Key Card Placements
Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
---|---|---|---|---|---|---|---|---|
Tricks with Long Cards | 1889 | |||||||
Eine gezogene Karte aufzufinden | 1895 | |||||||
Die rätselhafte Harmonie | 1896 | |||||||
Eine Karte am Geruch erkennen | 1896 | |||||||
I. Methode | Oct. 1897 |
Die Zauberwelt
(Vol. 3 No. 10)
|
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Das non plus ultra-Kunststück | May 1900 |
Die Zauberwelt
(Vol. 6 No. 5)
|
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Third Method | 1909 | |||||||
Charles T. Jordan | The Bare-Faced Detection | 1919/1920 | ||||||
Charles T. Jordan | Placement Control | 1922 |
The Four Full Hands
(Issue Four Full Hands of Card Tricks)
|
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Oswald Rae | A Remarkable Coincidence | 1928 | ||||||
The Card in the Pocket | 1928 | |||||||
Friedrich "Fritz" Hügli | Auffinden einer gezogenen Karte | 1930 | ||||||
Friedrich "Fritz" Hügli | Eine gezogene Karte erraten | 1930 | ||||||
Graham Adams | The Peep and Riffle | 1931 | ||||||
Tom Sellers | Push - A Novel Card Trick | 1931 | ||||||
Eric F. Impey | Tone Control | 1931 | ||||||
Center Pull-Out Key Card Placement | 1933 | |||||||
T. Page Wright | The Spread Detection | 1933 | ||||||
T. Page Wright | A Pickpocket Card | 1933 | ||||||
Tom Sellers | Steps | 1934 | ||||||
Tom Sellers | Lift a Few | 1934 | ||||||
The Key Card Principle - An Example of Presentation | 1935 | |||||||
Dual Attraction | 1935 | |||||||
The Three Heaps | 1935 | |||||||
Sighting a Card in the Middle of the Deck | 1936 |
Card Manipulations
(Issue 5)
|
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Victor Farelli | Push | 1937 | ||||||
Detected by Fingerprints | 1937 | |||||||
A Count Down Mystery | 1937 | |||||||
Tom Sellers | The One-Way Key | 1937 | ||||||
Charles T. Jordan | Cagliostro's Vision | 1937 | ||||||
Theodore Annemann | Locatrik | Dec. 1937 |
The Jinx
(Issue 39)
|
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Tom Sellers | Another Push Location | 1938 | ||||||
The Slip Location | 1938 | |||||||
The Bottom Card Location | 1938 | |||||||
A Joker Trick | 1938 | |||||||
A Miracle Discovery | 1938 | |||||||
Al Baker | Nufind | May 1938 |
The Jinx
(Issue 44)
|
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Al Baker | Effect 2 | 1939 |
The Secret Ways of Al Baker
(Issue Effects 1, 2, and 3)
|
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Theodore Annemann | Nail Nick Key Control | 1939 |
The Jinx
(Issue Winter Extra 1938/39)
|
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Theodore Annemann | The Simplex Hindu Location | May 1939 |
The Jinx
(Issue 56)
|
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Louis Lam | Pusho | 1939 | ||||||
Oscar Weigle | Nu-Locato | 1939 | ||||||
Orville Wayne Meyer | The "Last Word" Location | 1939 |
More Card Manipulations
(Issue 2)
|
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Setting a Key Card | 1940 | |||||||
G. W. Hunter | Backhanded | 1940 |
The Jinx
(Issue 110)
|
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Slip Shuffle Key Placement | 1940 |
The Jinx
(Issue 114)
|
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Charles Arbuthnot | Double Key Location | 1940 |
The Jinx
(Issue 116)
|
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Edward Victor | Key Card – Spring Glimpse | 1940 ca. | ||||||
Paul Curry | Turn of the Century Location | 1941 | ||||||
Henry Christ | The Perfect Card Location | 1942 | ||||||
Eddie Joseph | Another Card Discovery | 1942 | ||||||
Eugenia Braue | The Miracle Divination | 1943 | ||||||
Charles Nyquist, James G. Thompson Jr. | Key Card Placement | Apr. 1943 |
