51 faces north\n- the history
- the discovery
- the secret
- conclusion\nstewart james\nroom 51\ngordon bean\njerry k. hartman\nnorthern light\njerry k. hartman\n51 paces north\nallan slaight\nan opening\nkarl fulves\n26 faces north\npeter duffie\nrobin robertson
2002
Stewart James
|
51 Faces North
|
Related toVariations |
1 |
2002
|
2
|
|
power trip\npower of fully charged battery is transferred to empty one\nphilip t. goldstein
2002
Philip T. Goldstein
|
Power Trip
|
1 |
2002
|
10
|
|
tie food\ncoin vanishes from bottom of tie and reappears in knot on top\ngordon bean
2002
Gordon Bean
|
Tie Food
|
1 |
2002
|
12
|
|
heel clip steal\n\n unknown
2002
Unknown
|
Heel Clip Steal
|
1 |
2002
|
12
|
|
king brand\nred kings between black fours, they transpose two times, then daley's last\nwilliam goodwin\none good winner\nallan ackerman\ndarrin martineau\nthe king is gone, but he's not forgotten\naaron fisher
2002
William Goodwin
|
King Brand
|
Variations |
1 |
2002
|
14
|
|
pivot colour change\nin text credited to vic trabucco, for credit correction see issue 11, p. 1\nnoel stanton
2002
Noel Stanton
|
Pivot Colour Change
|
1 |
2002
|
15
|
|
pinkerton's ladies\n\nroy walton\npinkerton's surprise\nroy walton\nwilliam goodwin\nshannon clark
2002
Roy Walton
|
Pinkerton's Ladies
|
Variations |
2 |
2002
|
2
|
|
mismatched\nmatchbook turns inside out\nray kosby
2002
Ray Kosby
|
Mismatched
|
2 |
2002
|
3
|
|
don't judge\na blank matchbook is magically printed\nmichael weber
2002
Michael Weber
|
Don't Judge
|
2 |
2002
|
6
|
|
internal script\nspectator's initals jump from the outside of a matchbook to inside\nmichael weber
2002
Michael Weber
|
Internal Script
|
2 |
2002
|
6
|
|
recollected collectors\nsee further credits in issue 5, p. 1, and issue 6, p. 1\nguy hollingworth
2002
Guy Hollingworth
|
Recollected Collectors
|
2 |
2002
|
7
|
|
no-clutch bottom placement\nwith a second delayed handling, see also credits in issue 10, p. 1, issue 11, p. 1\nguy hollingworth\nedward marlo\nno-clutch bottom placement\nedward marlo\ndelayed bottom placement\njon racherbaumer
2002
Guy Hollingworth, Edward Marlo
|
No-Clutch Bottom Placement
|
Related to |
2 |
2002
|
7
|
|
km move\n\ntony kardyro\nedward marlo
2002
Tony Kardyro, Edward Marlo
|
KM Move
|
2 |
2002
|
8
|
|
palm replacement count\nas elmsley-type count is started, palmed cards are replaced\nguy hollingworth
2002
Guy Hollingworth
|
Palm Replacement Count
|
2 |
2002
|
9
|
|
bits\ndollar breaks into four pieces which change into four quarters, see issue 3, p. 1, for further credits\njohn carney
2002
John Carney
|
Bits
|
2 |
2002
|
10
|
|
one good winner\nred kings between black fours, they transpose two times, then daley's last, all change to kings\nallan ackerman\ndarrin martineau\nking brand\nwilliam goodwin
2002
Allan Ackerman, Darrin Martineau
|
One Good Winner
|
Inspired by |
2 |
2002
|
12
|
|
the floating add-on\n\nwilliam goodwin
2002
William Goodwin
|
The Floating Add-On
|
2 |
2002
|
12
|
|
shapeshifter change\n\nmarc desouza
2002
Marc DeSouza
|
Shapeshifter Change
|
2 |
2002
|
13
|
|
veeser concept handling\n\nbob veeser
2002
Bob Veeser
|
Veeser Concept Handling
|
2 |
2002
|
14
|
|
corner kick\nindifferent card with torn-off corner transforms into selection\ngordon bean\n"tearing up deland" (jeff sheridan, genii march 2000)\ncorner kicked again\nryan matney
2002
Gordon Bean
|
Corner Kick
|
Inspired by- "Tearing up DeLand" (Jeff Sheridan, Genii March 2000)
