the visible invisible \n writing is washed from mirror and appears again on it, breathing glass, anecdote of a a magician who performed the routine and got caught by the audience, on originality \n unknown
1784
breslaw's last legacy
Unknown
|
The Visible Invisible
|
1784
|
Breslaw's Last Legacy
|
26
|
|
|
préambule du testament et principes généraux \n testament which scrupulously respects the prescriptions of the written law and the custom of paris. it is intended to bequeath, to its heir readers, that instructions and knowledge.
it also contains thirteen rules of presentation \n henri decremps
1786
testament de jérôme sharp
Henri Decremps
|
Préambule du Testament et principes généraux
|
1786
|
Testament de Jérôme Sharp
|
1
|
|
|
introduction \n some rules for conjuring \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Introduction
|
1876
|
Modern Magic
|
1
|
|
|
the value of personal instruction \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
The Value of Personal Instruction
|
1876
|
Modern Magic
|
40
|
|
|
concealing the cause \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Concealing the Cause
|
1876
|
Modern Magic
|
69
|
|
|
the "click" and delaying the effect \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
The "Click" and Delaying the Effect
|
1876
|
Modern Magic
|
155
|
|
|
electrical tricks \n general comments \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Electrical Tricks
|
1876
|
Modern Magic
|
480
|
|
|
concluding observations \n - hints as to working up tricks
- arrangement of programme
- stage arrangements
- parting counsels \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Concluding Observations
|
1876
|
Modern Magic
|
502
|
|
|
sleeve as explanation for spectators \n \n professor hoffmann
1890
more magic
Professor Hoffmann
|
Sleeve as Explanation for Spectators
|
1890
|
More Magic
|
211
|
|
|
on accidental convincers \n \n friedrich w. conradi-horster
1896
der moderne kartenkünstler
Friedrich W. Conradi-Horster
|
On Accidental Convincers
|
1896
|
Der moderne Kartenkünstler
|
25
|
|
|
on common objects \n avoiding apparatus and using apparent everyday objects, see also p. 122 of vol. 2 \n carl willmann
1896
die zauberwelt
Carl Willmann
|
On Common Objects
|
Apr. 1896
|
Die Zauberwelt
(Vol. 2 No. 4)
|
62
|
|
|
wie devant einen ring vertauscht \n long intro about apparatus vs. sleight-of-hand, ring switch in which ring is put on second finger and duplicate is already on bent-in first finger, fingers switched while walking on stage \n carl willmann \n david devant
1897
die zauberwelt
Carl Willmann, David Devant
|
Wie Devant einen Ring vertauscht
|
Sep. 1897
|
Die Zauberwelt
(Vol. 3 No. 9)
|
139
|
|
|
schule der magie - einleitung \n "school of magic - introduction"
on psychology of magic, active and passive deception, positive and negative deception \n friedrich w. conradi-horster \n schule der magie \n friedrich w. conradi-horster \n schule der magie \n friedrich w. conradi-horster \n schule der magie \n friedrich w. conradi-horster \n schule der magie \n friedrich w. conradi-horster
1898
der zauberspiegel
Friedrich W. Conradi-Horster
|
Schule der Magie - Einleitung
|
Related to
|
Jan. 1898
|
Der Zauberspiegel
(Vol. 3 No. 7)
|
98
|
|
|
schule der magie \n second part of introduction, on palming, misdirection \n friedrich w. conradi-horster \n schule der magie - einleitung \n friedrich w. conradi-horster
1898
der zauberspiegel
Friedrich W. Conradi-Horster
|
Schule der Magie
|
Related to
|
Feb. 1898
|
Der Zauberspiegel
(Vol. 3 No. 8)
|
113
|
|
|
schule der magie \n third part, on holding the hand correctly when a larger object is apparently in it \n friedrich w. conradi-horster \n schule der magie - einleitung \n friedrich w. conradi-horster
1898
der zauberspiegel
Friedrich W. Conradi-Horster
|
Schule der Magie
|
Related to
|
Mar. 1898
|
Der Zauberspiegel
(Vol. 3 No. 9)
|
129
|
|
|
schule der magie \n fourth part, more on the false transfer \n friedrich w. conradi-horster \n schule der magie - einleitung \n friedrich w. conradi-horster
1898
der zauberspiegel
Friedrich W. Conradi-Horster
|
Schule der Magie
|
Related to
|
Apr. 1898
|
Der Zauberspiegel
(Vol. 3 No. 10)
|
145
|
|
|
schule der magie \n fifth part \n friedrich w. conradi-horster \n schule der magie - einleitung \n friedrich w. conradi-horster
1898
der zauberspiegel
Friedrich W. Conradi-Horster
|
Schule der Magie
|
Related to
|
May 1898
|
Der Zauberspiegel
(Vol. 3 No. 11)
|
162
|
|
|
eine neue volte mit einer hand \n "die kartenschule von carl willmann"
part three of description, on delaying the pass, comparing practicing with piano playing \n c. vogel \n carl willmann \n eine neue volte mit einer hand \n c. vogel
1899
die zauberwelt
C. Vogel, Carl Willmann
|
Eine neue Volte mit einer Hand
|
Related to
|
Feb. 1899
|
Die Zauberwelt
(Vol. 5 No. 2)
|
20
|
|
|
uniformity of action \n \n s. w. erdnase \n card table artifice \n steve forte
1902
the expert at the card table
S. W. Erdnase
|
Uniformity of Action
|
Related to
|
1902
|
The Expert at the Card Table
|
22
|
|
|
deportment \n \n s. w. erdnase \n card table artifice \n steve forte
1902
the expert at the card table
S. W. Erdnase
|
Deportment
|
Related to
|
1902
|
The Expert at the Card Table
|
22
|
|
|
display of ability \n \n s. w. erdnase \n card table artifice \n steve forte
1902
the expert at the card table
S. W. Erdnase
|
Display of Ability
|
Related to
|
1902
|
The Expert at the Card Table
|
23
|
|
|
effect of suspicion \n \n s. w. erdnase \n card table artifice \n steve forte
1902
the expert at the card table
S. W. Erdnase
|
Effect of Suspicion
|
Related to
|
1902
|
The Expert at the Card Table
|
24
|
|
|
acquiring the art \n \n s. w. erdnase \n card table artifice \n steve forte
1902
the expert at the card table
S. W. Erdnase
|
Acquiring the Art
|
Related to
|
1902
|
The Expert at the Card Table
|
24
|
|
|
importance of details \n \n s. w. erdnase \n card table artifice \n steve forte
1902
the expert at the card table
S. W. Erdnase
|
Importance of Details
|
Related to
|
1902
|
The Expert at the Card Table
|
25
|
|
|
the principles of natural magic \n \n charles lang neil
1902
the modern conjurer
Charles Lang Neil
|
The Principles of Natural Magic
|
1902
|
The Modern Conjurer
|
19
|
|
|
manner and gesture \n \n charles lang neil
1902
the modern conjurer
Charles Lang Neil
|
Manner and Gesture
|
1902
|
The Modern Conjurer
|
23
|
|
|
the conjurer's clothes \n for men & for ladies \n charles lang neil
1902
the modern conjurer
Charles Lang Neil
|
The Conjurer's Clothes
|
1902
|
The Modern Conjurer
|
27
|
|
|
ii. die moderne magische kunst \n on the modern magic art
- definition
- einst und jetzt
- ratschläge \n friedrich "fritz" hügli
1902
moderne magie
Friedrich "Fritz" Hügli
|
II. Die moderne magische Kunst
|
1902
|
Moderne Magie
|
10
|
|
|
iii. die elemente der täuschung \n "the elements of deception"
- die physikalischen hilfsmittel
- optische täuschungen (optical)
- akustische täuschungen (acoustic)
- gefühlstäuschung (touch) \n friedrich "fritz" hügli
1902
moderne magie
Friedrich "Fritz" Hügli
|
III. Die Elemente der Täuschung
|
1902
|
Moderne Magie
|
15
|
|
|
die psychologischen hilfsmittel \n "psychological aids"
- die finte
- die idee-assoziation
- der vortrag
- die gezwungene wahl \n friedrich "fritz" hügli
1902
moderne magie
Friedrich "Fritz" Hügli
|
Die psychologischen Hilfsmittel
|
1902
|
Moderne Magie
|
28
|
|
|
die grundregeln \n seven rules of magic \n friedrich "fritz" hügli
1902
moderne magie
Friedrich "Fritz" Hügli
|
Die Grundregeln
|
1902
|
Moderne Magie
|
40
|
|
|
i. der salon als zauberbühne \n setting of the room \n friedrich "fritz" hügli
1902
moderne magie
Friedrich "Fritz" Hügli
|
I. Der Salon als Zauberbühne
|
1902
|
Moderne Magie
|
47
|
|
|
vi. der regiezettel \n "director notes", systematically writing routines down to have to have a check sheet when preparing it (trick, props, preparation, help) \n friedrich "fritz" hügli
1902
moderne magie
Friedrich "Fritz" Hügli
|
VI. Der Regiezettel
|
1902
|
Moderne Magie
|
65
|
|
|
excessive use of apparatus \n \n professor hoffmann \n professor anderson
1903
later magic
Professor Hoffmann, Professor Anderson
|
Excessive Use of Apparatus
|
1903
|
Later Magic
|
172
|
|
|
what is best? \n \n professor hoffmann
1903
later magic
Professor Hoffmann
|
What is Best?
|
1903
|
Later Magic
|
222
|
|
|
don'ts \n tips \n john northern hilliard \n t. nelson downs
1909
the art of magic
John Northern Hilliard, T. Nelson Downs
|
Don'ts
|
1909
|
The Art of Magic
|
347
|
|
|
ueber den wert der magischen kunst \n general thoughts on magic \n friedrich "fritz" hügli
1926
magische miniaturen
Friedrich "Fritz" Hügli
|
Ueber den Wert der magischen Kunst
|
1926
|
Magische Miniaturen
|
5
|
|
|
theory \n short \n jack merlin
1927/28
merlin's master manipulations
Jack Merlin
|
Theory
|
1927/28
|
Merlin's Master Manipulations
|
3
|
|
|
practice \n on practice and other theory aspects \n jack merlin
1927/28
merlin's master manipulations
Jack Merlin
|
Practice
|
1927/28
|
Merlin's Master Manipulations
|
3
|
|
|
a waste paper basket \n advice on using an ornamental waste paper basket on stage for throwing away paper so as to remove suspicion, instead of throwing the paper off-stage \n lu brent
1932
novel magic
Lu Brent
|
A Waste Paper Basket
|
1932
|
Novel Magic
|
5
|
|
|
introduction - the importance of showmanship \n \n jean hugard
1935
mental magic with cards
Jean Hugard
|
Introduction - The Importance of Showmanship
|
1935
|
Mental Magic with Cards
|
7
|
|
|
think it over! \n tips on props and performing \n theodore annemann
1936
the jinx
Theodore Annemann
|
Think It Over!
|
1936
|
The Jinx
(Issue 20)
|
111
|
|
|
think it over! \n tips on props and performing \n theodore annemann
1936
the jinx
Theodore Annemann
|
Think It Over!
