Theory & Essays
| Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
|---|---|---|---|---|---|---|---|---|
| Michael Weber | Thoughts & Theories | 1985 | ||||||
| Jay Sankey | Sankey's Last Word | 1986 | ||||||
| Steve Beam | The Good, the Bad & the Layman | 1986 |
The Trapdoor — Volume One
(Issue 15)
|
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| Bascom Jones | Your Voice - Secret Weapon or Albatross? | May 1986 |
Magick
(Issue 371)
|
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| Terry Seabrooke | The M.C. | 1986 | ||||||
| Terry Seabrooke | Looking for Laughs | 1986 | ||||||
| Terry Seabrooke | Is It Really Close-Up Magic? | 1986 | ||||||
| Terry Seabrooke | As Others See Us | 1986 | ||||||
| Terry Seabrooke | On Satge | 1986 | ||||||
| Steve Bryan | Steve Bryan Writes... | 1986 |
Gimmick
(Issue 3)
|
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| Fred Kaps | What's New? | 1986 | ||||||
| Richard Kaufman | Introduction - A Conversation with Ron Wilson | 1987 | ||||||
| Thomas Hierling | Gedanken zum Close Up Zaubern | 1987 | ||||||
| Steve Bryan, Mark Vincent, Pedro | Theorie | 1987 |
Gimmick
(Issue 8)
|
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| Jamy Ian Swiss | The Standards of Deception | 1987 | ||||||
| Jamy Ian Swiss | Good Trick, Bad Trick | 1987 | ||||||
| Jamy Ian Swiss | The Elements of Style | 1987 | ||||||
| Jamy Ian Swiss | On Routining, Descriptive Scripts, and Card Tricks | 1987 | ||||||
| René Lavand | Lentidigitation | 1987 | ||||||
| René Lavand | The Spoken Word in the Illusionis't Art | 1987 | ||||||
| José Carroll | Conflicts | 1988 | ||||||
| Juan Tamariz | The Five Points In Magic | 1988 | ||||||
| Juan Tamariz | First Point: The Eyes | 1988 | ||||||
| Juan Tamariz | Second Point: The Voice | 1988 | ||||||
| Juan Tamariz | Third Point: The Hands | 1988 | ||||||
| Juan Tamariz | Fourth and Fifth Points | 1988 | ||||||
| Juan Tamariz | Part One: The Theory of False Solutions and The Magic Way | 1988 | ||||||
| Steve Beam | Name Brand Magic | 1988 |
The Trapdoor — Volume One
(Issue 25)
|
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| Geoffrey Williams | Theatrix for the Mentalist | May 1988 |
Magick
(Issue 405)
|
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| Geoffrey Williams | Theatrix for the Mentalist - Part II | July 1988 |
Magick
(Issue 407)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst | Feb. 1988 |
Intermagic
(Vol. 13 No. 3)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst (1. Fortsetzung) | Apr. 1988 |
Intermagic
(Vol. 13 No. 4)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst (2. Fortsetzung) | July 1988 |
Intermagic
(Vol. 13 No. 5)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst (3. Fortsetzung) | Oct. 1988 |
Intermagic
(Vol. 14 No. 1)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst (4. Fortsetzung) | Dec. 1988 |
Intermagic
(Vol. 14 No. 2)
|
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| Fred Robinson, Keith Bennett | Fred Robinson on Misdirection | July 1988 |
Opus
(Vol. 1 No. 11)
|
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| René Lavand | A Philosophy | 1988 | ||||||
| René Lavand | Lentidigitation | 1988 | ||||||
| Eugene Burger | In the Beginning | 1989 | ||||||
| Eugene Burger | The Negative Way | 1989 | ||||||
| Eugene Burger | Framing | 1989 | ||||||
| Mike Rogers | Fifty Undeniable Truths about Magic | Sep. 1989 |
Epoptica
(Issue 12)
|
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| Simon Lovell | Thinks | 1989 | ||||||
| Simon Lovell | You And Them | 1989 | ||||||
| Simon Lovell | Tipping | 1989 | ||||||
| Steve Beam | Style | 1989 |
The Trapdoor — Volume Two
(Issue 29)
|
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| Channing Pollock | The Love of Magic - Die Liebe zur Zauberkunst | 1989 | ||||||
| David Harper | Mentalism for Malls | Mar. 1989 |
Magick
(Issue 419)
|
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| Rafael Benatar | In-Transit Actions and the Cups and Balls | 1989 | ||||||
| Johnny "J.J." Johnston | Softening the Blow | 1989 | ||||||
| Richard McDougall | It's Not What You Do | 1989 | ||||||
| John Nevil Maskelyne | Die Kunst in der Zauberkunst (5. Fortsetzung) | Apr. 1989 |
Intermagic
(Vol. 14 No. 3)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst (6. Fortsetzung) | July 1989 |
Intermagic
(Vol. 14 No. 4 & 5)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst (7. Fortsetzung) | Oct. 1989 |
Intermagic
(Vol. 15 No. 1)
|