The Phoenix
(Issue 32)
|
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Clyde Cairy | Ode to The Jinx | Nov. 1943 |
The Phoenix
(Issue 47)
|
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Al Baker | Nufind | 1943 | ||||||
Ted Heuber, William H. McCaffrey | Variations for "Number Please" | 1943 | ||||||
William S. Houghton | The Three-Pellet Trick Perfected | 1943 | ||||||
Jean Hugard | More Card Magic (Continued) | Nov. 1944 |
Hugard's Magic Monthly
(Vol. 2 No. 6)
|
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Edward Marlo | The Force | 1945 | ||||||
Paul Curry | Turn of the Century Location | 1945 | ||||||
Warren Wiersbe | Divination Supreme | 1946 | ||||||
Edward Marlo | Crimp Placement | 1947 | ||||||
R. M. Jamison | 57 | May 1947 |
The Phoenix
(Issue 125)
|
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J. B. Bobo | Milk Shuffle Key Placement | 1947 | ||||||
J. B. Bobo | Telepathic Miracle | 1947 | ||||||
The Key Undercut | 1948 | |||||||
Sliding Key Card | 1948 | |||||||
Hindu Shuffle Glimpse | 1948 | |||||||
Jack Yeager | Glorifying Your Magic | 1948 |
Ireland's Yearbooks
(Issue Yearbook 1948)
|
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Jean Hugard | Card Magic | Apr. 1948 |
Hugard's Magic Monthly
(Vol. 5 No. 11)
|
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Strategy to set a Key Card | 1948 | |||||||
Sure Way to Find a Chosen Card | 1949 | |||||||
The Great "Stop!" Trick | 1949 | |||||||
The Mahatma Marvel Card Trick | 1949 | |||||||
Bill Nord | Charlier Pass Location | Oct. 1949 |
Hugard's Magic Monthly
(Vol. 7 No. 5)
|
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Eddie Joseph | The Blind Magician Does a Trick | 1949 | ||||||
Eddie Joseph | The Natural Follow-Up | 1949 | ||||||
Carmine Laino | Behind the Back Card Trick | 1950 | ||||||
You Do as I Do | 1950 | |||||||
Al Baker, Dr. Ben B. Braude | You Do as I Do (Using one pack of cards) | 1950 | ||||||
John Scarne | The Four Packs | 1950 | ||||||
John Scarne | The Betting Card Trick | 1950 | ||||||
Theodore Annemann | Locatrix | 1950 | ||||||
Harlan Tarbell, Jimmy Grippo | The Card Through Handkerchief | 1950 | ||||||
Sylvester-Zauber | 1951 |
Hokus Pokus
(Vol. 12 No. 6)
|
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Edward Marlo | Placing the Key Cards | 1952 | ||||||
Dr. Jacob Daley | Triple Thought | 1952 | ||||||
Chan Canasta | A Miracle Discovery | 1953 | ||||||
Valentino Graziadei | Ein Telepathisches Kunststück | 1953 |
Hokus Pokus
(Vol. 14 No. 4)
|
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Stewart James | Miracle Location | 1954 | ||||||
J. Stewart Smith | Peek-A-Boo Discovery | 1955 | ||||||
Tony Kardyro | The Hindu Shuffle Throw-Off | 1955 | ||||||
Tony Kardyro | Using the Top Card as a Locator for the Selected Card | 1955 | ||||||
Dr. William Weyeneth | Neuer Karten-Effekt | 1956 |
Hokus Pokus
(Vol. 17 No. 1)
|
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Jerry Andrus | Behind Fan Key Placement | 1956 | ||||||
Edward Marlo | Key Card Placement | Dec. 1956 |
Ibidem
(Issue 8)
|
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Die Fernsehkarte | 1957 |
Hokus Pokus
(Vol. 18 No. 1)
|
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Rolf Andra | Die "Fusskarte" | 1958 |
Hokus Pokus
(Vol. 19 No. 1)
|
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Dai Vernon | Emotional Reaction | 1959 | ||||||
Center Cut Key Card Placement | 1959 | |||||||
U. F. Grant | Klein... Aber Fein | 1959 |
Hokus Pokus
(Vol. 20 No. 1)
|
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Bill Hendricks | Perfectly Deceptive | 1960 |
Ireland's Yearbooks
(Issue Yearbook 1960)
|
