introduction \n \n james steranko
1960
James Steranko
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Introduction
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chapter one - fundamentals \n chapter intro \n james steranko
1960
James Steranko
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Chapter One - Fundamentals
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5
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the simplex turnover \n riffling up with right first finger until two remain \n james steranko
1960
James Steranko
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The Simplex Turnover
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5
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diagonal jog push thru \n card ends up in-jogged \n james steranko \n push through jogs \n tom gagnon \n the new approach \n james steranko \n card control 3: steranko's diagonal jog push through with an overhand shuffle \n gary plants
1960
James Steranko
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Diagonal Jog Push Thru
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Variations
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6
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the one hand mexican turnover \n \n james steranko \n multiple card switch \n james steranko
1960
James Steranko
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The One Hand Mexican Turnover
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Variations
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8
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chapter two - the action center reverse \n chapter intro \n james steranko
1960
James Steranko
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Chapter Two - The Action Center Reverse
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10
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the action reverse \n bottom card(s) reversed during tabled riffle shuffle \n james steranko \n secret reverse on table \n russell t. barnhart
1960
James Steranko
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The Action Reverse
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Related to
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10
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the action center reverse \n bottom card(s) reversed to center during tabled riffle shuffle \n james steranko \n tabled reverse throw off \n ken simmons \n tabled reverse throw off \n ken simmons
1960
James Steranko
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The Action Center Reverse
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Related toVariations
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12
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chapter three - positive card control \n chapter intro \n james steranko
1960
James Steranko
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Chapter Three - Positive Card Control
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14
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cut control \n breakless double cut \n james steranko
1960
James Steranko
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Cut Control
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14
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the peek \n glimpsing selection during double cut \n james steranko
1960
James Steranko
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The Peek
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15
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the crimp \n bottom right corner with left fourth finger \n james steranko
1960
James Steranko
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The Crimp
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16
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the riffle bridge \n bottom third bridged, for placement of card in center at brigde \n james steranko
1960
James Steranko
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The Riffle Bridge
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17
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chapter four - the lateral palm \n chapter intro, "certainly, i do not contend to have invented this method of holding a card." \n james steranko
1960
James Steranko
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Chapter Four - The Lateral Palm
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18
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top palm \n with lateral palm details \n james steranko
1960
James Steranko
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Top Palm
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18
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bottom palm \n \n james steranko \n lateral bottom steal \n jean-pierre vallarino \n bottom lateral palm \n james steranko
1960
James Steranko
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Bottom Palm
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VariationsAlso published here
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20
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replacements \n to top or bottom \n james steranko
1960
James Steranko
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Replacements
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21
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steranko's shadow steal \n - card into right hand lateral palm as top half is replaced
- as direct control to top
- as color change from center to top \n james steranko \n tent change \n michael brewer \n substitutes for the pass - a new method \n claude kimball
1960
James Steranko
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Steranko's Shadow Steal
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Related toVariations
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22
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reverses \n follow-up to shadow steal \n james steranko
1960
James Steranko
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Reverses
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24
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the twist bottom reverse \n follow-up to shadow steal, card directly pivoted around right edge to bottom \n james steranko
1960
James Steranko
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The Twist Bottom Reverse
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25
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center jog palm \n insertion steal into right hand lateral palm \n james steranko
1960
James Steranko
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Center Jog Palm
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25
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diagonal jog shift palm \n to right hand lateral palm from injog \n james steranko \n the panoramic shift \n jerry andrus
1960
James Steranko
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Diagonal Jog Shift Palm
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Related to
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26
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side steal lateral palm \n to right hand lateral palm from break \n james steranko \n lateral palm side steal reverse \n james steranko
1960
James Steranko
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Side Steal Lateral Palm
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Variations
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27
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steranko's center steal change \n card from injog position into right hand clip between right second and third finger and on top of deck \n james steranko \n the fingertip peek steal \n edward marlo \n the clip slip \n jerry andrus
1960
James Steranko
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Steranko's Center Steal Change
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Inspired byRelated to
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28
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the push off spread \n holding out a lateral palmed card during in-the-hands spread \n james steranko
1960
James Steranko
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The Push Off Spread
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30
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spread replacement \n placing lateral palmed card at wanted position during in-the-hands spread \n james steranko
1960
James Steranko
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Spread Replacement
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31
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packet replacement variation \n addition to packet, or card-at-a-number \n james steranko
1960
James Steranko
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Packet Replacement Variation
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31
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riffling the deck \n two-handed riffling while holding out lateral palmed card \n james steranko \n jerry andrus
1960
James Steranko, Jerry Andrus
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Riffling the Deck
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32
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lateral turnover change \n lateral palmed card added to tabled single card and double turned over \n james steranko
1960
James Steranko
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Lateral Turnover Change
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32
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lateral afterthoughts \n - crimping
- transfer to tenkai or rear palm
- different anchor fingers \n james steranko
1960
James Steranko
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Lateral Afterthoughts
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34
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steranko's multiple shift \n chapter five
hindu shuffle from injog position \n james steranko
1960
James Steranko
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Steranko's Multiple Shift
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36
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multiple insertion \n flourishy way to insert four cards at different positions \n james steranko
1960
James Steranko
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Multiple Insertion
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36
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false hindu shuffle \n stripping cards from bottom \n james steranko \n oh-calcutta shuffle \n john cornelius
1960
James Steranko
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False Hindu Shuffle
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Related to
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37
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chapter six - card miscellanea \n chapter intro \n james steranko
1960
James Steranko
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Chapter Six - Card Miscellanea
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40
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diagonal jog drop out vanish \n card pivoted out and lapped \n james steranko \n the panoramic shift \n jerry andrus
1960
James Steranko
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Diagonal Jog Drop Out Vanish
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Related to
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40
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concealed card addition \n \n james steranko
1960
James Steranko
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Concealed Card Addition
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40
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the pinky count \n \n james steranko
1960
James Steranko
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The Pinky Count
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41
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bottom reverse \n bottom card \n james steranko \n the invisible bottom reverse \n ken krenzel \n back-flip half-pass \n peter duffie \n robin robertson \n bottom reverse half pass \n james steranko \n bernard bilis
1960
James Steranko
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Bottom Reverse
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Related toVariations
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42
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multiple card switch \n mexican turnover with block of cards, switching all of them \n james steranko \n the one hand mexican turnover \n james steranko
1960
James Steranko
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Multiple Card Switch
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Inspired by
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43
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two methods for in jogging a card \n - the thumb jog (as top half is replaced)
- the push thru (card hit through loosely held deck) \n james steranko \n the deliberate shift \n tommy tucker
1960
James Steranko
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Two Methods for In Jogging a Card
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Related to
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43
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flip over count \n \n james steranko
1960
James Steranko
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Flip Over Count
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44
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the duplex cull \n openly removing two sets of cards, flourish \n james steranko
1960
James Steranko
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The Duplex Cull
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45
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bottom stock safety \n block slip shuffle \n james steranko
1960
James Steranko
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Bottom Stock Safety
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46
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chapter seven - cues on cards \n "a few little touches that will aid in gaining a finer card technique"
- cue on cards (what cards to use?)
