exposures on exposure Hugard's Magic Monthly - Volumes I, II, III and IV (Vol. 2, No. 7) 86
Frank De Sua You Can't Lose - Apparently! system for placing bets, horse race etc. Ireland's Yearbooks (Issue Yearbook 1946) 5
Laurie Ireland Routining for the 'Little Fellow' on gaining experience Ireland's Yearbooks (Issue Yearbook 1946) 34
J. B. Bobo Bobo System of Card Control Watch This One! 73
J. B. Bobo The Art of Sleeving Watch This One! 75
Arthur H. Buckley The Principles of Magic - commented list of methods/principles (Manipulation, Substitution, Duplication, Camouflage, Imitation, False Partition, Concealed Mechanism, Falsification, Arrangement, Preparation)
- list of effects
- list of aiding factors (Misdirection, Sustained Attention, Diverted Attention, Restriction, Repetition, Conclusion, Climax, Anti-Climax, Mannerism, Surprise, Expectancy, Memory, Mnemonics, Reconstructive Imagination, Dramatics, Humor)
Principles and Deceptions 22
Bob Rettew Cashing in on Close Up Magic in a bar Ireland's Yearbooks (Issue Yearbook 1948) 18
Carl D. Shoemaker Magic vs. Science - A Lecture on Magic patter for lecture presentation, infotainment Ireland's Yearbooks (Issue Yearbook 1948) 25
George B. Anderson Mental Card Magic on cards in mentalism It Must Be Mindreading 41
Frances Ireland Rabbits is Extra on kids shows Ireland's Yearbooks (Issue Yearbook 1949)
Dr. Stanley Jaks Introduction on close-up magic, his book of mysteries, beautiful props appealing to womenAlso published here Who is this Dr. Jaks? 1
Ormond McGill Our Psychic Powers overview of mentalism genres Psychic Magic - Vol. 1 6
Ormond McGill The Presentation of Miracle thirteen rules Psychic Magic - Vol. 6 18
Bill Simon Specialization Effective Card Magic 13
Bill Simon The Importance of Practice Effective Card Magic 13
Bill Simon The Necessity of Trial Effective Card Magic 14
Bill Simon Understanding Theory Effective Card Magic 15
Bill Simon The Importance of Studying Simple Moves Effective Card Magic 15
Bill Simon Manipulation on using flourishes or not Effective Card Magic 16
Bill Simon Technicalities Effective Card Magic 16
Bill Simon The Art of Presentation Effective Card Magic 17
Bill Simon Spontaneous Resourcefulness Effective Card Magic 18
Bill Simon Conjurer vs. Gambler Effective Card Magic 19
Bill Simon The Best Magic Effective Card Magic 19
Bill Simon Handling Effective Card Magic 20
Bill Simon Cultivating Originality in Presentation Effective Card Magic 20
Bill Simon Unprepared Cards Effective Card Magic 20
Bill Simon Present Day Sophistication Effective Card Magic 21
Bill Simon Audience Participation Effective Card Magic 22
Bill Simon Patter Effective Card Magic 22
Bill Simon Poker Cards vs. Bridge Cards Effective Card Magic 24
Bill Simon Accessories Effective Card Magic 25
Bill Simon Originality Effective Card Magic 25
Theodore Annemann Introduction on performing, booklet contains reprints from the Sphinx Annemann's Buried Treasures
Bill Simon In General on practicing, entertainment Sleightly Sensational 5
Kirk Stiles How to Learn Magic Tricks read instruction into tape recorder The New Phoenix 301-348 (Issue 303) 11
John Ramsay A Wee Bit of Advice The New Phoenix 301-348 (Issue 328) 121
James G. Thompson Jr. The Real Top Secrets Top Secrets of Magic 117
Dr. Reuben Ligan Facing Your Audience 26 Originals 2
Lewis Ganson The Vernon Touch The Dai Vernon Book of Magic 27
Don Tanner Mental Communications opening lines for a mentalism show The New Phoenix 301-348 (Issue 344) 199
Bert Allerton Rules for the Close-Up Magician The Close-Up Magician 69
Tony Corinda Summary of Technique predictions, comments and tips on presentation Predictions 100
Bobby Bernard The Purpose of Close Up Magic Magic in Miniature 6
Bobby Bernard Good Taste in Close Up Magic - Points to Note When Performing. eight points Magic in Miniature 7
Bobby Bernard T.V. Close Up Magic some thoughts on performing on TV, brief Magic in Miniature 8
Tony Corinda (1) A Few Simple Rules for Working with Billets Billets 166
Tony Corinda, Maurice Fogel An Interview with Fogel on MentalismRelated to Book Tests 222
Tony Corinda Mediumistic Patter Mediumistic Stunts 276
Tony Corinda Establishing "Atmosphere" in the Seance Room Mediumistic Stunts 277
Tony Corinda The Stage Medium Mediumistic Stunts 278
Tony Corinda Introduction to Mentalism with Cards general remarks and theory Card Tricks 307
Tony Corinda Introduction general comments and theory for Q&A Question and Answer (Readings) 339