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James Steranko | No-Touch Key Placement | 1960 | ||||||
James G. Thompson Jr. | T-Formation | 1961 | ||||||
Edward Marlo | Key Card Plus Estimation: Sixth Method | 1962 | ||||||
Edward Marlo | Milk Key Placement | 1962 | ||||||
Edward Marlo | Key - Faro Aces | 1964 | ||||||
Milton Kort | Three Static Solutions | Apr. 1966 |
The Pallbearers Review Vol. 1-4
(Vol. 1 No. 6)
|
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Dai Vernon | Methods of Handling - 1 | 1967 | ||||||
Dai Vernon | Methods of Handling - 2 | 1967 | ||||||
Dai Vernon | Methods of Handling - 3 | 1967 | ||||||
Dai Vernon | Methods of Handling - 4 | 1967 | ||||||
Dai Vernon | Methods of Handling - 5 | 1967 | ||||||
Dai Vernon | Methods of Handling - 6 | 1967 | ||||||
Dai Vernon | Key Card Placement | 1967 | ||||||
Dai Vernon | Key Card Location | 1967 | ||||||
Peek Key Card Placement | 1967 | |||||||
Basic Move 1 | June 1968 |
The Pallbearers Review Vol. 1-4
(Vol. 3 No. 8)
|
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Basic Move 4 | June 1968 |
The Pallbearers Review Vol. 1-4
(Vol. 3 No. 8)
|
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Eddie Fields | P-O-P Peek | 1968 | ||||||
Karl Fulves | The Partial Faro | 1970 |
Faro & Riffle Technique
(Issue First Supplement)
|
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Edward Marlo | Key Card Throw-Offs | 1970 | ||||||
Edward Marlo | Double Key Card Throw-Off | 1970 | ||||||
Overhand Shuffle Key Placement | Spring 1970 |
Hierophant
(Issue 3)
|
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T. Page Wright | Super Detection | 1970 |
Magick
(Issue 2)
|
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Gene Nielsen | The Ginsburg Cut | Oct. 1970 |
Talisman
(Vol. 1 No. 34)
|
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Harvey Rosenthal | The Center Cut | July 1971 |
Epilogue
(Issue 12)
|
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Karl Fulves | The Non-Slip Cut - Basic Technique | 1971 | ||||||
Karl Fulves | Chance? Fate? | 1971 | ||||||
Edward Marlo, Henry Christ | Marlo on the Christ Force | Fall-Spring 1971 |
Hierophant
(Issue 5-6)
|
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Roy Walton | Ten Paces to the Right | Jan. 1971 |
Kabbala — Volume 1
(Vol. 1 No. 1)
|
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Edward Marlo | Placement Control | Feb. 1971 |
Kabbala — Volume 1
(Vol. 1 No. 2)
|
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Dr. Jacob Daley | Peek Key Control | 1972 | ||||||
John Quine | Quine's Key Placement | 1972 | ||||||
T. Page Wright | A Lesson in Card Magic | 1972 | ||||||
Al Baker | Nufind | 1972 | ||||||
George G. Kaplan | Discovery | 1972 | ||||||
Jerry K. Hartman | Center Swing Cut - Applications | 1972 | ||||||
Dai Vernon | Vernon's Crimp Location Move | 1972 | ||||||
Dai Vernon | Vernon's Key Card Contrive | 1972 | ||||||
Max Malini | Daley's Estimating Peek: 1) Malini Estimate | 1972 | ||||||
Sam Leo Horowitz | Horowitz's Double Backer Effect | 1972 | ||||||
Karl Fulves | Notes On The Handling - 4. | 1973 | ||||||
Harry Lorayne | Improvisation Location | 1973 | ||||||
Edward Marlo | On the Subject of the Christ Force | June 1973 |
Kabbala — Volume 2
(Vol. 2 No. 6)
|
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Gene Nielsen | Homage to Koran | 1973 |
Magick
(Issue 72)
|
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Gene Finnell | Centering | 1973 | ||||||
Grund Griff Nr. 1 | Oct. 1973 |
Intermagic
(Vol. 1 No. 2)
|
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Grund Griff Nr. 4 | Oct. 1973 |
Intermagic
(Vol. 1 No. 2)
|
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Bill Spooner | Spooner's Supreme Control | 1973 | ||||||
