acknowledgements \n \n richard kaufman
1988
Richard Kaufman
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Acknowledgements
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4
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foreword \n \n dai vernon
1988
Dai Vernon
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Foreword
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6
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introduction \n \n michael skinner
1988
Michael Skinner
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Introduction
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8
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sawa's bank routine \n copper and silver coin are shown, copper coin dropped in a paper bag, repeated a few times, in the end there are four silver coins in the bag instead \n hiroshi sawa
1988
Hiroshi Sawa
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Sawa's Bank Routine
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9
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james bond, 007 routine \n three small metal number signs with 0, 0 and 7 on them, the 7 is split into a 3 and a 4 \n hiroshi sawa
1988
Hiroshi Sawa
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James Bond, 007 Routine
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11
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musical notes effect \n two coins on fingertips are clinked to make a sound, they then change into metal musical notes \n hiroshi sawa
1988
Hiroshi Sawa
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Musical Notes Effect
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11
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coins \n \n unknown
1988
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Coins
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13
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a dollar is always a dollar (first method) \n dollar changes into two half dollars and back \n hiroshi sawa
1988
Hiroshi Sawa
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A Dollar is Always a Dollar (First Method)
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14
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castle change \n coin rests on fingers of palm-up hand, other hand waves over it and the coin changes \n dai vernon \n the gen, late 1950s
1988
Dai Vernon
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Castle Change
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Also published here
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15
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push-through transfer \n coin from deep back clip pushed through fingers with fourth finger \n hiroshi sawa
1988
Hiroshi Sawa
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Push-Through Transfer
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15
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the tenkai pennies move \n sawa's handling \n hiroshi sawa
1988
Hiroshi Sawa
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The Tenkai Pennies Move
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19
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a dollar is always a dollar (second method) \n dollar changes into two half dollars and back, repeat \n hiroshi sawa
1988
Hiroshi Sawa
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A Dollar is Always a Dollar (Second Method)
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20
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change over palm \n transfer as coin is picked up from palm \n unknown
1988
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Change Over Palm
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22
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one to four (first method) \n dollar changes into two half dollars, then those into four quarters, palm up handling \n hiroshi sawa
1988
Hiroshi Sawa
|
One to Four (First Method)
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24
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back clipping four coins \n tenkai pinch \n hiroshi sawa
1988
Hiroshi Sawa
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Back Clipping Four Coins
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24
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one to four (second method) \n dollar changes into two half dollars, then those into four quarters, with sleeving \n hiroshi sawa
1988
Hiroshi Sawa
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One to Four (Second Method)
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27
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drop sleeve \n \n hiroshi sawa
1988
Hiroshi Sawa
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Drop Sleeve
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28
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invisible purse (first method) \n two invisible coins become visible, then vanish again, then a small purse appears with the coins inside \n hiroshi sawa
1988
Hiroshi Sawa
|
Invisible Purse (First Method)
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30