Variations |
2 |
2002
|
15
|
|
optical monte move\n\ndai vernon
2002
Dai Vernon
|
Optical Monte Move
|
2 |
2002
|
16
|
|
room 51\ncommentary\ngordon bean\njerry k. hartman\n51 faces north\nstewart james
2002
Gordon Bean, Jerry K. Hartman
|
Room 51
|
Inspired by |
2 |
2002
|
18
|
|
the continental divide\ndeck is shown mixed, instantly separates in reds and blacks\nlee asher\nfurther on "the continental divide"\njerry k. hartman\ncolor scheming\njerry k. hartman
2002
Lee Asher
|
The Continental Divide
|
Related to |
3 |
2002
|
2
|
|
pulp friction\nreverse spread control/cull/displacement\nlee asher\nfurther on "the continental divide"\njerry k. hartman
2002
Lee Asher
|
Pulp Friction
|
Related to |
3 |
2002
|
2
|
|
red-black shuffle\n\ncharles t. jordan
2002
Charles T. Jordan
|
Red-Black Shuffle
|
3 |
2002
|
6
|
|
exhibit "a"\nred-backed card placed on table in beginning turns out to be later signed selection\ndavid regal
2002
David Regal
|
Exhibit "A"
|
3 |
2002
|
6
|
|
sticky card\ndouble-stick tape\ndavid regal
2002
David Regal
|
Sticky Card
|
3 |
2002
|
7
|
|
the king is gone, but he's not forgotten\nred kings between black fours, they transpose two times, then daley's last, without extra card\naaron fisher\nking brand\nwilliam goodwin
2002
Aaron Fisher
|
The King Is Gone, But He's Not Forgotten
|
Related to |
3 |
2002
|
9
|
|
pivot colour change\nin text credited to vic trabucco, for credit correction see issue 11, p. 1\nnoel stanton\ncredit card change\ntyler wilson
2002
Noel Stanton
|
Pivot Colour Change
|
Variations |
3 |
2002
|
9
|
|
outjog half pass\ncover for half pass\naaron fisher
2002
Aaron Fisher
|
Outjog Half Pass
|
3 |
2002
|
12
|
|
asher twist\nbrief\nlee asher
2002
Lee Asher
|
Asher Twist
|
3 |
2002
|
12
|
|
palm burst\nwrapped candy penetrates hand, as finale only candy penetrates leaving wrapping behind\nnathan kranzo
2002
Nathan Kranzo
|
Palm Burst
|
3 |
2002
|
12
|
|
northern light\nimpossible location followed by 51 faces north\njerry k. hartman\n51 faces north\nstewart james
2002
Jerry K. Hartman
|
Northern Light
|
Inspired by |
3 |
2002
|
15
|
|
neo purse frame routine\nroutine about producing coins from purse frame, jumbo finale, stand-up handling\nshoot ogawa
2002
Shoot Ogawa
|
Neo Purse Frame Routine
|
4 |
2002
|
2
|
|
apollo palm\nmodified purse palm\napollo robbins
2002
Apollo Robbins
|
Apollo Palm
|
4 |
2002
|
2
|
|
wilson concealment\nforefinger grip, see credit discussion in issue 6, p. 1\njimmy wilson
2002
Jimmy Wilson
|
Wilson Concealment
|
4 |
2002
|
4
|
|
muscle pass production from frame\n\nshoot ogawa
2002
Shoot Ogawa
|
Muscle Pass Production from Frame
|
4 |
2002
|
5
|
|
royal mayo\nthree royal flush card appear between jokers, the transform into the missing two cards to complete the royal flush, credit correction in issue 10, p. 1\ndavid solomon\nthe royal lovers\nr. sid spocane ii\nhold the mayo\nwilliam goodwin\nroyal mayo\ndavid solomon
2002
David Solomon
|
Royal Mayo
|
Inspired byRelated toAlso published here |
4 |
2002
|
11
|
|
flushtration count\ncredit information\nnorman houghton\nbrother john hamman
2002
Norman Houghton, Brother John Hamman
|
Flushtration Count
|
4 |
2002
|
12
|
|
intuition monte\nmonte sequence with ace through four of spades, change to aces as climax\nsteve ehlers
2002
Steve Ehlers
|
Intuition Monte
|
4 |
2002
|
12
|
|
zarrow block addition\n\nherb zarrow
2002
Herb Zarrow
|
Zarrow Block Addition
|
4 |
2002