|
1936
|
The Jinx
(Issue 21)
|
119
|
|
|
suggested programs no. one - a club act of magic \n combining some tricks of the jinx into a program \n theodore annemann
1936
the jinx
Theodore Annemann
|
Suggested Programs No. One - A Club Act of Magic
|
1936
|
The Jinx
(Issue Summer Extra 1936)
|
133
|
|
|
suggested programs no. two - a mental club act \n combining some tricks of the jinx into a program \n theodore annemann
1936
the jinx
Theodore Annemann
|
Suggested Programs No. Two - A Mental Club Act
|
1936
|
The Jinx
(Issue 23)
|
143
|
|
|
finger practice \n practice routine to master the thimble thumb palm \n jean hugard \n the basic sleight - thumb-palm no. 1 \n jean hugard
1936
thimble magic
Jean Hugard
|
Finger Practice
|
Related to
|
1936
|
Thimble Magic
|
5
|
|
|
easy moves with one thimble \n describes four short sequences with one thimble, with some advice on how to execute thimble sleights and magic \n jean hugard
1936
thimble magic
Jean Hugard
|
Easy Moves With One Thimble
|
1936
|
Thimble Magic
|
6
|
|
|
advanced finger practice \n practice routine to master the different thimble palms \n jean hugard
1936
thimble magic
Jean Hugard
|
Advanced Finger Practice
|
1936
|
Thimble Magic
|
19
|
|
|
for artists only \n talks about culling, patter, misdirection, plot, selection of cards, building a programme, and building routines \n victor farelli
1936
lend me your pack
Victor Farelli
|
For Artists Only
|
1936
|
Lend Me Your Pack
|
7
|
|
|
"culling" \n talks about how culling should be done, mentions louis nikola and how he stacks his deck during the course of another routine, also mentions erdnase's stock securing and cull shuffling \n victor farelli \n ordinary methods of stocking, locating and securing \n s. w. erdnase \n the erdnase system of cull shuffling \n s. w. erdnase
1936
lend me your pack
Victor Farelli
|
"Culling"
|
Related to
|
1936
|
Lend Me Your Pack
|
12
|
|
|
lady volunteer assistants \n short essay on how women in the audience should be treated, and why they should probably never be chosen to come on stage, or even pick a card \n victor farelli
1936
lend me your pack
Victor Farelli
|
Lady Volunteer Assistants
|
1936
|
Lend Me Your Pack
|
26
|
|
|
suggested programs no. three - a magical club routine \n combining some tricks out of the jinx into a program \n theodore annemann
1937
the jinx
Theodore Annemann
|
Suggested Programs No. Three - A Magical Club Routine
|
1937
|
The Jinx
(Issue 30)
|
194
|
|
|
suggested routines no. four - a no card mystery act \n combining some tricks of the jinx into a program \n theodore annemann
1937
the jinx
Theodore Annemann
|
Suggested Routines No. Four - A No Card Mystery Act
|
1937
|
The Jinx
(Issue 34)
|
230
|
|
|
the stanyon lessons for the cups and balls \n part 2, discussing props, servante, misdirection \n ellis stanyon
1937
the jinx
Ellis Stanyon
|
The Stanyon Lessons for the Cups and Balls
|
1937
|
The Jinx
(Issue 36)
|
241
|
|
|
suggested routines no. five - "no code" telepathy \n combining some tricks of the jinx into a program \n theodore annemann
1937
the jinx
Theodore Annemann
|
Suggested Routines No. Five - "No Code" Telepathy
|
1937
|
The Jinx
(Issue 38)
|
252
|
|
|
stage presentation \n tips on stage presentation, discussing:
- stage entrance
- settings
- the opening illusion
- the follow on
- patter
- balance
- assistants
- audience work
- routining
- apparatus
- working to magicians
- the climax
- résumé \n david "fu manchu" bamberg
1938
greater magic
David "Fu Manchu" Bamberg
|
Stage Presentation
|
1938
|
Greater Magic
|
936
|
|
|
suggested routine no. 6 - "strictly impromptu" \n combining some card tricks of the jinx into a program \n orville wayne meyer
1938
the jinx
Orville Wayne Meyer
|
Suggested Routine No. 6 - "Strictly Impromptu"
|
1938
|
The Jinx
(Issue 49)
|
344
|
|
|
a 68 cent patent \n tip on patenting, see page 456 \n theodore annemann
1939
the jinx
Theodore Annemann
|
A 68 Cent Patent
|
1939
|
The Jinx
(Issue 62)
|
441
|
|
|
a club routine of general magic \n routine of tricks in the book \n oscar weigle \n robert parrish
1939
do that again!
Oscar Weigle, Robert Parrish
|
A Club Routine of General Magic
|
1939
|
Do That Again!
|
75
|
|
|
introduction - extempore magic \n essay on impromptu magic, special props and magic that happens as a side note, with examples by tarbell \n jean hugard
1939
the magic annual for 1938 and 1939
Jean Hugard
|
Introduction - Extempore Magic
|
1939
|
The Magic Annual for 1938 and 1939
|
11
|
|
|
misdirection \n \n jean hugard \n frederick braue \n "misdirection" oder "ablenkung" \n jean hugard \n frederick braue
1940
expert card technique
Jean Hugard, Frederick Braue
|
Misdirection
|
Also published here
|
1940
|
Expert Card Technique
|
423
|
|
|
etchings in magic \n rosini writes about his influences in magic \n paul rosini
1940
the jinx
Paul Rosini
|
Etchings in Magic
|
1940
|
The Jinx
(Issue 105)
|
629
|
|
|
memory aid for programs \n remembering the order of tricks \n oscar thomson
1940
the jinx
Oscar Thomson
|
Memory Aid for Programs
|
1940
|
The Jinx
(Issue 111)
|
664
|
|
|
playing card squiggles \n drawing contest \n theodore annemann
1940
the jinx
Theodore Annemann
|
Playing Card Squiggles
|
1940
|
The Jinx
(Issue 115)
|
681
|
|
|
your magical scrapbook \n tip \n george johnson
1940
the jinx
George Johnson
|
Your Magical Scrapbook
|
1940
|
The Jinx
(Issue 118)
|
697
|
|
|
houdini's book identification system \n for personal library, mentioned by ralph w. read \n harry houdini
1940
the jinx
Harry Houdini
|
Houdini's Book Identification System
|
1940
|
The Jinx
(Issue 119)
|
702
|
|
|
whose fault when things go wrong? \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Whose Fault When Things Go Wrong?
|
1940
|
"Outs" Precautions and Challenges
|
15
|
|
|
the psychology of failure \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
The Psychology of Failure
|
1940
|
"Outs" Precautions and Challenges
|
16
|
|
|
use of "sucker gag" technique \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Use of "Sucker Gag" Technique
|
1940
|
"Outs" Precautions and Challenges
|
17
|
|
|
secret and open outs \n difference between rectifying mistakes secretly (before audience knows about it) and openly (when the mistake is known to everyone) \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Secret And Open Outs
|
1940
|
"Outs" Precautions and Challenges
|
18
|
|
|
when error is still under cover \n techniques to get out of mistakes before audience catches on \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
When Error Is Still Under Cover
|
1940
|
"Outs" Precautions and Challenges
|
18
|
|
|
when error may be visible \n techniques to get out of mistakes when audience knows \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
When Error May Be Visible
|
1940
|
"Outs" Precautions and Challenges
|
20
|
|
|
either you know you are wrong - or else... \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Either You Know You Are Wrong - Or Else...
|
1940
|
"Outs" Precautions and Challenges
|
21
|
|
|
this time you must be right \n importance of rectifying the mistake clearly to end successfully \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
This Time You MUST Be Right
|
1940
|
"Outs" Precautions and Challenges
|
22
|
|
|
attitudes that get co-operation \n after finding wrong card, how to get selector to reveal the correct card for magician to try again \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Attitudes That Get Co-operation
|
1940
|
"Outs" Precautions and Challenges
|
22
|
|
|
8 - use a thumb writer. \n how to use thumb writer to get out of sticky situations \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
8 - Use a thumb writer.
|
1940
|
"Outs" Precautions and Challenges
|
24
|
|
|
9 - impression methods. \n using carbon paper to make a copy \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
9 - Impression methods.
|
1940
|
"Outs" Precautions and Challenges
|
25
|
|
|
10 - pencil reading. \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
10 - Pencil reading.
|
1940
|
"Outs" Precautions and Challenges
|
26
|
|
|
11 - friendly mirrors. \n using reflective surfaces \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
11 - Friendly mirrors.
|
1940
|
"Outs" Precautions and Challenges
|
26
|
|
|
old ideas brought up to date; also, a few new ones \n useful sleights to use for outs \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Old Ideas Brought Up To Date; Also, A Few New Ones
|
1940
|
"Outs" Precautions and Challenges
|
27
|
|
|
other useful standard sleights \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Other Useful Standard Sleights
|
1940
|
"Outs" Precautions and Challenges
|
36
|
|
|
fit the weapon to the needs \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Fit The Weapon To The Needs
|
1940
|
"Outs" Precautions and Challenges
|
36
|
|
|
getting down to brass tacks--- and the selected card \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Getting Down To Brass Tacks--- And The Selected Card
|
1940
|
"Outs" Precautions and Challenges
|
37
|
|
|
"outs" productions from pockets and other places \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
"Outs" Productions From Pockets And Other Places
|
1940
|
"Outs" Precautions and Challenges
|
42
|
|
|
31 - use of spectators for "outs" \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
31 - Use of spectators for "outs"
|
1940
|
"Outs" Precautions and Challenges
|
44
|
|
|
apparatus alibis \n outs when apparatus is used to reveal cards, but goes wrong \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Apparatus Alibis
|
1940
|
"Outs" Precautions and Challenges
|
46
|
|
|
first aid for feeble memories \n what to do if spectator forgets card \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
First Aid For Feeble Memories
|
1940
|
"Outs" Precautions and Challenges
|
47
|
|
|
"outs" compared with challenges \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
"Outs" Compared with Challenges
|
1940
|
"Outs" Precautions and Challenges
|
51
|
|
|
a word of caution \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
A Word of Caution
|
1940
|
"Outs" Precautions and Challenges
|
52
|
|
|
try to keep as much control as possible \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Try To Keep As Much Control As Possible
|
1940
|
"Outs" Precautions and Challenges
|
53
|
|
|
how "plenty of rein" trips them \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
How "Plenty of Rein" Trips Them
|
1940
|
"Outs" Precautions and Challenges
|
63
|
|
|
the magician's little helpers \n mechanical aids \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
The Magician's Little Helpers
|
1940
|
"Outs" Precautions and Challenges
|
66
|
|
|
when information-getting becomes ticklish \n how to gain information not by pretending to confess to failure, but by proper methods in performance \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
When Information-Getting Becomes Ticklish
|
1940
|
"Outs" Precautions and Challenges
|
68
|
|
|
they commit themselves in writing \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
They Commit Themselves In Writing
|
1940
|
"Outs" Precautions and Challenges
|
69
|
|
|
51 - pencil reading. \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
51 - Pencil reading.
|
1940
|
"Outs" Precautions and Challenges
|
69
|
|
|
53 - billet index. \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
53 - Billet index.
|
1940
|
"Outs" Precautions and Challenges
|
71
|
|
|
54 - pad impressions. \n \n unknown
1940
"outs" precautions and challenges
Unknown
|
54 - Pad impressions.
|
1940
|
"Outs" Precautions and Challenges
|
71
|
|
|
55 - trick notebooks. \n carbon paper in notebooks \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
55 - Trick notebooks.
|
1940
|
"Outs" Precautions and Challenges
|
71
|
|
|
56 - a "case of hambuggery" \n annemann's "mental masterpiece" \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
56 - A "Case of Hambuggery"
|
1940
|
"Outs" Precautions and Challenges
|
71
|
|
|
a prophet in his own land \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
A Prophet In his Own Land
|
1940
|
"Outs" Precautions and Challenges
|
72
|
|
|
57 - thumb writers. \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
57 - Thumb writers.
|
1940
|
"Outs" Precautions and Challenges
|
72
|
|
|
what makes audiences get that way \n why do audiences heckle? \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
What Makes Audiences Get That Way
|
1940
|
"Outs" Precautions and Challenges
|
74
|
|
|
circumstances that lead up to challenges \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Circumstances That Lead Up To Challenges
|
1940
|
"Outs" Precautions and Challenges
|
75
|
|
|
specific handling of various situations \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Specific Handling of Various Situations
|
1940
|
"Outs" Precautions and Challenges
|
76
|
|
|
the heckler... ding bust his buttons! \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
The Heckler... Ding Bust His Buttons!
|
1940
|
"Outs" Precautions and Challenges
|
76
|
|
|
for the intelligent analyst type \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
For The Intelligent Analyst Type
|
1940
|
"Outs" Precautions and Challenges
|
77
|
|
|
troubles arising out of pure friendship \n \n charles hopkins
1940
"outs" precautions and challenges
Charles Hopkins
|
Troubles Arising Out of Pure Friendship
|
1940
|
"Outs" Precautions and Challenges
|
78
|
|
|
jaks plaudert über mikromagie \n thoughts on close-up magic \n dr. stanley jaks
1940
hokus pokus
Dr. Stanley Jaks
|
Jaks plaudert über Mikromagie
|
1940
|
Hokus Pokus
(Vol. 2 No. 1)
|
22
|
|
|
aus den unveröffentlichten werken fritz hügli's \n intro of the unpublished fritz hügli book "die kunst zu zaubern", on performing magic \n friedrich "fritz" hügli
1940
hokus pokus
Friedrich "Fritz" Hügli
|
Aus den unveröffentlichten Werken Fritz Hügli's
|
Oct. 1940
|
Hokus Pokus
(Vol. 2 No. 2&3)
|
4
|
|
|
misdirection techniques \n \n eddie joseph
1940 / 1992
how to pick pockets for fun and profit
Eddie Joseph
|
Misdirection Techniques
|
1940 / 1992
|
How to Pick Pockets for Fun and Profit
|
13
|
|
|
a word on tables \n space management regarding tables on stage \n edward victor
1940 ca.
more magic of the hands — part two
Edward Victor
|
A Word on Tables
|
1940 ca.
|
More Magic of the Hands — Part Two
|
144
|
|
|
the sane viewpoint of exposure \n reprinted from linking ring \n fulton oursler
1941
the jinx
Fulton Oursler
|
The Sane Viewpoint of Exposure
|
1941
|
The Jinx
(Issue 125)
|
726
|
|
|
fifth row, center aisle \n rant on too positive reviews of magic show \n cagliostro, jr.
