Theory & Essays
| Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
|---|---|---|---|---|---|---|---|---|
| Robert E. Neale | Suspension of Disbelief | 2003 | ||||||
| Robert E. Neale | Oddly Magic | 2003 | ||||||
| Robert E. Neale | A Ritual Gesture | 2003 | ||||||
| Max Maven | Pragmatic Simplicity vs. Expert Simplicity | 2003 | ||||||
| Ormond McGill | Let's Pretend Magic | 2003 | ||||||
| Charles Reynolds | On a Definition of Magic | 2003 | ||||||
| Peter Samelson | Why, What, and Who? | 2003 | ||||||
| David Abrams | The Joker is Wild | 2003 | ||||||
| David Abrams | The Ecology of Magic | 2003 | ||||||
| Adam Fleischer | The Magic of Mystery | 2003 | ||||||
| Terence McKenna | Magic, Science, and Language | 2003 | ||||||
| Peter Lamont, Richard Wiseman | Seeing and Believing | Nov. 2003 |
Magic
(Vol. 13 No. 3)
|
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| Davide Costi | The Curve | 2004 | ||||||
| Davide Costi | The Gesture | 2004 | ||||||
| Davide Costi | A Few Words about Sleights | 2004 | ||||||
| Davide Costi | Oscar Wilde Aces - Presentation | 2004 | ||||||
| Nicholas Einhorn | Performing Close-up Magic for Money | 2004 | ||||||
| Nicholas Einhorn | Generally Speaking | 2004 | ||||||
| David Acer | Confessions of a Road Warrior #5: The "Witness Approach" | 2004 | ||||||
| David Acer | Confessions of a Road Warrior #6: Prop-aganda | 2004 | ||||||
| Wesley James | Naturalness - The Double Lift and - more | 2004 | ||||||
| Wesley James | Routining | 2004 | ||||||
| Gazzo Macee | The Streets | 2004 | ||||||
| Gazzo Macee | To Copy or Not to Copy | 2004 | ||||||
| Gazzo Macee | Environment | 2004 | ||||||
| Gazzo Macee | Timing | 2004 | ||||||
| Gazzo Macee | Appearance | 2004 | ||||||
| Gazzo Macee | Length of Show | 2004 | ||||||
| Gazzo Macee | Hecklers | 2004 | ||||||
| Gazzo Macee | When it Goes Wrong... | 2004 | ||||||
| Gazzo Macee | Hats - A Fair Exchange | 2004 | ||||||
| Gazzo Macee | Simplicity | 2004 | ||||||
| Gazzo Macee | Lines | 2004 | ||||||
| Gazzo Macee | Props | 2004 | ||||||
| Gazzo Macee | The Moves | 2004 | ||||||
| Gazzo Macee | The False Transfer | 2004 | ||||||
| Grace Ann Morgan | The Foundation of ProActive Control | 2004 | ||||||
| Grace Ann Morgan | ProActive Strategies | 2004 | ||||||
| Grace Ann Morgan | The Implications of the "Fight or Flight" Syndrome | 2004 | ||||||
| William Duncan | Strong Tricks | 2004 | ||||||
| Axel Hecklau | Theoretische Betrachtungen | 2004 | ||||||
| Axel Hecklau | Checkliste | 2004 | ||||||
| Jay Sankey | A Trick Question | 2004 | ||||||
| Yaniv Deautsch | Risky Business | 2004 | ||||||
| Robert Cassidy | On Creativity and Originality | 2004 | ||||||
| Robert Cassidy | The Thirty Second Rule | 2004 | ||||||
| Wonder Man Fred | Der Zuschauer entscheidet | 2004 | ||||||
| Wonder Man Fred | Der Untersuchungsaustausch tagt | 2004 | ||||||
| Wonder Man Fred | Von Profis und Amateuren | 2004 | ||||||
| Wonder Man Fred | Mit den Augen der Zuschauer sehen | 2004 | ||||||
| Wonder Man Fred | Zu Sehr Perfekt | 2004 | ||||||
| Wonder Man Fred | Mir muss es Spass machen | 2004 | ||||||
| Wonder Man Fred | Pariser Schuh' unn Bernemer Fiess | 2004 | ||||||
| Wonder Man Fred | No Way Out | 2004 | ||||||
| Wonder Man Fred | Respekt | 2004 | ||||||
| Aaron Shields | Boxes Of Irrational Experience | 2004 | ||||||
| Aaron Shields | Crossing Over Without John Edward | 2004 | ||||||
| Aaron Shields | Group Experience | 2004 | ||||||
| Aaron Shields | Straddling The Chasm | 2004 | ||||||
| Aaron Shields | Unsuspended Belief | 2004 | ||||||
| Karl Fulves | Method Acting | 2005 | ||||||
| David Kaye | Proud To Be A Kid Show Magician | 2005 | ||||||
| David Kaye | What Is Magic To A Child? | 2005 | ||||||
| David Kaye | Your First Steps: 10 Steps to Understanding Children's Magic | 2005 | ||||||
| David Kaye | Different Shows For Different Ages | 2005 | ||||||
| David Kaye | How To Maximize a Child Volunteer | 2005 | ||||||
| David Kaye | It's Not The Destination, It's The Ride | 2005 | ||||||
| David Kaye | You're So Silly! - Adding Comedy Elements To Your Routines | 2005 | ||||||
| David Kaye | It's Behind You! - Adding Interaction and Involvement Elements To Your Routines | 2005 | ||||||
| David Kaye | Mommy, I Did Magic! - Adding Empowerment Elements To Your Routines | 2005 | ||||||