|
13
|
|
altman trap\n\nart altman
2002
Art Altman
|
Altman Trap
|
4 |
2002
|
14
|
|
pinkerton's surprise\nprogressive sandwich with four-of-a-kind production kicker\nroy walton\nwilliam goodwin\nshannon clark\npinkerton's ladies\nroy walton
2002
Roy Walton, William Goodwin, Shannon Clark
|
Pinkerton's Surprise
|
Inspired by |
4 |
2002
|
15
|
|
corner kicked again\nindifferent card with torn-off corner transforms into selection\nryan matney\ncorner kick\ngordon bean
2002
Ryan Matney
|
Corner Kicked Again
|
Inspired by |
4 |
2002
|
16
|
|
further on "the continental divide"\nadditional thoughts\njerry k. hartman\nthe continental divide\nlee asher\npulp friction\nlee asher
2002
Jerry K. Hartman
|
Further On "The Continental Divide"
|
Inspired by |
4 |
2002
|
17
|
|
51 paces north\n\nallan slaight\n51 faces north\nstewart james
2002
Allan Slaight
|
51 Paces North
|
Inspired by |
4 |
2002
|
17
|
|
forcing 17 or 18\npsychological force\nallan slaight
2002
Allan Slaight
|
Forcing 17 or 18
|
4 |
2002
|
17
|
|
a double shot\ntwo selections shoot out of deck as it is dribbled onto table, secret thin rubber band\njim patton\ndavid britland\nangel aces\ndavid britland
2003
Jim Patton, David Britland
|
A Double Shot
|
Inspired by |
5 |
2003
|
2
|
|
versatile outjog control\n\nfrank simon
2003
Frank Simon
|
Versatile Outjog Control
|
5 |
2003
|
2
|
|
covered double shot\ntwo spectators end up with their card when deck is dribbled underneath handkerchief\ngordon bean\njim patton\ncovered, up!\njerry k. hartman
2003
Gordon Bean, Jim Patton
|
Covered Double Shot
|
Related to |
5 |
2003
|
5
|
|
face-up double shot\nselections shoot out face up\ngordon bruce\njim patton\na double shot\njim patton\ndavid britland
2003
Gordon Bruce, Jim Patton
|
Face-Up Double Shot
|
Related to |
5 |
2003
|
6
|
|
the california angels\nvisual ace production, secret thin rubber band, two handlings, see further credits in issue 6, p. 1\nbruce cervon\ndavid britland\nangel aces\ndavid britland
2003
Bruce Cervon, David Britland
|
The California Angels
|
Inspired by |
5 |
2003
|
7
|
|
simple shift handling\n\nbruce cervon\nedward marlo
2003
Bruce Cervon, Edward Marlo
|
Simple Shift Handling
|
5 |
2003
|
8
|
|
the cherry control\ncontrol to top as deck is fanned, for credit correction see issue 11, p. 1\nricky smith\nsalvador sufrate\ncherry control credits\nricky smith\ncherry control variation\nryan plunkett
2003
Ricky Smith, Salvador Sufrate
|
The Cherry Control
|
Related toVariations |
5 |
2003
|
13
|
|
color scheming\ndeck is shown mixed, instantly separates in reds and blacks\njerry k. hartman\nthe continental divide\nlee asher
2003
Jerry K. Hartman
|
Color Scheming
|
Inspired by |
5 |
2003
|
15
|
|
business trip\nring penetrates finger\npatrick schlagel
2003
Patrick Schlagel
|
Business Trip
|
5 |
2003
|
18
|
|
ring and rope sequence\n\npatrick schlagel
2003
Patrick Schlagel
|
Ring and Rope Sequence
|
5 |
2003
|
20
|
|
centrifugal nightmare\nvisual phase for finale of "professor's nightmare" routine\nscott steelfyre
2003
Scott SteelFyre
|
Centrifugal Nightmare
|
5 |
2003
|
21
|
|
a false cut\ntabled\nernest earick
2003
Ernest Earick
|
A False Cut
|
6 |
2003
|
2
|
|
a hand for mr. scarne\naces lost in deck, one shuffle, performer deals himself four times the ace of spades, transformation into different aces\nernest earick\nfactory seconds\njohn scarne\nfive aces\ntony cabral
2003
Ernest Earick
|
A Hand For Mr. Scarne
|
