Transfer- & Displacement Cuts
| Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
|---|---|---|---|---|---|---|---|---|
| S. W. Erdnase | To Ascertain the Top Cards while Riffling and Reserve them at Bottom | 1902 | ||||||
| Charles T. Jordan | Double Cut Handling | 1921 |
The Four Full Hands
(Issue Four Full Hands of Down to the Minute Magical Effects)
|
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| Cut to retain single card | 1933 | |||||||
| Double Under-Cut | 1941 | |||||||
| Dai Vernon | Double Undercut | 1946 |
Stars of Magic
(Vol. 2 No. 2)
|
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| Arthur H. Buckley | Buckley's Method of Double Cutting Cards to the Top of the Pack | 1946 | ||||||
| Arthur H. Buckley | Demonstration Build of the Four Aces using the Buckley Double Cuts | 1946 | ||||||
| J. B. Bobo | Bottom Up | 1947 | ||||||
| Bruce Elliott* | Cut Up | July 1948 |
The Phoenix
(Issue 154)
|
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| Method of Double Cutting Cards | 1948 | |||||||
| Dai Vernon | Double Undercut | 1949 | ||||||
| Double Cut | 1950 | |||||||
| Edward Marlo | Cover Up Cut | 1951 | ||||||
| Double Cut from Top to Bottom | 1952 | |||||||
| Double Cut from Bottom to Top | 1952 | |||||||
| Bill Simon | Double Under Cut | 1952 | ||||||
| Double Cut | 1953 | |||||||
| Edward Marlo | Quadruple Undercut | 1953 | ||||||
| The Double Cut | 1954 | |||||||
| Bill Simon | Side-Jog Transfer Cut | 1954 | ||||||
| Edward Marlo | Cover Up Cut | 1956 | ||||||
| Double Undercut | 1958 | |||||||
| Double Cut | 1959 | |||||||
| James Steranko | Cut Control | 1960 | ||||||
| Double Undercut | 1962 | |||||||
| Norman Houghton | Triple Undercut | Sep. 1962 |
Ibidem
(Issue 26)
|
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| Double Under-Cut | 1965 | |||||||
| Art Lyle | Extra Dark | 1965 |
The New Phoenix
(Issue 400)
|
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| Dai Vernon | Tabled Double Undercut | 1967 | ||||||
| Double Undercut | 1967 | |||||||
| Gene Finnell | The Triple Overcut | 1967 | ||||||
| Edward Marlo | Quadruple Undercut | 1968 | ||||||
| Bob Haskell, Edward Marlo | Reverse Double Undercut | 1968 | ||||||
| Edward Marlo | Cover Up Cut | 1968 | ||||||
| Edward Marlo | Cover Up Cut | 1968 | ||||||
| Bob Ostin | The "Swivel Up" Card to Top | 1968 | ||||||
| James G. Thompson Jr. | Elevator Aces | 1968 | ||||||
| Double Undercut | 1969 | |||||||
| Roy Walton* | Bluff Cut | Nov. 1969 |
Epilogue
(Issue 7)
|
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| Edward Marlo | Cover-up Cut | 1970 | ||||||
| Edward Marlo | Cut to Transpose | 1970 | ||||||
| Edward Marlo | On the Center Cover Up Cut | 1970 | ||||||
| Roger Smith | The FFF Double Cut #1 | 1970 | ||||||
| Roger Smith | The FFF Double Cut #2 or Loading Move | 1970 | ||||||
| Allan Ackerman | Slip Shod | 1971 | ||||||
| Harvey Rosenthal* | The Center Cut | July 1971 |
Epilogue
(Issue 12)
|
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| Jean Hugard | Cover-Up Card Precursor | July 1971 |
The Pallbearers Review
(Vol. 6 No. 9)
|
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| Edward Marlo | Reverse Double Undercut | 1971 | ||||||
| Roger Smith | FFF Double Cut III | Dec. 1971 |
Necromancer
(Vol. 1 No. 12)
|