1941
the jinx
Cagliostro, Jr.
|
Fifth Row, Center Aisle
|
1941
|
The Jinx
(Issue 128)
|
738
|
|
|
s.a.m. benefit show \n show review with performers: fred keating, the hanlons, jay palmer & co, the great le roy, al baker, dai vernon, dagmar & co, the five elgins, roner, prince leon and gus wayne, roy benson \n cagliostro, jr.
1941
the jinx
Cagliostro, Jr. (reviewer)
|
S.A.M. Benefit Show
|
1941
|
The Jinx
(Issue 129)
|
743
|
|
|
suggested program no. 7 - "a varied magic act" \n combining some tricks of the jinx into a program \n theodore annemann
1941
the jinx
Theodore Annemann
|
Suggested Program No. 7 - "A Varied Magic Act"
|
1941
|
The Jinx
(Issue 129)
|
745
|
|
|
the old timers of the y.m.h.a. present master magicians in "a night of magic" \n show review \n rhadamanthus, jr.
1941
the jinx
Rhadamanthus, Jr. (reviewer)
|
The Old Timers of the Y.M.H.A. present Master Magicians in "A Night of Magic"
|
1941
|
The Jinx
(Issue 130)
|
749
|
|
|
the health magician \n program aimed at children on the subject of being healthy, how to dress, tricks and patter ideas \n charles j. maly
1942
ireland's yearbooks
Charles J. Maly
|
The Health Magician
|
1942
|
Ireland's Yearbooks
(Issue Yearbook 1942)
|
18
|
|
|
the back room \n on trick exposure \n walter b. gibson
1942
the phoenix 1-50
Walter B. Gibson
|
The Back Room
|
1942
|
The Phoenix 1-50
(Issue 5)
|
20
|
|
|
part one - some sl(e)ight changes in some standard sleights \n intro, on naturalness \n eddie joseph
1942
greater card tricks
Eddie Joseph
|
Part One - Some Sl(e)ight Changes in Some Standard Sleights
|
1942
|
Greater Card Tricks
|
7
|
|
|
der künstler auf der bühne richtlinien grundsätzlicher natur \n guidelines for performing on stage \n dr. william weyeneth
1942
hokus pokus
Dr. William Weyeneth
|
Der Künstler auf der Bühne Richtlinien grundsätzlicher Natur
|
Nov. 1942
|
Hokus Pokus
(Vol. 4 No. 11)
|
4
|
|
|
the back room \n on stuart robson, al chris describing a miracle from india, dell o'dell, russ swann, selling and promotion \n bruce elliott
1943
the phoenix 1-50
Bruce Elliott
|
The Back Room
|
1943
|
The Phoenix 1-50
(Issue 49)
|
203
|
|
|
editorial - what is magic? \n hugard's definition what magic is \n jean hugard
1943
hugard's magic monthly — volumes i, ii, iii and iv
Jean Hugard
|
Editorial - What is Magic?
|
Sep. 1943
|
Hugard's Magic Monthly — Volumes I, II, III and IV
(Vol. 1 No. 4)
|
15
|
|
|
la magie de salon \n on parlor magic, followed by german translation "salon-magie" \n hans "severus" ernst
1943
hokus pokus
Hans "Severus" Ernst
|
La Magie de Salon
|
1943
|
Hokus Pokus
(Vol. 5 No. 4)
|
1
|
|
|
la presentation et le boniment \n on words, patter and presentation \n claude
1943
hokus pokus
Claude
|
La presentation et le boniment
|
1943
|
Hokus Pokus
(Vol. 5 No. 4)
|
12
|
|
|
gedanken über die ausstattung \n on style and taste of equipment \n alfred "agys" gysler
1943
hokus pokus
Alfred "Agys" Gysler
|
Gedanken über die Ausstattung
|
1943
|
Hokus Pokus
(Vol. 5 No. 4)
|
14
|
|
|
dressing up the show \n on the use of props, practicability and show construction \n laurie ireland
1944
ireland's yearbooks
Laurie Ireland
|
Dressing Up the Show
|
1944
|
Ireland's Yearbooks
(Issue Yearbook 1944)
|
29
|
|
|
gestures \n on gestures, style and manners \n jean hugard
1944
hugard's magic monthly — volumes i, ii, iii and iv
Jean Hugard
|
Gestures
|
Feb. 1944
|
Hugard's Magic Monthly — Volumes I, II, III and IV
(Vol. 1 No. 9)
|
38
|
|
|
bare stage bugbear \n how to move on a stage, fishing rod to get objects from the audience \n jean hugard
1944
hugard's magic monthly — volumes i, ii, iii and iv
Jean Hugard
|
Bare Stage Bugbear
|
Feb. 1944
|
Hugard's Magic Monthly — Volumes I, II, III and IV
(Vol. 1 No. 9)
|
38
|
|
|
exposures \n on exposure \n jean hugard
1944
hugard's magic monthly — volumes i, ii, iii and iv
Jean Hugard
|
Exposures
|
Dec. 1944
|
Hugard's Magic Monthly — Volumes I, II, III and IV
(Vol. 2 No. 7)
|
86
|
|
|
what manner of man \n “the general ideas which a magician must bear in mind about the performance of magic, and a description of what magic is and why it works” \n john mulholland
1944
the art of illusion
John Mulholland
|
What Manner of Man
|
1944
|
The Art of Illusion
|
1
|
|
|
the secrets unraveled \n “various additional items of information which a magician will find useful to know; such as how to make up a program and how to eliminate errors; as well as several additional feats of magic.” \n john mulholland
1944
the art of illusion
John Mulholland
|
The Secrets Unraveled
|
1944
|
The Art of Illusion
|
125
|
|
|
achtung! lebensgefahr! falsche magier! \n on copying other magicians, amateurs stealing from professionals, on a routine copied by danish magazine "magi"
- es ist kein kunststück, sich mit fremden federn zu schmücken \n hans "severus" ernst \n alfred "agys" gysler \n lili marlen / lilly marlen \n hans "severus" ernst
1945
hokus pokus
Hans "Severus" Ernst, Alfred "Agys" Gysler
|
Achtung! Lebensgefahr! Falsche Magier!
|
Related to
|
1945
|
Hokus Pokus
(Vol. 6 No. 4)
|
1
|
|
|
vieux principes \n rules on performing \n henri decremps
1945
hokus pokus
Henri Decremps
|
Vieux principes
|
1945
|
Hokus Pokus
(Vol. 6 No. 4)
|
6
|
|
|
das a und o der vorführung \n on having a theme for the show, directing an act \n unknown
1945
hokus pokus
Unknown
|
Das A und O der Vorführung
|
1945
|
Hokus Pokus
(Vol. 6 No. 4)
|
8
|
|
|
anforderungen \n on what it needs to be a magicians, "aus einem unveröffentlichten artikel von f. hügli" \n friedrich "fritz" hügli
1945
hokus pokus
Friedrich "Fritz" Hügli
|
Anforderungen
|
1945
|
Hokus Pokus
(Vol. 6 No. 4)
|
12
|
|
|
3. vorführungsformen \n different performing styles
- die pantomimische vorführung
- die deklamatorische vorführung
- die dramatische vorführung \n alfred "agys" gysler
1945
hokus pokus
Alfred "Agys" Gysler
|
3. Vorführungsformen
|
1945
|
Hokus Pokus
(Vol. 7 No. 1&2)
|
4
|
|
|
you can't lose - apparently! \n system for placing bets, horse race etc. \n frank de sua
1946
ireland's yearbooks
Frank De Sua
|
You Can't Lose - Apparently!
|
1946
|
Ireland's Yearbooks
(Issue Yearbook 1946)
|
5
|
|
|
routining for the 'little fellow' \n on gaining experience \n laurie ireland
1946
ireland's yearbooks
Laurie Ireland
|
Routining for the 'Little Fellow'
|
1946
|
Ireland's Yearbooks
(Issue Yearbook 1946)
|
34
|
|
|
die magische täuschung \n essay on technique and structure of routines, "aus dem unveröffentlichten buch: 'wunder der täuschung'" \n friedrich "fritz" hügli
1946
hokus pokus
Friedrich "Fritz" Hügli
|
Die magische Täuschung
|
1946
|
Hokus Pokus
(Vol. 7 No. 4)
|
3
|
|
|
1-2-3 , disparaissez \n on magic and different types of spectator \n jean marc bujard
1946
hokus pokus
Jean Marc Bujard
|
1-2-3 , disparaissez
|
1946
|
Hokus Pokus
(Vol. 7 No. 4)
|
16
|
|
|
bobo system of card control \n \n j. b. bobo
1947
watch this one!
J. B. Bobo
|
Bobo System of Card Control
|
1947
|
Watch This One!
|
73
|
|
|
the art of sleeving \n \n j. b. bobo
1947
watch this one!
J. B. Bobo
|
The Art of Sleeving
|
1947
|
Watch This One!
|
75
|
|
|
erfolgs psychologie des zauberkünstlers \n on the mysterious and success of a magic act, applause \n carl "j. n. teroga" schnetzer
1947
hokus pokus
Carl "J. N. Teroga" Schnetzer
|
Erfolgs Psychologie des Zauberkünstlers
|
1947
|
Hokus Pokus
(Vol. 9 No. 1)
|
2
|
|
|
cashing in on close up magic \n in a bar \n bob rettew
1948
ireland's yearbooks
Bob Rettew
|
Cashing in on Close Up Magic
|
1948
|
Ireland's Yearbooks
(Issue Yearbook 1948)
|
18
|
|
|
magic vs. science - a lecture on magic \n patter for lecture presentation, infotainment \n carl d. shoemaker
1948
ireland's yearbooks
Carl D. Shoemaker
|
Magic vs. Science - A Lecture on Magic
|
1948
|
Ireland's Yearbooks
(Issue Yearbook 1948)
|
25
|
|
|
the principles of magic \n - commented list of methods/principles (manipulation, substitution, duplication, camouflage, imitation, false partition, concealed mechanism, falsification, arrangement, preparation)
- list of effects
- list of aiding factors (misdirection, sustained attention, diverted attention, restriction, repetition, conclusion, climax, anti-climax, mannerism, surprise, expectancy, memory, mnemonics, reconstructive imagination, dramatics, humor) \n arthur h. buckley
1948
principles and deceptions
Arthur H. Buckley
|
The Principles of Magic
|
1948
|
Principles and Deceptions
|
22
|
|
|
rabbits is extra \n on kids shows \n frances ireland marshall
1949
ireland's yearbooks
Frances Ireland Marshall
|
Rabbits is Extra
|
1949
|
Ireland's Yearbooks
(Issue Yearbook 1949)
|
|
|
|
eine brr... lücke, lücke \n on the selection of spectators as assistants \n carl "j. n. teroga" schnetzer
1949
hokus pokus
Carl "J. N. Teroga" Schnetzer
|
eine Brr... Lücke, Lücke
|
1949
|
Hokus Pokus
(Vol. 10 No. 3)
|
17
|
|
|
presentation of manipulation \n - the performer
-- (a) personality
-- (b) dress and appearance
-- (c) care and use of the hands
-- (d) speech
-- (e) behaviour
-- (f) make-up
- his outside aids
-- (a) stage setting
-- (b) lighting
-- (c) music
-- (d) apparatus
- technical ability \n lewis ganson
1950
routined manipulation — part one
Lewis Ganson
|
Presentation of Manipulation
|
1950
|
Routined Manipulation — Part One
|
5
|
|
|
introduction \n on close-up magic, his book of mysteries, beautiful props appealing to women \n dr. stanley jaks \n lektion in magie \n dr. stanley jaks
1951
who is this dr. jaks?
