Key Card Placements
| Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
|---|---|---|---|---|---|---|---|---|
| Tricks with Long Cards | 1889 | |||||||
| Eine gezogene Karte aufzufinden | 1895 | |||||||
| Die rätselhafte Harmonie | 1896 | |||||||
| Eine Karte am Geruch erkennen | 1896 | |||||||
| I. Methode | Oct. 1897 |
Die Zauberwelt
(Vol. 3 No. 10)
|
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| Das non plus ultra-Kunststück | May 1900 |
Die Zauberwelt
(Vol. 6 No. 5)
|
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| Third Method | 1909 | |||||||
| The Key Card - Warring | 1913 | |||||||
| Charles T. Jordan | The Bare-Faced Detection | 1919/1920 | ||||||
| Charles T. Jordan | Placement Control | 1922 |
The Four Full Hands
(Issue Four Full Hands of Card Tricks)
|
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| Oswald Rae | A Remarkable Coincidence | 1928 | ||||||
| The Card in the Pocket | 1928 | |||||||
| Friedrich "Fritz" Hügli | Auffinden einer gezogenen Karte | 1930 | ||||||
| Friedrich "Fritz" Hügli | Eine gezogene Karte erraten | 1930 | ||||||
| Graham Adams | The Peep and Riffle | 1931 | ||||||
| Tom Sellers | Push - A Novel Card Trick | 1931 | ||||||
| Eric F. Impey | Tone Control | 1931 | ||||||
| Center Pull-Out Key Card Placement | 1933 | |||||||
| T. Page Wright | The Spread Detection | 1933 | ||||||
| T. Page Wright | A Pickpocket Card | 1933 | ||||||
| Tom Sellers | Steps | 1934 | ||||||
| Tom Sellers | Lift a Few | 1934 | ||||||
| The Key Card Principle - An Example of Presentation | 1935 | |||||||
| Dual Attraction | 1935 | |||||||
| The Three Heaps | 1935 | |||||||
| Sighting a Card in the Middle of the Deck | 1936 |
Card Manipulations
(Issue 5)
|
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| Victor Farelli | Push | 1937 | ||||||
| Detected by Fingerprints | 1937 | |||||||
| A Count Down Mystery | 1937 | |||||||
| Tom Sellers | The One-Way Key | 1937 | ||||||
| Charles T. Jordan | Cagliostro's Vision | 1937 | ||||||
| Theodore Annemann | Locatrik | Dec. 1937 |
The Jinx
(Issue 39)
|
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| Tom Sellers | Another Push Location | 1938 | ||||||
| The Slip Location | 1938 | |||||||
| The Bottom Card Location | 1938 | |||||||
| A Joker Trick | 1938 | |||||||
| A Miracle Discovery | 1938 | |||||||
| Al Baker | Nufind | May 1938 |
The Jinx
(Issue 44)
|
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| Al Baker | Effect 2 | 1939 |
The Secret Ways of Al Baker
(Issue Effects 1, 2, and 3)
|
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| Theodore Annemann | Nail Nick Key Control | 1939 |
The Jinx
(Issue Winter Extra 1938/39)
|
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| Theodore Annemann | The Simplex Hindu Location | May 1939 |
The Jinx
(Issue 56)
|
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| Louis Lam | Pusho | 1939 | ||||||
| Oscar Weigle | Nu-Locato | 1939 | ||||||
| Orville Wayne Meyer | The "Last Word" Location | 1939 |
More Card Manipulations
(Issue 2)
|
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| Setting a Key Card | 1940 | |||||||
| G. W. Hunter | Backhanded | 1940 |
The Jinx
(Issue 110)
|
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| Slip Shuffle Key Placement | 1940 |
The Jinx
(Issue 114)
|
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| Charles Arbuthnot | Double Key Location | 1940 |
The Jinx
(Issue 116)
|
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| Edward Victor | Key Card – Spring Glimpse | 1940 ca. | ||||||
| Paul Curry | Turn of the Century Location | 1941 | ||||||
| Henry Christ | The Perfect Card Location | 1942 | ||||||
| Eddie Joseph | Another Card Discovery | 1942 | ||||||
| Eugenia Braue | The Miracle Divination | 1943 | ||||||
| Charles Nyquist, James G. Thompson Jr. | Key Card Placement | Apr. 1943 |