| David Kaye | Once Upon a Time - Adding Storytelling Elements To Your Routines | 2005 | ||||||
| David Kaye | Honey, How Did He Do That? - Extra Credit - Entertaining the Adults In Your Audiences | 2005 | ||||||
| David Kaye | Whatever You Do, Don't Read This - Adding Ad-libs to Your Routines | 2005 | ||||||
| David Kaye | Teach Them First, Then They Know | 2005 | ||||||
| David Kaye | Incorporating These Principles Into Your Routines | 2005 | ||||||
| David Kaye | The Silly Billy Distraction Progression Theory | 2005 | ||||||
| David Kaye | "I Know That One" Doesn't Always Mean That | 2005 | ||||||
| David Kaye | Five Steps To Solving Any Performing Problem | 2005 | ||||||
| David Kaye | Solving The Top 10 Problems of Performing For Children | 2005 | ||||||
| David Kaye | Putting it All Together | 2005 | ||||||
| David Kaye | Where The Heck Is That Darn Line? | 2005 | ||||||
| David Kaye | Chasing Pigeons - The Importance of Power in a Child's Life | 2005 | ||||||
| David Kaye | Bideford, We Have a Problem | 2005 | ||||||
| David Kaye | Appendix I - The Cognitive Development of a Child | 2005 | ||||||
| David Kaye | Appendix II - Magician/Child Dictionary | 2005 | ||||||
| David Kaye | Appendix III - Tricks For Your Kid Show That You Already Own | 2005 | ||||||
| Arturo de Ascanio | Thoughts on Magic | 2005 | ||||||
| Arturo de Ascanio | Conception of Magical Atmosphere | 2005 | ||||||
| Arturo de Ascanio | Analysis of an Effect | 2005 | ||||||
| Arturo de Ascanio | On Misdirection | 2005 | ||||||
| Arturo de Ascanio | The Fundamentals of Timing | 2005 | ||||||
| Arturo de Ascanio | The Value of Technique in Magic | 2005 | ||||||
| Arturo de Ascanio | Know Yourself | 2005 | ||||||
| Arturo de Ascanio | Presentation | 2005 | ||||||
| Arturo de Ascanio | Cover | 2005 | ||||||
| Arturo de Ascanio | Construction | 2005 | ||||||
| Arturo de Ascanio | Technique | 2005 | ||||||
| Arturo de Ascanio | How to Study Magic | 2005 | ||||||
| Arturo de Ascanio | Creativity | 2005 | ||||||
| Cushing Strout | Conjuring with Classics | 2005 | ||||||
| Piet Forton | Einige Impulsgedanken zum Close-Up Bereich vor allem zum "Table-Hopping" und zur Party-Zauberei | 2005 | ||||||
| Barrie Richardson | Chapter VI: Magic and Metaphor | 2005 | ||||||
| Jamy Ian Swiss | Gaffs Versus Skill | Feb. 2005 |
Antinomy
(Vol. 1 No. 1)
|
|||||
| Jamy Ian Swiss | The Method is Not the Trick | May 2005 |
Antinomy
(Vol. 1 No. 2)
|
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| Jamy Ian Swiss | Discovering Importance | Aug. 2005 |
Antinomy
(Vol. 1 No. 3)
|
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| Jamy Ian Swiss | The Last Layman | Nov. 2005 |
Antinomy
(Vol. 1 No. 4)
|
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| Eric Mead | Approach | 2006 | ||||||
| Eric Mead, Juan Tamariz | Post Performance Coloring | 2006 | ||||||
| Eric Mead | A Perfect Mystery | 2006 | ||||||
| Eric Mead | The Desired Effect | 2006 | ||||||
| Eric Mead | Transitions | 2006 | ||||||
| Eric Mead | Say Anything | 2006 | ||||||
| Eric Mead | A Proper Introduction | 2006 | ||||||
| Arthur Trace | Causal Effect | 2006 | ||||||
| Alexander de Cova | Grundlagen | 2006 | ||||||
| Alexander de Cova | Was ist Misdirection? | 2006 | ||||||
| Alexander de Cova | Das Misdirection Kit in der Praxis | 2006 | ||||||
| Alexander de Cova | Der 5-Punkte-Plan | 2006 | ||||||
| Alexander de Cova | Aktive Misdirection | 2006 | ||||||
| Alexander de Cova | Passive Misdirection | 2006 | ||||||
| Alexander de Cova | Tipps zum Schluss | 2006 | ||||||
| Christoph Borer | Wer alles weiss, versteht nichts | 2006 | ||||||
| Christoph Borer | Pause | 2006 | ||||||
| Christoph Borer | Pseudo-Wahrheiten | 2006 | ||||||
| Christoph Borer | Programmgestaltung für eine Zauber-Theatervosrtellung | 2006 | ||||||
| Christoph Borer | Was ist Wo? | 2006 | ||||||
| Christoph Borer | Kommerziell | 2006 | ||||||
| Christoph Borer | Die einzige Regel im Showbusiness | 2006 | ||||||
| Christian Scherer | Die Qualität eines Zauberkunststückes: Was stellt ein Kunststück für die Zuschauer dar? | 2006 | ||||||
| Christian Scherer | "Es kommt nicht darauf an, was man vorführt, sondern wie man es vorführt" | 2006 | ||||||
| Curtis Kam | Casting Shadows | 2006 | ||||||
| Darwin Ortiz | Introduction | 2006 | ||||||
| Darwin Ortiz | Chapter One: Picking the Best Method | 2006 | ||||||