Dr. Stanley Jaks
|
Introduction
|
Also published here
|
1951
|
Who is this Dr. Jaks?
|
1
|
|
|
mehr logik beim zaubern \n on logical conclusions and justifications in magic tricks \n dr. william weyeneth
1951
hokus pokus
Dr. William Weyeneth
|
Mehr Logik beim Zaubern
|
1951
|
Hokus Pokus
(Vol. 12 No. 1&2)
|
2
|
|
|
zur problematik einer rangstufe an kongress-wettbewerben \n on the problem of judging competition acts \n dr. william weyeneth
1951
hokus pokus
Dr. William Weyeneth
|
Zur Problematik einer Rangstufe an Kongress-Wettbewerben
|
1951
|
Hokus Pokus
(Vol. 12 No. 4&5)
|
29
|
|
|
specialization \n \n bill simon
1952
effective card magic
Bill Simon
|
Specialization
|
1952
|
Effective Card Magic
|
13
|
|
|
the importance of practice \n \n bill simon
1952
effective card magic
Bill Simon
|
The Importance of Practice
|
1952
|
Effective Card Magic
|
13
|
|
|
the necessity of trial \n \n bill simon
1952
effective card magic
Bill Simon
|
The Necessity of Trial
|
1952
|
Effective Card Magic
|
14
|
|
|
understanding theory \n \n bill simon
1952
effective card magic
Bill Simon
|
Understanding Theory
|
1952
|
Effective Card Magic
|
15
|
|
|
the importance of studying simple moves \n \n bill simon
1952
effective card magic
Bill Simon
|
The Importance of Studying Simple Moves
|
1952
|
Effective Card Magic
|
15
|
|
|
manipulation \n on using flourishes or not \n bill simon
1952
effective card magic
Bill Simon
|
Manipulation
|
1952
|
Effective Card Magic
|
16
|
|
|
technicalities \n \n bill simon
1952
effective card magic
Bill Simon
|
Technicalities
|
1952
|
Effective Card Magic
|
16
|
|
|
the art of presentation \n \n bill simon
1952
effective card magic
Bill Simon
|
The Art of Presentation
|
1952
|
Effective Card Magic
|
17
|
|
|
spontaneous resourcefulness \n \n bill simon
1952
effective card magic
Bill Simon
|
Spontaneous Resourcefulness
|
1952
|
Effective Card Magic
|
18
|
|
|
conjurer vs. gambler \n \n bill simon
1952
effective card magic
Bill Simon
|
Conjurer vs. Gambler
|
1952
|
Effective Card Magic
|
19
|
|
|
the best magic \n \n bill simon
1952
effective card magic
Bill Simon
|
The Best Magic
|
1952
|
Effective Card Magic
|
19
|
|
|
handling \n \n bill simon
1952
effective card magic
Bill Simon
|
Handling
|
1952
|
Effective Card Magic
|
20
|
|
|
cultivating originality in presentation \n \n bill simon
1952
effective card magic
Bill Simon
|
Cultivating Originality in Presentation
|
1952
|
Effective Card Magic
|
20
|
|
|
unprepared cards \n \n bill simon
1952
effective card magic
Bill Simon
|
Unprepared Cards
|
1952
|
Effective Card Magic
|
20
|
|
|
present day sophistication \n \n bill simon
1952
effective card magic
Bill Simon
|
Present Day Sophistication
|
1952
|
Effective Card Magic
|
21
|
|
|
audience participation \n \n bill simon
1952
effective card magic
Bill Simon
|
Audience Participation
|
1952
|
Effective Card Magic
|
22
|
|
|
patter \n \n bill simon
1952
effective card magic
Bill Simon
|
Patter
|
1952
|
Effective Card Magic
|
22
|
|
|
poker cards vs. bridge cards \n \n bill simon
1952
effective card magic
Bill Simon
|
Poker Cards vs. Bridge Cards
|
1952
|
Effective Card Magic
|
24
|
|
|
accessories \n \n bill simon
1952
effective card magic
Bill Simon
|
Accessories
|
1952
|
Effective Card Magic
|
25
|
|
|
originality \n \n bill simon
1952
effective card magic
Bill Simon
|
Originality
|
1952
|
Effective Card Magic
|
25
|
|
|
introduction \n on performing, booklet contains reprints from the sphinx \n theodore annemann
1952
annemann's buried treasures
Theodore Annemann
|
Introduction
|
1952
|
Annemann's Buried Treasures
|
|
|
|
klimax \n on the climax \n carl "j. n. teroga" schnetzer
1953
hokus pokus
Carl "J. N. Teroga" Schnetzer
|
Klimax
|
1953
|
Hokus Pokus
(Vol. 14 No. 4)
|
121
|
|
|
in general \n on practicing, entertainment \n bill simon
1954
sleightly sensational
Bill Simon
|
In General
|
1954
|
Sleightly Sensational
|
5
|
|
|
how to learn magic tricks \n read instruction into tape recorder \n kirk stiles
1954
the new phoenix 301-348
Kirk Stiles
|
How to Learn Magic Tricks
|
1954
|
The New Phoenix 301-348
(Issue 303)
|
11
|
|
|
falsche bezeichnung der zauberkunst \n on the reputation of magic, leist-bernini \n friedrich "fritz" hügli
1954
hokus pokus
Friedrich "Fritz" Hügli
|
Falsche Bezeichnung der Zauberkunst
|
1954
|
Hokus Pokus
(Vol. 15 No. 1)
|
170
|
|
|
education for magic \n several tips on performing \n william lindsay gresham
1955
ireland's yearbooks
William Lindsay Gresham
|
Education for Magic
|
1955
|
Ireland's Yearbooks
(Issue Yearbook 1955)
|
16
|
|
|
a wee bit of advice \n \n john ramsay
1955
the new phoenix 301-348
John Ramsay
|
A Wee Bit of Advice
|
1955
|
The New Phoenix 301-348
(Issue 328)
|
121
|
|
|
the real top secrets \n \n james g. thompson jr. \n die wahren geheimnisse der zauberkunst \n james g. thompson jr.
1956
top secrets of magic
James G. Thompson Jr.
|
The Real Top Secrets
|
Also published here
|
1956
|
Top Secrets of Magic
|
117
|
|
|
lampenfieber \n on stage fright \n taroh
1956
hokus pokus
Taroh
|
Lampenfieber
|
1956
|
Hokus Pokus
(Vol. 17 No. 3)
|
426
|
|
|
the vernon touch \n \n lewis ganson
1957
the dai vernon book of magic
Lewis Ganson
|
The Vernon Touch
|
1957
|
The Dai Vernon Book of Magic
|
27
|
|
|
facing your audience \n \n dr. reuben ligan
1957
26 originals
Dr. Reuben Ligan
|
Facing Your Audience
|
1957
|
26 Originals
|
2
|
|
|
mental communications \n opening lines for a mentalism show \n don tanner
1957
the new phoenix 301-348
Don Tanner
|
Mental Communications
|
1957
|
The New Phoenix 301-348
(Issue 344)
|
199
|
|
|
rules for the close-up magician \n \n bert allerton
1958
the close-up magician
Bert Allerton
|
Rules for the Close-Up Magician
|
1958
|
The Close-Up Magician
|
69
|
|
|
summary of technique \n predictions, comments and tips on presentation \n tony corinda
1958
predictions
Tony Corinda
|
Summary of Technique
|
1958
|
Predictions
|
100
|
|
|
the purpose of close up magic \n \n bobby bernard
1958
magic in miniature
Bobby Bernard
|
The Purpose of Close Up Magic
|
1958
|
Magic in Miniature
|
6
|
|
|
good taste in close up magic - points to note when performing. \n eight points \n bobby bernard
1958
magic in miniature
Bobby Bernard
|
Good Taste in Close Up Magic - Points to Note When Performing.
|
1958
|
Magic in Miniature
|
7
|
|
|
t.v. close up magic \n some thoughts on performing on tv, brief \n bobby bernard
1958
magic in miniature
Bobby Bernard
|
T.V. Close Up Magic
|
1958
|
Magic in Miniature
|
8
|
|
|
magische erfindungen - zauberische intuitionen \n on originality and inventing tricks \n rolf andra
1958
hokus pokus
Rolf Andra
|
Magische Erfindungen - Zauberische Intuitionen
|
1958
|
Hokus Pokus
(Vol. 19 No. 1)
|
583
|
|
|
kleines a-b-c, zum zaubern auf der bühne \n tips on performing magic in abc form, every letter one idea \n max bühler
1958
hokus pokus
Max Bühler
|
Kleines A-B-C, zum Zaubern auf der Bühne
|
1958
|
Hokus Pokus
(Vol. 19 No. 1)
|
597
|
|
|
religion und magie \n on religion and magic \n georg köhler
1958
hokus pokus
Georg Köhler
|
Religion und Magie
|
1958
|
Hokus Pokus
(Vol. 19 No. 3)
|
653
|
|
|
die 2ten: vorschlag eines alten praktikers \n on having a second non-magic act \n otto "sasso" lutz
1958
hokus pokus
Otto "Sasso" Lutz
|
Die 2ten: Vorschlag eines alten Praktikers
|
1958
|
Hokus Pokus
(Vol. 19 No. 5)
|
726
|
|
|
(1) a few simple rules for working with billets \n \n tony corinda
1959
billets
Tony Corinda
|
(1) A Few Simple Rules for Working with Billets
|
1959
|
Billets
|
166
|
|
|
the essentials of good presentation \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
The Essentials of Good Presentation
|
1960
|
Patter and Presentation
|
292
|
|
|
(a) personal appearance \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(A) Personal Appearance
|
1960
|
Patter and Presentation
|
392
|
|
|
(b) manner and speech \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(B) Manner and Speech
|
1960
|
Patter and Presentation
|
393
|
|
|
(c) patter \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(c) Patter
|
1960
|
Patter and Presentation
|
394
|
|
|
(d) good effects \n choosing good and fitting material, structure of tricks, applause \n tony corinda
1960
patter and presentation
Tony Corinda
|
(D) Good Effects
|
1960
|
Patter and Presentation
|
398
|
|
|
(e) handling \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(E) Handling
|
1960
|
Patter and Presentation
|
403
|
|
|
(f) timing \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(F) Timing
|
1960
|
Patter and Presentation
|
404
|
|
|
(g) misdirection \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(G) Misdirection
|
1960
|
Patter and Presentation
|
407
|
|
|
(h) co-ordination \n \n tony corinda
1960
patter and presentation
Tony Corinda
|
(H) Co-Ordination
|
1960
|
Patter and Presentation
|
411
|
|
|
list of 40 effects suitable for children shows \n \n charlie miller
1961
the magic of charles earle miller
Charlie Miller
|
List of 40 Effects suitable for Children Shows
|
1961
|
The Magic of Charles Earle Miller
|
95
|
|
|
charlie miller's uso act \n \n charlie miller
1961
the magic of charles earle miller
Charlie Miller
|
Charlie Miller's USO Act
|
1961
|
The Magic of Charles Earle Miller
|
96
|
|
|
club show (1936) \n list of effects, "the show i give is almost the same as that given by malini" \n charlie miller
1961
the magic of charles earle miller
Charlie Miller
|
Club Show (1936)
|
1961
|
The Magic of Charles Earle Miller
|
97
|
|
|
charlie miller's "shell christmas" show routine \n \n charlie miller
1961
the magic of charles earle miller
Charlie Miller
|
Charlie Miller's "Shell Christmas" Show Routine
|
1961
|
The Magic of Charles Earle Miller
|
98
|
|
|
jack merlin's act \n short description \n charlie miller
1961
the magic of charles earle miller
Charlie Miller
|
Jack Merlin's Act
|
1961
|
The Magic of Charles Earle Miller
|
101
|
|
|
a few thoughts on radio publicity \n \n alan milan
1961
still more miracles in mentalism
Alan Milan
|
A Few Thoughts on Radio Publicity
|
1961
|
Still More Miracles in Mentalism
|
69
|
|
|
lektion in magie \n on close-up magic, his book of mysteries, beautiful props appealing to women \n dr. stanley jaks \n introduction \n dr. stanley jaks
1961
dr. stanley-jaks und seine geheimnisse
Dr. Stanley Jaks
|
Lektion in Magie
|
Also published here
|
1961
|
Dr. Stanley-Jaks und seine Geheimnisse
|
10
|
|
|
on misdirection \n on direction an misdirection, using the gaze \n dane hooper \n jim groves
1962
ireland's yearbooks
Dane Hooper, Jim Groves
|
On Misdirection
|
1962
|
Ireland's Yearbooks
(Issue Yearbook 1962)
|
36
|
|
|
Über das wesen der magischen kunst \n thoughts on magic, comparison to sports, art and science
- warum sport?
- warum kunst?
