flip-up card\nhalf card is used to shoot (half) card out of deck or halfway out of pack like a pop-out\njoe berg
1945/27
tarbell course in magic - volume 4 Joe Berg
Flip-Up Card
half card is used to shoot (half) card out of deck or halfway out of pack like a pop-out
fillip!\ncard production, looks like a precursor of jerry k. hartman's popover move\nbruce elliott\nsuper fillip\nh. k. becker\nfillip\nbruce elliott\npopover variation\njerry k. hartman\nfrank garcia\nthe pop-out card\nneal elias
1949
the phoenix 151-200 Bruce Elliott
Fillip!
card production, looks like a precursor of Jerry K. Hartman's Popover Move
fillip\ncard production, looks like a precursor of jerry k. hartman's popover move\nbruce elliott\nfillip!\nbruce elliott
1956
the best in magic Bruce Elliott
Fillip
card production, looks like a precursor of Jerry K. Hartman's Popover Move
single shot\ncard shoots out of incomplete faro deck, card gun\npeter kane\nthe i-f lapping move\nroger smith\nthe gun\npeter kane\nken krenzel\nfrancis carlyle\ngun revelation\npeter kane
1967
a card session with peter kane Peter Kane
goin' fishin'\npop-out production using halo cut\nharry lorayne\ngoin' fishin' - with friends\nmichael louis\nthe double play production\ndoug conn\ncenter-"feel'd" catch\nharry lorayne\ngoin' fishin' - with friends\nharry lorayne\nmichael vincent
1975
afterthoughts Harry Lorayne
the gun\ncard shoots out of incomplete faro deck, card gun, presentation and patter\npeter kane\nken krenzel\nfrancis carlyle\nsingle shot\npeter kane\nthe magic bullet\nken krenzel
1975
the magic of francis carlyle Peter Kane, Ken Krenzel, Francis Carlyle
The Gun
card shoots out of incomplete faro deck, card gun, presentation and patter
the eerie spin-out\nplus variation by harry lorayne, see references for credits\nken krenzel\njoe fisher\ncardcase spin-out\nharry lorayne\nken krenzel\nspin out\ndavid austin\nroyal headache\nken krenzel
1978
the card classics of ken krenzel Ken Krenzel, Joe Fisher
The Eerie Spin-Out
plus variation by Harry Lorayne, see references for credits
die purzelbaumkarte\none card to flip over half the deck, selection is revealed\nchristian scherer\npurzelbaum-asse\nchristian scherer
1978
eine handvoll kartenkunststücke Christian Scherer
Die Purzelbaumkarte
one card to flip over half the deck, selection is revealed
ubiquitous aces\naces found by fake riffle cull, aces vanish one by one on deck, produced again\nfrank garcia
1980
exclusive card miracles Frank Garcia
Ubiquitous Aces
aces found by fake riffle cull, aces vanish one by one on deck, produced again
"wind tunnel"\ncard flys out of the deck in if condition\nj. gordon o'genski\nget-ready for "wind tunnel"\nken krenzel
1982
apocalypse vol. 1-5 J. Gordon O'Genski
popover variation\n\njerry k. hartman\nfrank garcia\nfillip!\nbruce elliott
1982
the close-up magic of frank garcia - part ii Jerry K. Hartman, Frank Garcia
flip switch\nas a production of two cards\nmartin a. nash\nchristian scherer\nthe flip switch\nmartin a. nash
1982
seminarheft Martin A. Nash, Christian Scherer
pop up again\nfrom center vertical\nreinhard müller\na move by marshall pope in steve beam's "magic... the vanishing art" p. 22.
1983
spell-binder Reinhard Müller
Pop Up Again
from center vertical
Inspired by
a move by Marshall Pope in Steve Beam's "Magic... The vanishing Art" P. 22.
where the hell did that come from?\ncard appears face up on half, while quickly covered by fanned cards\nbob haines
1984
fork full of appetizers - book 2 Bob Haines
Where the Hell Did that Come From?