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| Gary Kurtz | The Importance of Misdirection | 1989 | ||||||
| Gary Kurtz | Visual Noice | 1989 | ||||||
| Gary Kurtz | Openness and the Open Position | 1989 | ||||||
| Gary Kurtz | Coordination of Actions, and the Priority of Movements | 1989 | ||||||
| Gary Kurtz | Economy of Motion | 1989 | ||||||
| Gary Kurtz | Active and Relaxed States | 1989 | ||||||
| Gary Kurtz | The Natural Off-Beat | 1989 | ||||||
| Gary Kurtz | Creating the Off-Beat | 1989 | ||||||
| Gary Kurtz | Regaining Attention | 1989 | ||||||
| Gary Kurtz | The Eyes | 1989 | ||||||
| Gary Kurtz | Verbal Misdirection | 1989 | ||||||
| Gary Kurtz | Naturalness | 1989 | ||||||
| Gary Kurtz | Directing Audience Attention | 1989 | ||||||
| Gary Kurtz | The Principal Elements | 1989 | ||||||
| Gary Kurtz | The Prime Focus: The Remembered Effect | 1989 | ||||||
| Michael Close | Introduction | 1990 | ||||||
| Alexander de Cova | 5. Die Figur | 1990 | ||||||
| Alexander de Cova | 6. Die Realisation | 1990 | ||||||
| Alexander de Cova | 7. Kreativität | 1990 | ||||||
| Wesley James | Stop Fooling Us | 1990 | ||||||
| Wesley James | The Keys to Entertainment | 1990 | ||||||
| Wesley James | Performer's Obligation | 1990 | ||||||
| Gary Ouellet | The Close Up Theater | 1990 | ||||||
| Gary Ouellet | Close-Up Hint | 1990 | ||||||
| Gary Ouellet | Close-Up Hint | 1990 | ||||||
| Gary Ouellet | Close Up Hint | 1990 | ||||||
| Gary Ouellet | The Challenge Factor | 1990 | ||||||
| Gary Ouellet | Close Up Hint | 1990 | ||||||
| Gary Ouellet | Close Up Hint | 1990 | ||||||
| Gary Ouellet | Close Up Hint | 1990 | ||||||
| Gary Ouellet | Hint Heaven | 1990 | ||||||
| Lee Earle | Work Your Audience, Not Your Ego | Jan. 1990 |
Magick
(Issue 433)
|
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| Rocco Silano | Motivation and Inspiration | 1990 | ||||||
| John Nevil Maskelyne | Die Kunst in der Zauberkunst (8. Fortsetzung) | July 1990 |
Intermagic
(Vol. 15 No. 3)
|
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| Ken Brooke | Erfolgsrezepte | Oct. 1990 |
Intermagic
(Vol. 15 No. 4 & 5)
|
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| Michael Ammar | In The Men's Hut | 1991 | ||||||
| Michael Ammar | Super Group | 1991 | ||||||
| Michael Ammar | I'Ve Got Rhythm | 1991 | ||||||
| Michael Ammar | The Unspoken Performance | 1991 | ||||||
| Michael Ammar | Lying: The Unconscious Dilution Of Impact | 1991 | ||||||
| Michael Ammar | Get More Rubals From Your Magic | 1991 | ||||||
| Michael Ammar | I'm In Training | 1991 | ||||||
| Michael Ammar | Have No Mercy | 1991 | ||||||
| Michael Ammar | The Vernon Theory of Artistic Advancement | 1991 | ||||||
| Michael Ammar | Challenging Your Experiences | 1991 | ||||||
| Michael Ammar | Where Do You Stand? | 1991 | ||||||
| Michael Ammar | The Development Of Style | 1991 | ||||||
| Michael Ammar | Eight Principles For Making Magic Memorable | 1991 | ||||||
| Alex Elmsley | Alex Elmsley On the Theory and Practice of Magic | 1991 | ||||||
| Alex Elmsley | The Automatic Producer | 1991 | ||||||
| Alex Elmsley | On Misdirection | 1991 | ||||||
| Michael Close | Introduction | 1991 | ||||||
| Michael Close | The Theory of Penetration Effects | 1991 | ||||||
| John Carney | Secret Philosophy | 1991 | ||||||
| Mike Caveney | Serious Laughter | 1991 | ||||||
| Eugene Burger | Are Card Tricks Card Magic | 1991 | ||||||
| Tommy Wonder | Thoughts In Mid-Air | 1991 | ||||||
| Michael Weber | Improvised vs. Impromptu: An Introduction by Way of Definition | 1991 | ||||||
| Gary Kurtz | Nod Technique | 1991 | ||||||
| Alexander de Cova | Theorie & Praxis | June/July 1991 |
Avantgarde Magic
(Vol. 1 No. 2)
|
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| Roger Klause | Changing the Moment | 1991 | ||||||
| Roger Klause, Lance Pierce | Fundamentally Speaking & The Secret Aide | 1991 | ||||||
| Roger Klause | Management | 1991 | ||||||
| Roger Klause | Major Minor | 1991 | ||||||
| Alexander de Cova | Theorie & Praxis | 1991 | ||||||
| Diabelli | Perfektion - Nein Danke! | 1991 | ||||||
| Jim Steinmeyer | Plot vs. Effect | 1991 | ||||||
| John Nevil Maskelyne | Die Kunst in der Zauberkunst (9. Fortsetzung) | Jan. 1991 |
Intermagic
(Vol. 16 No. 1)
|
|||||
| John Nevil Maskelyne | Die Kunst in der Zauberkunst (10. Fortsetzung) | June 1991 |
Intermagic
(Vol. 16 No. 2)
|
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| John Nevil Maskelyne | Die Kunst in der Zauberkunst (11. Fortsetzung) | Dec. 1991 |
Intermagic
(Vol. 16 No. 4 & 5)
|
|||||