| Darwin Ortiz | Chapter Two: The Magical Experience | 2006 | ||||||
| Darwin Ortiz | Chapter Three: Causality | 2006 | ||||||
| Darwin Ortiz | Chapter Four: Temporal Distance | 2006 | ||||||
| Darwin Ortiz | Forward Time Displacement | 2006 | ||||||
| Darwin Ortiz | Backward Time Displacement | 2006 | ||||||
| Darwin Ortiz | Time Displacement and Sleights | 2006 | ||||||
| Darwin Ortiz | Chapter Five: Spatial Distance | 2006 | ||||||
| Darwin Ortiz | Chapter Six: Conceptual Distance | 2006 | ||||||
| Darwin Ortiz | Chapter Seven: The False Frame of Reference | 2006 | ||||||
| Darwin Ortiz | Chapter Eight: Visual Magic | 2006 | ||||||
| Darwin Ortiz | Chapter Nine: Correlation: Making and Breaking Patterns | 2006 | ||||||
| Darwin Ortiz | Chapter Ten: Manipulating Memory | 2006 | ||||||
| Arthur Trace | Speak Up! - Finding Your Creative Voice | Apr. 2006 |
Genii
(Vol. 69 No. 4)
|
|||||
| Jamy Ian Swiss | Creative Hits and Misses | Feb. 2006 |
Antinomy
(Vol. 2 No. 1)
|
|||||
| Jamy Ian Swiss | How Do We Insult Thee? Let Me Count The Ways. | Aug. 2006 |
Antinomy
(Vol. 2 No. 3)
|
|||||
| Jamy Ian Swiss | What Works | Nov. 2006 |
Antinomy
(Vol. 2 No. 4)
|
|||||
| Tommy Wonder | Building an Act | 2006 | ||||||
| Benjamin Earl | Revelations | 2007 | ||||||
| Benjamin Earl | Thoughts on Misdirection | 2007 | ||||||
| Jack Parker | Inspiration, Perspiration And Astonishment | 2007 | ||||||
| Asi Wind | Magic Evolution | 2007 | ||||||
| Asi Wind | The Oxygen of Suspense | 2007 | ||||||
| Asi Wind | Subliminal | 2007 | ||||||
| Stewart James, Allan Slaight | The Other Place | 2007 | ||||||
| Stewart James | Essay by SJ | 2007 | ||||||
| Manuel Montes | Sobre el control de la atención - Primera parte | 2007 |
El Manuscrito
(Vol. 1 No. 1)
|
|||||
| Kike Gonzalez | ¿Me haces un truco? | 2007 |
El Manuscrito
(Vol. 1 No. 1)
|
|||||
| Antonio del Pozo | Las 3 Reglas de Oro del mago | 2007 |
El Manuscrito
(Vol. 1 No. 1)
|
|||||
| Dani DaOrtiz, Juan Tamariz | La Verticalización en la magia | 2007 |
El Manuscrito
(Vol. 1 No. 2)
|
|||||
| Manuel Montes | El arte de la magia | 2007 |
El Manuscrito
(Vol. 1 No. 2)
|
|||||
| Jamy Ian Swiss | In Search of Street Magic | Mar. 2007 |
Antinomy
(Vol. 3 No. 1)
|
|||||
| Jamy Ian Swiss | Lasting Lessons | June 2007 |
Antinomy
(Vol. 3 No. 2)
|
|||||
| Jamy Ian Swiss | Empathy | Oct. 2007 |
Antinomy
(Vol. 3 No. 3)
|
|||||
| Miguel Gómez, Donald Lehn | Potenciadores del impacto mágico | 2007 | ||||||
| Miguel Gómez | ¿Por qué hacemos la magia que hacemos? | 2007 | ||||||
| Miguel Gómez | La Técnica | 2007 | ||||||
| Miguel Gómez | La práctica | 2007 | ||||||
| Tom Stone | Peaks and valleys | 2007 | ||||||
| Drew McAdam | Customer Care for Conjurors | 2007 | ||||||
| Drew McAdam | The Gentle Art of Audience Handling | 2007 | ||||||
| Ron Bauer | Do You Have an Act? | 2008 | ||||||
| Dan Buck, Dave Buck | Engineering Miracles | 2008 | ||||||
| Robert E. Neale | Introduction | 2008 | ||||||
| Arturo de Ascanio | Ascanio on Daley | 2008 | ||||||
| Arturo de Ascanio | Baiting Actions | 2008 | ||||||
| Arturo de Ascanio | On Stressing the Initial Situation | 2008 | ||||||
| Arturo de Ascanio | On the Apparent Continuity of the Initial Situation | 2008 | ||||||
| Arturo de Ascanio | On the Baiting Actions | 2008 | ||||||
| Arturo de Ascanio | The Principle of Working for the Future Applied | 2008 | ||||||
| Arturo de Ascanio | The Theory of Parenthesis of Forgetfulness Applied | 2008 | ||||||
| Arturo de Ascanio | Deception Through Timing | 2008 | ||||||
| Arturo de Ascanio | The Psychological Aspects of Black Days | 2008 | ||||||
| Lennart Green | Communicating in Magic: Sender, Receiver and Message | 2008 | ||||||
| Manuel Montes | Añadido a la verticalización | 2008 |
El Manuscrito
(Vol. 1 No. 3)
|
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| Sergio Seremi | Encaminando la magia | 2008 |
El Manuscrito
(Vol. 1 No. 3)
|
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| Manuel Montes | Estructurar-Construir unda Rutina | 2008 |
El Manuscrito
(Vol. 1 No. 3)
|
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| Ángel Azar | Persona, personalidad y personaje | 2008 |
El Manuscrito
(Vol. 1 No. 4)
|
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| Roberto Giobbi | El Arte de la simplificación y Fred Kaps | 2008 |