Tony Corinda Answering Questions Known questions of general and specific interest Question and Answer (Readings) 350
Tony Corinda Answering Questions From Platform private reader vs. stage reader, how to answer questions with a public, funny answers Question and Answer (Readings) 351
Tony Corinda Part Two: Dealing with Questions Unknown Question and Answer (Readings) 356
Robert A. Nelson On the Presentation of Mentalism brief More Miracles in Mentalism 20
Robert A. Nelson On Zodiac Readings More Miracles in Mentalism 27
Robert A. Nelson The Serious Business of Mentalism general remarks on performing mentalism Mentalism & Its Presentation 2
Robert A. Nelson Factors to Recognize Mentalism & Its Presentation 8
Sydney Bergson Further Thoughts on Mentalism Mentalism & Its Presentation 9
Robert A. Nelson The Build-Up how to name yourself Mentalism & Its Presentation 12
Robert A. Nelson Your Program Mentalism & Its Presentation 17
Robert A. Nelson Programming Mentalism & Its Presentation 19
Robert A. Nelson Presentation Mentalism & Its Presentation 26
Robert A. Nelson Comedy Relief comedy answers for Q&A questions Mentalism & Its Presentation 31
Tony Corinda The Essentials of Good Presentation Patter and Presentation 292
Tony Corinda (A) Personal Appearance Patter and Presentation 392
Tony Corinda (B) Manner and Speech Patter and Presentation 393
Tony Corinda (c) Patter Patter and Presentation 394
Tony Corinda (D) Good Effects choosing good and fitting material, structure of tricks, applause Patter and Presentation 398
Tony Corinda (E) Handling Patter and Presentation 403
Tony Corinda (F) Timing Patter and Presentation 404
Tony Corinda (G) Misdirection Patter and Presentation 407
Tony Corinda (H) Co-Ordination Patter and Presentation 411
Charlie Miller List of 40 Effects suitable for Children Shows The Magic of Charles Earle Miller 95
Charlie Miller Charlie Miller's USO Act The Magic of Charles Earle Miller 96
Charlie Miller Club Show (1936) list of effects, "The show I give is almost the same as that given by Malini" The Magic of Charles Earle Miller 97
Charlie Miller Charlie Miller's "Shell Christmas" Show Routine The Magic of Charles Earle Miller 98
Charlie Miller Jack Merlin's Act short description The Magic of Charles Earle Miller 101
Alan Milan A Few Thoughts on Radio Publicity Still More Miracles in Mentalism 69
Dr. Stanley Jaks Lektion in Magie on close-up magic, his book of mysteries, beautiful props appealing to womenAlso published here Dr. Stanley-Jaks und seine Geheimnisse 10
David Hoy Background and Bold Approach of Dr. Faust on the Bold Approach to mentalism The Bold and Subtle Miracles of Dr. Faust 5
J. B. Bobo Technique on routining coin magic The New Modern Coin Magic 355
Lewis Ganson The Presentation Of Close-Up Magic - approaching people
- different group sizes
- examination of objects
- containers to store props
- working surface
- music ("Ganson's Personal Orchestra")
- close-up effects
- length of performance
- practice
- economy of movement
- borrowing objects
The Art of Close-Up Magic - Volume 1 11
Charlie Miller General Remarks tips on performing Charlie Miller Lecture Notes 4
Charlie Miller My Routine Outlined structure of his professional shows Charlie Miller Lecture Notes 28
Hugh Miller, Al Koran Professional Presentation including Koran's comments on presentation and on the tricks in the book Al Koran's Professional Presentations 5
Gene Anderson Rubber Cement How rubber cement can be used Newspaper Magic 97
Gene Anderson The Torn and Restored Newspaper Analysis of basic methods Newspaper Magic 135
Gene Anderson Historical Methods Description of different methods (Al Baker, Slydini, Page, Elmsley, Grant, Neil Foster) Newspaper Magic 135
Gene Anderson Making the Most of the Newspaper Tearing Trick Other patter ideas and tips to enhance your routine Newspaper Magic 165
Johann Nepomuk Hofzinser, Karl Fulves On the Presentation of Mathematical Tricks The Pallbearers Review Vol. 5-8 (Vol. 5, No. 3rd Folio) 297
Roy Johnson Viewpoint The Roy Johnson Experience 1
Frederick M. Shields Stagemanship - Mystify and Entertain
- Stay in Character
- Know your Audience
- Rehearse & Try it Out
- A Word about Timing
- End with Talent
The Compleat Magick - Volume 1 (Issue 1) 5
Bascom Jones, Jr. Publicity for Magicians - Part 1 - Define your Objective
- Identify Audience & Message
- Use the Right Tools
- Newspapers are Fine, but...