Inspired byRelated to |
6 |
2003
|
4
|
|
step to break transfer\nbreak retained as deck is turned over\nernest earick
2003
Ernest Earick
|
Step to Break Transfer
|
6 |
2003
|
4
|
|
vernon utility move\n\ndai vernon
2003
Dai Vernon
|
Vernon Utility Move
|
6 |
2003
|
5
|
|
transferring a bottom stock to the top - handling\nbrief\ndai vernon\nernest earick
2003
Dai Vernon, Ernest Earick
|
Transferring a bottom stock to the top - Handling
|
6 |
2003
|
7
|
|
second deal lap\nbrief\ngene maze
2003
Gene Maze
|
Second Deal Lap
|
6 |
2003
|
9
|
|
normal mailer\nsix addressed envelopes, the spectator chooses the only one addressed to him\nphilip t. goldstein
2003
Philip T. Goldstein
|
Normal Mailer
|
6 |
2003
|
10
|
|
a fan-tastic control\nto top or to tenkai palm\nharvey rosenthal
2003
Harvey Rosenthal
|
A Fan-Tastic Control
|
6 |
2003
|
12
|
|
the spider cut\nin-the-hands false triple cut, also as transfer cut, control or production\njack carpenter
2003
Jack Carpenter
|
The Spider Cut
|
6 |
2003
|
15
|
|
proof for mirrorskill\n\nnorman gilbreath\nmirrorskill\nharrison kaplan
2004
Norman Gilbreath
|
Proof for Mirrorskill
|
Inspired by |
7 |
2004
|
1
|
|
acorn's progress\na face up card in the center transforms into a royal flush\nroy walton
2004
Roy Walton
|
Acorn's Progress
|
7 |
2004
|
2
|
|
mirrorskill\nmethod for "accurate miraskill", three phases\nharrison kaplan\nproof for mirrorskill\nnorman gilbreath\nthoughts on mirrorskill\nnorman gilbreath\na.m.\nnorman gilbreath
2004
Harrison Kaplan
|
Mirrorskill
|
Related to |
7 |
2004
|
3
|
|
miraskill\n\nstewart james
2004
Stewart James
|
Miraskill
|
7 |
2004
|
4
|
|
magnetic miraskill\n\nallan slaight
2004
Allan Slaight
|
Magnetic Miraskill
|
7 |
2004
|
6
|
|
the gypsy foretells further than farther\nwith credit information\ncushing strout\nfurther than that\nstewart james\nstrout fellow\nallan slaight\nas far as you want to go\ncushing strout
2004
Cushing Strout
|
The Gypsy Foretells Further Than Farther
|
Inspired byRelated toVariations |
7 |
2004
|
7
|
|
ear candy\ngummi bear placed in mouth is extracted from ear\nnathan kranzo
2004
Nathan Kranzo
|
Ear Candy
|
7 |
2004
|
10
|
|
déjà vu cut\nflourish false cut, forming some triangles\nchris randall
2004
Chris Randall
|
Déjà Vu Cut
|
7 |
2004
|
12
|
|
slap!\nselection placed between aces vanishes, from pocket comes a card that turns out to be four aces, selection remains in hand, see credit information for the unequal transposition plot in issue 8, p. 1, and issue 9, p. 1, for additional credit information on this effect see issue 10, p. 1\nshahin zarkesch\nscott robinson\nwilliam goodwin
2004
Shahin Zarkesch, Scott Robinson, William Goodwin
|
Slap!
|
7 |
2004
|
16
|
|
ending for "slap!"\n\nsteve freeman
2004
Steve Freeman
|
Ending for "Slap!"
|
7 |
2004
|
18
|
|
unequal transposition - credit information\nsee also addition in issue 9, p. 1\nwilliam goodwin\nnever underestimate\nrobert (bob) hess
2004
William Goodwin
|
Unequal Transposition - Credit Information
|
Related to |
8 |
2004
|
1
|
|
constellation prize\nq-force with big dipper star pattern in the sky\njustin hanes
2004
Justin Hanes
|
Constellation Prize
|
8 |
2004
|
2
|
|
thoughts on mirrorskill\n\nnorman gilbreath\nmirrorskill\nharrison kaplan
2004
Norman Gilbreath
|
Thoughts On Mirrorskill
|
Inspired by |
8 |
2004
|
4
|
|
a.m.\none-way deck, three phases\nnorman gilbreath\nmirrorskill\nharrison kaplan
2004
Norman Gilbreath
|
A.M.