The Phoenix
(Issue 32)
|
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| Clyde Cairy | Ode to The Jinx | Nov. 1943 |
The Phoenix
(Issue 47)
|
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| Al Baker | Nufind | 1943 | ||||||
| Ted Heuber, William H. McCaffrey | Variations for "Number Please" | 1943 | ||||||
| William S. Houghton | The Three-Pellet Trick Perfected | 1943 | ||||||
| Jean Hugard | More Card Magic (Continued) | Nov. 1944 |
Hugard's Magic Monthly
(Vol. 2 No. 6)
|
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| Edward Marlo | The Force | 1945 | ||||||
| Paul Curry | Turn of the Century Location | 1945 | ||||||
| Warren Wiersbe | Divination Supreme | 1946 | ||||||
| Edward Marlo | Crimp Placement | 1947 | ||||||
| R. M. Jamison | 57 | May 1947 |
The Phoenix
(Issue 125)
|
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| J. B. Bobo | Milk Shuffle Key Placement | 1947 | ||||||
| J. B. Bobo | Telepathic Miracle | 1947 | ||||||
| The Key Undercut | 1948 | |||||||
| Sliding Key Card | 1948 | |||||||
| Hindu Shuffle Glimpse | 1948 | |||||||
| Jack Yeager | Glorifying Your Magic | 1948 |
Ireland's Yearbooks
(Issue Yearbook 1948)
|
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| Jean Hugard | Card Magic | Apr. 1948 |
Hugard's Magic Monthly
(Vol. 5 No. 11)
|
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| Strategy to set a Key Card | 1948 | |||||||
| Sure Way to Find a Chosen Card | 1949 | |||||||
| The Great "Stop!" Trick | 1949 | |||||||
| The Mahatma Marvel Card Trick | 1949 | |||||||
| Bill Nord | Charlier Pass Location | Oct. 1949 |
Hugard's Magic Monthly
(Vol. 7 No. 5)
|
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| Eddie Joseph | The Blind Magician Does a Trick | 1949 | ||||||
| Eddie Joseph | The Natural Follow-Up | 1949 | ||||||
| Carmine Laino | Behind the Back Card Trick | 1950 | ||||||
| You Do as I Do | 1950 | |||||||
| Al Baker, Dr. Ben B. Braude | You Do as I Do (Using one pack of cards) | 1950 | ||||||
| John Scarne | The Four Packs | 1950 | ||||||
| John Scarne | The Betting Card Trick | 1950 | ||||||
| Theodore Annemann | Locatrix | 1950 | ||||||
| Harlan Tarbell, Jimmy Grippo | The Card Through Handkerchief | 1950 | ||||||
| Sylvester-Zauber | 1951 |
Hokus Pokus
(Vol. 12 No. 6)
|
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| Edward Marlo | Placing the Key Cards | 1952 | ||||||
| Dr. Jacob Daley | Triple Thought | 1952 | ||||||
| Chan Canasta | A Miracle Discovery | 1953 | ||||||
| Valentino Graziadei | Ein Telepathisches Kunststück | 1953 |
Hokus Pokus
(Vol. 14 No. 4)
|
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| Stewart James | Miracle Location | 1954 | ||||||
| J. Stewart Smith | Peek-A-Boo Discovery | 1955 | ||||||
| Tony Kardyro | The Hindu Shuffle Throw-Off | 1955 | ||||||
| Tony Kardyro | Using the Top Card as a Locator for the Selected Card | 1955 | ||||||
| Dr. William Weyeneth | Neuer Karten-Effekt | 1956 |
Hokus Pokus
(Vol. 17 No. 1)
|
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| Jerry Andrus | Behind Fan Key Placement | 1956 | ||||||
| Edward Marlo | Key Card Placement | Dec. 1956 |
Ibidem
(Issue 8)
|
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| Die Fernsehkarte | 1957 |
Hokus Pokus
(Vol. 18 No. 1)
|
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| Rolf Andra | Die "Fusskarte" | 1958 |
Hokus Pokus
(Vol. 19 No. 1)
|
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| Dai Vernon | Emotional Reaction | 1959 | ||||||
| Center Cut Key Card Placement | 1959 | |||||||
| U. F. Grant | Klein... Aber Fein | 1959 |
Hokus Pokus
(Vol. 20 No. 1)
|
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| Bill Hendricks | Perfectly Deceptive | 1960 |
Ireland's Yearbooks
(Issue Yearbook 1960)
|