- warum wissenschaft? \n professor melachini-caligari
1963
hokus pokus
Professor Melachini-Caligari
|
Über das Wesen der magischen Kunst
|
1963
|
Hokus Pokus
(Vol. 24 No. 4)
|
56
|
|
|
what to do when you arrive \n \n frances ireland marshall
1964
ireland's yearbooks
Frances Ireland Marshall
|
What To Do When You Arrive
|
1964
|
Ireland's Yearbooks
(Issue Yearbook 1963-64)
|
34
|
|
|
the presentation of close-up magic \n - approaching people
- different group sizes
- examination of objects
- containers to store props
- working surface
- music ("ganson's personal orchestra")
- close-up effects
- length of performance
- practice
- economy of movement
- borrowing objects \n lewis ganson
1967
the art of close-up magic — volume 1
Lewis Ganson
|
The Presentation Of Close-Up Magic
|
1967
|
The Art of Close-Up Magic — Volume 1
|
11
|
|
|
general remarks \n tips on performing \n charlie miller \n charlie miller's wisdom - part one \n roberto giobbi \n charlie miller's wisdom - part two \n roberto giobbi
1967
charlie miller lecture notes
Charlie Miller
|
General Remarks
|
Variations
|
1967
|
Charlie Miller Lecture Notes
|
4
|
|
|
my routine outlined \n structure of his professional shows \n charlie miller
1967
charlie miller lecture notes
Charlie Miller
|
My Routine Outlined
|
1967
|
Charlie Miller Lecture Notes
|
28
|
|
|
professional presentation \n including koran's comments on presentation and on the tricks in the book \n hugh miller \n al koran
1968
al koran's professional presentations
Hugh Miller, Al Koran
|
Professional Presentation
|
1968
|
Al Koran's Professional Presentations
|
5
|
|
|
how to be a comedian in one easy lifetime \n \n unknown
1968
ireland's yearbooks
Unknown
|
How to Be a Comedian in One Easy Lifetime
|
1968
|
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
10
|
|
|
thoughts on magical comedy \n \n duke stern
1968
ireland's yearbooks
Duke Stern
|
Thoughts on Magical Comedy
|
1968
|
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
12
|
|
|
magic isn't funny \n essay on comedy magic \n "senator" clarke crandall
1968
ireland's yearbooks
"Senator" Clarke Crandall
|
Magic Isn't Funny
|
1968
|
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
20
|
|
|
rubber cement \n how rubber cement can be used \n gene anderson
1968
newspaper magic
Gene Anderson
|
Rubber Cement
|
1968
|
Newspaper Magic
|
97
|
|
|
the torn and restored newspaper \n analysis of basic methods \n gene anderson
1968
newspaper magic
Gene Anderson
|
The Torn and Restored Newspaper
|
1968
|
Newspaper Magic
|
135
|
|
|
historical methods \n description of different methods (al baker, slydini, page, elmsley, grant, neil foster) \n gene anderson
1968
newspaper magic
Gene Anderson
|
Historical Methods
|
1968
|
Newspaper Magic
|
135
|
|
|
making the most of the newspaper tearing trick \n other patter ideas and tips to enhance your routine \n gene anderson
1968
newspaper magic
Gene Anderson
|
Making the Most of the Newspaper Tearing Trick
|
1968
|
Newspaper Magic
|
165
|
|
|
on the presentation of mathematical tricks \n \n johann nepomuk hofzinser \n karl fulves
1969
the pallbearers review vol. 5-8
Johann Nepomuk Hofzinser, Karl Fulves
|
On the Presentation of Mathematical Tricks
|
Winter 1969
|
The Pallbearers Review Vol. 5-8
(Vol. 5 No. 3rd Folio)
|
297
|
|
|
our philosophy of magic \n \n ellison poland
1969
wonderful routines of magic
Ellison Poland
|
Our Philosophy of Magic
|
1969
|
Wonderful Routines of Magic
|
13
|
|
|
viewpoint \n \n roy johnson
1970
the roy johnson experience
Roy Johnson
|
Viewpoint
|
1970
|
The Roy Johnson Experience
|
1
|
|
|
stagemanship \n - mystify and entertain
- stay in character
- know your audience
- rehearse & try it out
- a word about timing
- end with talent \n frederick m. shields
1970
magick
Frederick M. Shields
|
Stagemanship
|
1970
|
Magick
(Issue 1)
|
5
|
|
|
publicity for magicians - part 1 \n - define your objective
- identify audience & message
- use the right tools
- newspapers are fine, but... \n bascom jones
1970
magick
Bascom Jones
|
Publicity for Magicians - Part 1
|
1970
|
Magick
(Issue 3)
|
15
|
|
|
publicity for magicians - part 2 \n - nothing sacred or mysterious
- the publicity release
- how to prepare it
- additional tips
- the promotion kit
- picture publicity
- put it all together \n bascom jones
1970
magick
Bascom Jones
|
Publicity for Magicians - Part 2
|
1970
|
Magick
(Issue 5)
|
25
|
|
|
the magic of music ... and vice versa \n - same elements as tv shows
- special effects
- on-site preparation
- tape vs. records \n jack kent tillar
1970
magick
Jack Kent Tillar
|
The Magic of Music ... and Vice Versa
|
1970
|
Magick
(Issue 7)
|
35
|
|
|
music for magic \n - salt and pepper
- don't be too clever
- the music should belong
- exceptions to every rule
- music from a to z
- a tip on how to start
- get it on tape
- not easy to do
- how does it sound? \n frederick m. shields
1970
magick
Frederick M. Shields
|
Music for Magic
|
1970
|
Magick
(Issue 9)
|
45
|
|
|
comedy magic is serious business \n - bomb out
- has to be unified
- ability comes from within
- experience necessary
- what makes people laugh?
- how to approach comedy magic
- open, middle, close
- get audience reaction
- discipline and immediate yardstick \n milt larsen
1970
magick
Milt Larsen
|
Comedy Magic is Serious Business
|
1970
|
Magick
(Issue 11)
|
55
|
|
|
the "too perfect" theory \n \n rick johnsson \n chapter seven: the false frame of reference \n darwin ortiz \n the too perfect theory \n michael close \n on the too perfect theory \n bob kohler \n too perfect? \n tommy wonder \n not perfect enough \n john lovick \n the "too-perfect" theory \n rick johnsson
1971
hierophant
Rick Johnsson
|
The "Too Perfect" Theory
|
Related toAlso published here
|
1971
|
Hierophant
(Issue 5-6)
|
247
|
|
|
what to do about pre-performance jitters \n - stage or mike fright
- mastering your fear
- practice! practice! practice!
- audience-related fears
- an audience is simply individuals
- what an audience wants
- summary \n harold r. mulligan
1971
magick
Harold R. Mulligan
|
What to Do About Pre-Performance Jitters
|
1971
|
Magick
(Issue 13)
|
65
|
|
|
how and when to use a microphone \n - master of the situation
- microphone comedians
- watch the professionals
- seven tips on proper use
- microphone "squeal"
- some information on types
- "special-purpose" microphones \n john bowery \n maureen bowery
1971
magick
John Bowery, Maureen Bowery
|
How and When to Use a Microphone
|
1971
|
Magick
(Issue 15)
|
75
|
|
|
tarbell never told you about makeup \n - the right amount
- highlights and shadows
- just a little blush
- and speaking of looking natural
- hair
- special problems
- if you have a bad skin condition
- cream cheese and makeup
- so there you have it \n verne langdon
1971
magick
Verne Langdon
|
Tarbell Never Told you About Makeup
|
1971
|
Magick
(Issue 17)
|
85
|
|
|
the patter hangup \n - the art of silence
- opening remarks
- the segue
- who are you?
- a cautionary word about words
- how to use patter books
- gags can be treacherous
- patter by the yard - or the inch?
- try it out in boston
- patter in disguise \n sid fleischman
1971
magick
Sid Fleischman
|
The Patter Hangup
|
1971
|
Magick
(Issue 19)
|
95
|
|
|
close-up theater \n - you're on!
- establish the character
- the table as a mini-stage
- watch the professionals
- challenge ... or entertainment?
- structuring your routine
- naturalness is the key
- how to close \n jules lenier
1971
magick
Jules Lenier
|
Close-Up Theater
|
1971
|
Magick
(Issue 21)
|
105
|
|
|
tricks of the trade-show trouper \n - what it's like
- sell! sell! sell!
- turn your knowledge into cash
- learn marketing psychology
- know the product
- some of the work is done for you
- booking your act
- visual material helps
- it's the name of the game \n sandy singer
1971
magick
Sandy Singer
|
Tricks of the Trade-Show Trouper
|
1971
|
Magick
(Issue 23)
|
115
|
|
|
build a better character - or else! \n on character makeup \n verne langdon
1971
magick
Verne Langdon
|
Build a Better Character - or Else!
|
1971
|
Magick
(Issue 25)
|
125
|
|
|
the press release, one man's approach or "the most effective promotion is free" part 1 \n \n david douglas
1971
magick
David Douglas
|
The Press Release, One Man's Approach or "The Most Effective Promotion Is Free" Part 1
|
1971
|
Magick
(Issue 39)
|
195
|
|
|
doing close-up magic \n \n frank garcia
1972
million dollar card secrets
Frank Garcia
|
Doing Close-up Magic
|
1972
|
Million Dollar Card Secrets
|
123
|
|
|
some things to think about \n tips, book recommendations \n fred kaps
1972
fred kaps lecture
Fred Kaps
|
Some Things to Think About
|
1972
|
Fred Kaps Lecture
|
1
|
|
|
for collectors only \n on magic collecting \n fred rickard
1972
magick
Fred Rickard
|
For Collectors Only
|
1972
|
Magick
(Issue 45)
|
225
|
|
|
actors, the stage, and magicians \n - actor vs. magician
- customers, coaches, & set designers
- set dressers, makeup men, electricians
- years spent perfecting techniques
- magician vs. actor
- adapt material to fit your style
- where to get help
- that's what friends are for
- make a tape of sour show
- you don't have to look like a bum \n frederick m. shields
1972
magick
Frederick M. Shields
|
Actors, the Stage, and Magicians
|
1972
|
Magick
(Issue 49)
|
245
|
|
|
actors, the stage, and magicians - part 2 \n - basic stage talk
- it started long ago
- stage directions
- 'strong' stage positions
- when the curtains part
- break the pattern
- then what?
- shields' firs 'law'
- but ask for help if you need it
- you never whistle the scenery
- check over your equipment \n frederick m. shields
1972
magick
Frederick M. Shields
|
Actors, the Stage, and Magicians - Part 2
|
1972
|
Magick
(Issue 51)
|
255
|
|
|
actors, the stage, and magicians - part 3 \n - need extra tables, lights, special arrangements?
- the ostrich syndrome
- lights make you important
- your 'sorcerer's apprentice^
- role to play
- a bibliography of the theatre \n frederick m. shields
1972
magick
Frederick M. Shields
|
Actors, the Stage, and Magicians - Part 3
|
1972
|
Magick
(Issue 53)
|
265
|
|
|
magic with the professional touch \n - stage vs. close-up magic
- what's best for the stage?
- and give them quality - not quantity
- routine your act carefully
- choose your assistant well
- don't work in the dark
- add class with music
- a back drop will set you apart
- what to wear
- entertain your audience \n harry collins
1972
magick
Harry Collins
|
Magic with the Professional Touch
|
1972
|
Magick
(Issue 59)
|
295
|
|
|
commentary \n on the performance of close-up magic, lapping possibilities, gaffed objects \n jerry mentzer
1973
close-up cavalcade
Jerry Mentzer
|
Commentary
|
1973
|
Close-up Cavalcade
|
3
|
|
|
conjuring for conjurers \n a lecture given in 1934 \n edward g. brown
1973
the card magic of edward g. brown
Edward G. Brown
|
Conjuring for Conjurers
|
1973
|
The Card Magic of Edward G. Brown
|
125
|
|
|
lecture without a name \n lecture from 1939, views on originality, theory, magic in general \n edward g. brown
1973
the card magic of edward g. brown
Edward G. Brown
|
Lecture without a Name
|
1973
|
The Card Magic of Edward G. Brown
|
131
|
|
|
misdirection \n lecture from 1943, written by colin donister \n edward g. brown \n colin donister
1973
the card magic of edward g. brown
Edward G. Brown, Colin Donister
|
Misdirection
|
1973
|
The Card Magic of Edward G. Brown
|
166
|
|
|
forcing \n lecture from 1945 \n edward g. brown
1973
the card magic of edward g. brown
Edward G. Brown
|
Forcing
|
1973
|
The Card Magic of Edward G. Brown
|
173
|
|
|
sleights and subtleties \n lecture from 1947, reported by bruce posgate \n edward g. brown \n bruce posgate
1973
the card magic of edward g. brown
Edward G. Brown, Bruce Posgate
|
Sleights and Subtleties
|
1973
|
The Card Magic of Edward G. Brown
|
198
|
|
|
fundamentos del ilusionismo \n the fundamentals of magic, on talent
a) psicologia (psychology)
b) ingenio creativo y habilidad técnica (creative ingenuity and technical skill)
c) presentación y personalidad (presentation and personality) \n juan tamariz
1973
aprenda ud. magia
Juan Tamariz
|
Fundamentos del Ilusionismo
|
1973
|
Aprenda Ud. Magia
|
47
|
|
|
la magia como diversion y espectaculo \n on magic and comedy and various dramatic curves \n juan tamariz
1973
aprenda ud. magia
Juan Tamariz
|
La Magia como Diversion y Espectaculo
|
1973
|
Aprenda Ud. Magia
|
75
|
|
|
¿donde y como se aprende magia? \n how to learn magic, essay for beginners \n juan tamariz
1973
aprenda ud. magia
Juan Tamariz
|
¿Donde y como se aprende Magia?