El Manuscrito
(Vol. 1 No. 5)
|
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| Juan Esteban Varela | Palabras Mágicas | 2008 |
El Manuscrito
(Vol. 1 No. 6)
|
|||||
| Fred Kaps | Conferencia de Kaps en Magic Circle | 2008 |
El Manuscrito
(Vol. 1 No. 6)
|
|||||
| Jamy Ian Swiss | Preserving Mystery | Jan. 2008 |
Antinomy
(Vol. 3 No. 4)
|
|||||
| Jamy Ian Swiss | The JS Rules of Magic | Oct. 2008 |
Antinomy
(Vol. 4 No. 2)
|
|||||
| Patrick G. Redford | Additional Forgotten Subtleties | 2008 | ||||||
| Carl Montada | Wieso - welhalb - warum und schließlich: was? | 2008 | ||||||
| Carl Montada | Mögliche fünf Ebenen eines Abendprogramms | 2008 | ||||||
| Tom Stone | The Resonance Theory | 2008 | ||||||
| Geoffrey Durham | People Like You | 2008 | ||||||
| Geoffrey Durham | The Durham Hand Flasher | 2008 | ||||||
| Geoffrey Durham | Rhythm in Magic | 2008 | ||||||
| Geoffrey Durham | Sweet Talk | 2008 | ||||||
| Geoffrey Durham | Practice and Rehearsal | 2008 | ||||||
| Geoffrey Durham | Where the Magic Happens | 2008 | ||||||
| Geoffrey Durham | A Volunteer from the Audience | 2008 | ||||||
| Geoffrey Durham | The Right Stuff | 2008 | ||||||
| Geoffrey Durham | In Praise of White | 2008 | ||||||
| Geoffrey Durham | Fear, Bravado and Lies | 2008 | ||||||
| Dominic Twose | Dominic Twose Remembers Lessons in Magic | 2009 | ||||||
| John Carney | Prologue | 2009 | ||||||
| John Carney | Study & Critique | 2009 | ||||||
| John Carney | Practice & Technique | 2009 | ||||||
| John Carney | Presentation & Routining | 2009 | ||||||
| Grace Ann Morgan | Elegant Solutions | 2009 | ||||||
| Trevor Lewis | The Master of Ceremonies | 2009 | ||||||
| Roberto Giobbi | The "Flash" Technique | Feb. 2009 |
Genii
(Vol. 72 No. 2)
|
|||||
| Hernán Maccagno | Robert-Houdin - mente al descubierto - primera parte | 2009 |
El Manuscrito
(Vol. 2 No. 8)
|
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| Juanjo Barón | La comunicación en la magia | 2009 |
El Manuscrito
(Vol. 2 No. 8)
|
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| Hernán Maccagno | Robert-Houdin - und mente al descubierto - segunda parte | 2009 |
El Manuscrito
(Vol. 2 No. 9)
|
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| Amílkar Riega Bello, Tony Cachadiña | Composición escénica para magia de cerca | 2009 |
El Manuscrito
(Vol. 2 No. 10)
|
|||||
| Justin Higham | Part 1: Direction | 2009 | ||||||
| Justin Higham | Part 5: Creativity | 2009 | ||||||
| Arie Vilner | How Not To Fool Your Audience | 2009 | ||||||
| Arie Vilner | How to Fool A Magician | 2009 | ||||||
| Arie Vilner | The Real Secret | 2009 | ||||||
| Rick Merrill | On Competition | 2009 | ||||||
| Tom Stone | Magic for Magicians | 2009 | ||||||
| Tom Stone | Imaginary Spectator or Real Artist? | 2009 | ||||||
| Tom Stone | Misunderstanding Meaningful Magic | 2009 | ||||||
| Eugene Burger | 2. The Magical Experience | 2009 | ||||||
| Eugene Burger | 3. The Shaman's Magic | 2009 | ||||||
| Robert E. Neale | 7. Tricksters and Real Jokers | 2009 | ||||||
| Eugene Burger | 9. Are Card Tricks Card Magic? | 2009 | ||||||
| Robert E. Neale | 11. Meaning in Magic | 2009 | ||||||
| Robert E. Neale | 12. Parable Magic | 2009 | ||||||
| Robert E. Neale | 15. Many Magics | 2009 | ||||||
| Robert E. Neale | 16. Magic and Mumbo Jumbo | 2009 | ||||||
| Miguel Ángel Gea | Magia en las manos del espectador | 2009 | ||||||
| Tom Stone | Resonance Theory | 2010 | ||||||
| Tom Stone | Too Perfect Imperfect | 2010 | ||||||
| Tom Stone | Rejection | 2010 | ||||||
| John Guastaferro | Strong Connections | 2010 | ||||||
| John Guastaferro | The Napkin Approach | 2010 | ||||||
| John Guastaferro | Mental Block | 2010 | ||||||
| John Guastaferro | Magic T.I.P.S. | 2010 | ||||||
| John Guastaferro | Serendipity | 2010 | ||||||
| Ramón Riobóo | Brain, Hands, Art, Science | 2010 | ||||||
| Ramón Riobóo | The Difficult, the Improbable, and the Impossible | 2010 | ||||||
| Roberto Giobbi | Spontaneity | 2010 |
Secret Agenda
(Issue Jan 4)
|
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| Roberto Giobbi | Flash Technique | 2010 |
Secret Agenda
(Issue Jan 9)
|
|||||
| Roberto Giobbi | Script | 2010 |
Secret Agenda
(Issue Jan 11)
|
|||||
| Roberto Giobbi | Remembering | 2010 |
Secret Agenda
(Issue Jan 12)
|
|||||
| Roberto Giobbi | Quotes in Presentation and Defense | 2010 |