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| Dai Vernon, Laurie Ireland | Double Cut | 1972 | ||||||
| Double Cut | 1972 | |||||||
| Eddie Fechter | Tabled Transfer | 1972 | ||||||
| Eddie Fechter | Swivel Cut Transfer | 1972 | ||||||
| Jerry Mentzer | Double Undercut Variation | 1972 | ||||||
| Ben Christopher* | Calculated Cut | Jan. 1972 |
The Pallbearers Review
(Vol. 7 No. 3)
|
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| Larry Jennings | Two Placement Cuts | Dec. 1972 |
The Pallbearers Review
(Vol. 8 No. 2)
|
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| Jerry K. Hartman | Uppercut | 1972 | ||||||
| Jerry K. Hartman | Multiple Overcut | 1972 | ||||||
| Dai Vernon | Vernon's Pick Up And Side Cut | 1972 | ||||||
| Dr. Jacob Daley | Daley's Bottom Push and Triple False Cut To Bring Bottom Card On Top | 1972 | ||||||
| Dr. Jacob Daley | Daley's Note And Hint | 1972 | ||||||
| Karl Fulves* | Double Play | July 1973 |
Epilogue
(Issue 18)
|
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| Karl Fulves* | Deck Cutting Procedures | July 1973 |
Epilogue
(Issue 18)
|
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| Karl Fulves* | Shuttle Cut | 1973 | ||||||
| Karl Fulves* | Auto-Jog | 1973 | ||||||
| Edward Marlo | Block Slip Cover Up Cut | 1973 | ||||||
| Karl Fulves* | Technique | 1973 | ||||||
| Gene Finnell | Flip Cut - 1 | 1973 | ||||||
| Gene Finnell | Center Cut Placement | 1973 | ||||||
| Edward Marlo | Block Slip Cover Up Cut | 1974 | ||||||
| Patrick Page | 6. The Bottom to Top Doublecut | 1974 | ||||||
| Edward Marlo | Cover-Up Cut | 1975 | ||||||
| Herb Zarrow | Additional Zarrow Technique | 1975 | ||||||
| Roy Walton* | Z-Notes | 1975 | ||||||
| Peter Kane, Edward Marlo | Cover-Up Cut Variation | 1975 | ||||||
| Larry Jennings | The Jennings Bottom Slip Cut | 1975 | ||||||
| Karl Fulves* | Top Bottom Transfer Cut | 1975 | ||||||
| Paul Swinford | One Card Up | 1975 | ||||||
| Dr. Richard Cook | Push Off-Reverse Cut | 1975 | ||||||
| Roger Smith | The IF Cover Up Control #1 | 1975 | ||||||
| Roger Smith | The IF Cover Up Control #4 | 1975 | ||||||
| Edward Marlo | Top and Bottom Card Transfers | 1976 | ||||||
| Edward Marlo | The Tabled Cover Up Cut | 1976 | ||||||
| Edward Marlo | Cover Up Cut | 1976 |
Early Marlo
(Issue Oddity & Other Miracles)
|
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| Dai Vernon | Double Cut Break Handling | 1977 |
The Pallbearers Review
(Vol. 10 No. Close-Up Folio #8)
|
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| Double Undercut | 1977 | |||||||
| Double Undercut | 1977 | |||||||
| Triple Cut to Break | 1977 | |||||||
| Edward Marlo | Cover-Up Cut | 1978 | ||||||
| Double Cut | 1978 | |||||||
| Edward Marlo | Block Slip Cover Up Cut | 1979 | ||||||
| Russ Burns | Swivel Undercut | 1979 | ||||||
| Russ Burns | Deceptive Undercut | 1979 | ||||||
| Karl Fulves* | The Double Double-Cut | 1979 | ||||||
| Double Cut | 1979 | |||||||
| Tony Slydini | Slydini's Table Shift | 1979 | ||||||
| The Double Cut | 1979 | |||||||
| Edward Marlo | Cover-Up Cut | 1980 | ||||||
| Karl Fulves* | From The Table | 1980 | ||||||
| Edward Marlo | Center Card Displacement | 1980 | ||||||
| Daryl Martinez | Tabled Transfer Cut to Bottom | 1980 | ||||||
| Harry Lorayne | A Card Hop | Jan. 1980 |