|
1973
|
Aprenda Ud. Magia
|
129
|
|
|
jack of all trades - master of one \n on performing, music, connecting to the audience etc. \n dorfay
1973
magick
Dorfay
|
Jack of All Trades - Master of One
|
1973
|
Magick
(Issue 67)
|
335
|
|
|
two-dozen tips on presentation \n - look at the little things
- smile sincerely when introduced
- please the women
- make it look easy
- repetition will banish nerves
- use humor where it counts
- your hands are on display
- people want to hear you
- never apologize
- answers can be embarrassing
- your opening trick is important \n ron wilson
1973
magick
Ron Wilson
|
Two-Dozen Tips on Presentation
|
1973
|
Magick
(Issue 73)
|
365
|
|
|
you blew the trick - so what! - part 1 \n on doing mistakes and outs \n fredric broder
1973
magick
Fredric Broder
|
You Blew the Trick - So What! - Part 1
|
1973
|
Magick
(Issue 83)
|
415
|
|
|
you blew the trick - so what! - part 2 \n on doing mistakes and outs \n fredric broder
1973
magick
Fredric Broder
|
You Blew the Trick - So What! - Part 2
|
1973
|
Magick
(Issue 85)
|
425
|
|
|
the why and how of a tent show \n performing in a tent, touring \n tony shiels
1973
magick
Tony Shiels
|
The Why and How of a Tent Show
|
1973
|
Magick
(Issue 87)
|
435
|
|
|
stage magic technique \n on performing on stage, tv, presentation, know-how and the future of magic \n david "fu manchu" bamberg
1973
the oriental magic of the bambergs
David "Fu Manchu" Bamberg
|
Stage Magic Technique
|
1973
|
The Oriental Magic of the Bambergs
|
198
|
|
|
the case for cozenage \n magician vs. trickster \n tony shiels \n the page boy speaks... \n patrick page \n the doc brief... \n tony shiels
1974
pabular
Tony Shiels
|
The Case for Cozenage
|
Related to
|
Oct. 1974
|
Pabular
(Vol. 1 No. 2)
|
20
|
|
|
"card tricks for people who don't do card tricks ...and some for those who do!" \n on (un)importance of method vs effect, sleight-of-hand vs gimmick, four basic elements of method:
1. natural law disguised
2. secret activity
3. secretly prepared materials
4. psychology \n philip t. goldstein
1974
card tricks for people who don't do card tricks
Philip T. Goldstein
|
"Card Tricks for People Who Don't Do Card Tricks ...and Some for Those Who Do!"
|
1974
|
Card Tricks for People Who Don't Do Card Tricks
|
1
|
|
|
listen to the silent scream \n on nonverbal communication, body language \n bascom jones
1974
magick
Bascom Jones
|
Listen to the Silent Scream
|
1974
|
Magick
(Issue 99)
|
495
|
|
|
the effect is the thing - part 1 \n - showmanship plus effect
- magic for magicians
- 'like a flamenco dancer'
- master the audience
- illusions don't make a showman \n vic perry
1974
magick
Vic Perry
|
The Effect is the Thing - Part 1
|
1974
|
Magick
(Issue 103)
|
515
|
|
|
the effect is the thing - part 2 \n - you can't 'copy' showmanship
- audiences want to be entertained
- the mind of the man in the street
- you are 'on' even when you're offstage
- build toward 'effect'
- use your own brand of humor
- sell yourself \n vic perry
1974
magick
Vic Perry
|
The Effect is the Thing - Part 2
|
1974
|
Magick
(Issue 105)
|
525
|
|
|
professional views on doing professional magic for the layman \n excerpt from lecture notes \n fred kaps
1975
pabular
Fred Kaps
|
Professional Views On Doing Professional Magic For The Layman
|
Mar. 1975
|
Pabular
(Vol. 1 No. 7)
|
82
|
|
|
pointification \n guidelines on performing \n walt lees
1975
pabular
Walt Lees
|
Pointification
|
Nov. 1975
|
Pabular
(Vol. 2 No. 3)
|
181
|
|
|
the beginning \n how to develop an act and how to work public shows \n faucett ross
1975
magic with faucett ross
Faucett Ross
|
The Beginning
|
1975
|
Magic With Faucett Ross
|
20
|
|
|
the business side \n how to become professional in magic (booking shows etc) \n faucett ross
1975
magic with faucett ross
Faucett Ross
|
The Business Side
|
1975
|
Magic With Faucett Ross
|
20
|
|
|
practice \n how to practise \n faucett ross
1975
magic with faucett ross
Faucett Ross
|
Practice
|
1975
|
Magic With Faucett Ross
|
22
|
|
|
the magician \n how to behave as a magician in public \n faucett ross
1975
magic with faucett ross
Faucett Ross
|
The Magician
|
1975
|
Magic With Faucett Ross
|
22
|
|
|
showmanship \n \n faucett ross
1975
magic with faucett ross
Faucett Ross
|
Showmanship
|
1975
|
Magic With Faucett Ross
|
23
|
|
|
advice on programmes \n how to structure the programme for a show \n faucett ross
1975
magic with faucett ross
Faucett Ross
|
Advice on Programmes
|
1975
|
Magic With Faucett Ross
|
23
|
|
|
some great card classics \n faucett describes his favorite card classics \n faucett ross
1975
magic with faucett ross
Faucett Ross
|
Some Great Card Classics
|
1975
|
Magic With Faucett Ross
|
194
|
|
|
get your head right for improvement \n on presentation, i-f-d pattern, originality \n charles j. pecor
1975
magick
Charles J. Pecor
|
Get Your Head Right for Improvement
|
1975
|
Magick
(Issue 121)
|
605
|
|
|
on being prepared \n being prepared for preparing anytime \n john a. novak
1975
magick
John A. Novak
|
On Being Prepared
|
1975
|
Magick
(Issue 129)
|
645
|
|
|
on misdirection \n \n john ramsay \n andrew galloway
1976
pabular
John Ramsay, Andrew Galloway
|
On Misdirection
|
Mar. 1976
|
Pabular
(Vol. 2 No. 7)
|
231
|
|
|
an understanding \n on andrew galloway and john ramsay \n ken hawes
1976
pabular
Ken Hawes
|
An Understanding
|
Mar. 1976
|
Pabular
(Vol. 2 No. 7)
|
236
|
|
|
introduction \n on the basic effects and actions of mentalism \n philip t. goldstein
1976
the blue book of mentalism
Philip T. Goldstein
|
Introduction
|
1976
|
The Blue Book of Mentalism
|
2
|
|
|
the "clivot" principle and jog and injog \n disadvantage of breaks and adavantages of jogs \n jerry andrus
1976
andrus card control
Jerry Andrus
|
The "Clivot" Principle and Jog and Injog
|
1976
|
Andrus Card Control
|
18
|
|
|
basic precepts \n - slydini's secret of entertaining audiences
- the basic starting position (for lapping tricks)
- the eyes
- notes on natural magic
- developing grace
- coordination
- noise
- some general observations
- to conclude \n slydini
1976
the best of slydini ...and more
Slydini
|
Basic Precepts
|
1976
|
The Best of Slydini ...and More
|
11
|
|
|
more on coordination \n \n slydini
1976
the best of slydini ...and more
Slydini
|
More on Coordination
|
1976
|
The Best of Slydini ...and More
|
29
|
|
|
slydini's concept of misdirection \n \n slydini
1976
the best of slydini ...and more
Slydini
|
Slydini's Concept of Misdirection
|
1976
|
The Best of Slydini ...and More
|
33
|
|
|
invisible sleights \n \n slydini
1976
the best of slydini ...and more
Slydini
|
Invisible Sleights
|
1976
|
The Best of Slydini ...and More
|
33
|
|
|
misdirection \n vanish of object using lap \n slydini
1976
the best of slydini ...and more
Slydini
|
Misdirection
|
1976
|
The Best of Slydini ...and More
|
34
|
|
|
timing \n - checkpoints
- applying the concept of timing \n slydini
1976
the best of slydini ...and more
Slydini
|
Timing
|
1976
|
The Best of Slydini ...and More
|
37
|
|
|
the magical tv set \n children program, based on a box designed like a tv
- the aerial
- the tv times
- tom & jerry
- commercial break
- egg bag
- commercial time again
- the inevitable western
- the funnel and foo can
- the givaway show
- sade the seal
- torn and restored serviette
- radio to rabbit \n alan shaxon
1976
practical sorcery
Alan Shaxon
|
The Magical TV Set
|
1976
|
Practical Sorcery
|
49
|
|
|
12 tips on presentation \n - showmanship
- image
- stage fright
- stage entry
- what you say
- stage movement
- voice \n bascom jones
1976
magick
Bascom Jones
|
12 Tips on Presentation
|
1976
|
Magick
(Issue 153)
|
765
|
|
|
sell the sizzle - not the steak \n - you've got to sell yourself
- you are more important than the effects
- rubber-stamp syndrome
- what audience see...
- ... and what the hear \n bascom jones
1976
magick
Bascom Jones
|
Sell the Sizzle - Not the Steak
|
1976
|
Magick
(Issue 161)
|
805
|
|
|
non-verbal communication - the secret edge \n - the secret edge
- put signs in context
- six close-up tips
- when silence takes over
- the subconscious
- with larger audience \n robert hustwit
1976
magick
Robert Hustwit
|
Non-Verbal Communication - The Secret Edge
|
1976
|
Magick
(Issue 165)
|
825
|
|
|
manipulation versus apparatus \n pros and cons
- illusionist managers
- the present day \n patrick page
1976
the big book of magic
Patrick Page
|
Manipulation versus Apparatus
|
1976
|
The Big Book of Magic
|
27
|
|
|
"misdirection" oder "ablenkung" \n \n jean hugard \n frederick braue \n misdirection \n jean hugard \n frederick braue
1976
intermagic
Jean Hugard, Frederick Braue
|
"Misdirection" oder "Ablenkung"
|
Also published here
|
Nov. 1976
|
Intermagic
(Vol. 4 No. 1)
|
3
|
|
|
a plea \n on business \n bert graham
1977
pabular
Bert Graham
|
A Plea
|
June 1977
|
Pabular
(Vol. 3 No. 10)
|
414
|
|
|
another plea \n on writing reviews \n bert graham
1977
pabular
Bert Graham
|
Another Plea
|
Aug. 1977
|
Pabular
(Vol. 3 No. 12)
|
448
|
|
|
introduction \n on the presentation of mentalism \n philip t. goldstein
1977
the red book of mentalism
Philip T. Goldstein
|
Introduction
|
1977
|
The Red Book of Mentalism
|
2
|
|
|
fail/safing the experts \n how to practice something for fooling experts with it, example sleeving \n karl fulves
1977
impromptu holdouts
Karl Fulves
|
Fail/Safing The Experts
|
1977
|
Impromptu Holdouts
|
16
|
|
|
these changing times ... and you \n - the trick is incidental
- emphasis on showmanship
- selling the concept
- look toward the future
- change with the times
- not stage magic
- stop feeling guilty as an entertainer
- become the part
- be distinctive \n gordon hoener
1977
magick
Gordon Hoener
|
These Changing Times ... and You
|
1977
|
Magick
(Issue 171)
|
855
|
|
|
heterogeneous materials: a problem and some solutions \n - the problem
- one solution
- writing tools
- equipment malfunction
- original article being used
- overstock your supplies
- logic is the key \n philip t. goldstein \n tony shiels "be consistent" in "invocation" #5
1977
magick
Philip T. Goldstein
|
Heterogeneous Materials: A Problem and Some Solutions
|
Related to- Tony Shiels "Be Consistent" in "Invocation" #5
|
1977
|
Magick
(Issue 177)
|
885
|
|
|
stage focus: it's theory and practice \n - lack of discipline
- doing nothing well
- closed performance versus open
- mint-to-mind communication
- the objectives
- motivational clarity
- the bottom line \n dr. thomas k. heino
1977
magick
Dr. Thomas K. Heino
|
Stage Focus: It's Theory and Practice
|
1977
|
Magick
(Issue 179)
|
895
|
|
|
beware of culturally defined identities \n - social stereotypes
- images are becoming less specific
- you must change with the trends
- work the individual
- texts are outdated
- don't assume too much \n philip t. goldstein
1977
magick
Philip T. Goldstein
|
Beware of Culturally Defined Identities
|
1977
|
Magick
(Issue 181)
|
905
|
|
|
why, when and who of an assistant \n - youth, sex-appeal, and color
- promotion and publicity advantages
- the part-time assistant
- where to look
- make her a part of the act
- what she should wear
- money well-spent
- the bottom line \n bob brown
1977
magick
Bob Brown
|
Why, When and Who of an Assistant
|
1977
|
Magick
(Issue 187)
|
935
|
|
|
dealing with hecklers \n - disruptive influences
- possibly jealousy
- individual approach
- you must deal directly
- begging does not work
- the advantage is yours
- use confidence
- underdog reaction
- temper your response
- don't react defensively
- not one victory
- a fact of life \n philip t. goldstein
1977
magick
Philip T. Goldstein
|
Dealing with Hecklers
|
1977
|
Magick
(Issue 189)
|
945
|
|
|
a time for heroes \n - "may the force be with you"
- more than a trickster
- you can't be slightly pregnant
- what is an image?