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invisible purse (second method) \n two invisible coins become visible, then vanish again, then a small purse appears with the coins inside, with sleeve \n hiroshi sawa
1988
Hiroshi Sawa
|
Invisible Purse (Second Method)
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34
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the beggar (first method) \n three silver coins and a copper coin, copper coin given away, another one appears, repeats, then all but one silver coin vanish and performer takes back the copper coins, with tenkai pinch \n hiroshi sawa
1988
Hiroshi Sawa
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The Beggar (First Method)
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36
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to classic palm one coin of a group \n brief \n david roth
1988
David Roth
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To Classic Palm One Coin of a Group
|
37
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tenkai pinch break-off \n one of several pinched coins is moved to inside hand \n hiroshi sawa
1988
Hiroshi Sawa
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Tenkai Pinch Break-Off
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37
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the beggar (second method) \n three silver coins and a copper coin, copper coin given away, another one appears, repeats, then all but one silver coin vanish and performer takes back the copper coins, with classic palm \n hiroshi sawa
1988
Hiroshi Sawa
|
The Beggar (Second Method)
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40
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cards \n \n unknown
1988
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Cards
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43
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moses \n diagonally cut card is used to predict three cards in different layout configurations, then the parts change to a fourth selected card \n hiroshi sawa
1988
Hiroshi Sawa
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Moses
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44
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switching envelope \n z-fold \n unknown
1988
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Switching Envelope
|
45
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tabled business card prophecy move \n \n hiroshi sawa \n mark-a-place force \n simon aronson \n business card prophecy version \n simon aronson \n jim patton \n bruce cervon
1988
Hiroshi Sawa
|
Tabled Business Card Prophecy Move
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Related to
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46
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tilted triumph \n in the hands triumph, false faro \n hiroshi sawa \n handy triumph display \n joel givens \n the beast with five fingers \n peter duffie \n tilted faro \n hiroshi sawa
1988
Hiroshi Sawa
|
Tilted Triumph
|
Related toVariations
|
49
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cry baby \n card chosen and lost, performer counts from indicator card to indicator card until a joker shows up, performer cries and a large transparent tear appears, joker changes into selection and the indicator cards in the matching values \n hiroshi sawa
1988
Hiroshi Sawa
|
Cry Baby
|
52
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imp pass \n \n tony slydini
1988
Tony Slydini
|
Imp Pass
|
54
|
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back design \n jumbo gag prediction in pocket with several cards printed on the back and the actual predicted card on the other side \n hiroshi sawa
1988
Hiroshi Sawa
|
Back Design
|
55
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heavy ink \n pips on a card "fall" to one end when it is tapped \n hiroshi sawa \n falling pips \n tommy wonder
1988
Hiroshi Sawa
|
Heavy Ink
|
Related to
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57
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collector \n spectator stops dealing, from that spot the four aces are produced, they change into ace through four of clubs, then the whole clubs straight is reversed in the center \n hiroshi sawa
1988
Hiroshi Sawa
|
Collector
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60
|
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business card prophecy move \n with out-jogged packet \n unknown
1988
|
Business Card Prophecy Move
|
62
|
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the strolling cow aces \n ungaffed \n hiroshi sawa \n succession aces \n david solomon
1988
Hiroshi Sawa
|
The Strolling Cow Aces
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Variations
|
63
|
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scoop add-on \n as cards a scooped up from table \n hiroshi sawa \n one hand scoop addition \n unknown \n multiple scoop add-on \n hiroshi sawa
1988
Hiroshi Sawa
|
Scoop Add-On
|
Related toVariations
|
64
|
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the gambler's double lift \n "knock-out double lift" \n charlie miller
1988
Charlie Miller
|
The Gambler's Double Lift
|
66
|