Apocalypse
(Vol. 3 No. 1)
|
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| Larry Jennings | Exchange Cut | 1980 | ||||||
| Double Cut | 1980 | |||||||
| Edward Marlo | Cover-Up Cut | 1981 | ||||||
| Bob Ostin | Silent Sleight | Dec. 1981 |
Spell-Binder
(Vol. 1 No. 8)
|
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| Derek Dingle | Tabled Double Cut | 1982 | ||||||
| Edward Marlo | The Bluff Cut | 1982 | ||||||
| Larry Jennings, Neal Elias | Natural Reverse Double Undercut | 1982 | ||||||
| Gerald Kosky | Funny Cut & Funny Pass | Mar. 1982 |
Apocalypse
(Vol. 5 No. 3)
|
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| Larry Jennings | Cover Up Cut Alternative | 1982 | ||||||
| Triple Under Cut | 1982 | |||||||
| Edward Marlo | Cover-Up Cut | 1982 | ||||||
| Tranfer Cut | 1982 |
Spell-Binder
(Vol. 2 No. Special #1 (Summer))
|
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| Harvey Rosenthal* | The Center Cut | Oct. 1982 |
Spell-Binder
(Vol. 2 No. 18)
|
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| Meir Yedid | The Meir Mix | 1982 | ||||||
| Returning the Card to the Bottom | 1982 | |||||||
| The Double Cut | 1982 | |||||||
| Edward Marlo | Double Underpeel Cut | 1983 | ||||||
| Edward Marlo | The Real, Honest-To-God Bluff Cut | 1983 | ||||||
| Edward Marlo | Interlace Cut | 1983 | ||||||
| Edward Marlo | Cover-Up Cut | May 1983 |
Spell-Binder
(Vol. 3 No. 25)
|
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| Frank Simon | Pirandello Undercut | 1983 | ||||||
| Frank Simon | Cutiltillusion | 1983 | ||||||
| Martin Gardner*, Dr. Jacob Daley | The Daley Red/Black Shuffle | 1984 | ||||||
| Karl Fulves* | Cut Substitute | 1984 | ||||||
| Jim Patton | A Charlier-Cut Control | Dec. 1984 |
Apocalypse
(Vol. 7 No. 12)
|
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| Ken Beale | K.B. False Cut Number One | 1984 |
Epoptica
(Issue Yearbook)
|
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| Ken Beale | K.B. False Cut Number Two | 1984 |
Epoptica
(Issue Yearbook)
|
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| Edward Marlo | Cover Up Cut | 1984 | ||||||
| Bob Farmer | Transfer Cut | 1984 | ||||||
| Walter E. Cummings | Double-Cut Substitute | Feb. 1985 |
Apocalypse
(Vol. 8 No. 2)
|
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| Larry Taylor | Top Down Table Cut | May 1985 |
Apocalypse
(Vol. 8 No. 5)
|
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| Edward Marlo | Cover-Up Cut | May 1985 |
Apocalypse
(Vol. 8 No. 5)
|
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| Edward Marlo | Cover-Up Cut | 1985 | ||||||
| Triple Cut to Top | 1985 | |||||||
| Frederick Braue | Bottom to Top | 1985 |
The Fred Braue Notebooks
(Issue 4)
|
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| Paul Swinford | One Card Up | Sep. 1985 |
The Card Man-uscript
(Issue 1)
|
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| Dai Vernon | Vernon Cut | 1986 | ||||||
| Dr. Jacob Daley | Doc Daley Cut | 1986 | ||||||
| Dai Vernon | The Vernon Cut | 1986 | ||||||
| Larry Jennings | L.J. Double Undercut | 1986 | ||||||
| Double Cut | 1986 | |||||||
| Gilles Couture | The Swivel Cut Control | 1986 | ||||||
| Dai Vernon | Das Doppelabheben | May 1986 |
Intermagic
(Vol. 12 No. 2)
|