|
Inspired by |
8 |
2004
|
6
|
|
miraskill\n\nstewart james
2004
Stewart James
|
Miraskill
|
8 |
2004
|
6
|
|
magnetic colors\n\nnorman gilbreath
2004
Norman Gilbreath
|
Magnetic Colors
|
8 |
2004
|
7
|
|
the card of fortune\ncard is placed reversed in deck four times, four of a kind is located\nandrew galloway
2004
Andrew Galloway
|
The Card Of Fortune
|
8 |
2004
|
8
|
|
the queens\nfour queens disappear and reappear one at a time on top of deck\nwilliam goodwin
2004
William Goodwin
|
The Queens
|
8 |
2004
|
10
|
|
paint brush change as vanish\none of several cards vanishes, see also carmen d'amico's "double lift upset" (compleat k.m. move, p. 11), for credit correction see issue 11, p. 1\nwilliam goodwin\ncarmen d'amico\nroy walton
2004
William Goodwin, Carmen D'Amico, Roy Walton
|
Paint Brush Change as Vanish
|
8 |
2004
|
10
|
|
vernon utility move / the five-cent switch\ncredit correction in issue 10, p. 1\ndai vernon\nkarl fulves\nthe five-cent switch\nkarl fulves
2004
Dai Vernon, Karl Fulves
|
Vernon Utility Move / The Five-Cent Switch
|
Related to |
8 |
2004
|
12
|
|
coffin change\nwith credit information, for further credits see issue 11, p. 1\nray kosby\nlance charles\ngeorge pughe\ncase-tration\nken krenzel
2004
Ray Kosby, Lance Charles, George Pughe
|
Coffin Change
|
Variations |
8 |
2004
|
14
|
|
houdini color change as vanish\n\nharry houdini\nwilliam goodwin\nlarry jennings
2004
Harry Houdini, William Goodwin, Larry Jennings
|
Houdini Color Change as Vanish
|
8 |
2004
|
15
|
|
no palm color change\n\ndai vernon
2004
Dai Vernon
|
No Palm Color Change
|
8 |
2004
|
16
|
|
the pop-up move\n\nharvey rosenthal
2004
Harvey Rosenthal
|
The Pop-Up Move
|
8 |
2004
|
17
|
|
muy bueno shuffle\nwith fake tabled cascade ala steve forte\nb.j. bueno
2005
B.J. Bueno
|
Muy Bueno Shuffle
|
9 |
2005
|
2
|
|
perfect false riffle shuffle\nwith credit information\nedward marlo
2005
Edward Marlo
|
Perfect False Riffle Shuffle
|
9 |
2005
|
2
|
|
simulated slip cut\ntabled cutting sequence for (block) slip cut\nallan ackerman
2005
Allan Ackerman
|
Simulated Slip Cut
|
9 |
2005
|
7
|
|
covered, up!\nselection appears face up on deck while covered with handkerchief\njerry k. hartman\ncovered double shot\ngordon bean\njim patton
2005
Jerry K. Hartman
|
Covered, Up!