Edward Marlo | Camouflage Control - The No Slip Cut | 1974 | ||||||
Paul Curry | Turn of the Century | 1974 | ||||||
Dr. John Nichols | Smashing! | 1974 |
Magick
(Issue 108)
|
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Hindu Shuffle Placement | 1975 | |||||||
Francis Carlyle | Mental Selection of a Card | 1975 | ||||||
Dennis Marks | Glimpse and Transfer | 1975 |
Magick
(Issue 123)
|
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Roger Smith | The IF Cover Up Control #1 | 1975 | ||||||
Roger Smith | The IF Cover Up Control #2 | 1975 | ||||||
Roger Smith | IF Cover Up Control #3 | 1975 | ||||||
Roger Smith | The IF Drop Control | 1975 | ||||||
Charles T. Jordan | Placement Control | 1975 | ||||||
Charles T. Jordan | Cagliostro's Vision | 1975 | ||||||
Charles T. Jordan | The Bare-Faced Detection | 1975 | ||||||
Edward Marlo | Obvious Suggestion | 1976 | ||||||
Key Card Placement | 1976 | |||||||
Ken Krenzel | Impromptu R. S. Peek Deck | 1977 | ||||||
Harry Lorayne | Key Cards | 1977 | ||||||
Karl Fulves, J. W. Sarles | The Miracle Discovery | 1977 | ||||||
Ken Krenzel | Invisible Transfer Placement | 1978 | ||||||
Edward Marlo | Marlo's Peek Deck | 1978 | ||||||
An der gewünschten Stelle | 1978 | |||||||
Reinhard Müller | Eine Doppelrückenkarte kann eine Gedachte Karte im Spiel Lokalisieren | Mar. 1978 |
Intermagic
(Vol. 5 No. 1)
|
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Dai Vernon, Rolf Andra | Ein Kartenkunststück, das Dai Vernon vorführte | 1978 |
Hokus Pokus
(Vol. 39 No. 1)
|
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Michael Ammar | Kick Key | July 1979 |
Apocalypse
(Vol. 2 No. 7)
|
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Karl Fulves | Remote Viewing | 1979 | ||||||
Nick Trost | Significator Cards | 1979 | ||||||
Frank Garcia | Slip Cut Key Placement after Peek | 1980 | ||||||
Andrew Galloway | Key Card Handling | 1980 | ||||||
Hindu Shuffle Key Placement | 1980 | |||||||
Stephen Minch | Contact | 1980 | ||||||
Edward Marlo | Christ-Crossed Clairvoyance | Sep. 1981 |
Kabbala — Volume 2
(Vol. 2 No. 9)
|
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Ben Harris, Woody Meltcher | Aroma Cards | 1981 | ||||||
Terry LaGerould | Fanta-Spread | 1982 | ||||||
Dai Vernon | Running Cut Placement | 1982 | ||||||
Harvey Rosenthal | The Center Cut | Oct. 1982 |
Spell-Binder
(Vol. 2 No. 18)
|
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Paul Brignall | In the Dark | 1982 |
Spell-Binder
(Vol. 2 No. Special #2 (Xmas))
|
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Edward Marlo | Dribble Glimpse | 1984 | ||||||
Roberto Giobbi | Spread Key Card Placement | 1984 | ||||||
Dai Vernon | Running Card Key Placement | 1984 | ||||||
Stephen Tucker | Cover Blown | 1984 | ||||||
Brother John Hamman | A Devilish Miracle Retold | 1984 | ||||||
Mike Bornstein | On Target | 1985 | ||||||
Edward Marlo | Slip Cut Key Placement after Peek | 1985 | ||||||
Edward Marlo | Marlo Running Cut Sequence | May 1985 |
Pabular
(Vol. 8 No. 10)
|
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Use for Short Card | 1985 |
The Fred Braue Notebooks
(Issue 1)
|
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Frederick Braue | FB Card Control | 1985 |
The Fred Braue Notebooks
(Issue 1)
|
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Frederick Braue | The Sliding Key - Braue Handling | 1985 |
The Fred Braue Notebooks
(Issue 3)
|
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Sliding Key Control | 1985 |
The Fred Braue Notebooks
(Issue 3)
|
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Edward Marlo | Milk Build Key Placement | 1985 | ||||||