- who do you want to be?
- the conflicting image
- the final step
- apple pie and ice cream \n bascom jones
1977
magick
Bascom Jones
|
A Time for Heroes
|
1977
|
Magick
(Issue 195)
|
975
|
|
|
atmósfera magica \n - concepcion de la atmosfera magica
- tecnica
- naturalidad
- soltura y despreocupacion
- diversion
- oportunismo
- versación
- psicología
- conclusión \n arturo de ascanio \n "ilusionismo" n° 158, 1958. \n conception of magical atmosphere \n arturo de ascanio
1977
la magia de ascanio — vol. 1
Arturo de Ascanio
|
Atmósfera Magica
|
Also published here
|
1977
|
La Magia de Ascanio — Vol. 1
|
4
|
|
|
misdirection \n - consideraciones sobre la "misdirection"
a.) "misdirection de grado mínimo
b.) "misdirection en grado medio
c.) un tercer grado de "misdirection" \n arturo de ascanio \n "misdirection" n° 1, 1964. \n on misdirection \n arturo de ascanio
1977
la magia de ascanio — vol. 1
Arturo de Ascanio
|
Misdirection
|
Also published here
|
1977
|
La Magia de Ascanio — Vol. 1
|
11
|
|
|
valor de la técnica en la magia \n on the use and value of technique in magic \n arturo de ascanio \n technique \n arturo de ascanio
1977
la magia de ascanio — vol. 1
Arturo de Ascanio
|
Valor de la Técnica en la Magia
|
Also published here
|
1977
|
La Magia de Ascanio — Vol. 1
|
37
|
|
|
timing \n - el "timing" y su fundamento
- las acciones "en tránsito"
- elementos de las acciones en tránsito
- importancia de las "acciones en tránsito" \n arturo de ascanio \n "ilusionismo" n° 246, 1969. \n the fundamentals of timing \n arturo de ascanio
1977
la magia de ascanio — vol. 1
Arturo de Ascanio
|
Timing
|
Also published here
|
1977
|
La Magia de Ascanio — Vol. 1
|
49
|
|
|
conferencia \n - mecanismo de la atención
- composición y ejecución
-i. principios de la composición
-a). acentuar la fase inicial
-b). naturalidad condicionada
-c). paréntesis anti-contraste
-d). paréntesis de olvido
-e). susceptibilidad de ejecución lenta
-ii. principios de la ejecución
-a). timing - acciones en tránsito
-b). misdirection
-c). técnica \n arturo de ascanio \n analysis of an effect \n arturo de ascanio \n "la circular de la escuela mágica de madrid" n° 26, 1977.
1977
la magia de ascanio — vol. 1
Arturo de Ascanio
|
Conferencia
|
Related toAlso published here- "La Circular de la Escuela Mágica de Madrid" N° 26, 1977.
|
1977
|
La Magia de Ascanio — Vol. 1
|
72
|
|
|
time misdirection \n \n harry lorayne
1977
the magic book
Harry Lorayne
|
Time Misdirection
|
1977
|
The Magic Book
|
92
|
|
|
final word... \n \n john c. wagner
1978
7 secrets
John C. Wagner
|
Final Word...
|
1978
|
7 Secrets
|
58
|
|
|
frank garcia's secret recipe for better magic \n \n frank garcia
1978
the real secrets of the three-ball routines
Frank Garcia
|
Frank Garcia's Secret Recipe for Better Magic
|
1978
|
The Real Secrets of the Three-Ball Routines
|
89
|
|
|
at the card table \n - background
- t.v gambling interviews \n ross bertram
1978
magic and methods of ross bertram
Ross Bertram
|
At the Card Table
|
1978
|
Magic and Methods of Ross Bertram
|
79
|
|
|
the rhythm count \n on rhythm in sleight-of-hand magic \n ross bertram
1978
magic and methods of ross bertram
Ross Bertram
|
The Rhythm Count
|
1978
|
Magic and Methods of Ross Bertram
|
159
|
|
|
close-up magic - hints, tips and observations \n \n ron wilson
1978
lecture notes
Ron Wilson
|
Close-Up Magic - Hints, Tips and Observations
|
1978
|
Lecture Notes
|
2
|
|
|
pro trickverrat \n on exposure
- der ursprung unserer angst
- definition des trickverrats
- magischer selbstmord
- erfindung und plagiat
- die laienmeinung
- ich bin für das erklären
- die schuldigen \n robert lund \n sphinx, june 1949
1978
intermagic
Robert Lund
|
Pro Trickverrat
|
Also published here
|
Oct. 1978
|
Intermagic
(Vol. 5 No. 3)
|
78
|
|
|
some great quotes \n \n john northern hilliard
1979
the very best of cups and balls
John Northern Hilliard
|
Some Great Quotes
|
1979
|
The Very Best of Cups and Balls
|
119
|
|
|
secret recipe for better magic \n \n frank garcia
1979
the very best of cups and balls
Frank Garcia
|
Secret Recipe for Better Magic
|
1979
|
The Very Best of Cups and Balls
|
123
|
|
|
constructing a routine \n - same effect... different method
- different effects... same props
- secret preparation... impossible finale
- several tricks... all done at once
- routining by presentation \n walt lees \n routinen-konstruktion \n walt lees
1979
pabular
Walt Lees
|
Constructing a Routine
|
Also published here
|
Jan. 1979
|
Pabular
(Vol. 5 No. 1)
|
620
|
|
|
iconoclasms \n on moves \n walt lees
1979
pabular
Walt Lees
|
Iconoclasms
|
July 1979
|
Pabular
(Vol. 5 No. 7)
|
708
|
|
|
iconoclasms no. 2 \n on entertainment \n walt lees
1979
pabular
Walt Lees
|
Iconoclasms No. 2
|
Aug. 1979
|
Pabular
(Vol. 5 No. 8)
|
723
|
|
|
tommy wonder on close-up \n \n tommy wonder
1979
pabular
Tommy Wonder
|
Tommy Wonder On Close-Up
|
Sep. 1979
|
Pabular
(Vol. 5 No. 9)
|
729
|
|
|
iconoclasms no. 3 \n on the "magically sophisticated semi lay public" \n walt lees
1979
pabular
Walt Lees
|
Iconoclasms No. 3
|
Sep. 1979
|
Pabular
(Vol. 5 No. 9)
|
736
|
|
|
the poetry of magic \n reflections on card magic \n father cyprian
1979
pabular
Father Cyprian
|
The Poetry of Magic
|
Oct. 1979
|
Pabular
(Vol. 5 No. 10)
|
743
|
|
|
iconoclasms 4 \n on originality \n walt lees
1979
pabular
Walt Lees
|
Iconoclasms 4
|
Nov. 1979
|
Pabular
(Vol. 5 No. 11)
|
761
|
|
|
close upping \n on table hopping, answering spectator's questions \n ken hawes
1979
pabular
Ken Hawes
|
Close Upping
|
Dec. 1979
|
Pabular
(Vol. 5 No. 12)
|
773
|
|
|
approaches to misdirection \n \n karl fulves
1979
the chronicles
Karl Fulves
|
Approaches to Misdirection
|
1979
|
The Chronicles
(Issue 20)
|
1264
|
|
|
magic & magicians \n fooling magicians, flourishes, sucker tricks \n john f. mendoza
1979
close-up presentations
John F. Mendoza
|
Magic & Magicians
|
1979
|
Close-up Presentations
|
87
|
|
|
your microphone can do it all \n - a tool of your trade
- mike-conscious
- the cordless microphone
- what they cost
- is it worth it?
- if you don't have a wireless mike
- tips on microphone use \n george b. anderson
1979
magick
George B. Anderson
|
Your Microphone Can Do It All
|
1979
|
Magick
(Issue 243)
|
1215
|
|
|
why and why not \n \n earl nelson \n commentary - why and why not \n earl nelson
1979
variations
Earl Nelson
|
Why and Why Not
|
Also published here
|
1979
|
Variations
|
135
|
|
|
frank garcia's secret recipe for better magic \n \n frank garcia
1980
exclusive card miracles
Frank Garcia
|
Frank Garcia's Secret Recipe for Better Magic
|
1980
|
Exclusive Card Miracles
|
74
|
|
|
frank garcia's secret recipe for better magic \n \n frank garcia
1980
exclusive card secrets
Frank Garcia
|
Frank Garcia's Secret Recipe for Better Magic
|
1980
|
Exclusive Card Secrets
|
78
|
|
|
the poetry of magic \n - interest
- clarity
- involvement of the spectator \n father cyprian
1980
the elegant card magic of father cyprian
Father Cyprian
|
The Poetry of Magic
|
1980
|
The Elegant Card Magic of Father Cyprian
|
78
|
|
|
six qualities of the performance \n 1. importance
2. non-challenge
3. quality of the performer
4. control
5. communication
6. clarity \n al schneider
1980
al schneider on close-up
Al Schneider
|
Six Qualities Of The Performance
|
1980
|
Al Schneider On Close-Up
|
1
|
|
|
a word on drills \n on learning technique \n al schneider
1980
al schneider on close-up
Al Schneider
|
A Word On Drills
|
1980
|
Al Schneider On Close-Up
|
17
|
|
|
on fred kaps \n \n fred robinson
1980
pabular
Fred Robinson
|
On Fred Kaps
|
Apr. 1980
|
Pabular
(Vol. 6 No. 4)
|
830
|
|
|
the voice of experience \n on organizing close-up shows \n sam schwartz
1980
pabular
Sam Schwartz
|
The Voice Of Experience
|
Aug. 1980
|
Pabular
(Vol. 6 No. 8)
|
888
|
|
|
summary \n on misdirection \n andrew galloway
1980
diverting card magic
Andrew Galloway
|
Summary
|
1980
|
Diverting Card Magic
|
54
|
|
|
first things first \n reason for doing magic \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
First Things First
|
1980
|
Lecture Notes to Convention Session #1
|
1
|
|
|
the best magical effect \n long and short effects, basic and exact effects \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
The Best Magical Effect
|
1980
|
Lecture Notes to Convention Session #1
|
2
|
|
|
the long effect \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
The Long Effect
|
1980
|
Lecture Notes to Convention Session #1
|
4
|
|
|
conditions i, ii & iii \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
Conditions I, II & III
|
1980
|
Lecture Notes to Convention Session #1
|
5
|
|
|
the short effect \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
The Short Effect
|
1980
|
Lecture Notes to Convention Session #1
|
6
|
|
|
building strenght through repetition \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
Building Strenght Through Repetition
|
1980
|
Lecture Notes to Convention Session #1
|
6
|
|
|
cancelling out \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
Cancelling Out
|
1980
|
Lecture Notes to Convention Session #1
|
7
|
|
|
step two \n of cancelling out \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
Step Two
|
1980
|
Lecture Notes to Convention Session #1
|
7
|
|
|
jazz magic \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
Jazz Magic
|
1980
|
Lecture Notes to Convention Session #1
|
8
|
|
|
do not challenge \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
Do Not Challenge
|
1980
|
Lecture Notes to Convention Session #1
|
9
|
|
|
flourishes \n \n daryl martinez
1980
lecture notes to convention session #1
Daryl Martinez
|
Flourishes
|
1980
|
Lecture Notes to Convention Session #1
|
10
|
|
|
television: a general overview \n - insatiable appetite
- not the place to learn
- the tv talk shows
- and the new shows
- community and public television
- what's it all about?
- an insider's tip \n bascom jones
1980
magick
Bascom Jones
|
Television: A General Overview
|
1980
|
Magick
(Issue 249)
|
1245
|
|
|
television: think big, start small \n - think big, start small
- in the beginning
- talk-show format
- types of effects that work best
- a booktest is a booktest is a...