Secret Agenda
(Issue Jan 16)
|
|||||
| Roberto Giobbi | Gestalt Theorie for Magic | 2010 |
Secret Agenda
(Issue Jan 22)
|
|||||
| Roberto Giobbi | Actus Interruptus | 2010 |
Secret Agenda
(Issue Jan 23)
|
|||||
| Roberto Giobbi | Tip on Tips | 2010 |
Secret Agenda
(Issue Jan 24)
|
|||||
| Juan Tamariz, Roberto Giobbi | Tamariz on the Subject of Magic on TV | 2010 |
Secret Agenda
(Issue Jan 28)
|
|||||
| Roberto Giobbi | The Poor Man's Luxury | 2010 |
Secret Agenda
(Issue Jan 31)
|
|||||
| Roberto Giobbi | No Hands, Ma | 2010 |
Secret Agenda
(Issue Feb 2)
|
|||||
| Vanni Bossi, Roberto Giobbi | Souvenir Card | 2010 |
Secret Agenda
(Issue Feb 10)
|
|||||
| Roberto Giobbi | Ten Tips on Marketing Yourself | 2010 |
Secret Agenda
(Issue Feb 19)
|
|||||
| Roberto Giobbi, Juan Tamariz | How Did you Do That? | 2010 |
Secret Agenda
(Issue Feb 20)
|
|||||
| Roberto Giobbi | Prop or Instrument | 2010 |
Secret Agenda
(Issue Mar 5)
|
|||||
| Roberto Giobbi | Benefits of Practicing Magic | 2010 |
Secret Agenda
(Issue Mar 29)
|
|||||
| Roberto Giobbi | Self-Criticism | 2010 |
Secret Agenda
(Issue Apr 4)
|
|||||
| Lutz Müller | Psychological Meaning of Magic for a Spectator | 2010 |
Secret Agenda
(Issue Apr 12)
|
|||||
| Roberto Giobbi | What is a Good Trick? | 2010 |
Secret Agenda
(Issue Apr 15)
|
|||||
| Roberto Giobbi | Commerce Versus Art | 2010 |
Secret Agenda
(Issue Apr 16)
|
|||||
| Roberto Giobbi | Thoughts on Del Ray | 2010 |
Secret Agenda
(Issue Apr 27)
|
|||||
| Roberto Giobbi | The Card Expert | 2010 |
Secret Agenda
(Issue May 12)
|
|||||
| Roberto Giobbi, Louis Marino | On Shoes | 2010 |
Secret Agenda
(Issue May 16)
|
|||||
| Roberto Giobbi | Stage Fright | 2010 |
Secret Agenda
(Issue May 25)
|
|||||
| Roberto Giobbi | The Art of Magic | 2010 |
Secret Agenda
(Issue May 27)
|
|||||
| Roberto Giobbi | Repetition | 2010 |
Secret Agenda
(Issue May 31)
|
|||||
| Roberto Giobbi | Applause | 2010 |
Secret Agenda
(Issue June 26)
|
|||||
| Roberto Giobbi | Gestures | 2010 |
Secret Agenda
(Issue July 5)
|
|||||
| Roberto Giobbi | Table Magic I: Thoughts on Opening Private Shows at Tables | 2010 |
Secret Agenda
(Issue July 18)
|
|||||
| Roberto Giobbi, Patrick Page | Table Magic II: Getting to the Next Table | 2010 |
Secret Agenda
(Issue July 19)
|
|||||
| Roberto Giobbi | Table Magic III: Openers for Private Shows at Tables | 2010 |
Secret Agenda
(Issue July 20)
|
|||||
| Roberto Giobbi | Thoughts on "Table-Hopping" | 2010 |
Secret Agenda
(Issue July 21)
|
|||||
| Roberto Giobbi | Magic and Space | 2010 |
Secret Agenda
(Issue Sep 17)
|
|||||
| Roberto Giobbi | Business Card Ideas | 2010 |
Secret Agenda
(Issue Oct 12)
|
|||||
| Roberto Giobbi | Sucker Effect | 2010 |
Secret Agenda
(Issue Nov 13)
|
|||||
| Roberto Giobbi | Magic Lottery | 2010 |
Secret Agenda
(Issue Nov 27)
|
|||||
| Roberto Giobbi, Gaëtan Bloom | Guest Book | 2010 |
Secret Agenda
(Issue Nov 28)
|
|||||
| Roberto Giobbi | Ten Professional Tips | 2010 |
Secret Agenda
(Issue Dec 11)
|
|||||
| Roberto Giobbi | Creativity | 2010 |
Secret Agenda
(Issue Dec 17)
|
|||||
| Roberto Giobbi | Books VS. Videos | 2010 |
Secret Agenda
(Issue Dec 21)
|
|||||
| Roberto Giobbi | The Utility Bag and the Essential Utility Bag | 2010 |
Secret Agenda
(Issue Dec 29)
|
|||||
| Steve Reynolds | Platinum Opener | 2010 | ||||||
| Román García | La Opción de la Narrativa en la Magia | 2010 | ||||||
| Román García | El Secreto: El Dilema de la Evolución | 2010 | ||||||
| Román García | La Creatividad | 2010 | ||||||
| Jon Racherbaumer | On the Slant | Feb. 2010 |
Genii
(Vol. 73 No. 2)
|
|||||
| Tom Stone | No Script is Also a Script | July 2010 |
Genii
(Vol. 73 No. 7)
|
|||||
| Tom Stone | The Dunning-Kruger Effect (for Fun and Profit) | July 2010 |
Genii
(Vol. 73 No. 7)
|
|||||
| Tom Stone | You Are Brilliant! | July 2010 |
Genii
(Vol. 73 No. 7)
|
|||||
| Roberto Mansilla | Platos en una alcantarilla - Parte I | 2010 |
El Manuscrito
(Vol. 3 No. 12)
|
|||||
| Pit Hartling | Desafíos Provocados | 2010 |
El Manuscrito
(Vol. 3 No. 13)
|
|||||
| Dani DaOrtiz, Luis Garcia | Concepciones Magicas - primera parte | 2010 |
El Manuscrito
(Vol. 3 No. 13)
|
|||||
| Luis Piedrahita | La Magia vista con otros ojos - las cámeras - primera parte | 2010 |
El Manuscrito
(Vol. 3 No. 14)
|
|||||
| Camilo Vázquez | Juegos con doble fondo | 2010 |