The Compleat Magick - Volume 1 (Issue 3) 15
Bascom Jones, Jr. Publicity for Magicians - Part 2 - Nothing Sacred or Mysterious
- The Publicity Release
- How to Prepare it
- Additional Tips
- The Promotion Kit
- Picture Publicity
- Put it all Together
The Compleat Magick - Volume 1 (Issue 5) 25
Jack Kent Tillar The Magic of Music ... and Vice Versa - Same Elements as TV Shows
- Special Effects
- On-Site Preparation
- Tape vs. Records
The Compleat Magick - Volume 1 (Issue 7) 35
Frederick M. Shields Music for Magic - Salt and Pepper
- Don't be too Clever
- The Music Should Belong
- Exceptions to every Rule
- Music from A to Z
- A Tip on How to Start
- Get it on Tape
- Not Easy to Do
- How Does it Sound?
The Compleat Magick - Volume 1 (Issue 9) 45
Milt Larsen Comedy Magic is Serious Business - Bomb Out
- Has to be Unified
- Ability Comes from Within
- Experience Necessary
- What makes People Laugh?
- How to Approach Comedy Magic
- Open, Middle, Close
- Get Audience Reaction
- Discipline and Immediate Yardstick
The Compleat Magick - Volume 1 (Issue 11) 55
Rick Johnsson The "Too Perfect" Theory Hierophant (Issue 5-6) 247
Jules DeBarros Analecta on planting, mime, breathing, tension The Coins of Ishtar 64
Jules Lenier Close-Up Theater - You're On!
- Establish the Character
- The Table as a Mini-Stage
- Watch the Professionals
- Challenge ... or Entertainment?
- Structuring your Routine
- Naturalness is the Key
- How to Close
The Compleat Magick - Volume 1 (Issue 21) 105
Harold R. Mulligan What to Do About Pre-Performance Jitters - Stage or Mike Fright
- Mastering Your Fear
- Practice! Practice! Practice!
- Audience-Related Fears
- An Audience is Simply Individuals
- What an Audience Wants
- Summary
The Compleat Magick - Volume 1 (Issue 13) 65
John Bowery, Maureen Bowery How and When to Use a Microphone - Master of the Situation
- Microphone Comedians
- Watch the Professionals
- Seven Tips on Proper Use
- Microphone "Squeal"
- Some Information on Types
- "Special-Purpose" Microphones
The Compleat Magick - Volume 1 (Issue 15) 75
Verne Langdon Tarbell Never Told you About Makeup - The Right Amount
- Highlights and Shadows
- Just a Little Blush
- And Speaking of Looking Natural
- Hair
- Special Problems
- If you Have a Bad Skin Condition
- Cream Cheese and Makeup
- So there you Have it
The Compleat Magick - Volume 1 (Issue 17) 85
Sid Fleischman The Patter Hangup - The Art of Silence
- Opening Remarks
- The Segue
- Who are you?
- A Cautionary Word about Words
- How to use Patter Books
- Gags can be Treacherous
- Patter by the Yard - or the Inch?
- Try it Out in Boston
- Patter in Disguise
The Compleat Magick - Volume 1 (Issue 19) 95
Sandy Singer Tricks of the Trade-Show Trouper - What It's Like
- Sell! Sell! Sell!
- Turn your Knowledge into Cash
- Learn Marketing Psychology
- Know the Product
- Some of the Work is Done for You
- Booking your Act
- Visual Material Helps
- It's the Name of the Game
The Compleat Magick - Volume 1 (Issue 23) 115
Verne Langdon Build a Better Character - or Else! on character makeup The Compleat Magick - Volume 1 (Issue 25) 125
David Douglas The Press Release, One Man's Approach or "The Most Effective Promotion Is Free" Part 1 The Compleat Magick - Volume 1 (Issue 39) 195
Fred Kaps Some Things to Think About tips, book recommendations Fred Kaps Lecture 1
Frank Garcia Doing Close-up Magic Million Dollar Card Secrets 123
Fred Rickard For Collectors Only on magic collecting The Compleat Magick - Volume 1 (Issue 45) 225
Frederick M. Shields Actors, the Stage, and Magicians - Actor vs. Magician
- Customers, Coaches, & Set Designers
- Set Dressers, Makeup Men, Electricians
- Years Spent Perfecting Techniques
- Magician vs. Actor
- Adapt Material to Fit your Style
- Where to get Help
- That's What Friends are For
- Make a Tape of sour Show
- You Don't Have to Look Like a Bum
The Compleat Magick - Volume 1 (Issue 49) 245
Gene Nielsen 89c Fooler leaving price tags on gaffed objects, convincer The Compleat Magick - Volume 1 (Issue 50) 250
Frederick M. Shields Actors, the Stage, and Magicians - Part 2 - Basic Stage Talk
- It Started Long Ago
- Stage Directions
- 'Strong' Stage Positions
- When the Curtains Part
- Break the Pattern
- Then What?