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| Dai Vernon | Vernon Cut | 1987 | ||||||
| Dai Vernon | Subway Transfer for Two | 1987 | ||||||
| Dai Vernon | The Hindu Double-Undercut | 1987 | ||||||
| Randy Wakeman | In Lieu of the Double Cut | 1987 | ||||||
| Roberto Giobbi | Scheinabheben | 1987 | ||||||
| Ken Beale | Double Cut Substitute | 1988 | ||||||
| Larry Jennings | Placement Cut | 1988 | ||||||
| Larry Jennings | The Jennings Double Undercut | 1988 | ||||||
| Larry Jennings | Jennings Bottom Slip Cut | 1988 | ||||||
| Tom Gagnon | Cutting Up | 1988 |
The Trapdoor — Volume One
(Issue 23)
|
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| Tom Craven | Swing Cut Set-Up | Sep. 1989 |
The Minotaur
(Vol. 1 No. 3)
|
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| William Zavis | Uppercut | May 1989 |
Inside Out
(Issue 6)
|
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| Cover Pass False Cut | 1990 | |||||||
| Harry Lorayne | HaLo Cut Handling(s) | 1990 | ||||||
| Gary Ouellet | The Uppercut | 1990 | ||||||
| Randy Wakeman | In Lieu of the Slip Cut | 1991 | ||||||
| Dai Vernon | Multiple Lift Set-Up | 1991 | ||||||
| Edward Marlo | Cover-Up Cut | 1991 | ||||||
| Larry Jennings | Exchange Switch Cut | June 1991 |
Opus
(Vol. 3 No. 10)
|
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| Double Undercut | 1991 | |||||||
| Bob Haskell | Reverse Double Undercut | 1991 | ||||||
| Jerry K. Hartman | Uppercut | 1991 | ||||||
| Tom Gagnon | Devil-May-Care Double-Cut | 1992 | ||||||
| Double Cut | 1992 | |||||||
| Karl Fulves* | A Trap Cut | 1992 | ||||||
| Karl Fulves*, Charles T. Jordan | The Jordan Double Cut | 1992 | ||||||
| Martin Gardner* | Triple Corte | 1992 | ||||||
| Larry Becker | Appendix I | 1992 | ||||||
| Steve Draun | Tabled Breakless Double Undercuts | 1993 | ||||||
| ダブルカット | 1993 | |||||||
| Edward Marlo | Cover-Up Cut | 1993 | ||||||
| Eddie Fechter | Tabled Transfer | 1993 | ||||||
| Eddie Fechter | Swivel Cut Transfer | 1993 | ||||||
| Justin Higham* | Step Double Undercut | 1993 | ||||||
| Vicente Canuto | 1.- Control por Doble o Triple Corte por Debajo | 1993 | ||||||
| Vicente Canuto | 3.- Aparición Uno, Dos, Tres | 1993 | ||||||
| Vicente Canuto | 4.- Por Volteo de Paquetes | 1993 | ||||||
| Dick Koester | Consistent Reverse Double Undercut | 1994 | ||||||
| Allan Ackerman | The Slip Shod | 1994 | ||||||
| Edward Marlo | Pull-Down Cut | 1994 | ||||||
| Edward Marlo | Undercut Finesse | 1994 | ||||||
| Peter Duffie | The Double Innercut | 1995 | ||||||
| Peter Duffie | The Double Overcut | 1995 | ||||||
| Joseph K. Schmidt | Tabled Double Undercut | 1995 | ||||||
| Tabled Double Undercut | 1995 | |||||||
| Darwin Ortiz | Table Reverse Double Undercut | 1995 | ||||||
| Ken Beale | Double Cut Substitute | 1995 | ||||||
| Roberto Giobbi | Transfer Cuts | 1995 | ||||||
| Dai Vernon, Roberto Giobbi | The Double Cut | 1995 | ||||||
| Dai Vernon | The Triple Cut from Top to Bottom | 1995 | ||||||
| Dai Vernon | The Triple Cut from Bottom to Top | 1995 | ||||||
| Double Undercut | 1995 | |||||||
| Double Undercut | 1995 | |||||||
| Edward Marlo | Cover-Up Cut | 1995 | ||||||
| Double Undercut | 1995 | |||||||
| Edward Marlo | Cover-Up Cut | 1995 | ||||||
| Reverse Double Undercut | 1995 | |||||||