El Manuscrito
(Vol. 3 No. 14)
|
|||||
| Helder Guimarães | La Ruta Mental | 2010 |
El Manuscrito
(Vol. 3 No. 14)
|
|||||
| Miguel Ángel Gea | Las 7 responsabilidades del mago del siglo XXI | 2010 |
El Manuscrito
(Vol. 3 No. 14)
|
|||||
| Lance Pierce | The Elements (I) | 2010 | ||||||
| Lance Pierce | The Elements (II) | 2010 | ||||||
| Lance Pierce | The Elements (III) | 2010 | ||||||
| Tom Stone | Burn Remedy | 2011 | ||||||
| Tom Stone | Peaks and Valleys | 2011 | ||||||
| Al Schneider | Some Magic Theory | 2011 | ||||||
| Al Schneider | The Five Steps of Deception | 2011 | ||||||
| Al Schneider | Intention of Reality | 2011 | ||||||
| Al Schneider | Intention of Magic | 2011 | ||||||
| Al Schneider | Five Steps to Mastery | 2011 | ||||||
| Al Schneider | An Important Philosophical Thought | 2011 | ||||||
| Steve Mayhew | Motion, Brefity, Confidence: Ramblings on Humor, Card Magic, and You | 2011 | ||||||
| Rob Zabrecky | Write, Produce, Direct & Act | 2011 | ||||||
| Rob Zabrecky | A Subjective Blueprint | 2011 | ||||||
| Rob Zabrecky | Openmindedness | 2011 | ||||||
| Rob Zabrecky | The Art of Start | 2011 | ||||||
| Rob Zabrecky | Preparation | 2011 | ||||||
| Rob Zabrecky | Collaboration | 2011 | ||||||
| Rob Zabrecky | Art Tears | 2011 | ||||||
| Rob Zabrecky | Risk | 2011 | ||||||
| Gary Plants | 1987 St. Louis Magic Jubilee | 2011 | ||||||
| Ryan Schlutz | Introduction | 2011 | ||||||
| Ryan Schlutz | Stop Killing the Magic! | 2011 | ||||||
| Woody Aragón | Theoretical Relativism | 2011 | ||||||
| Woody Aragón | Regarding Mathemagic | 2011 | ||||||
| Woody Aragón | Construction and Composition: The Structure of Magic | 2011 | ||||||
| Steve Beam | The Trapdoor Issue #27 | 2011 |
The Trapdoor — Volume Two
(Issue Addendum)
|
|||||
| Jorge Blass | El Momento Mágico | 2011 | ||||||
| Tony Cabral | Thumping the Box | 2011 | ||||||
| Patrick Page | Comedy Magic | 2011 | ||||||
| Patrick Page | Misdirection | 2011 | ||||||
| Patrick Page | Now They See It | 2011 | ||||||
| John Carney | How to Be Awesome at Magic | 2011 | ||||||
| Jon Armstrong | Super Hero Theory | 2011 | ||||||
| Luis Piedrahita | La Magia vista con otros ojos - las cámeras - segunda parte | 2011 |
El Manuscrito
(Vol. 4 No. 15)
|
|||||
| Roberto Mansilla | Sobre la Magia Ficcional | 2011 |
El Manuscrito
(Vol. 4 No. 15)
|
|||||
| Kiko Pastur | ¡Los Reyes Magos son Ficción! | 2011 |
El Manuscrito
(Vol. 4 No. 15)
|
|||||
| Javier Piñeiro | El mecanismo de la ficción (I) | 2011 |
El Manuscrito
(Vol. 4 No. 15)
|
|||||
| Luis Otero | Misdirection | 2011 |
El Manuscrito
(Vol. 4 No. 16)
|
|||||
| Javier Piñeiro | El mecanismo de la ficción - segunda parte | 2011 |
El Manuscrito
(Vol. 4 No. 16)
|
|||||
| Javier Piñeiro | El mecanismo de la ficción - Tercera y última parte | 2011 |
El Manuscrito
(Vol. 4 No. 17)
|
|||||
| Luis Otero | Misdirection - Segunda Parte | 2011 |
El Manuscrito
(Vol. 4 No. 17)
|
|||||
| Jesús Etcheverry | Técnica de las Transferencias | 2011 |
El Manuscrito
(Vol. 4 No. 17)
|
|||||
| Daniel Ketchedjian | Creatividad | 2011 |
El Manuscrito
(Vol. 4 No. 18)
|
|||||
| Jamy Ian Swiss | The Method Is Not the Trick | 2011 | ||||||
| Jamy Ian Swiss | Discovering Importance | 2011 | ||||||
| Jamy Ian Swiss | Empathy | 2011 | ||||||
| Jamy Ian Swiss | The JS Rules of Magic | 2011 | ||||||
| Jamy Ian Swiss | The Last Layman | 2011 | ||||||
| Jamy Ian Swiss | Etiquette: A Required Course | Mar. 2011 |
Antinomy
(Vol. 4 No. 3)
|
|||||
| Tom Stone | You are brilliant! | 2011 | ||||||
| Tom Stone | The Dunning-Kruger Effect (for fun and profit) | 2011 | ||||||
| Tom Stone | No Script is also a Script | 2011 | ||||||
| David Berglas | Preface | 2011 | ||||||
| David Berglas | David Berglas Talks About Personality and Presentation | 2011 | ||||||
| David Berglas | Beware the Obvious | 2011 | ||||||
| David Berglas | Searching for Perfection | 2011 | ||||||
| Roberto Giobbi | Minor and Major Magic | 2012 | ||||||
| Ben Train | And So It Begins | 2012 | ||||||
| Ben Train | And so we come to The End | 2012 | ||||||
| Richard Forget | Fear & Loathing in Hong Kong | 2012 | ||||||
| Garrett Thomas | Formula | 2012 | ||||||
| Garrett Thomas | Presenting the Art of Magic | 2012 | ||||||
| Garrett Thomas | The Usual Suspects | 2012 | ||||||
| Garrett Thomas | Rare and Unusual Suspects | 2012 | ||||||