- Shields' Firs 'Law'
- But Ask for Help if You Need It
- You Never Whistle the Scenery
- Check over Your Equipment
The Compleat Magick - Volume 1 (Issue 51) 255
Frederick M. Shields Actors, the Stage, and Magicians - Part 3 - Need extra Tables, Lights, Special Arrangements?
- The Ostrich Syndrome
- Lights Make you Important
- Your 'Sorcerer's Apprentice^
- Role to Play
- A Bibliography of the Theatre
The Compleat Magick - Volume 1 (Issue 53) 265
Guy Thompson Put the Mental into Mentalism on performing mentalism The Compleat Magick - Volume 1 (Issue 61) 305
William Larsen Palmistry and the Multi-Purpose Reading - Part 1 The Compleat Magick - Volume 1 (Issue 63) 315
William Larsen Palmistry and the Multi-Purpose Reading - Part 2 The Compleat Magick - Volume 1 (Issue 65) 325
Robert Schwarz Ten Psychological Subtleties for Mentalists - Audience Rapport
- Proximity is Important
- Involve Audience Early
- Don't be too Perfect
- "Is that Close Enough?"
- Safely Miss these Numbers
- Fail to get the Zero
- Correct an Error Obviously
- Try a 'Mental Conversation'
- Or a Compliment
- You can Miss Cards, Also!
- And Capitalize on the Unexpected
The Compleat Magick - Volume 1 (Issue 55) 275
Harry Collins Magic with the Professional Touch - Stage vs. Close-Up Magic
- What's Best for the Stage?
- And give them Quality - not Quantity
- Routine your Act Carefully
- Choose your Assistant Well
- Don't Work in the Dark
- Add Class with Music
- A Back Drop Will Set you Apart
- What to Wear
- Entertain your Audience
The Compleat Magick - Volume 1 (Issue 59) 295
Jerry Mentzer Commentary on the performance of close-up magic, lapping possibilities, gaffed objects Close-up Cavalcade 3
Edward G. Brown Conjuring for Conjurers a lecture given in 1934 The Card Magic of Edward G. Brown 125
Edward G. Brown Lecture without a Name lecture from 1939, views on originality, theory, magic in general The Card Magic of Edward G. Brown 131
Edward G. Brown A Brief Analysis of the Principles of Mental Magic lecture from 1942, thorough categorization of various principles of mental magic The Card Magic of Edward G. Brown 140
Edward G. Brown, Colin Donister Misdirection lecture from 1943, written by Colin Donister The Card Magic of Edward G. Brown 166
Edward G. Brown Forcing lecture from 1945 The Card Magic of Edward G. Brown 173
Edward G. Brown, Bruce Posgate Sleights and Subtleties lecture from 1947, reported by Bruce Posgate The Card Magic of Edward G. Brown 198
Juan Tamariz La Magia como Diversion y Espectaculo on magic and comedy and various dramatic curves Aprenda Ud. Magia 75
Juan Tamariz La Magia Mental on hypnotism, mentalism, suggestion, parapsychology Aprenda Ud. Magia 111
Juan Tamariz Fundamentos del Illusionismo the fundamentals of magic, on talent
a) Psicologia (psychology)
b) Ingenio creativo y habilidad técnica (creative ingenuity and technical skill)
c) Presentación y Personalidad (presentation and personality)
Aprenda Ud. Magia 47
Juan Tamariz ¿Donde y como se aprende Magia? how to learn magic, essay for beginners Aprenda Ud. Magia 129
Dorfay Jack of All Trades - Master of One on performing, music, connecting to the audience etc. The Compleat Magick - Volume 1 (Issue 67) 335
Sydney Bergson Mentalism Cannot be Done in Pantomime on the performance of mentalism The Compleat Magick - Volume 1 (Issue 71) 355
Ron Wilson Two-Dozen Tips on Presentation - Look at the Little Things
- Smile Sincerely when Introduced
- Please the Women
- Make it Look Easy
- Repetition will Banish Nerves
- Use Humor where it Counts
- Your Hands are on Display
- People want to Hear You
- Never Apologize
- Answers can be Embarrassing
- Your Opening Trick is Important
The Compleat Magick - Volume 1 (Issue 73) 365
William Larsen Larsen on Fortune Telling - Part 1 The Compleat Magick - Volume 1 (Issue 75) 375
William Larsen Larsen on Fortune Telling - Part 2 The Compleat Magick - Volume 1 (Issue 77) 385
William Larsen Larsen on Fortune Telling - Part 3 The Compleat Magick - Volume 1 (Issue 79) 395
Gerald Fulton The Un-Program on performing mentalism, structuring an act The Compleat Magick - Volume 1 (Issue 81) 405
Fredric Broder You Blew the Trick - So What! - Part 1 on doing mistakes and outs The Compleat Magick - Volume 1 (Issue 83) 415
Fredric Broder You Blew the Trick - So What! - Part 2 on doing mistakes and outs The Compleat Magick - Volume 1 (Issue 85) 425
Tony Shiels The Why and How of a Tent Show performing in a tent, touring The Compleat Magick - Volume 1 (Issue 87) 435
Thomas Alan Waters Mentalism - The Approach is Personal - The Approach to Mentalism Varies
- Why Hire You?