| Jerry K. Hartman | Multiple selection control | 1995 | ||||||
| Jerry K. Hartman | Uppercut | 1995 | ||||||
| Jerry K. Hartman | Cut Deeper Control | 1995 | ||||||
| Jerry K. Hartman | Reverse Undercut | 1995 | ||||||
| Edward Marlo | Cover-Up Cut | 1996 | ||||||
| Karl Fulves* | Block Cut | 1996 | ||||||
| Dominique Duvivier | Double Drop-Cut Control | 1996 | ||||||
| Dai Vernon | Double Cut | 1996 |
The Fine Print
(Issue 4)
|
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| Dai Vernon | Double Undercut | 1996 | ||||||
| Gordon Boyd | Double-Cut Exchange | June 1997 |
Apocalypse
(Vol. 20 No. 6)
|
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| Harry Lorayne | Triple-Cut Exchange, Plus | June 1997 |
Apocalypse
(Vol. 20 No. 6)
|
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| Jack Carpenter | Running Load | 1997 | ||||||
| Laurie Ireland, Dai Vernon | Double Undercut | 1997 | ||||||
| Bob Haskell | Reverse Double Undercut | 1997 | ||||||
| Al Leech | Sandwich Cut Exchange | 1997 | ||||||
| Dai Vernon | Double Undercut | 1997 | ||||||
| Double Cut | 1997 | |||||||
| Ken Beale, Darwin Ortiz | Double Cut Handling | 1998 | ||||||
| Edward Marlo, Roberto Giobbi | The Bluff Cut | 1998 | ||||||
| Tabled Transfer Cut | 1998 | |||||||
| René Lavand | One-Hand Double Undercut | 1998 | ||||||
| René Lavand | One-Hand Double Undercut | 1998 | ||||||
| Guy Hollingworth | The Riffle Force and Control | 1999 | ||||||
| Andrew Wimhurst | A Double Undercut (and Reverse) Handling | 1999 | ||||||
| Justin Higham* | Step Double Undercut | 1999 | ||||||
| Justin Higham* | Finessed Double Undercut | 1999 | ||||||
| Justin Higham* | Double-Undercut Throw-Off | 1999 | ||||||
| Dai Vernon | Double Undercut | 2000 | ||||||
| Triple Cut | 2000 | |||||||
| Al Leech | Double Cut | 2000 |
Latter Day Secrets
(Issue 4)
|
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| Double Undercut | 2000 | |||||||
| Edward Marlo | Cover Up Cut | 2000 | ||||||
| Larry Jennings | A Cut to Transpose Top and Bottom Cards | Nov. 2000 |
Genii
(Vol. 63 No. 11)
|
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| Wesley James | Novel Double Undercut | June 2000 |
Onyx
(Issue 11)
|
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| Ken Beale, Darwin Ortiz | Double Cut Handling | 2001 | ||||||
| Simon Aronson | Packet Displacement Variations | 2001 | ||||||
| Michael Skinner, Karl Fulves* | Hands & Table Double Cut | 2001 | ||||||
| Dai Vernon | Double Cut Break Handling | 2001 |
Latter Day Secrets
(Issue 6)
|
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| Jerry K. Hartman | Double Swivel Cut | June 2001 |
Ego
(Vol. 1 No. 1)
|
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| Dick Koester | Consistent Reverse Double Undercut | 2002 | ||||||
| Steve Draun | The Unpublished Move | 2002 | ||||||
| Jack Carpenter | The Spider Cut | Mar./Apr. 2003 |
The Penumbra
(Issue 6)
|
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| Edward Marlo, Peter Duffie, Robin Robertson | Reverse Double Undercut as Production | 2003 | ||||||
| Cover Pass False Cut Variation | 2004 | |||||||
| Dai Vernon | Band o'Notes [D] | 2004 | ||||||
| Transfer Cut to Table | 2004 | |||||||
| Ron Bauer | Double Undercut Block Transfer | 2004 | ||||||
| Dominique Duvivier | Duvivier Double Undercut | 2004 | ||||||