| Garrett Thomas | The Texter / Thumbs | 2012 | ||||||
| Garrett Thomas | The Hands / The Shuffler | 2012 | ||||||
| Garrett Thomas | The French Dropper / Take That! | 2012 | ||||||
| Garrett Thomas | The Forgetter / Absent Minded Spectator | 2012 | ||||||
| Garrett Thomas | Pinocchio / Mr. Pants on Fire | 2012 | ||||||
| Garrett Thomas | The Bogart / Play it Again Sam | 2012 | ||||||
| Garrett Thomas | The Einstein / The Know-it-All | 2012 | ||||||
| Garrett Thomas | The Copycat / Anything you can do I can do better... | 2012 | ||||||
| Garrett Thomas | The Wrap Up | 2012 | ||||||
| Ron Graham, Persi Diaconis | How Many Magic Tricks Are There? | 2012 | ||||||
| Persi Diaconis, Ron Graham | On Secrets | 2012 | ||||||
| Walter Noll | The Role of the Professor | Jan. 2012 |
Genii
(Vol. 75 No. 1)
|
|||||
| Gabi Pareras | El Tema | 2012 |
El Manuscrito
(Vol. 5 No. 19)
|
|||||
| Gabi Pareras | La Intriga y la Trama | 2012 |
El Manuscrito
(Vol. 5 No. 20)
|
|||||
| Luis Otero | Si la Magia fuera Arte | 2012 |
El Manuscrito
(Vol. 5 No. 20)
|
|||||
| Tony Cachadiña | Misdirection Básica | 2012 |
El Manuscrito
(Vol. 5 No. 22)
|
|||||
| Luis Otero | Lo Antinatural de la Magia - Primera Parte | 2012 |
El Manuscrito
(Vol. 5 No. 22)
|
|||||
| Jamy Ian Swiss | Mentalism Grows Up | 2012 | ||||||
| David Gabbay | Suggested Focus & Inception | 2012 | ||||||
| David Gabbay | Let It Breathe | 2012 | ||||||
| David Gabbay | Abundance Mentality | 2012 | ||||||
| David Gabbay | No Mistakes | 2012 | ||||||
| David Gabbay | Malini & YouTube | 2012 | ||||||
| David Gabbay | Fantasy and the Fantastic | 2012 | ||||||
| David Gabbay | Sure to Inspire | 2012 | ||||||
| Gabi Pareras | Esquema general de conceptos | 2012 | ||||||
| Gabi Pareras | Principios en la ejecución | 2012 | ||||||
| Gabi Pareras | Principios en la composición | 2012 | ||||||
| Bruce Bernstein | Reading Between the Lines | 2012 | ||||||
| Bruce Bernstein | Presentation Excuses the Methodology | 2012 | ||||||
| Bruce Bernstein | Exposures | 2012 | ||||||
| Chris Westfall | Calculated Chaos | 2013 | ||||||
| Chris Westfall | Approaching People | 2013 | ||||||
| Chris Westfall | Rejection | 2013 | ||||||
| Hiroshi Sawa | ドクター澤の理論奇術学 (Dr Sawa's Magical Theory) | 2013 | ||||||
| Hiroshi Sawa | 澤メソッドの心理分析 (Pschological Analysis of the Sawa Method) | 2013 | ||||||
| Hiroshi Sawa | マジシャンと人間 (Magicians and humans) | 2013 | ||||||
| Miguel Gómez | Acciones de Magia Real | 2013 |
El Manuscrito
(Vol. 6 No. 23)
|
|||||
| Biktor Chávez | Espectadores difíciles | 2013 |
El Manuscrito
(Vol. 6 No. 23)
|
|||||
| Luis Piedrahita | Cámara y Pantalla en Magia de Cerca - parte 1 | 2013 |
El Manuscrito
(Vol. 6 No. 24)
|
|||||
| Miguel Ajo | Acciones Ocasionales. Trampa y Efecto | 2013 |
El Manuscrito
(Vol. 6 No. 24)
|
|||||
| Michael Vincent | The Quest for Mastery | 2013 | ||||||
| Helder Guimarães | Where is the Art in Magic? | 2013 | ||||||
| John Lovick | Not Perfect Enough | 2013 | ||||||
| Patrick G. Redford | Full Routine | 2013 | ||||||
| Patrick G. Redford | Practical Applications | 2013 | ||||||
| Robert Cassidy | The Path to Mastery | 2013 | ||||||
| Robert Cassidy | A Note on Rehearsal | 2013 | ||||||
| Robert Cassidy | An Essential Secret | 2013 | ||||||
| Robert Cassidy | Speaking Exercise | 2013 | ||||||
| Robert Cassidy | Some Thoughts on Performing | 2013 | ||||||
| Robert Cassidy | Presentation Skills: Taking the Stage | 2013 | ||||||
| Robert Cassidy | Eye Contact | 2013 | ||||||
| Robert Cassidy | Gestures | 2013 | ||||||
| Robert Cassidy | Tuning Up | 2013 | ||||||
| Robert Cassidy | Venue Set-Up | 2013 | ||||||
| Robert Cassidy | Types of Audiences | 2013 | ||||||
| Mike Caveney | Our Own Worst Enemy | 2013 | ||||||
| Mike Caveney | Serious Laughter | 2013 | ||||||
| Alexander de Cova | Magic vs. Music | Dec. 2013 |
Scrapbook
(Issue 1)
|
|||||
| Benjamin Earl | Real Ace Cutting | 2014 | ||||||
| Benjamin Earl | Final Thoughts | 2014 | ||||||
| Tyler Wilson | Sorry, These Are Some Comments | 2014 | ||||||
| Jim Steinmeyer | Introduction | 2014 | ||||||
| Hector Chadwick | Equivoque | 2014 | ||||||
| Jorge "The Jack" Garcia | Solidity of the Performer: A Game of Control | 2014 | ||||||
| Jorge "The Jack" Garcia | Ideas to Improve the Show | 2014 | ||||||
| Jorge "The Jack" Garcia | Considerations on Stimulus | 2014 | ||||||