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| James Steranko | No-Touch Key Placement | 1960 | ||||||
| James G. Thompson Jr. | T-Formation | 1961 | ||||||
| Dr. Alfredo Florensa | Algo Imposible | 1961 | ||||||
| Dr. Alfredo Florensa | Doble Pensamiento | 1961 | ||||||
| Edward Marlo | Key Card Plus Estimation: Sixth Method | 1962 | ||||||
| Edward Marlo | Milk Key Placement | 1962 | ||||||
| Edward Marlo | Key - Faro Aces | 1964 | ||||||
| Milton Kort | Three Static Solutions | Apr. 1966 |
The Pallbearers Review
(Vol. 1 No. 6)
|
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| Dai Vernon | Methods of Handling - 1 | 1967 | ||||||
| Dai Vernon | Methods of Handling - 2 | 1967 | ||||||
| Dai Vernon | Methods of Handling - 3 | 1967 | ||||||
| Dai Vernon | Methods of Handling - 4 | 1967 | ||||||
| Dai Vernon | Methods of Handling - 5 | 1967 | ||||||
| Dai Vernon | Methods of Handling - 6 | 1967 | ||||||
| Dai Vernon | Key Card Placement | 1967 | ||||||
| Dai Vernon | Key Card Location | 1967 | ||||||
| Peek Key Card Placement | 1967 | |||||||
| Basic Move 1 | June 1968 |
The Pallbearers Review
(Vol. 3 No. 8)
|
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| Basic Move 4 | June 1968 |
The Pallbearers Review
(Vol. 3 No. 8)
|
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| Eddie Fields | P-O-P Peek | 1968 | ||||||
| Karl Fulves | The Partial Faro | 1970 |
Faro & Riffle Technique
(Issue First Supplement)
|
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| Edward Marlo | Key Card Throw-Offs | 1970 | ||||||
| Edward Marlo | Double Key Card Throw-Off | 1970 | ||||||
| Overhand Shuffle Key Placement | Spring 1970 |
The Hierophant
(Issue 3)
|
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| T. Page Wright | Super Detection | 1970 |
Magick
(Issue 2)
|
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| Gene Nielsen | The Ginsburg Cut | Oct. 1970 |
Talisman
(Vol. 1 No. 34)
|
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| Harvey Rosenthal | The Center Cut | July 1971 |
Epilogue
(Issue 12)
|
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| Karl Fulves | The Non-Slip Cut - Basic Technique | 1971 | ||||||
| Karl Fulves | Chance? Fate? | 1971 | ||||||
| Edward Marlo | Marlo on the Christ Force | Fall-Spring 1971 |
The Hierophant
(Issue 5-6)
|
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| Roy Walton | Ten Paces to the Right | Jan. 1971 |
Kabbala — Volume 1
(Vol. 1 No. 1)
|
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| Edward Marlo | Placement Control | Feb. 1971 |
Kabbala — Volume 1
(Vol. 1 No. 2)
|
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| Dr. Jacob Daley | Peek Key Control | 1972 | ||||||
| John Quine | Quine's Key Placement | 1972 | ||||||
| T. Page Wright | A Lesson in Card Magic | 1972 | ||||||
| Al Baker | Nufind | 1972 | ||||||
| George G. Kaplan | Discovery | 1972 | ||||||
| Jerry K. Hartman | Center Swing Cut - Applications | 1972 | ||||||
| Dai Vernon | Vernon's Crimp Location Move | 1972 | ||||||
| Dai Vernon | Vernon's Key Card Contrive | 1972 | ||||||
| Max Malini | Daley's Estimating Peek: 1) Malini Estimate | 1972 | ||||||
| Sam Leo Horowitz | Horowitz's Double Backer Effect | 1972 | ||||||
| Karl Fulves | Notes On The Handling - 4. | 1973 | ||||||
| Harry Lorayne | Improvisation Location | 1973 | ||||||
| Edward Marlo | On the Subject of the Christ Force | June 1973 |
Kabbala — Volume 2
(Vol. 2 No. 6)
|
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| Gene Nielsen | Homage to Koran | 1973 |
Magick
(Issue 72)
|
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| Gene Finnell | Centering | 1973 | ||||||
| Grund Griff Nr. 1 | Oct. 1973 |
Intermagic
(Vol. 1 No. 2)
|
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| Grund Griff Nr. 4 | Oct. 1973 |
Intermagic
(Vol. 1 No. 2)
|