| René Lavand | The Spoken Word In The Art Of Illusionism | 1991 | ||||||
| René Lavand | Timing | 1991 | ||||||
| René Lavand | Anatomy of a Theatre for Close-Up Magic | 1991 | ||||||
| Dan Strange | The Impromptu Magician | 1991 | ||||||
| Ray Mertz | Some Views on Close-Up Magic | July/Aug. 1991 |
The Magic Menu
(Vol. 1 No. 6)
|
|||||
| Scott Wells | Thinking on Your Feet (Thoughts on Strolling Magic) | July/Aug. 1991 |
The Magic Menu
(Vol. 1 No. 6)
|
|||||
| Scott Wells | The Antagonistic Audience Member | Sep./Oct. 1991 |
The Magic Menu
(Vol. 2 No. 7)
|
|||||
| David Acer | First Impressions | Nov./Dec. 1991 |
The Magic Menu
(Vol. 2 No. 8)
|
|||||
| Homer Liwag | Magic with (or without) an Attitude! | June 1991 |
Magic Man Examiner
(Vol. 1 No. 2)
|
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| Alexander de Cova | Theorie & Praxis | 1992 | ||||||
| , Richard Suey | El Prefosional | 1992 | ||||||
| Arturo de Ascanio | Como Estudiar Magia | 1992 | ||||||
| Arturo de Ascanio | Conocete a ti Mismo | 1992 | ||||||
| Arturo de Ascanio (reviewer) | En Torno a un Libro Asombroso - "The Magic of Slydini" | 1992 | ||||||
| ID | Oct. 1992 |
Profile
(Issue 10)
|
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| Gary Kurtz | Direction | 1992 | ||||||
| Gary Kurtz | Misdirection | 1992 | ||||||
| John Nevil Maskelyne | Die Kunst in der Zauberkunst (12. Fortsetzung) | June 1992 |
Intermagic
(Vol. 17 No. 1)
|
|||||
| John Carney | The Logic of Deception | Feb. 1992 |
Opus
(Vol. 4 No. 2)
|
|||||
| John Carney | Moves - Use and Abuse | Aug. 1992 |
Opus
(Vol. 4 No. 4)
|
|||||
| John Carney | Comedy in Magic | Nov. 1992 |
Opus
(Vol. 4 No. 7)
|
|||||
| Dan Garrett | Hospitality How-To's - Some Thoughts Relating to the Hospitality Suite Entertainer | Jan./Feb. 1992 |
The Magic Menu
(Vol. 2 No. 9)
|
|||||
| Scott Wells | Dress for Success! | Jan./Feb. 1992 |
The Magic Menu
(Vol. 2 No. 9)
|
|||||
| Jim Kleefeld | A Volunteer From The Table | Mar./Apr. 1992 |
The Magic Menu
(Vol. 2 No. 10)
|
|||||
| Kirk Charles | Talking' Magic | Mar./Apr. 1992 |
The Magic Menu
(Vol. 2 No. 10)
|
|||||
| Dan Fleshman | Some Random Thoughts on Restaurant Magic | July/Aug. 1992 |
The Magic Menu
(Vol. 2 No. 12)
|
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| Kirk Charles | Who Are We Fooling? | Sep./Oct. 1992 |
The Magic Menu
(Vol. 3 No. 13)
|
|||||
| Johnny Ace Palmer | The Walk-Around Formula | Sep./Oct. 1992 |
The Magic Menu
(Vol. 3 No. 13)
|
|||||
| Barry Govan | Tips and Techniques | Nov./Dec. 1992 |
The Magic Menu
(Vol. 3 No. 14)
|
|||||
| David Parr | The Art of Magic | Nov./Dec. 1992 |
The Magic Menu
(Vol. 3 No. 14)
|
|||||
| Michael Close | Introduction | 1993 | ||||||
| Michael Close | Presentation | 1993 | ||||||
| Michael Close | Patter | 1993 | ||||||
| Michael Close | Technique | 1993 | ||||||
| Michael Close | Naturalness and Motivation | 1993 | ||||||
| Michael Close | The Too Perfect Theory | 1993 | ||||||
| Michael Close | Analysis and Conviction | 1993 | ||||||
| Michael Close | Audience Management | 1993 | ||||||
| Al Smith | A Musing | Jan. 1993 |
New Sorcerer
(Vol. 1 No. 4)
|
|||||
| Gary Kurtz | Leading With Your Head (1) | Jan. 1993 |
Avantgarde Magic
(Vol. 2 No. 1)
|
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| Gary Kurtz | Leading With Your Head (2) | 1993 |
Avantgarde Magic
(Vol. 2 No. 5)
|
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| Steve Beam | On Performing Magic | 1993 | ||||||
| Scotty York | The Performing Bartender (or GTFM) | 1993 | ||||||
| David Alexander | Some Thoughts on Magic and Show Business - Part I | Jan. 1993 |
Magick
(Issue 483)
|
|||||
| David Alexander | A Professional Looks at the Profession | Feb. 1993 |
Magick
(Issue 485)
|
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| David Alexander | Putting It All Together | Apr. 1993 |
Magick
(Issue 487)
|
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| C. James Rainho | Put 'You' Into Your Performance | May 1993 |
Magick
(Issue 489)
|
|||||
| Jim Magus | Learn Technique from the Storytellers | June 1993 |
Magick
(Issue 491)
|
|||||
| René Lavand | My Philosophy | 1993 | ||||||
| Mike Caveney | Exlusivity | 1993 | ||||||
| Michael Close | Magic, Music and More | Jan./Feb. 1993 |
The Magic Menu
(Vol. 3 No. 15)
|
|||||
| David Acer | Bob's Trick and Joke Shop | Jan./Feb. 1993 |
The Magic Menu
(Vol. 3 No. 15)
|
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| Scotty York | Some Random Thoughts for the Performing Bartender (or G.T.F.M.) | May/June 1993 |
The Magic Menu
(Vol. 3 No. 17)