- Be Sure you Know More than the Audience
- What About the Miracle Man?
- Ancient Wisdom
- An Adult form of Entertainment
- Don't Worry About being Scoffed At
- Justify Your Own Approach
The Compleat Magick - Volume 1 (Issue 89) 445
Tony Shiels The Case for Cozenage magician vs. tricksterRelated to Pabular (Vol. 1, No. 2) 20
Philip T. Goldstein "Card Tricks for People Who Don't Do Card Tricks ...and Some for Those Who Do!" on (un)importance of method vs effect, sleight-of-hand vs gimmick, four basic elements of method:
1. Natural Law Disguised
2. Secret Activity
3. Secretly Prepared Materials
4. Psychology
Card Tricks for People Who Don't Do Card Tricks 1
Thomas Alan Waters Some Notes on the Use of Billets - Part 1 - Hidden I See
- The Unnatural Fold
- The Switch
- Materials
- Accessories
- Using the Notebook
- The Untorn Center
- Area of Writing
- The Fold
The Compleat Magick - Volume 1 (Issue 93) 465
Thomas Alan Waters Some Notes on the Use of Billets - Part 2 - The Tear
- The Third Finger Provides the Pressure
- Close-Up Routine No. One
- 'Transmitter and Receiver'
- Close-Up Routine No. Two
- Addenda
- For Office Workers
The Compleat Magick - Volume 1 (Issue 95) 475
Ray Waters Some Notes on the Use of Billets - Part 3 - Forget the Mechanics
- The Rectangular Fold
- "Great Minds Think Alike"
- Only One Move
- Clean Up
- "Wired Thought"
- And More
- Final Notes
The Compleat Magick - Volume 1 (Issue 97) 485
Bascom Jones, Jr. Listen to the Silent Scream on nonverbal communication, body language The Compleat Magick - Volume 1 (Issue 99) 495
Chandler Mason Mason on Mentalism - You Must Suspend Disbelief
- Make no Supernatural Claims
- Don't be Offensive
- Be Humorous Only If you Can
- Treat Spectators with Respect
- The Framework Approach
- Some Do's to Remember
- And Some Don'ts
The Compleat Magick - Volume II (Issue 101) 505
Vic Perry The Effect is the Thing - Part 1 - Showmanship Plus Effect
- Magic for Magicians
- 'Like a Flamenco Dancer'
- Master the Audience
- Illusions Don't Make a Showman
The Compleat Magick - Volume II (Issue 103) 515
Raymond Hafler Mentalism Can Be Entertaining on mentalism The Compleat Magick - Volume II (Issue 113) 565
David Douglas ESP - What It's All About! on Mentalism phenomenas The Compleat Magick - Volume II (Issue 117) 585
Vic Perry The Effect is the Thing - Part 2 - You Can't 'Copy' Showmanship
- Audiences Want to be Entertained
- The Mind of the Man in the Street
- You are 'On' Even When You're Offstage
- Build Toward 'Effect'
- Use Your Own Brand of Humor
- Sell Yourself
The Compleat Magick - Volume II (Issue 105) 525
Al Schneider Six Properties Of Deception 1. Mechanical Deception
2. Sleight-of-Hand
3. Misdirection
4. Body Language
5. Intention of Reality
6. Intention of Magic
Al Schneider On Coins 1
Fred Kaps Professional Views On Doing Professional Magic For The Layman excerpt from lecture notes Pabular (Vol. 1, No. 7) 82
Walt Lees Pointification guidelines on performing Pabular (Vol. 2, No. 3) 181
Faucett Ross The Beginning How to develop an act and how to work public shows Magic With Faucett Ross 20
Faucett Ross The Business Side How to become professional in magic (booking shows etc) Magic With Faucett Ross 20
Faucett Ross Practice How to practise Magic With Faucett Ross 22
Faucett Ross The Magician How to behave as a magician in public Magic With Faucett Ross 22
Faucett Ross Showmanship Magic With Faucett Ross 23
Faucett Ross Advice on Programmes How to structure the programme for a show Magic With Faucett Ross 23
Faucett Ross Some Great Card Classics Faucett describes his favorite card classics Magic With Faucett Ross 194
Charles Pecor Get Your Head Right for Improvement on presentation, I-F-D Pattern, originality The Compleat Magick - Volume II (Issue 121) 605
John A. Novak On Being Prepared being prepared for preparing anytime The Compleat Magick - Volume II (Issue 129) 645
B.C. Milnov A Mental Frame of Mind on performing mentalism The Compleat Magick - Volume II (Issue 133) 665
Bascom Jones Magic Versus Mentalism The Compleat Magick - Volume II (Issue 139) 695
Tony Shiels You Can be a Super-Psychic on becoming the next Uri Geller, performance of mentalism The Compleat Magick - Volume II (Issue 143) 715
Stephen Minch Some Preliminary Remarks and Opinions of the Performing of Psychokinetic Effects in Particular and Mentalism in General also on disclaimers Mind & Matter 9