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| Bill Spooner | Spooner's Supreme Control | 1973 | ||||||
| Edward Marlo | Camouflage Control - The No Slip Cut | 1974 | ||||||
| Paul Curry | Turn of the Century | 1974 | ||||||
| Dr. John Nichols | Smashing! | 1974 |
Magick
(Issue 108)
|
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| Eddie Fechter | Peek And Key Combination | 1974 | ||||||
| Hindu Shuffle Placement | 1975 | |||||||
| Francis Carlyle | Mental Selection of a Card | 1975 | ||||||
| Dennis Marks | Glimpse and Transfer | 1975 |
Magick
(Issue 123)
|
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| Roger Smith | The IF Cover Up Control #1 | 1975 | ||||||
| Roger Smith | The IF Cover Up Control #2 | 1975 | ||||||
| Roger Smith | IF Cover Up Control #3 | 1975 | ||||||
| Roger Smith | The IF Drop Control | 1975 | ||||||
| Charles T. Jordan | Placement Control | 1975 | ||||||
| Charles T. Jordan | Cagliostro's Vision | 1975 | ||||||
| Charles T. Jordan | The Bare-Faced Detection | 1975 | ||||||
| Edward Marlo | Obvious Suggestion | 1976 | ||||||
| Key Card Placement | 1976 | |||||||
| Ken Krenzel | Impromptu R. S. Peek Deck | 1977 | ||||||
| Harry Lorayne | Key Cards | 1977 | ||||||
| Karl Fulves, J. W. Sarles | The Miracle Discovery | 1977 | ||||||
| Ken Krenzel | Invisible Transfer Placement | 1978 | ||||||
| Edward Marlo | Marlo's Peek Deck | 1978 | ||||||
| An der gewünschten Stelle | 1978 | |||||||
| Reinhard Müller | Eine Doppelrückenkarte kann eine Gedachte Karte im Spiel Lokalisieren | Mar. 1978 |
Intermagic
(Vol. 5 No. 1)
|
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| Dai Vernon, Rolf Andra | Ein Kartenkunststück, das Dai Vernon vorführte | 1978 |
Hokus Pokus
(Vol. 39 No. 1)
|
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| Michael Ammar | Kick Key | July 1979 |
Apocalypse
(Vol. 2 No. 7)
|
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| Karl Fulves | Remote Viewing | 1979 | ||||||
| Nick Trost | Significator Cards | 1979 | ||||||
| Frank Garcia | Slip Cut Key Placement after Peek | 1980 | ||||||
| Andrew Galloway | Key Card Handling | 1980 | ||||||
| Hindu Shuffle Key Placement | 1980 | |||||||
| Stephen Minch | Contact | 1980 | ||||||
| Edward Marlo | Christ-Crossed Clairvoyance | Sep. 1981 |
Kabbala — Volume 2
(Vol. 2 No. 9)
|
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| Ben Harris, Woody Meltcher | Aroma Cards | 1981 | ||||||
| Jimmy Grippo | Card Through a Handkerchief | 1981 | ||||||
| Terry LaGerould | Fanta-Spread | 1982 | ||||||
| Dai Vernon | Running Cut Placement | 1982 | ||||||
| Harvey Rosenthal | The Center Cut | Oct. 1982 |
Spell-Binder
(Vol. 2 No. 18)
|
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| Paul Brignall | In the Dark | 1982 |
Spell-Binder
(Vol. 2 No. Special #2 (Xmas))
|
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| Edward Marlo | Dribble Glimpse | 1984 | ||||||
| Roberto Giobbi | Spread Key Card Placement | 1984 | ||||||
| Dai Vernon | Running Card Key Placement | 1984 | ||||||
| Stephen Tucker | Cover Blown | 1984 | ||||||
| Brother John Hamman | A Devilish Miracle Retold | 1984 | ||||||
| Mike Bornstein | On Target | 1985 | ||||||
| Edward Marlo | Slip Cut Key Placement after Peek | 1985 | ||||||
| Edward Marlo | Marlo Running Cut Sequence | May 1985 |
Pabular
(Vol. 8 No. 10)
|
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| Use for Short Card | 1985 |
The Fred Braue Notebooks
(Issue 1)
|
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| Frederick Braue | FB Card Control | 1985 |
The Fred Braue Notebooks
(Issue 1)
|
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| Frederick Braue | The Sliding Key - Braue Handling | 1985 |
The Fred Braue Notebooks
(Issue 3)
|
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| Sliding Key Control | 1985 |