card appears face up on half, while quickly covered by fanned cards
super snap out\nsnap card out from kelly bottom placement\nben harris\njerry k. hartman\nbruce elliott
1986
killer klose-up Ben Harris, Jerry K. Hartman, Bruce Elliott
pop-out production with double card\n\nmichael ammar\npop-out production with double card\njustin hanes\nmichael ammar
1988
magical arts journal Michael Ammar
airborn aces\naces cut in deck one at a time, then reproduced in flashy way\ndave ossip\ndouble cut as stacking\ndave ossip
1988
the chronicles Dave Ossip
Airborn Aces
Aces cut in deck one at a time, then reproduced in flashy way
angel aces\nfour aces leap out of deck one by one, elastic thread loop\ndavid britland\nangel aces with selection\nshiv duggal\na double shot\njim patton\ndavid britland\nthe california angels\nbruce cervon\ndavid britland
1988
card kinetics David Britland
Angel Aces
four Aces leap out of deck one by one, elastic thread loop
super-flip\ntop card turns over at end of dribble, onto table or other hand\nben harris\n"super-flip" (ben harris, new directions)
1988
off the wall Ben Harris
Super-Flip
top card turns over at end of dribble, onto table or other hand
hop card\ncard spins out of the center, actually bottom card, see p. 541 for ideas by scott robinson\nrichard bartram, jr.
1989
the trapdoor — volume two Richard Bartram, Jr.
Hop Card
card spins out of the center, actually bottom card, see p. 541 for ideas by Scott Robinson
center control production\nsimilar to cervon's pivot production without table\ntommy wonder\nkarl fulves
1996
the books of wonder - volume 1 Tommy Wonder, Karl Fulves
Center Control Production
similar to Cervon's Pivot Production without table
piet forton production\nswivel top card, flip face up and trap between two packets\npiet forton\nthe j. c. pop-out\njack carpenter
1999
close-up & personal Piet Forton
Piet Forton Production
Swivel top card, flip face up and trap between two packets
center-"feel'd" catch\nalso with double card for two-card revelation routine\nharry lorayne\ngoin' fishin'\nharry lorayne
2001
personal collection Harry Lorayne
Center-"Feel'd" Catch
also with double card for two-card revelation routine
the pop-out card\n\nneal elias\n"popover" (j. k. hartman, packet magic, 1972)\nfillip!\nbruce elliott\nthe pop-out card\nneal elias
2001
new card controls Neal Elias
a tossed reverse\ndeck tossed from hand to hand one half at the time, selection remains in other hand face-up\nneal elias\ndiscovery in joe berg's "here's new magic"
2001
new card controls Neal Elias
A Tossed Reverse
deck tossed from hand to hand one half at the time, selection remains in other hand face-up
highly visible\nsimilar to hartman's popover\nrobin robertson\n"handle with care" (1964)\nneal elias item in ibidem no. 26, 1962
2003
card conspiracy — vol. 1 Robin Robertson
taytelbaum production move\nbottom half slapped on top half in hindu shuffle position, one card appears outjogged between halves\neddie taytelbaum
2003
card conspiracy — vol. 2 Eddie Taytelbaum
Taytelbaum Production Move
bottom half slapped on top half in hindu shuffle position, one card appears outjogged between halves
pop-out production with double card\n\njustin hanes\nmichael ammar\npop-out production with double card\nmichael ammar
2004
mystery engineering Justin Hanes, Michael Ammar
more on the ballet cut\n1. flourish
2. false cut
3. force an odd-backed card
4. flashy production
5. double production\njohn guastaferro
2010
one degree John Guastaferro
More on the Ballet Cut
1. Flourish
2. False Cut
3. Force an odd-backed card
4. Flashy Production
5. Double Production
leaf boat\nvisual card production, deck held in a two handed s-fan, selection moves under the spread from bottom to top and ends up sticking out of the fan\nsungwon kim\nstream move\nsungwon kim\nleaf boat\nsungwon kim
2010
leafboat Sungwon Kim
Leaf Boat
visual card production, deck held in a two handed S-fan, selection moves under the spread from bottom to top and ends up sticking out of the fan
goin' fishin' - with friends\nfour-of-a-kind to selection found with goin' fishin' production\nharry lorayne\nmichael vincent\ngoin' fishin'\nharry lorayne
2017
jawdroppers! two Harry Lorayne, Michael Vincent
Goin' Fishin' - With Friends
four-of-a-kind to selection found with Goin' Fishin' production
stream move\nvisual card production, deck held in a two handed s-fan, selection moves under the spread from bottom to top and ends up sticking out of the fan\nsungwon kim\nleaf boat\nsungwon kim
2018
seven thoughts Sungwon Kim
Stream Move
visual card production, deck held in a two handed S-fan, selection moves under the spread from bottom to top and ends up sticking out of the fan