- handle viewers with care \n sandy kross
1980
magick
Sandy Kross
|
Television: Think Big, Start Small
|
1980
|
Magick
(Issue 251)
|
1255
|
|
|
television: what you need to know \n as "the amazing q"
- the associate producer
- call-time and make-up
- what to wear
- the green room
- the camera; the audience
- a question of time
- leave promptly
- play it again, sam \n anonymous
1980
magick
Anonymous
|
Television: What You Need to Know
|
1980
|
Magick
(Issue 253)
|
1265
|
|
|
chatter isn't patter \n - patter must have purpose
- how much, when, and in what manner
- the manner must be suitable
- don't overlook body language
- choosing what to say... and how
- use patter to achieve your objective
- avoid the obvious
- a perfectly ordinary deck of cards
- don't make it harder than it is \n guy thompson
1980
magick
Guy Thompson
|
Chatter isn't Patter
|
1980
|
Magick
(Issue 255)
|
1275
|
|
|
tips on techniques the pros follow \n - practice and rehearsals
- your appearance and dress
- importance of eye contact
- use the voice
- use a microphone
- physical energy \n bascom jones
1980
magick
Bascom Jones
|
Tips on Techniques the Pros Follow
|
1980
|
Magick
(Issue 267)
|
1335
|
|
|
close-up magic: the art of the art of close-up magic \n do's and don'ts on close-up magic \n jimmy ray
1980
a ray of magic
Jimmy Ray
|
Close-Up Magic: The Art of the Art of Close-Up Magic
|
1980
|
A Ray of Magic
|
5
|
|
|
dress \n comments on what to wear \n ron macmillan
1981
modern art of coin manipulation
Ron MacMillan
|
Dress
|
1981
|
Modern Art Of Coin Manipulation
|
75
|
|
|
theory \n on the floatation of a zombie \n al schneider
1981
al schneider on zombie
Al Schneider
|
Theory
|
1981
|
Al Schneider On Zombie
|
29
|
|
|
thumb tips for m.c.'s \n tip for m.c.'s \n mike caveney
1981
magicomedy
Mike Caveney
|
Thumb Tips for M.C.'s
|
1981
|
Magicomedy
|
71
|
|
|
film to life \n filming tricks \n karl fulves
1981
origins
Karl Fulves
|
Film To Life
|
1981
|
Origins
|
3
|
|
|
art and magic \n comparing magic to jokes and art \n karl fulves
1981
origins
Karl Fulves
|
Art And Magic
|
1981
|
Origins
|
3
|
|
|
improvements \n \n karl fulves
1981
origins
Karl Fulves
|
Improvements
|
1981
|
Origins
|
5
|
|
|
the filmed version \n objectivity \n karl fulves
1981
origins
Karl Fulves
|
The Filmed Version
|
1981
|
Origins
|
5
|
|
|
anatomy of the effect \n on definition of effect \n karl fulves
1981
origins
Karl Fulves
|
Anatomy Of The Effect
|
1981
|
Origins
|
6
|
|
|
white line problem \n not crossing a line during performance, no-touch condition \n karl fulves \n white line problem \n karl fulves
1981
origins
Karl Fulves
|
White Line Problem
|
Related to
|
1981
|
Origins
|
8
|
|
|
block analysis \n finding opportunity for method \n karl fulves
1981
origins
Karl Fulves
|
Block Analysis
|
1981
|
Origins
|
9
|
|
|
suicide structure \n "all tricks are self-revealing" \n karl fulves
1981
origins
Karl Fulves
|
Suicide Structure
|
1981
|
Origins
|
11
|
|
|
boundary value problems \n counting interaction with spectators \n karl fulves
1981
origins
Karl Fulves
|
Boundary Value Problems
|
1981
|
Origins
|
11
|
|
|
what's the method? \n \n karl fulves
1981
origins
Karl Fulves
|
What's The Method?
|
1981
|
Origins
|
12
|
|
|
the law of stupid audiences \n spectators are not stupid \n karl fulves
1981
origins
Karl Fulves
|
The Law Of Stupid Audiences
|
1981
|
Origins
|
13
|
|
|
art imitating art \n magic doesn't imitate life \n karl fulves
1981
origins
Karl Fulves
|
Art Imitating Art
|
1981
|
Origins
|
13
|
|
|
anatomy of method \n \n karl fulves
1981
origins
Karl Fulves
|
Anatomy Of Method
|
1981
|
Origins
|
14
|
|
|
mindreader's dream \n can a real mindreader be fooled? \n karl fulves
1981
origins
Karl Fulves
|
Mindreader's Dream
|
1981
|
Origins
|
15
|
|
|
effect = method \n \n karl fulves
1981
origins
Karl Fulves
|
Effect = Method
|
1981
|
Origins
|
16
|
|
|
method times five \n one of five predicted, on multiple out principle \n karl fulves
1981
origins
Karl Fulves
|
Method Times Five
|
1981
|
Origins
|
17
|
|
|
shadow vs. substance \n \n karl fulves
1981
origins
Karl Fulves
|
Shadow vs. Substance
|
1981
|
Origins
|
17
|
|
|
tips on trade show techniques \n - role of the entertainer
- time becomes a factor
- who is the contact?
- keep goals in mind
- major mistakes
- how long an act?
- little things count
- follow up on your contacts \n liz tucker \n tommy tucker
1981
magick
Liz Tucker, Tommy Tucker
|
Tips on Trade Show Techniques
|
1981
|
Magick
(Issue 277)
|
1385
|
|
|
echoes from the darkened stage \n - focus interest
- evaluation in quick-time
- the eyes have it
- let your voice command
- big can be small
- small can be big, too
- physical appearance tells a lot
- you don't need a drummer to dance \n linda jonason
1981
magick
Linda Jonason
|
Echoes from the Darkened Stage
|
1981
|
Magick
(Issue 283)
|
1415
|
|
|
behind the language of the agents \n - learning their language
- the cheap shot
- and the special approach
- the favor for a friend
- and being all wet
- try booking yourself \n vic perry \n the agent: every coin has two sides \n craig karges
1981
magick
Vic Perry
|
Behind the Language of the Agents
|
Related to
|
1981
|
Magick
(Issue 285)
|
1425
|
|
|
my shadow wears a stovepipe hat \n -learning the hard way
- add a touch of wonder
- be a character
- importance of the audience
- the xerox principle
- on being fooled \n tony shiels
1981
magick
Tony Shiels
|
My Shadow Wears a Stovepipe Hat
|
1981
|
Magick
(Issue 291)
|
1455
|
|
|
anatomy of a compute psychic - part ii \n - can you afford one?
- selecting the right type
- presentation is vital
- categorical answers
- mail-order mentalism
- targeted mailings for bookings \n myriam ruthchild
1981
magick
Myriam Ruthchild
|
Anatomy of A Compute Psychic - Part II
|
1981
|
Magick
(Issue 297)
|
1485
|
|
|
makeup is not just for clowns \n - who needs makeup
- not hard to use
- straight makeup
- judge by audience size
- techniques pf application
- the base, or foundation
- follow with rouge
- eyes are important
- makeup under lights
- special touches \n andrew jones
1981
magick
Andrew Jones
|
Makeup Is Not Just for Clowns
|
1981
|
Magick
(Issue 299)
|
1495
|
|
|
how to tackle problems \n \n stuart r. patterson \n david britland
1981
babel
Stuart R. Patterson, David Britland
|
How to Tackle Problems
|
1981
|
Babel
(Issue 2)
|
23
|
|
|
magia y memoria \n short article on memory and magic \n juan tamariz
1981
magia potagia — volume i
Juan Tamariz
|
Magia y Memoria
|
1981
|
Magia Potagia — Volume I
|
8
|
|
|
por un inteto de comprension del milagro magico \n thoughts on magic \n juan tamariz
1981
magia potagia — volume i
Juan Tamariz
|
Por un Inteto de Comprension del Milagro Magico
|
1981
|
Magia Potagia — Volume I
|
44
|
|
|
das problem der präsentation \n on presentation \n t. page wright \n william larsen \n genii, jan. 1940
1981
intermagic
T. Page Wright, William Larsen
|
Das Problem der Präsentation
|
Also published here
|
June 1981
|
Intermagic
(Vol. 8 No. 2)
|
48
|
|
|
in praise of the lowly flourish \n essay \n stephen minch
1982
for your entertainment pleasure
Stephen Minch
|
In Praise of the Lowly Flourish
|
1982
|
For Your Entertainment Pleasure
|
5
|
|
|
"cellini" writes about magic \n \n jim cellini
1982
the close-up magic of frank garcia — part i
Jim Cellini
|
"Cellini" writes about Magic
|
1982
|
The Close-up Magic of Frank Garcia — Part I
|
97
|
|
|
on competitions \n \n fred robinson
1982
pabular
Fred Robinson
|
On Competitions
|
Jan. 1982
|
Pabular
(Vol. 7 No. 1)
|
974
|
|
|
an approach to magic \n \n roger crosthwaite
1982
pabular
Roger Crosthwaite
|
An Approach to Magic
|
Feb. 1982
|
Pabular
(Vol. 7 No. 2)
|
991
|
|
|
an approach to magic - part 2 \n \n roger crosthwaite
1982
pabular
Roger Crosthwaite
|
An Approach to Magic - Part 2
|
May 1982
|
Pabular
(Vol. 7 No. 4)
|
1028
|
|
|
an approach to magic \n \n roger crosthwaite
1982
pabular
Roger Crosthwaite
|
An Approach to Magic
|
Aug. 1982
|
Pabular
(Vol. 7 No. 5)
|
1041
|
|
|
ground rules \n on the selection of props and the stage persona \n mike caveney
1982
ideas
Mike Caveney
|
Ground Rules
|
1982
|
Ideas
|
1
|
|
|
just a thought on the "charlie chaplin shuffle" \n how bobby uses a false shuffle done by charlie chaplin in the gold rush, same thinking as ron "ravelli" wohl \n bobby bernard \n the charlie chaplin false shuffle \n roberto giobbi
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Just a Thought on the "Charlie Chaplin Shuffle"
|
Related to
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
84
|
|
|
bobby bernard on misdirection \n john ramsay and max malini's misdirection skills \n bobby bernard
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Bobby Bernard on Misdirection
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
112
|
|
|
bobby bernard on "the actor in magic" \n \n bobby bernard
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Bobby Bernard on "The Actor in Magic"
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
113
|
|
|
bobby bernard on "sleight-of-hand" \n on what he thinks the most useful sleights are \n bobby bernard
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Bobby Bernard on "Sleight-of-Hand"
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
114
|
|
|
bobby bernard on "the classics of close-up" \n \n bobby bernard
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Bobby Bernard on "The Classics of Close-Up"
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
115
|
|
|
bobby bernard on television \n on the potential of magic on tv \n bobby bernard
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Bobby Bernard on Television
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
117
|
|
|
bobby bernard on the movies \n how magicians should be portrayed in movies \n bobby bernard
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Bobby Bernard on the Movies
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
118
|
|
|
bobby bernard on close-up presentation \n \n bobby bernard
1982
the coin and card magic of bobby bernard
Bobby Bernard
|
Bobby Bernard on Close-Up Presentation
|
1982
|
The Coin and Card Magic of Bobby Bernard
|
119
|
|
|
magicians and creativity \n \n phillip young
1982
fingers don't entertain, people do
Phillip Young
|
Magicians and Creativity
|
1982
|
Fingers don't Entertain, People Do
|
4
|
|
|
practical tips for the working performer \n - wait for it
- signal with showmanship
- acknowledging applause
- natural grace and ease
- and talk in the same manner
- script your remarks
- delivery is important, too
- change your style and pacing \n linda jonason
1982
magick
Linda Jonason
|
Practical Tips for the Working Performer
|
Jan. 1982
|
Magick
(Issue 301)
|
1505
|
|
|
ramsay on the real secrets \n on misdirection, holding out, timing, moves \n john ramsay
1982
the ramsay finale
John Ramsay
|
Ramsay on the Real Secrets
|
1982
|
The Ramsay Finale
|
41
|
|
|
la cháchara \n essay on how the use of patter changed over time
1. atmosfera y conjuro
2. atención: de prisa de prisisima
3. verso y musica: ilustración y emoción
4. parodia, bufonda y risas
5. defensa y credibilidad
6. elegancia y distinción
7. ni fu ni fa
8. algo de luz
9. el futuro \n juan tamariz
1982
magia potagia — volume ii
Juan Tamariz
|
La Cháchara
|
1982
|
Magia Potagia — Volume II
|
5
|
|
|
video magic \n thoughts on using a camera to practice \n juan tamariz \n the study of card conjuring \n roberto giobbi
1982
magia potagia — volume ii
Juan Tamariz
|
Video Magic
|
Related to
|
1982
|
Magia Potagia — Volume II
|
59
|
|
|
the logic of deception \n essay on magic as an art \n john carney \n the logic of deception \n john carney
1983
carney knowledge
John Carney
|
The Logic of Deception
|
Also published here
|
1983
|
Carney Knowledge
|
5
|
|
|
study \n essay on how to practice and adapt routines \n john carney
1983
carney knowledge
John Carney
|
Study
|
1983
|
|