|
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| Michael Close | On Creativity | July/Aug. 1993 |
The Magic Menu
(Vol. 3 No. 18)
|
|||||
| Michael Close | On Personality | July/Aug. 1993 |
The Magic Menu
(Vol. 3 No. 18)
|
|||||
| Bill Brunelle | Confessions of a Restaurant Actor | Sep./Oct. 1993 |
The Magic Menu
(Vol. 4 No. 19)
|
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| Vicente Canuto | Más sobre la presentación | 1993 | ||||||
| Vicente Canuto | Un Poco de Teoria | 1993 | ||||||
| Vicente Canuto | Los Nervios Ante la Actuación | 1993 | ||||||
| Vicente Canuto | Cómo Confeccionar una Actuación | 1993 | ||||||
| Vicente Canuto | Las Rutinas | 1993 | ||||||
| Tim Conover | Developing Your Creativity | Oct. 1993 |
Vibrations
(Vol. 16 No. 4)
|
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| Tim Conover | Developing Your Creativity | Dec. 1993 |
Vibrations
(Vol. 16 No. 6)
|
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| John Northern Hilliard | Fragment: Notes on Misdirection | 1994 | ||||||
| Chad Long | The Non-Trick Page | 1994 | ||||||
| Karl Fulves | Logical Links | 1994 | ||||||
| Karl Fulves | Interior Logic | 1994 | ||||||
| Alexander de Cova | Was Neues... | 1994 | ||||||
| Dan Harlan, Simon Lovell | From the Labyrinth | June 1994 |
The Minotaur
(Vol. 6 No. 2)
|
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| Karl Fulves | To Flourish | 1994 |
Verbatim
(Issue 10)
|
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| Roger Crosthwaite | Building Rapport | 1994 | ||||||
| Timothy Mullins | Magic Vs. Illusion | Sep. 1994 |
The Lemniscate
(Vol. 1 No. 4)
|
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| Cullin Joseph Ratelle | Martial Magic? | Oct. 1994 |
The Lemniscate
(Vol. 1 No. 5)
|
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| Bert Allerton | Rules for the Close-Up Magician | Jan./Feb. 1994 |
The Magic Menu
(Vol. 4 No. 21)
|
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| Gary Ward | The Scrutiny of the Public Eye | Mar./Apr. 1994 |
The Magic Menu
(Vol. 4 No. 22)
|
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| Scott Wells | How Much Is Enough? | Mar./Apr. 1994 |
The Magic Menu
(Vol. 4 No. 22)
|
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| Jerry Camaro | A Reluctant Philosophy of Bar Magic | Nov./Dec. 1994 |
The Magic Menu
(Vol. 5 No. 26)
|
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| Tommy Wonder | Emotional Involvement | May 1994 |
Magic
(Vol. 3 No. 9)
|
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| Darwin Ortiz | Foreword | 1995 | ||||||
| Lennart Green | My Five Points In Magic | 1995 | ||||||
| Chad Long | Quick Thoughts... | 1995 | ||||||
| Tom Craven | The Approach | 1995 |
The Trapdoor — Volume Three
(Issue 58)
|
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| Jon Allen | M.A.R.L.O. | Mar. 1995 |
The Minotaur
(Vol. 7 No. 1)
|
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| Felix Farrell | Das Beste zum Schluss... | 1995 | ||||||
| Ron Bell | Psychology of Deception | Jan. 1995 |
The Lemniscate
(Vol. 1 No. 8)
|
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| Ray Kosby | Say Nothing | Feb. 1995 |
The Lemniscate
(Vol. 1 No. 9)
|
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| Shawn McMaster | A Gall-Bearer's Review | July 1995 |
The Lemniscate
(Vol. 2 No. 2)
|
|||||
| Eugene Burger | Bizarre Magic in Restaurants? | Jan./Feb. 1995 |
The Magic Menu
(Vol. 5 No. 27)
|
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| Joe Lantiere | Walking Around Bizarre-Ly | Jan./Feb. 1995 |
The Magic Menu
(Vol. 5 No. 27)
|
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| Chris Hurlbert | The Evolution of a Magician | May/June 1995 |
The Magic Menu
(Vol. 5 No. 29)
|
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| Chris Hurlbert | Some Random Thoughts | May/June 1995 |
The Magic Menu
(Vol. 5 No. 29)
|
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| Jim Artle | Bar Magic My Way | Nov./Dec. 1995 |
The Magic Menu
(Vol. 6 No. 32)
|
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| Eugene Burger | 2. The Magical Experience | 1995 | ||||||
| Eugene Burger | 3. The Shaman's Magic | 1995 | ||||||
| Robert E. Neale | 7. Tricksters and Real Jokers | 1995 | ||||||
| Eugene Burger | 9. Are Card Tricks Card Magic? | 1995 | ||||||
| Robert E. Neale | 11. Meaning in Magic | 1995 | ||||||
| Robert E. Neale | 12. Parable Magic | 1995 | ||||||
| Robert E. Neale | 15. Many Magics | 1995 | ||||||