John Ramsay, Andrew Galloway On Misdirection Pabular (Vol. 2, No. 7) 231
Ken Hawes An Understanding on Andrew Galloway and John Ramsay Pabular (Vol. 2, No. 7) 236
Philip T. Goldstein Introduction on the basic effects and actions of mentalism The Blue Book of Mentalism 2
Jerry Andrus The "Clivot" Principle and Jog and Injog disadvantage of breaks and adavantages of jogs Andrus Card Control 18
Slydini Basic Precepts - Slydini's Secret of Entertaining Audiences
- The Basic Starting Position (for lapping tricks)
- The Eyes
- Notes on Natural Magic
- Developing Grace
- Coordination
- Noise
- Some General Observations
- To Conclude
The Best of Slydini ...and More 11
Slydini Psychology - Too Good to Be True coin vanish with lapping, psychology, too-perfect theory The Best of Slydini ...and More 20
Slydini More on Coordination The Best of Slydini ...and More 29
Slydini Slydini's Concept of Misdirection The Best of Slydini ...and More 33
Slydini Invisible Sleights The Best of Slydini ...and More 33
Slydini Misdirection vanish of object using lap The Best of Slydini ...and More 34
Slydini Timing - Checkpoints
- Applying the Concept of Timing
The Best of Slydini ...and More 37
Alan Shaxon The Magical TV Set children program, based on a box designed like a TV
- The Aerial
- The TV Times
- Tom & Jerry
- Commercial Break
- Egg Bag
- Commercial Time Again
- The Inevitable Western
- The Funnel and Foo Can
- The Givaway Show
- Sade the Seal
- Torn and Restored Serviette
- Radio to Rabbit
Practical Sorcery 49
Al Mann A Tractate on Fabulous Card Effects for the Mentalist - The Pros and Cons
- Do's and Don'ts
The Third Ecstasy 1
Anthony Raven On the Presentation of Mentalism - Create an Image
- Not Supernatural
- Audience Impact
- What to Do
- What Types of Effects
- The Method Behind the Effect
- Memorize your Patter
- Master your Audience
The Compleat Magick - Volume II (Issue 147) 735
Anthony Raven On the Presentation of Magick - The Dictionary
- A Need for Magick
- Things that Go Bump in the Night
- Good Theater
- How to Go about It
- Mood and Atmosphere
- Your Props Should Look the Part
- Know More than Your Audience
The Compleat Magick - Volume II (Issue 145) 725
Bascom Jones 12 Tips on Presentation - Showmanship
- Image
- Stage Fright
- Stage Entry
- What You Say
- Stage Movement
- Voice
The Compleat Magick - Volume II (Issue 153) 765
Bascom Jones Sell the Sizzle - Not the Steak - You've Got to Sell Yourself
- You are More Important than the Effects
- Rubber-Stamp Syndrome
- What Audience See...
- ... and what the Hear
The Compleat Magick - Volume II (Issue 161) 805
Sandy Spillman There are no Silent Mental Acts on speaking abilities
- Powerful Tool
- Vocal Signature
- Let Your Voice Relax
- Voice Quality
- Work at It
- Practice Makes Perfect
- Some Quick Tips
The Compleat Magick - Volume II (Issue 163) 815
Robert Hustwit Non-Verbal Communication - The Secret Edge - The Secret Edge
- Put Signs in Context
- Six Close-Up Tips
- When Silence Takes Over
- The Subconscious
- With Larger Audience
The Compleat Magick - Volume II (Issue 165) 825
Sandy Spillman Mentalism - For Fun or Profit - Words are Important
- Setting the Stage
- The Action
- Do Your Homework
- And More Homework
- It's the Way You Say It
- And It Pays Off
- But Entertain
The Compleat Magick - Volume II (Issue 169) 845
Patrick Page Manipulation versus Apparatus pros and cons
- Illusionist Managers
- The Present Day
The Big Book of Magic 27
Bert Graham A Plea on business Pabular (Vol. 3, No. 10) 414
Bert Graham Another Plea on writing reviews Pabular (Vol. 3, No. 12) 448
Philip T. Goldstein Introduction on the presentation of mentalism The Red Book of Mentalism 2
Karl Fulves Fail/Safing The Experts how to practice something for fooling experts with it, example sleeving Impromptu Holdouts 16
Al Mann A Pause on moves and magnets in mentalism Psycho-Mentisis 2
Gordon Hoener These Changing Times ... and You - The Trick is Incidental
- Emphasis on Showmanship
- Selling the Concept
- Look Toward the Future
- Change with the Times
- Not Stage Magic
- Stop Feeling Guilty as an Entertainer
- Become the Part
- Be Distinctive
The Compleat Magick - Volume II (Issue 171) 855
Jack Kent Tillar Music for Mentalists - "Music that Charms"
- What Does it Cost?