| Jorge "The Jack" Garcia | Staging | 2014 | ||||||
| Christian Scherer | Technik vs. Präsentation | 2014 | ||||||
| Christian Scherer | Sprechzauberkunst und "Magie" | 2014 | ||||||
| Christian Scherer | Der Schwierigkeitsgrad | 2014 | ||||||
| Christian Scherer | Originalität | 2014 | ||||||
| Christian Scherer | Puzzles oder magische Momente | 2014 | ||||||
| Christian Scherer | Sinnhaftigkeit und Interesse | 2014 | ||||||
| Christian Scherer | Absicht, Überzeugung, Intensität | 2014 | ||||||
| Christian Scherer | Der Zweck und die Rolle des Vorführenden | 2014 | ||||||
| Christian Scherer | Das Thema | 2014 | ||||||
| Christian Scherer | Die Begründung | 2014 | ||||||
| Christian Scherer | Logik und Konsistenz der Handlung | 2014 | ||||||
| Christian Scherer | Einfachheit und Klarheit | 2014 | ||||||
| Christian Scherer | Vortrag und Drehbuch | 2014 | ||||||
| Christian Scherer | Die Wortwahl | 2014 | ||||||
| Christian Scherer | Der Einstieg | 2014 | ||||||
| Christian Scherer | Prolog und Epilog | 2014 | ||||||
| Christian Scherer | Timing von Vortrag und Handlung | 2014 | ||||||
| Christian Scherer | Zusammenspiel von Handlung und Vortrag | 2014 | ||||||
| Christian Scherer | Als ob | 2014 | ||||||
| Christian Scherer | Kopfkino | 2014 | ||||||
| Christian Scherer | Mimik und Gestik | 2014 | ||||||
| Christian Scherer | Foto-Momente | 2014 | ||||||
| Christian Scherer | Der innere Monolog | 2014 | ||||||
| Christian Scherer | Misdirection - Lenkung der Aufmerksamkeit | 2014 | ||||||
| Christian Scherer | Applaus | 2014 | ||||||
| Christian Scherer | Sinnhaftigkeit - Keine Regel ohne Ausname | 2014 | ||||||
| Christian Scherer | Die unbestechliche Kritikerin | 2014 | ||||||
| Michael Lam | 一切，从魔术开始。 | 2014 | ||||||
| Michael Lam | "实战"魔术有感 | 2014 | ||||||
| Michael Lam | 表演现场 | 2014 | ||||||
| Michael Lam | 交流 | 2014 | ||||||
| Michael Lam | 如何变"好"魔术? | 2014 | ||||||
| Tony Cabral | Strength v. Convenience | 2014 | ||||||
| Michael Murray | The Inversion Technique | 2014 | ||||||
| Michael Murray | Spectator as Mind Reader | 2014 | ||||||
| Simon Aronson | Tool Sets | 2014 | ||||||
| Simon Aronson | P.U.R.E. Surprise | 2014 | ||||||
| Simon Aronson | Disillusionment | 2014 | ||||||
| Simon Aronson | Pondering Predictions | 2014 | ||||||
| Roberto Giobbi | On The Theory of Magic | Mar. 2014 |
Genii
(Vol. 77 No. 3)
|
|||||
| Roberto Giobbi | On the Theory of Magic (2): Actus Interruptus | May 2014 |
Genii
(Vol. 77 No. 5)
|
|||||
| Roberto Giobbi | On the Theory of Magic (3): The Benefits of Practicing Magic | July 2014 |
Genii
(Vol. 77 No. 7)
|
|||||
| Roberto Giobbi | On the Theory of Magic (4): The Magic Effect Field | Sep. 2014 |
Genii
(Vol. 77 No. 9)
|
|||||
| Patrick G. Redford | Putting It All Together | 2014 | ||||||
| Ricky Smith | It's the Eye | 2015 | ||||||
| Jared Kopf | Broken Bough | Winter 2015 |
Quarterly
(Issue 1)
|
|||||
| Helder Guimarães | Winding the Time Machine | Winter 2015 |
Quarterly
(Issue 1)
|
|||||
| Denis Behr, Pit Hartling | Beer, Card Tricks and Orange Juice: Denis and Pit Think Out Loud | Winter 2015 |
Quarterly
(Issue 1)
|
|||||
| Steve Thompson | Taking a Design Approach to Magic | Winter 2015 |
Quarterly
(Issue 1)
|
|||||
| Roberto Mansilla | Fictional Magic | Spring 2015 |
Quarterly
(Issue 2)
|
|||||
| Denis Behr, Pit Hartling | Card Tricks, Beer and Orange Juice: Denis and Pit Think Out Loud | Spring 2015 |
Quarterly
(Issue 2)
|
|||||
| Helder Guimarães | Contextual Invisibility | Spring 2015 |
Quarterly
(Issue 2)
|
|||||
| Shimpei Katsuragawa | Magic and Music: A Mystical Marriage | Summer 2015 |
Quarterly
(Issue 3)
|
|||||
| Will Houstoun | Magic Wands: Need They Have A Point? | Summer 2015 |
Quarterly
(Issue 3)
|
|||||
| Denis Behr, Pit Hartling | Card Tricks, Beer and Orange Juice: Denis and Pit Think Out Loud | Summer 2015 |
Quarterly
(Issue 3)
|
|||||
| Harapan Ong | Thinking Like a Physicist | Summer 2015 |
Quarterly
(Issue 3)
|
|||||
| Helder Guimarães | Walking Down The Magic Way: Part 1 | Summer 2015 |
Quarterly
(Issue 3)
|
|||||
| Helder Guimarães | Partially, on Construction | 2015 | ||||||
| Helder Guimarães | Point Man Approach | 2015 | ||||||
| Helder Guimarães | Exercise - Subtext Addition | 2015 | ||||||
| Helder Guimarães | Exercise - Making It Stronger | 2015 | ||||||