| Juan Tamariz | The 30 Basic Symbols | 1995 ca. | ||||||
| Juan Tamariz | The Families Groups of the 30 Basic Symbols | 1995 ca. | ||||||
| Juan Tamariz | Observations | 1995 ca. | ||||||
| Gary Kurtz | Nod Technique | 1995 ca. | ||||||
| Tony Slydini | Slydini Action Coordination | 1995 ca. | ||||||
| Roberto Giobbi | Some Thoughts on Theoretical Subjects | 1996 | ||||||
| Roberto Giobbi | Presentation | 1996 | ||||||
| Roberto Giobbi | Construction | 1996 | ||||||
| Roberto Giobbi | Directing Attention | 1996 | ||||||
| Roberto Giobbi | Technique, Handling and Management | 1996 | ||||||
| Roberto Giobbi | Timing | 1996 | ||||||
| Roberto Giobbi | Outs for Disasters and Disturbances | 1996 | ||||||
| Roberto Giobbi | The Study of Card Conjuring | 1996 | ||||||
| Tommy Wonder | Prologue: The Limitations of Theory | 1996 | ||||||
| Tommy Wonder | Getting the Mis Out of Misdirection | 1996 | ||||||
| Tommy Wonder | Failureffects | 1996 | ||||||
| Tommy Wonder | Concerning Eye Contact | 1996 | ||||||
| Tommy Wonder | All That Glitters | 1996 | ||||||
| Tommy Wonder | The Origin of Originality | 1996 | ||||||
| Tommy Wonder | Master or Servant? | 1996 | ||||||
| Tommy Wonder | The Kickoff | 1996 | ||||||
| Tommy Wonder | Slow and Steady Wins the Race | 1996 | ||||||
| Tommy Wonder | Fictitious Danger | 1996 | ||||||
| Tommy Wonder | High and Low | 1996 | ||||||
| Tommy Wonder | The Family Three | 1996 | ||||||
| Tommy Wonder | Sweet and Sour Simplicity | 1996 | ||||||
| Tommy Wonder | And Here I Have... | 1996 | ||||||
| Tommy Wonder | Practical Thinking | 1996 | ||||||
| Tommy Wonder | Emotional Involvement | 1996 | ||||||
| Tommy Wonder | The Paradox of Money and Success | 1996 | ||||||
| Tommy Wonder | The Three Pillars | 1996 | ||||||
| Tommy Wonder | The Essence of Close-up | 1996 | ||||||
| Tommy Wonder | Secondhand Drama | 1996 | ||||||
| Tommy Wonder | Amateurs vs. Pro | 1996 | ||||||
| Tommy Wonder | Approaching the Table | 1996 | ||||||
| Tommy Wonder | Our Big Happy Family | 1996 | ||||||
| Tommy Wonder | Keep on Polishing | 1996 | ||||||
| Tommy Wonder | Applause | 1996 | ||||||
| Tommy Wonder | A Digression on Attitude | 1996 | ||||||
| Tommy Wonder | Conflict and Emotion | 1996 | ||||||
| Tommy Wonder | Commercial | 1996 | ||||||
| Tommy Wonder | Shaking Them Off | 1996 | ||||||
| Tommy Wonder | Now That Was a Great Magician! | 1996 | ||||||
| Tommy Wonder | Force and Its Disguise | 1996 | ||||||
| Tommy Wonder | High Roads and Long | 1996 | ||||||
| Tommy Wonder | Thoughts in Mid-Air | 1996 | ||||||
| Tommy Wonder | A Recipe for Art | 1996 | ||||||
| Tommy Wonder | Too Perfect? | 1996 | ||||||
| Tommy Wonder | Epilogue: Impact | 1996 | ||||||
| Paul Harris | P.H. on Astonishment | 1996 |
The Art of Astonishment — Book 1
(Issue )
|
|||||
| Eric Mead | The Gourmet Mystery Show | 1996 |
The Art of Astonishment — Book 2
(Issue )
|
|||||
| David Abrams | The Other Side of Astonishment | 1996 |
The Art of Astonishment — Book 3
(Issue )
|
|||||
| Michael Skinner | Preface | 1996 | ||||||
| Michael Close | Assumptions | 1996 | ||||||
| Michael Close | Personality | 1996 | ||||||
| Michael Close | Flourishes | 1996 | ||||||
| Michael Close | Magic and Meaning | 1996 | ||||||
| Karl Fulves | Negativism | 1996 | ||||||
| Marvin Leventhal | From the Labyrinth | Mar. 1996 |
The Minotaur
(Vol. 8 No. 1)
|
|||||
| Jan Isenbart | Weltbester Kartentrick | 1996 | ||||||
| Richard Osterlind | A Few Tips on Close-Up Magic | Mar./Apr. 1996 |
The Magic Menu
(Vol. 6 No. 34)
|
|||||
| Charles Greene III | Performance | Mar./Apr. 1996 |
The Magic Menu
(Vol. 6 No. 34)
|
|||||
| Stuart Bowie | Thinking Aloud... | May/June 1996 |
The Magic Menu
(Vol. 6 No. 35)
|
|||||
| Tommy Wonder | Approaching the Table | July/Aug. 1996 |
The Magic Menu
(Vol. 6 No. 36)
|
|||||
| Eugene Burger | 1. Growing | 1996 | ||||||
| Eugene Burger | 2. The Way of the Magician | 1996 | ||||||
| Eugene Burger | 3. Managing People Close-Up | 1996 | ||||||
| Eugene Burger | 4. Before the Show | 1996 | ||||||
| Eugene Burger | 5. After the Show | 1996 | ||||||
| Eugene Burger | 6. The Origin and Symbolism of Magic | 1996 | ||||||
| Eugene Burger | 7. The Future of Magic | 1996 | ||||||
| Eugene Burger | 8. Seeking a Magical Vision | 1996 | ||||||
| Eugene Burger | 9. Imagination, Solitude and Creativity | 1996 | ||||||
| Eugene Burger | 10. The Flow of Water | 1996 | ||||||
| Eddie Tullock | A Final Thought From Eddie Tullock | 1996 | ||||||
| Wesley James | Preface | 1997 | ||||||
| Tom Stone | Thoughts on Approaching a Table | 1997 | ||||||