- Where Do You Start?
- What Type of Music?
- Put the Music on Tape
- Rules to Remember
- Use Your Imagination
The Compleat Magick - Volume II (Issue 175) 875
Dr. Thomas K. Heino Stage Focus: It's Theory and Practice - Lack of Discipline
- Doing Nothing Well
- Closed Performance Versus Open
- Mint-To-Mind Communication
- The Objectives
- Motivational Clarity
- The Bottom Line
The Compleat Magick - Volume II (Issue 179) 895
Philip T. Goldstein Heterogeneous Materials: A Problem and Some Solutions - The Problem
- One Solution
- Writing Tools
- Equipment Malfunction
- Original Article Being Used
- Overstock Your Supplies
- Logic is the Key
Related to
  • Tony Shiels "Be Consistent" in "Invocation" #5
The Compleat Magick - Volume II (Issue 177) 885
Philip T. Goldstein Beware of Culturally Defined Identities - Social Stereotypes
- Images Are Becoming Less Specific
- You Must Change with the Trends
- Work the Individual
- Texts are Outdated
- Don't Assume Too Much
The Compleat Magick - Volume II (Issue 181) 905
Thomas Alan Waters Fortunetelling is Serious Business - A Serious Business
- There are Exceptions
- A Word About 'Gag' Fortunetelling
- An Example
- A Sense of Responsibility
- Reader and Subject
- Not Show Business
The Compleat Magick - Volume II (Issue 183) 915
Bascom Jones Anatomy of a Mentalists - Portray the Role that Fits You Comfortably
- Students of Psychology
- Simplicity
- Disclaimer...Yes or No?
- Your Alter Ego
The Compleat Magick - Volume II (Issue 185) 925
Bob Brown Why, When and Who of an Assistant - Youth, Sex-Appeal, and Color
- Promotion and Publicity Advantages
- The Part-Time Assistant
- Where to Look
- Make Her a Part of the Act
- What She Should Wear
- Money Well-Spent
- The Bottom Line
The Compleat Magick - Volume II (Issue 187) 935
Philip T. Goldstein Dealing with Hecklers - Disruptive Influences
- Possibly Jealousy
- Individual Approach
- You Must Deal Directly
- Begging Does Not Work
- The Advantage Is Yours
- Use Confidence
- Underdog Reaction
- Temper Your Response
- Don't React Defensively
- Not One Victory
- A Fact of Life
The Compleat Magick - Volume II (Issue 189) 945
Bascom Jones A Time for Heroes - "May the Force Be with You"
- More than a Trickster
- You Can't Be Slightly Pregnant
- What Is an Image?
- Who Do You Want to Be?
- The Conflicting Image
- The Final Step
- Apple Pie and Ice Cream
The Compleat Magick - Volume II (Issue 195) 975
Barrie Richardson Banquet Mentalism - The Ready-Made Audience - Domino Principle
- 'Guest of Honor'
- Social Hour
- Tips on Working
- Movement Excites Audience
- Schedule a Break
- Chairmen are Nervous, Too
- Presentation Style
- After the Performance
- Letters are Important
Related to The Compleat Magick - Volume II (Issue 193) 965
Ross Bertram At the Card Table - Background
- T.V Gambling Interviews
Magic and Methods of Ross Bertram 79
Ross Bertram The Rhythm Count on rhythm in sleight-of-hand magic Magic and Methods of Ross Bertram 159
John C. Wagner Final Word... 7 Secrets 58
Bobby Bernard The Hands condition of hands and how to moisten them Bernard's Lesson on Coin Magic 5
Frank Garcia Frank Garcia's Secret Recipe for Better Magic The Real Secrets of the Three-Ball Routines 89
Ron Wilson Close-Up Magic - Hints, Tips and Observations Lecture Notes 2
Fredric Kolb All-Purpose 'Back-Up' Routine - The Back-Up Act
- No Need for a Table
- Use a Microphone
- The Introduction
- The Routine
- The Tossed-Out Deck
- Number Projection
- Pseudo Psychometry
- Magazine or Book Test
- Dollar-Bill Reading
- And the Closing Effect
The Compleat Magick - Volume II (Issue 197) 985
Maurice Fogel Reflections of a Professional Mentalist - Advice for the Beginner
- The Importance of Presentation
- The Disclaimer
- Judge and Jury
- What about the Future?