Jerry K. Hartman | Double Key Placement | Sep. 1985 |
The Card Man-uscript
(Issue 1)
|
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Edward Marlo | Peek Key Card Placement | 1985 | ||||||
Tabled Ribbon Spread Control | 1987 | |||||||
Peek Key Card Placement | Oct. 1987 |
Intermagic
(Vol. 13 No. 1)
|
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Larry Jennings | Placement Cut | 1988 | ||||||
Roberto Giobbi | Hindu Shuffle Placement | 1988 |
Magical Arts Journal
(Vol. 2 No. 7 & 8 Arcane)
|
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Roberto Giobbi | The Dribble Key Card Replacement | 1988 |
Magical Arts Journal
(Vol. 2 No. 7 & 8 Arcane)
|
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Roberto Giobbi | A Stooge against his will | 1988 |
Magical Arts Journal
(Vol. 2 No. 7 & 8 Arcane)
|
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Edward Marlo | Spectators Cuts Location | 1988 | ||||||
Terri Rogers | Single Handed Top Crimp | 1988 | ||||||
Roy Walton | Ten Paces to the Right | 1988 | ||||||
Gary Kurtz | The Hofzinser Cull Placement | 1989 | ||||||
Dai Vernon | The Vernon Placement | 1989 | ||||||
Karl Fulves | Fingerprints | 1989 | ||||||
Terri Rogers | Einhand-Topcrimp | July 1989 |
Intermagic
(Vol. 14 No. 4 & 5)
|
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Harry Lorayne | Convincing | 1990 | ||||||
Hindu Shuffle Key Placement | 1991 | |||||||
Ronald A. Wohl (Ravelli), | Double Key Card Setting | Aug. 1991 |
The Olram File
(Issue 8)
|
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Edward Marlo | The Olram Poke | Sep. 1991 |
The Olram File
(Issue 9)
|
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Larry West | Cut-Up | Dec. 1991 |
The Minotaur
(Vol. 3 No. 4)
|
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T. Page Wright | Card Location | 1991 | ||||||
Judson S. Brown | The Fan Glimpse | 1991 | ||||||
Jerry K. Hartman | R.S. Key Glimpse | 1991 | ||||||
Jerry K. Hartman | Out of Control | 1991 | ||||||
Edward Marlo | Drop Cut Control | Apr. 1992 |
The Olram File
(Issue 11)
|
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Gary Kurtz | Nach Hofzinser (Cull-Methode) | 1992 | ||||||
Dai Vernon | Leitkartenkontrolle nach Dai Vernon | 1992 | ||||||
Bob King | Impossible Location | 1992 | ||||||
Gary Kurtz | Another Example: A Vernon Key Card Placement | 1992 | ||||||
Karl Norman | The Karl Norman Key Card Routine | May/June 1992 |
The Magic Menu
(Vol. 2 No. 11)
|
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Charles T. Jordan | Placement Control | 1992 | ||||||
Charles T. Jordan | The Barefaced Detection | 1992 | ||||||
Dai Vernon | イモーショナルリアクション | 1993 | ||||||
Bob King | Impossible Location | 1993 | ||||||
Eddie Fechter | Peek Control with a Corner Short Card | 1993 | ||||||
Eddie Fechter | Peek and Key Combination | 1993 | ||||||
Sid Fleischman | The Vagrant Key | 1993 | ||||||
Vicente Canuto | La presentación en la magia | 1993 | ||||||
Alex Elmsley | A Woven and Cut Case | 1994 | ||||||
Sam Leo Horowitz | Horowitz Key Card Move | 1994 | ||||||
Horace Goldin, John Northern Hilliard | "How It Is Done", or "The Indeceptive Deception", or "One For The Wise Ones" | 1994 | ||||||
Bob Irons | Bottom Running-Cut | 1994 | ||||||
Gene Maze | Old Wine | 1994 | ||||||
The Key Card in a Hand-to-hand Spread | 1995 | |||||||
Key Card in a Ribbon-Spread | 1995 | |||||||
Glimpse and Placement | 1995 | |||||||
Tabled Ribbon Spread Control | 1995 | |||||||
Juan Tamariz, Moe Seidenstein, Jimmy Grippo | A Phenomenal Memory | 1995 | ||||||
Placing a Key Card with the Hindu Shuffle | 1995 | |||||||
Karl Fulves | Mind Mirror | 1995 | ||||||
Simon Aronson | Three For Two | 1995 |