| Justin Higham | True Magic via Objectivity | 1997 | ||||||
| Robert Lund | Plädoyer für Trickverrat | 1997 |
Intermagic
(Vol. 21 No. 3)
|
|||||
| Martin Joyal | Mesmerizing with the Stack | 1997 | ||||||
| Jarle Leirpoll | Choreographic Misdirection | July 1997 |
Magic
(Vol. 6 No. 11)
|
|||||
| Chris "Doc" Dixon | Can You Do It For Drunk People | 1997 | ||||||
| Chris "Doc" Dixon | Salad Bar | 1997 | ||||||
| Chris "Doc" Dixon | Memories | 1997 | ||||||
| Chris "Doc" Dixon | Real Estate Words Have Meaning | 1997 | ||||||
| Chris "Doc" Dixon | Pec Deck | 1997 | ||||||
| Chris "Doc" Dixon | Wacked | 1997 | ||||||
| Chris "Doc" Dixon | Yuks | 1997 | ||||||
| Alexander de Cova | Warum Seminare... | 1998 | ||||||
| Wesley James | The Mirror as a Practice Tool | 1998 | ||||||
| Harry Levine | Magic or Sleight-of-Hand... Pick One | 1998 |
The Trapdoor — Volume Three
(Issue 69)
|
|||||
| Joshua Jay | Magic that makes SENSE | 1998 | ||||||
| Joshua Jay | A Safe Bet | 1998 | ||||||
| Joshua Jay | Houdini Returns? | 1998 | ||||||
| Joshua Jay | Ownership in Activity | 1998 | ||||||
| Joshua Jay | Ripping on Business Cards | 1998 | ||||||
| John Derris, Jack Avis, Bobby Bernard, Ted Danson, Alex Elmsley, Roy Walton, Oswald Williams | What Is Wrong With Magic? | 1998 | ||||||
| Diane DiResta | How to Handle Difficult Audiences | 1998 |
Syzygy
(Vol. 4 No. Q14)
|
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| Quentin Reynolds | Dealing With Disaster | 1998 |
Syzygy
(Vol. 4 No. Q15)
|
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| Terri Rogers | The Anatomy of a Magic Trick | 1998 | ||||||
| Jim Sisti | The Exposure Problem | Jan./Feb. 1998 |
The Magic Menu
(Vol. 8 No. 45)
|
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| Terry Parrett | Character Development for the Restaurant Performer | Mar./Apr. 1998 |
The Magic Menu
(Vol. 8 No. 46)
|
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| Kirk Charles | Professionalism | Sep./Oct. 1998 |
The Magic Menu
(Vol. 9 No. 49)
|
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| Richard Osterlind | On Handing out Business Cards | 1999 | ||||||
| Richard Osterlind | Routining a Mental Show | 1999 | ||||||
| Richard Osterlind | About Modern Pre-Show Work | 1999 | ||||||
| Milton Kort | Kort's Cardinal Rules of Magic | 1999 | ||||||
| Milton Kort | Routines | 1999 | ||||||
| Milton Kort | Magic As a Hobby | 1999 | ||||||
| Milton Kort | To Paraphrase Sam Spade | 1999 | ||||||
| Milton Kort | We Developed This Policy During My Days at Sterling's | 1999 | ||||||
| Milton Kort | Milt's First Principle of Magic | 1999 | ||||||
| Milton Kort | The Literature | 1999 | ||||||
| Jas Jakutsch | The "Nod Technique", Body Language and Speed of Response | 1999 | ||||||
| Jas Jakutsch | The Rashomon Principle | 1999 | ||||||
| Joshua Jay | The Moment Magic Changed My Life | 1999 | ||||||
| David Regal | The Script | 1999 | ||||||
| Justin Higham | True Magic Via Objectivity (revised) | 1999 | ||||||
| Roger Crosthwaite | Perception | 1999 | ||||||
| Roger Crosthwaite | To Pause or Not To Pause | 1999 | ||||||
| Roger Crosthwaite | Profound Magician - An introduction to NLP | 1999 | ||||||
| Justin Higham | Pre-Subtlety vs. Post-Subtlety | 1999 | ||||||
| Wesley James | On Ethics and Theft | 1999 | ||||||
| David Acer | Someone's Coming Over and it's Not The Waiter | 1999 | ||||||
| David Acer | A Prop By Any Other Name... | 1999 | ||||||
| David Acer | Getting Press | 1999 | ||||||
| Wesley James | On Ethics and Theft | July 1999 |
Onyx
(Issue 8)
|
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| Tim Spinosa | The Winning Approach | Jan./Feb. 1999 |
The Magic Menu
(Vol. 9 No. 51)
|
|||||
| Andrew J. Pinard | Serious Bizness - Injecting Comedy Into Your Performance | July/Aug. 1999 |
The Magic Menu
(Vol. 9 No. 54)
|
|||||
| Jim Sisti | Changing Performance Modes | Sep./Oct. 1999 |
The Magic Menu
(Vol. 10 No. 55)
|
|||||
| Eugene Burger | Drawing the Line | 2000 | ||||||
| Eugene Burger | Names | 2000 | ||||||
| Eugene Burger | Contact | 2000 | ||||||
| Eugene Burger | Not Hearing | 2000 | ||||||
| Eugene Burger | Energy | 2000 | ||||||
| Eugene Burger | Silence | 2000 | ||||||
| Eugene Burger | Discipline | 2000 | ||||||
| Eugene Burger | It's Done With Mirrors | 2000 | ||||||
| Eugene Burger | Hecklers | 2000 | ||||||
| Eugene Burger | Presentation | 2000 | ||||||
| Eugene Burger | The Opening Effect Is You | 2000 | ||||||
| Eugene Burger | The Secrets Revisited | 2000 | ||||||