|
Inspired by |
9 |
2005
|
9
|
|
bertram, braue and ben\ncombination with 2 more phases: 6 handed deal, texas hold'em deal, table faros\ndavid ben\nbraue poker deal\nfrederick braue
2005
David Ben
|
Bertram, Braue And Ben
|
Inspired by |
9 |
2005
|
12
|
|
tabled multiple shift\n\nross bertram\ndavid ben\ns. w. erdnase
2005
Ross Bertram, David Ben, S. W. Erdnase
|
Tabled Multiple Shift
|
9 |
2005
|
12
|
|
six player stack\nusing table faros and false dealing\ndavid ben
2005
David Ben
|
Six Player Stack
|
9 |
2005
|
14
|
|
the maddox stack\nsleight-free\nmichael maddox
2005
Michael Maddox
|
The Maddox Stack
|
9 |
2005
|
16
|
|
stock holdout\nspectator shuffles deck in parts, but partial stack is retained, see credit correction in issue 11, p. 1\nmartin gardner
2005
Martin Gardner
|
Stock Holdout
|
9 |
2005
|
17
|
|
one hand washes the other\ncards are switched around and surprisingly complete good hands\ngordon bean
2005
Gordon Bean
|
One Hand Washes The Other
|
9 Lazarus Insert |
2005
|
1
|
|
bunny ears\nhandling for paul curry's "linked" (phoenix 123) with shoelaces on shoe\nwilliam goodwin\nlinked\npaul curry
2005
William Goodwin
|
Bunny Ears
|
Inspired by |
9 Lazarus Insert |
2005
|
2
|
|
the sound of one coin clinking\ntwo quarters slide together on table and transform into half dollar\ndavid gripenwaldt
2006
David Gripenwaldt
|
The Sound Of One Coin Clinking
|
10 |
2006
|
2
|
|
perfect order\nusing triumph with faro shuffles to retain stack\nshoot ogawa
2006
Shoot Ogawa
|
Perfect Order
|
10 |
2006
|
5
|
|
triple alliance\nqueens on table, selection transposes with queens, deck turns face up\nroy walton
2006
Roy Walton
|
Triple Alliance
|
10 |
2006
|
11
|
|
color shuffles (part one)\nmanuscript with red-black-effects, see following entries\nronald a. wohl (ravelli)\ncolor shuffles (part two)\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
Color Shuffles (Part One)
|
Related to |
10 |
2006
|
13
|
|
i. general procedures\nprocedures in which the spectator and/or performer shuffles but retains certain aspects of the red-black distribution of the deck
- procedure a
- procedure b
- procedure c
- procedure d: into this universe
- procedure e: into two universes
- procedure f: multiple shuffle procedure\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
I. General Procedures
|
10 |
2006
|
13
|
|
ii. tricks, principles and applications: 1. the basic color prediction\nspectator shuffles and cuts off some cards, performer predicted number of red cards therein\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
II. Tricks, Principles And Applications: 1. The Basic Color Prediction
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10 |
2006
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15
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2. the extrasensory color count\nspectator shuffles and deals, performer stops him and knows the number of red cards dealt\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
2. The Extrasensory Color Count
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10 |
2006
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16
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3. the disguised color prediction\nspectator shuffles and cuts off some cards, performer predicted number of red cards therein but has to correct the number tongue-in-cheek\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
3. The Disguised Color Prediction
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10 |
2006
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16
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4. the basic color coincidence\nspectator shuffles and cuts off some cards, performer cuts off another packet, number of red cards in both packets coincides\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
4. The Basic Color Coincidence
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10 |
2006
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16
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5. the lucky number\nspectator shuffles and cuts off some cards, number of red cards in this packet corresponds with named small number by spectator\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
5. The Lucky Number
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10 |
2006
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16
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6. plain moe\n\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
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6. Plain Moe
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10 |
2006
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17
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7. the red card force or prediction<br>8. a red herring! (or two!)\ncard force in which the spectator shuffles, cuts off a pile and remembers the first (or third in no. 8) red card\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
7. The Red Card Force or Prediction 8. A Red Herring! (Or two!)
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10 |
2006
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17
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9. "the next card that i will turn over will be your card!"\n"the circus trick" with no-touch force\nronald a. wohl (ravelli)\nthe circus trick\n unknown
2006
Ronald A. Wohl (Ravelli)
|
9. "The Next Card That I Will Turn Over Will Be Your Card!"