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transfer move \n \n dai vernon
1988
Dai Vernon
|
Transfer Move
|
68
|
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face-up oil and water \n 4&4 \n hiroshi sawa
1988
Hiroshi Sawa
|
Face-Up Oil And Water
|
70
|
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multiple scoop add-on \n with multiple cards, pulled to in-jogged position one-handed \n hiroshi sawa \n scoop add-on \n hiroshi sawa
1988
Hiroshi Sawa
|
Multiple Scoop Add-On
|
Inspired by
|
70
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bad construction \n four indifferent cards are placed in a card house arrangement on the table, it breaks apart and the cards have change into aces \n hiroshi sawa
1988
Hiroshi Sawa
|
Bad Construction
|
73
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footsteps \n deck is arranged in four stepped packets, and ace is on the face of each \n hiroshi sawa
1988
Hiroshi Sawa
|
Footsteps
|
75
|
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pull-out aces \n two halves are faroed together and one half is pulled out again with the four aces stuck in it in different positions \n hiroshi sawa
1988
Hiroshi Sawa
|
Pull-Out Aces
|
76
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the lemon trick \n spectator picks card with lemon on it, multiple lemons appear on the table one by one \n hiroshi sawa
1988
Hiroshi Sawa
|
The Lemon Trick
|
79
|
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spongeballs \n \n unknown
1988
|
Spongeballs
|
83
|
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permanent separation \n sponge ball is split apart five times \n hiroshi sawa
1988
Hiroshi Sawa
|
Permanent Separation
|
84
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lapel steal \n sponge ball steal \n hiroshi sawa
1988
Hiroshi Sawa
|
Lapel Steal
|
89
|
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silent movie \n four sponge balls in a row on the table, they travel to the other hand in a tabled and visual manner \n hiroshi sawa
1988
Hiroshi Sawa
|
Silent Movie
|
92
|
|
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chameleon sponges \n color changing sponge balls routine \n hiroshi sawa
1988
Hiroshi Sawa
|
Chameleon Sponges
|
100
|
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change over palm \n while taking an openly held sponge ball \n unknown
1988
|
Change Over Palm
|
101
|
|
|
pop-up move \n with sponge balls \n unknown
1988
|
Pop-Up Move
|
103
|
|
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ropes \n \n unknown
1988
|
Ropes
|
107
|
|
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supernatural rope \n rope is rubbed between two fingers and gradually breaks apart \n hiroshi sawa
1988
Hiroshi Sawa
|
Supernatural Rope
|
108
|
|
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supernatural cut and restored rope \n \n hiroshi sawa
1988
Hiroshi Sawa
|
Supernatural Cut and Restored Rope
|
111
|
|
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double cut and restored rope \n extra piece \n hiroshi sawa
1988
Hiroshi Sawa
|
Double Cut and Restored Rope
|
114
|
|
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the marriage ceremony \n three different-colored ropes become one, cut and restored ending \n hiroshi sawa
1988
Hiroshi Sawa
|
The Marriage Ceremony
|
122
|
|
|
spirit knots \n rope cut in two places, the parts knot itself with appearing knots, then the rope restores \n hiroshi sawa
1988
Hiroshi Sawa
|
Spirit Knots
|
128
|
|
|
napoleon's knots \n three knots appear, are untied, appear again and vanish \n hiroshi sawa
1988
Hiroshi Sawa
|
Napoleon's Knots
|
133
|
|
|
torrio los ropes \n three separate ropes are tossed up, comes down as a loop with ropes knotted together, becomes one rope \n hiroshi sawa
1988
Hiroshi Sawa
|
Torrio Los Ropes
|
140
|
|
|
enlarging rope ring \n \n hiroshi sawa \n new technology rubber band \n hiroshi sawa
1988
Hiroshi Sawa
|
Enlarging Rope Ring
|
Variations
|
144
|
|
|
new technology rubber band \n "enlarging rope ring" with an elastic string, elastic string loop is stretched so wide that the performer walks through \n hiroshi sawa \n enlarging rope ring \n hiroshi sawa
1988
Hiroshi Sawa
|
New Technology Rubber Band
|
Inspired by
|
150
|
|
|
rope-size mystery \n two ropes of different colors, knots appear and the ropes change length \n hiroshi sawa
1988
Hiroshi Sawa
|
Rope-Size Mystery
|
152
|
|
|
a nightmare for experts \n unusual routine that ends in one long rope \n hiroshi sawa
1988
Hiroshi Sawa
|
A Nightmare For Experts
|
156
|
|
|
various tricks \n \n unknown
1988
|
Various Tricks
|
163
|
|
|
the piano trick \n white and black plastic strips are arranged on table and pressed, they make piano sound \n hiroshi sawa
1988
Hiroshi Sawa
|
The Piano Trick
|
164
|
|
|
finger-ring rhapsody \n manipulation routine with finger ring, five finger rings appear on the hand at the end thimble-style \n hiroshi sawa
1988
Hiroshi Sawa
|
Finger-Ring Rhapsody
|
169
|
|
|
ladybug, ladybug \n ladybugs appear and vanish on a tree branch, giant ladybug appears at the end \n hiroshi sawa \n genii, jan. 1977
1988
Hiroshi Sawa
|
Ladybug, Ladybug
|
Also published here
|
174
|
|
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