raise rise\ncard visually rises up in the deck\nray kosby\nambitious riser\nfred robinson\nstep by step\nmichael kaminskas
1987
magical arts journal Ray Kosby
upwardly mobile 1\ncard sticking out at the front slowly and visibly rises to the top\nsteve beam\nthe trapdoor issue #22\nsteve beam
1988
the trapdoor - volume one Steve Beam
Upwardly Mobile 1
card sticking out at the front slowly and visibly rises to the top
upwardly mobile 2\ncard sticking out at the back slowly and visibly rises to the top\nsteve beam\nben harris' "wafting upward" in john racherbaumer's "flashpoints", 1992. p. 57.\nordered\nwayne kyzer\nthe trapdoor issue #22\nsteve beam
1988
the trapdoor - volume one Steve Beam
Upwardly Mobile 2
card sticking out at the back slowly and visibly rises to the top
Related to
Ben Harris' "Wafting Upward" in John Racherbaumer's "Flashpoints", 1992. P. 57.
deadlier than the male\nthree very visual sandwich phases, featuring a visual ambitious card rise\ngeoffrey latta\na sandwich to go\nharry levine\nambitious graduate\naaron fisher
1990
spectacle Geoffrey Latta
Deadlier Than The Male
three very visual sandwich phases, featuring a visual ambitious card rise
s.w. elevator\nswe shift to visually let ambitious card move to top\nchris kenner\nshifty\nchris kenner\nbrett wolf
1992
totally out of control Chris Kenner
S.W. Elevator
SWE shift to visually let ambitious card move to top
ambitious riser\ntabled, apparently visual penetration to top\nalexander de cova\nroy walton\nambitious movie\nroy walton
1994
secrets no. 1 Alexander de Cova, Roy Walton
shifty\nfake swe shift to visually let ambitious card move to top, only last phase by brett wolf\nchris kenner\nbrett wolf\ns.w. elevator\nchris kenner\nambitious graduate\naaron fisher
1994
the pass Chris Kenner, Brett Wolf
Shifty
fake SWE shift to visually let ambitious card move to top, only last phase by Brett Wolf
the graduate\ndiagonally outjogged, both hands on deck
- the effect
- the setup
- the gradual shift
- origins and credits
- on the gradual shift
- on keeping the gradual shift in alignment
- on the moment
- timing the classic pass
- the gradual shift approach
- toward and even more deceptive shift
- on the right-hand riffle action
- alternate approaches\naaron fisher\nambitious graduate\naaron fisher
2010
the graduate Aaron Fisher
The Graduate
diagonally outjogged, both hands on deck
- The Effect
- The Setup
- The Gradual Shift
- Origins and Credits
- On the Gradual Shift
- On Keeping the Gradual Shift in Alignment
- On the Moment
- Timing the Classic Pass
- The Gradual Shift Approach
- Toward and Even More Deceptive Shift
- On the Right-Hand Riffle Action
- Alternate Approaches
prone to die safely\nthree selections made. sucker effect in which performer stabs joker next to selection (which can be seen on face). then joker visually rises to land next to selection. joker then transforms into second selection, and then the third selection is found sandwiched by two jokers.\ntyler wilson\nprone to live dangerously\njerry sadowitz
2018
elixir Tyler Wilson
Prone to Die Safely
Three selections made. Sucker effect in which performer stabs Joker next to selection (which can be seen on face). Then Joker visually rises to land next to selection. Joker then transforms into second selection, and then the third selection is found sandwiched by two Jokers.