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Related to |
10 |
2006
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17
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10. the mirror prediction! !noitciderp rorrim eht .01\ntwo spectators shuffle and cut off some cards in two decks, number of red cards in one pile is the same as black cards in other pile\nronald a. wohl (ravelli)
2006
Ronald A. Wohl (Ravelli)
|
10. The Mirror Prediction! !noitciderP rorriM ehT .01
|
10 |
2006
|
18
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color shuffles (part two)\npart 2 of a manuscript with red-black-effects, see following entries\nronald a. wohl (ravelli)\ncolor shuffles (part one)\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
Color Shuffles (Part Two)
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Related to |
11 |
2009
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2
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i. general procedures (continued)\n- procedure g\nronald a. wohl (ravelli)\ni. general procedures\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
I. General Procedures (continued)
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Related to |
11 |
2009
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2
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|
ii. tricks, principles and applications (continued): 11. "one no" moe\none of four, deep sea fishing sequence, spectator shuffles and cuts off some cards and thinks of a red card therein\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
II. Tricks, Principles And Applications (continued): 11. "One No" Moe
|
11 |
2009
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2
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12. the seven steps to morris plains\none of six, fishing sequence, spectator shuffles and cuts off some cards and thinks of a red card therein\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
12. The Seven Steps to Morris Plains
|
11 |
2009
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2
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13. the mysterious seven\nspectator shuffles and cuts off some cards and removes a red card from packet which is divined\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
13. The Mysterious Seven
|
11 |
2009
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3
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14. not so plain moe\ncard fairly chosen, spectator deals face down and performer stops him at selection\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
14. Not So Plain Moe
|
11 |
2009
|
3
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not so plain moe variation\n\ngordon bean
2009
Gordon Bean
|
Not So Plain Moe Variation
|
11 |
2009
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4
|
|
15. four moes\nspectator shuffles and cuts off some cards, thinks of first red card and black card next to it, spectator deals and performer stops him at selections\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
15. Four Moes
|
11 |
2009
|
4
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16. moe & moe\nspectator shuffles and cuts off some cards, thinks of first red card and black card next to it, spectator deals and performer stops him at selections which are also named by performer\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
16. Moe & Moe
|
11 |
2009
|
4
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|
17. the mysterious force<br>18. ruse de morris plains<br>19. the black force\ncards are shuffled and packet cut off by spectator, this is divided in two piles, number of red in one packet corresponds with number of black cards in other packet, three presentations, based on karl fulves' "the dark force" (command colors, p. 14)\nronald a. wohl (ravelli)\nkarl fulves
2009
Ronald A. Wohl (Ravelli), Karl Fulves
|
17. The Mysterious Force 18. Ruse de Morris Plains 19. The Black Force
|
11 |
2009
|
5
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|
20. the hunt for red october (book test)\npage and word forced via playing card procedure\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
20. The Hunt for Red October (Book Test)
|
11 |
2009
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6
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|
21. the hunt for black october\npage and word forced via playing card procedure, multiple out\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
21. The Hunt for Black October
|
11 |
2009
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6
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|
22. the red force book test\nforce book and playing card procedure\nronald a. wohl (ravelli)
2009
Ronald A. Wohl (Ravelli)
|
22. The Red Force Book Test
|
11 |
2009
|
7
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|
a spectator named kennedy\nshuffled deck, spectator apparently deals cards from center while magicians gets a full house\nmichael weber\nanytime poker\nkarl fulves
2009
Michael Weber
|
A Spectator Named Kennedy
|
Related to |
11 |
2009
|
7
|
|
double lift from fan\n\ndai vernon
2009
Dai Vernon
|
Double Lift from Fan
|
11 |
2009
|
8
|
|
'n synch\ndivination of two thought-of numbers over the phone, method uses watch with second hand\nrajneesh madhok\ngregory wilson\ntime will tell\nbob king
2009
Rajneesh Madhok, Gregory Wilson
|
'N Synch
|
Inspired by |
11 |
2009
|
11
|
|
tell a phony too\ndivination of birth month and playing card over the phone with dealing procedure, variation of eddie fields' "tell a phony" (greater artful dodges, p. 111)\nrajneesh madhok
2009
Rajneesh Madhok
|
Tell A Phony Too
|
11 |
2009
|
12
|
|
'n synch 2\ndivination of thought-of number over the phone, method uses watch with second hand\nrajneesh madhok\ntime will tell\nbob king
2009
Rajneesh Madhok
|
'N Synch 2
|
Inspired by |
11 |
2009
|
13
|
|
the open ditch\n\nbill kalush
2009
Bill Kalush
|
The Open Ditch
|
11 |
2009
|
14
|
|
bottom deal lap\nsee also <a href="http://archive.denisbehr.de/archive/resultkey.php?search=second+deal+lap&connect=string&title=title&comment=comment&prop=all&bookonly=all&keyword=1">second deal lap</a>\nbill kalush
2009
Bill Kalush
|
Bottom Deal Lap
|
11 |
2009
|
15
|
|
the two-ton prophet\nspectator thinks of a card, performer names a number, at that position is the thought-of card, full deck set-up, inspired by stewart james' "the prophet's choice" (james file, p. 2075)\ngordon bean
2009
Gordon Bean
|
The Two-Ton Prophet
|
11 |
2009
|
16
|
|
goodwin/bruce (gb) switch\nturning over half the deck as one card with right hand spread cover\nwilliam goodwin\ngordon bruce
2009
William Goodwin, Gordon Bruce
|
Goodwin/Bruce (GB) Switch
|
11 |
2009
|
17
|
|