- on routines
- on confidence
- on skill
- capsule cues \n james steranko
1960
James Steranko
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Chapter Seven - Cues on Cards
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47
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setting up during performance \n through routining \n james steranko
1960
James Steranko
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Setting up During Performance
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48
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no-touch key placement \n spectator selects and replaces card while performer has his back turned \n james steranko
1960
James Steranko
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No-Touch Key Placement
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50
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chapter eight - quick trix \n \n james steranko
1960
James Steranko
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Chapter Eight - Quick Trix
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51
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a flashy opener \n deck appears spread on table between the hands \n james steranko
1960
James Steranko
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A Flashy Opener
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51
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a question of time \n same as "the question is..." \n james steranko \n the question is... \n karrell fox
1960
James Steranko
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A Question of Time
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Related to
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52
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the jumping card \n card jumps from table back to deck \n james steranko
1960
James Steranko
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The Jumping Card
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53
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chapter nine - trio \n chapter intro \n james steranko
1960
James Steranko
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Chapter Nine - Trio
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55
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suspension of thought \n "brainwave with an ordinary deck", named card is reversed in deck \n james steranko
1960
James Steranko
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Suspension of Thought
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56
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voodoo card \n "an experiment into the unknown"
card named and removed and turned over, mate turns over in deck, they transpose, triumph phase \n james steranko \n the voodoo card \n guy hollingworth \n james steranko
1960
James Steranko
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Voodoo Card
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Variations
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58
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roner change \n as card is thumbed off deck \n fred roner \n roner change \n fred roner
1960
Fred Roner
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Roner Change
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Also published here
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61
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turnover \n of bottom half as top half is cut off \n james steranko
1960
James Steranko
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Turnover
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61
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sudden thought \n faced deck method \n james steranko
1960
James Steranko
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Sudden Thought
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63
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action half pass \n as top half is replaced \n james steranko
1960
James Steranko
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Action Half Pass
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63
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aces in abstraction \n chapter ten, a lesson in extraordinary card technique
- part one: aces and kings removed, kings shuffled back, aces placed in deck reversed, when deck is spread the kings are face up and aces have vanished
- part two: kings placed in row, deck placed on each and they change to aces \n james steranko
1960
James Steranko
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Aces in Abstraction
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67
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alignment move \n \n unknown
1960
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Alignment Move
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72
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card eclipse \n chapter eleven, the ultimate in color change routines
three routined changes on top of deck, then card vanishes from hand and reappears in deck \n james steranko
1960
James Steranko
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Card Eclipse
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76
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lapping vanish \n of single card \n jerry andrus \n from 1957 lecture of jerry andrus
1960
Jerry Andrus
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Lapping Vanish
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Also published here- from 1957 lecture of Jerry Andrus
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80
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dead man's hand finale \n chapter twelve, "a lesson in card artistry"
spectator choses card, they turn out to be dead man's hand (pair of eights and aces), third ace appears between them \n james steranko
1960
James Steranko
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Dead Man's Hand Finale
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83
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pick-up turnover \n end-for-end as pack is picked up from table, approved by dai vernon \n james steranko
1960
James Steranko
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Pick-Up Turnover
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85
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five as four spread \n \n james steranko
1960
James Steranko
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Five as Four Spread
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88
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saliva vanish \n reversed card vanishes \n james steranko
1960
James Steranko
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Saliva Vanish
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89
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fantasy card routine \n chapter thirteen
- oneway faces (not pointer cards, but uneven printing)
- the division (spectator cuts to a card behind the performer's back and replaces)
- the afterthought (selection from in-the-hands spread)
- the bisection (two selections by cutting of small packets and remembering bottom cards)
- the retention (fake memory demonstration, move-a-card)
- the abstraction (one of three cards thought of, oosoom)
- fantasy notes \n james steranko
1960
James Steranko
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Fantasy Card Routine
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93
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the turnabout square \n turning orientation of bottom half \n james steranko \n rotator \n william goodwin
1960
James Steranko
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The Turnabout Square
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Related to
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96
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