| Eugene Burger | Chapter Two: Creating Interest | 2000 | ||||||
| Eugene Burger | The Spectator is the Star | 2000 | ||||||
| Eugene Burger | Chapter Four: Precision | 2000 | ||||||
| Eugene Burger | Chapter Five: Confidence and Power | 2000 | ||||||
| Eugene Burger | The Craft of Magic | 2000 | ||||||
| Eugene Burger | Interest | 2000 | ||||||
| Eugene Burger | Developing Our Practice | 2000 | ||||||
| Eugene Burger | Learning to Rehearse | 2000 | ||||||
| Eugene Burger | The Tools of Our Craft | 2000 | ||||||
| Eugene Burger | Critical Awareness and Honesty | 2000 | ||||||
| Eugene Burger | Presentational Style | 2000 | ||||||
| Eugene Burger | A Conversation in Hell Between a Professional Magician, an Amateur, and a Prostitute | 2000 | ||||||
| Roberto Giobbi | The Magic Pyramid | 2000 | ||||||
| Roberto Giobbi | The System | 2000 | ||||||
| Roberto Giobbi | Effects, Intellectual and Emotional | 2000 | ||||||
| Roberto Giobbi | The Magic Iceberg | 2000 | ||||||
| Roberto Giobbi | Final Thoughts | 2000 | ||||||
| Chuck Smith | Practice | 2000 | ||||||
| Dan Tong | Danny on Restaurant Magic | Dec. 2000 |
Pabular
(Vol. 9 No. 4)
|
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| Jan Isenbart | The World's Greatest Card Trick | 2000 | ||||||
| Jon Racherbaumer | Prologue | 2000 | ||||||
| Michael Albright | Don Alan Lecture | 2000 | ||||||
| Jon Racherbaumer, Don Alan, Earle Christenberry | Last Transcript | 2000 | ||||||
| Jon Racherbaumer, Don Alan | Sneaky Things to Remember | 2000 | ||||||
| Jon Racherbaumer | Don Alan: Circling the Wagons | May/June 2000 |
The Magic Menu
(Vol. 10 No. 59)
|
|||||
| Eric Henning | What I Learned at the Inaugural | July/Aug. 2000 |
The Magic Menu
(Vol. 10 No. 60)
|
|||||
| Simon Aronson | UnDo Influence: Theory and Practice | 2001 | ||||||
| Simon Aronson | Stalking the Stack | 2001 | ||||||
| Bob Kohler | On the Too Perfect Theory | 2001 | ||||||
| Dan Buck, Dave Buck | Epilogue | 2001 | ||||||
| Jamy Ian Swiss | Magic in the Age of Information | Apr. 2001 |
Genii
(Vol. 64 No. 4)
|
|||||
| Richard Kaufman | My Interpretation of Rick Johnson's Too-Perfect Theory | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Jon Racherbaumer | The Too-Perfect Theory: Thirty Years Later | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Rick Johnsson | The "Too-Perfect" Theory | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Jon Racherbaumer | More on the Too-Perfect Theory | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Jamy Ian Swiss | The Too-Perfect Theory in Action | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| John Carney | The Flaw in the Diamond | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Michael Close | A Worker's Take on "Too-Perfect" | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Darwin Ortiz | Striving for Perfection | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Martin Lewis | Find a Better Method | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Patrick Watson | Assenting to the Inexplicable | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Harry Lorayne | It's Your Call: On The Too-Perfect Theory | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Simon Aronson | Postscript | Aug. 2001 |
Genii
(Vol. 64 No. 8)
|
|||||
| Tom Stone | Too Perfect Imperfect | Oct. 2001 |
Genii
(Vol. 64 No. 10)
|
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| Jay Sankey | "Defusing the Gimmick" Theory | 2001 | ||||||
| Roberto Giobbi | Gestalt | May 2001 |
Magic
(Vol. 10 No. 9)
|
|||||
| Gabi Pareras | Naturaleza | 2001 ca. | ||||||
| Gabi Pareras | Enfoque | 2001 ca. | ||||||
| Gabi Pareras | Caracterización | 2001 ca. | ||||||
| Gabi Pareras | Presencia | 2001 ca. | ||||||
| Gabi Pareras | Naturaleza | 2001 ca. | ||||||
| Gabi Pareras | Enfoque | 2001 ca. | ||||||
| Gabi Pareras | Caracterización | 2001 ca. | ||||||
| Gabi Pareras | Presencia | 2001 ca. | ||||||
| Darwin Ortiz | Showing or Hiding Skill | 2002 | ||||||
| Thomas Fraps | On Movies and Magic | 2002 | ||||||
| John Carney | The Student Begins | 2002 | ||||||
| John Carney | Hidden Gifts | 2002 | ||||||
| John Carney | Art... in Magic? | 2002 | ||||||
| John Carney | Tolls of the Trade | 2002 | ||||||
| Ron Bauer | Fake Put Sequence | 2002 | ||||||
| Ron Bauer | The En Route Principle Explained | 2002 | ||||||
| David Berglas | Mystery and Imagination | 2002 | ||||||
| David Berglas | Style and Image | 2002 | ||||||
| David Berglas | Reaching the Audience | 2002 | ||||||
| David Berglas | The Television Medium | 2002 | ||||||