The Compleat Magick - Volume III (Issue 213) 1065
John Northern Hilliard Some Great Quotes The Very Best of Cups and Balls 119
Walt Lees Constructing a Routine Same Effect... Different Method
Different Effects... Same Props
Secret Preparation... Impossible Finale
Several Tricks... All Done At Once
Routining By Presentation
Pabular (Vol. 5, No. 1) 620
Walt Lees Iconoclasms on moves Pabular (Vol. 5, No. 7) 708
Walt Lees Iconoclasms No. 2 on entertainment Pabular (Vol. 5, No. 8) 723
Tommy Wonder Tommy Wonder On Close-Up Pabular (Vol. 5, No. 9) 729
Walt Lees Iconoclasms No. 3 on the "magically sophisticated semi lay public" Pabular (Vol. 5, No. 9) 736
Father Cyprian The Poetry of Magic reflections on card magic Pabular (Vol. 5, No. 10) 743
Walt Lees Iconoclasms 4 on originality Pabular (Vol. 5, No. 11) 761
Ken Hawes Close Upping on table hopping, answering spectator's questions Pabular (Vol. 5, No. 12) 773
Frank Garcia Secret Recipe for Better Magic The Very Best of Cups and Balls 123
Karl Fulves Approaches to Misdirection The Chronicles (Issue 20) 1264
John F. Mendoza Magic & Magicians fooling magicians, flourishes, sucker tricks Close-up Presentations 87
Father Cyprian The Poetry of Magic - Interest
- Clarity
- Involvement of the Spectator
The Elegant Card Magic of Father Cyprian 78
Al Schneider Six Qualities Of The Performance 1. Importance
2. Non-Challenge
3. Quality Of The Performer
4. Control
5. Communication
6. Clarity
Al Schneider On Close-Up 1
Al Schneider A Word On Drills on learning technique Al Schneider On Close-Up 17
Fred Robinson On Fred Kaps Pabular (Vol. 6, No. 4) 830
Sam Schwartz The Voice Of Experience on organizing close-up shows Pabular (Vol. 6, No. 8) 888
Andrew Galloway Summary on misdirection Diverting Card Magic 54
Frank Garcia Frank Garcia's Secret Recipe for Better Magic Exclusive Card Miracles 74
Frank Garcia Frank Garcia's Secret Recipe for Better Magic Exclusive Card Secrets 78
Daryl Martinez First Things First reason for doing magic Lecture Notes to Convention Session #1 1
Daryl Martinez The Best Magical Effect long and short effects, basic and exact effects Lecture Notes to Convention Session #1 2
Daryl Martinez The Long Effect Lecture Notes to Convention Session #1 4
Daryl Martinez Conditions I, II & III Lecture Notes to Convention Session #1 5
Daryl Martinez The Short Effect Lecture Notes to Convention Session #1 6
Daryl Martinez Building Strenght Through Repetition Lecture Notes to Convention Session #1 6
Daryl Martinez Cancelling Out Lecture Notes to Convention Session #1 7
Daryl Martinez Step Two of cancelling out Lecture Notes to Convention Session #1 7
Daryl Martinez Jazz Magic Lecture Notes to Convention Session #1 8
Daryl Martinez Do Not Challenge Lecture Notes to Convention Session #1 9
Daryl Martinez Flourishes Lecture Notes to Convention Session #1 10
Ron MacMillan Dress comments on what to wear Modern Art Of Coin Manipulation 75
Al Schneider Theory on the floatation of a Zombie Al Schneider On Zombie 29
Thomas Alan Waters Omnimancy essay on fortunetelling, Q&A, cold reading Mind, Myth & Magick (Issue Omnimancy) 89
Thomas Alan Waters Psychometry on psychometry and presenting mentalism Mind, Myth & Magick (Issue Psychometry) 117
Thomas Alan Waters Presentation essay on presentation for psychometry
- Selling the Psychometry Effect
- Performance Situations - Good and Bad
- How Many Items?
- Single Object Readings
- Concealed Items (Unknown Objects, Known Objects)
- Blindfolds
- Locating the Participants
- The Psychometry Act
Mind, Myth & Magick (Issue Psychometry) 121
Thomas Alan Waters Scrypt on Billet Technique and Maurice Fogel Mind, Myth & Magick (Issue Scrypt) 153
Mike Caveney Thumb Tips for M.C.'s tip for M.C.'s Magicomedy 71
Karl Fulves Film To Life filming tricks Origins 3
Karl Fulves Art And Magic comparing magic to jokes and art Origins 3
Karl Fulves Improvements Origins 5
Karl Fulves The Filmed Version objectivity Origins 5
Karl Fulves Anatomy Of The Effect on definition of effect Origins 6
Karl Fulves White Line Problem not crossing a line during performance, no-touch conditionRelated to Origins 8
Karl Fulves Block Analysis finding opportunity for method Origins 9
Karl Fulves Suicide Structure "all tricks are self-revealing" Origins 11