The Fred Braue Notebooks
(Issue 3)
|
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| Edward Marlo | Milk Build Key Placement | 1985 | ||||||
| Jerry K. Hartman | Double Key Placement | Sep. 1985 |
The Card Man-uscript
(Issue 1)
|
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| Edward Marlo | Peek Key Card Placement | 1985 | ||||||
| Tabled Ribbon Spread Control | 1987 | |||||||
| Peek Key Card Placement | Oct. 1987 |
Intermagic
(Vol. 13 No. 1)
|
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| Larry Jennings | Placement Cut | 1988 | ||||||
| Roberto Giobbi | Hindu Shuffle Placement | 1988 |
Magical Arts Journal
(Vol. 2 No. 7 & 8 Arcane)
|
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| Roberto Giobbi | The Dribble Key Card Replacement | 1988 |
Magical Arts Journal
(Vol. 2 No. 7 & 8 Arcane)
|
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| Roberto Giobbi | A Stooge against his will | 1988 |
Magical Arts Journal
(Vol. 2 No. 7 & 8 Arcane)
|
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| Edward Marlo | Spectators Cuts Location | 1988 | ||||||
| Terri Rogers | Single Handed Top Crimp | 1988 | ||||||
| Max Giebe | «Hano-» | 1988 |
Hokus Pokus
(Vol. 49 No. 6)
|
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| Roy Walton | Ten Paces to the Right | 1988 | ||||||
| Gary Kurtz | The Hofzinser Cull Placement | 1989 | ||||||
| Dai Vernon | The Vernon Placement | 1989 | ||||||
| Karl Fulves | Fingerprints | 1989 | ||||||
| Terri Rogers | Einhand-Topcrimp | July 1989 |
Intermagic
(Vol. 14 No. 4 & 5)
|
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| Harry Lorayne | Convincing | 1990 | ||||||
| Rolf Andra | Eine Kartenroutine mit 2 Zuschauern | 1990 |
Hokus Pokus
(Vol. 52 No. 1)
|
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| Hindu Shuffle Key Placement | 1991 | |||||||
| Ronald A. Wohl (Ravelli), | Double Key Card Setting | Aug. 1991 |
The Olram File
(Issue 8)
|
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| Edward Marlo | The Olram Poke | Sep. 1991 |
The Olram File
(Issue 9)
|
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| Larry West | Cut-Up | Dec. 1991 |
The Minotaur
(Vol. 3 No. 4)
|
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| T. Page Wright | Card Location | 1991 | ||||||
| Judson S. Brown | The Fan Glimpse | 1991 | ||||||
| Jerry K. Hartman | R.S. Key Glimpse | 1991 | ||||||
| Jerry K. Hartman | Out of Control | 1991 | ||||||
| Edward Marlo | Drop Cut Control | Apr. 1992 |
The Olram File
(Issue 11)
|
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| Gary Kurtz | Nach Hofzinser (Cull-Methode) | 1992 | ||||||
| Dai Vernon | Leitkartenkontrolle nach Dai Vernon | 1992 | ||||||
| Bob King | Impossible Location | 1992 | ||||||
| Gary Kurtz | Another Example: A Vernon Key Card Placement | 1992 | ||||||
| Karl Norman | The Karl Norman Key Card Routine | May/June 1992 |
The Magic Menu
(Vol. 2 No. 11)
|
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| Charles T. Jordan | Placement Control | 1992 | ||||||
| Charles T. Jordan | The Barefaced Detection | 1992 | ||||||
| Dai Vernon | イモーショナルリアクション | 1993 | ||||||
| Bob King | Impossible Location | 1993 | ||||||
| Eddie Fechter | Peek Control with a Corner Short Card | 1993 | ||||||
| Eddie Fechter | Peek and Key Combination | 1993 | ||||||
| Sid Fleischman | The Vagrant Key | 1993 | ||||||
| Vicente Canuto | La presentación en la magia | 1993 | ||||||
| Alex Elmsley | A Woven and Cut Case | 1994 | ||||||
| Sam Leo Horowitz | Horowitz Key Card Move | 1994 | ||||||
| Horace Goldin, John Northern Hilliard | "How It Is Done", or "The Indeceptive Deception", or "One For The Wise Ones" | 1994 | ||||||
| Bob Irons | Bottom Running-Cut | 1994 | ||||||
| Gene Maze | Old Wine | 1994 | ||||||
| The Key Card in a Hand-to-hand Spread | 1995 | |||||||