| David Berglas | Creating Mysteries Off the Stage | 2002 | ||||||
| Christian Scherer | Originalität und Kreativität in der Zauberkunst | 2002 | ||||||
| Christian Scherer | Welche Bedeutung, welchen Sinn hat ein Kunststück für die Zuschauer? | 2002 | ||||||
| Christian Scherer | Wie komme ich zu einem Thema? | 2002 | ||||||
| Christian Scherer | Nicht erkennbare Tricktechnik | 2002 | ||||||
| Christian Scherer | Die innere Einstellung, Gefühle und Emotionen des Vorführenden | 2002 | ||||||
| Jamy Ian Swiss | I. Theory: Simple Not Easy | 2002 | ||||||
| Jamy Ian Swiss | The Standards of Deception | 2002 | ||||||
| Jamy Ian Swiss | On Routining, Descriptive Scripts, And Card Tricks | 2002 | ||||||
| Jamy Ian Swiss | Why Magic Sucks | 2002 | ||||||
| Jamy Ian Swiss | Mentalism Grows Up | 2002 | ||||||
| Jamy Ian Swiss | Odometer Ethics | 2002 | ||||||
| Jamy Ian Swiss | Decent Exposure | 2002 | ||||||
| Jamy Ian Swiss | Magic in the Age of Information | 2002 | ||||||
| Jamy Ian Swiss | Real Secrets | 2002 | ||||||
| Jamy Ian Swiss | The Writing on the Wall | 2002 | ||||||
| Jamy Ian Swiss | Audience Members and Other Props | 2002 | ||||||
| Jamy Ian Swiss | Old, New, Borrowed, and Blue | 2002 | ||||||
| Jamy Ian Swiss | Sleights, Lies, and Videotape | 2002 | ||||||
| Jamy Ian Swiss | First Do No Harm | 2002 | ||||||
| Jamy Ian Swiss | Good Trick, Bad Trick | 2002 | ||||||
| Jamy Ian Swiss | The Too-Perfect Theory in Action | 2002 | ||||||
| Jamy Ian Swiss | In Defense of Technique | 2002 | ||||||
| Jamy Ian Swiss | Unnatural Acts: Invoking the Supra-natural | 2002 | ||||||
| Jamy Ian Swiss | A Commercial Message | 2002 | ||||||
| Jamy Ian Swiss | Lessons and Learning | 2002 | ||||||
| Jamy Ian Swiss | The Elements of Style | 2002 | ||||||
| Jamy Ian Swiss | The Search for Mystery | 2002 | ||||||
| Alexander de Cova | 1. Der Aufbau eines Programmes | 2002 | ||||||
| Alexander de Cova, Gene Anderson | Der "10-Punkte-Plan" nach Gene Anderson | 2002 | ||||||
| Alexander de Cova | Über Lampenfieber | 2002 | ||||||
| Alexander de Cova | Kongresse, Wettbewerbe | 2002 | ||||||
| Alexander de Cova | Seminare | 2002 | ||||||
| Whit Haydn | Against Originality in Magic | Winter 2002 |
The Magic Menu
(Vol. 11 No. 61)
|
|||||
| Pit Hartling | Method and Style and The Performing Mode | 2003 | ||||||
| Pit Hartling | Inducing Challenges | 2003 | ||||||
| Roberto Giobbi | Lines and Bits: Humorous and Practical | 2003 | ||||||
| Alexander de Cova | Die D-E-C-O-V-A Formel | 2003 | ||||||
| Alexander de Cova | Verschiedene Formen der Zauberkunst | 2003 | ||||||
| Alexander de Cova | Zauberkunst ist eine Technologie! | 2003 | ||||||
| Alexander de Cova | Die fünf Schritte der Täuschung | 2003 | ||||||
| Alexander de Cova | Falsche Annahmen - die Grundlage der Täuschung | 2003 | ||||||
| Alexander de Cova | Der Aufbau eines Programms | 2003 | ||||||
| Alexander de Cova, Gene Anderson | Der "10-Punkte-Plan" nach Gene Anderson | 2003 | ||||||
| Alexander de Cova | Über den Lernprozeß und Automatisierung | 2003 | ||||||
| Alexander de Cova | Die 5 Schritte, wie ein neuer Griff einstudiert wird | 2003 | ||||||
| Alexander de Cova | Die 5 Schritte zur Meisterschaft | 2003 | ||||||
| Alexander de Cova | Wie man eine Routine zusammenstellt | 2003 | ||||||
| Alexander de Cova | Über Lampenfieber | 2003 | ||||||
| Alexander de Cova | Kongresse, Wettbewerbe | 2003 | ||||||
| Alexander de Cova | Seminar | 2003 | ||||||
| Ron Bauer | What is Time Misdirection? | 2003 | ||||||
| Juan Tamariz, Arturo de Ascanio, Ricard Marré, Juan Antón, José Puchol, Ramon Varela, Camilo Vázquez | Manifesto Mágico de la EMM | 2003 | ||||||
| Miguel Aparicio | Decálogo de los "Voy a Ver" | 2003 | ||||||
| Eric Mead | A Proper Introduction | 2003 | ||||||
| Eric Mead | Transitions | 2003 | ||||||
| Eric Mead | Say Anything | 2003 | ||||||
| Eric Mead | The Desired Effect | 2003 | ||||||
| Eric Mead | A Perfect Mystery | 2003 | ||||||
| Eric Mead | Our precious Secrets | 2003 | ||||||
| Eric Mead | Informal Approach | 2003 | ||||||
| Eric Mead | The Ethics of Hustling Poker | 2003 | ||||||
| Guy Hollingworth | The Cloak of Fluxus | Sep. 2003 |
Opus
(Vol. 5 No. 11)
|
|||||
| Earl Nelson | Commentary - Why and Why Not | 2003 | ||||||
| Simon Aronson | The Conclusion of Impossibility | 2003 | ||||||
| Eugene Burger | On the Structure of Magic Effects | 2003 | ||||||
| Eugene Burger | Violence in Theatrical Magic | 2003 | ||||||
| Jeff McBride | Four Faces of the Magician | 2003 | ||||||
| Robert E. Neale | Ritual Magic | 2003 | ||||||