Cuts
Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
---|---|---|---|---|---|---|---|---|
3ème faux mélange | 1786 | |||||||
4ème faux mélange | 1786 | |||||||
Classic Pass False Cut | 1876 | |||||||
To Make the Pass - Fifth Method | 1876 | |||||||
To make a "False Shuffle" - Fifth Method | 1876 | |||||||
To make a "False Shuffle" - Sixth Method | 1876 | |||||||
To "Slip" a Card | 1876 | |||||||
Classic Pass False Cut | 1876 | |||||||
C. H. Wilson | The Invisible Pass | 1877 | ||||||
To Slip a Card | 1889 | |||||||
False Shuffles - Third Method | 1889 | |||||||
False Shuffles - Fifth Method | 1889 | |||||||
Classic Pass False Cut | 1889 | |||||||
Classic Pass False Cut | 1889 | |||||||
Die Volte, mit einer Hand auszuführen | Nov. 1895 |
Die Zauberwelt
(Vol. 1 No. 11)
|
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Die Volte, mit den Fingerspitzen einer Hand auszuführen | Nov. 1895 |
Die Zauberwelt
(Vol. 1 No. 11)
|
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Die Renommier-Volte | 1896 | |||||||
Falsches Mischen | 1896 | |||||||
Das falsche Mischen | Apr. 1896 |
Der Zauberspiegel
(Vol. 1 No. 8)
|
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Das falsche Mischen | May 1896 |
Der Zauberspiegel
(Vol. 1 No. 9)
|
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False Shuffles - The Cut | 1897 | |||||||
Friedrich W. Conradi-Horster | Die Concert- oder Kunst-Volte | May 1897 |
Der Zauberspiegel
(Vol. 2 No. 9)
|
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L'Homme Masqué | Die Kunstvolte à la L'Homme Masque | Dec. 1897 |
Der Zauberspiegel
(Vol. 3 No. 6)
|
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Blind Cuts - I. To Retain Bottom Stock. Top Losing One Card | 1902 | |||||||
II. To Retain the Complete Stock | 1902 | |||||||
III. To Retain the Top Stock | 1902 | |||||||
S. W. Erdnase | IV. To Retain the Bottom Stock | 1902 | ||||||
S. W. Erdnase | V. To Retain Bottom Stock. Riffle II and Cut IV | 1902 | ||||||
Fancy Blind Cuts - I. To Retain the Complete Stock | 1902 | |||||||
S. W. Erdnase | II. To Retain the Complete Stock | 1902 | ||||||
One-Handed Fancy True Cut | 1902 | |||||||
S. W. Erdnase | The Erdnase Shift. One Hand | 1902 | ||||||
S. W. Erdnase | To Ascertain the Top Cards while Riffling and Reserve them at Bottom | 1902 | ||||||
S. W. Erdnase | Replacing the Cut as Before | 1902 | ||||||
Tabled Slip Cut | 1909 | |||||||
T. Nelson Downs | The Downs' Hinge Shift | 1920 | ||||||
Charles T. Jordan | Bottom Slip Cut | 1921 |
The Four Full Hands
(Issue Four Full Hands of Down to the Minute Magical Effects)
|
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Charles T. Jordan | Double Cut Handling | 1921 |
The Four Full Hands
(Issue Four Full Hands of Down to the Minute Magical Effects)
|
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Jack Merlin | False Shuffles and Cuts | 1927/28 | ||||||
Jack Merlin | False Cut | 1927/28 | ||||||
Jack Merlin | Production of Chosen Card by Riffling Pack from One Hand to the Other | 1927/28 | ||||||
Jack Merlin | The Tip Up Find | 1927/28 | ||||||
Slip Cut | 1928 | |||||||
Classic Pass False Cut | 1928 | |||||||
Eric F. Impey | In Reverse | 1931 | ||||||
Harry Valcarte | The One Hand Shuffle | 1933 | ||||||
Cut to retain single card | 1933 | |||||||
Floyd G. Thayer | The Visible Pass | 1933 | ||||||
The Push-Out False Cut | 1934 |
Card Manipulations
(Issue 3)
|
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False Cut for Set-up Deck | 1934 |
Card Manipulations
(Issue 3)
|
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Variation of the Charlier Pass | 1935 |
Card Manipulations
(Issue 4)
|
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Three Cut Shuffle | 1935 |
Card Manipulations
(Issue 4)
|
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The Five Cut Shuffle | 1935 |
Card Manipulations
(Issue 4)
|
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The Multiple Cut | 1935 |
Card Manipulations
(Issue 4)
|
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Slip Cut | 1937 | |||||||
A false cut | 1937 | |||||||
Louis Nikola | Riffle Shuffle as Pass Substitute | 1937 | ||||||
Slip Cut Packet Switch | 1937 | |||||||
False Cuts on the Table: a. Three Cuts on the Table | 1938 | |||||||
b. Three Cuts to the Table | 1938 | |||||||
c. Multiple Cuts on the Table | 1938 | |||||||
Arthur Finley | d. Three Cuts | 1938 | ||||||
e. Two Cuts to the Table | 1938 | |||||||
f. Three Cuts on the Table | 1938 | |||||||
g. Running Cut | 1938 | |||||||
a. Three Cuts in the Hand (Riffle-Shuffle Grip) | 1938 | |||||||
b. Three Cuts in the Hand (Riffle-Shuffle Grip) | 1938 | |||||||
c. Three Cuts in the Hand (Hindu-Shuffle Grip) | 1938 | |||||||
A True Cut with One Hand | 1938 | |||||||
Tabled Slip Cut | 1938 | |||||||
Charlier | Charlier Cut | 1940 | ||||||
Gamblers' False Cut | 1940 | |||||||
Gamblers' False Cut - Retaining Bottom Stock | 1940 | |||||||
Friction Bottom Slip Cut | 1940 | |||||||
Dr. Jacob Daley | Second Card from the Top Slip Pass | 1940 |
The Jinx
(Issue 85)
|
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Joseph Cottone | The Cottone Spider-Grip False Cut | 1940 |
More Card Manipulations
(Issue 3)
|
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False Cut | 1940 | |||||||
Edward Victor | Reverse Back-slip | 1940 ca. | ||||||
Back-slip Cut | 1940 ca. | |||||||
Slip Cut | 1941 | |||||||
The Stripper Running Cut | 1941 | |||||||
Double Under-Cut | 1941 | |||||||
"Pack in Hands" False Cut | 1941/27 | |||||||
The Three Way Table Cut | 1941/27 | |||||||
Another Three-Cut Variation | 1941/27 | |||||||
The Four-Way Cut | 1941/27 | |||||||
Another Four-Way-Cut | 1941/27 | |||||||
"Top" Card Control Fan Cut | 1941/27 | |||||||
"Bottom" Card Control Fan Cut | 1941/27 | |||||||
"Top" Card Control Clip Cut | 1941/27 | |||||||
"Bottom" Card Control Clip Cut | 1941/27 | |||||||
One-Hand Slip Cut | 1942 | |||||||
Edward Marlo | Marlo's Running Cut | 1942 | ||||||
Eddie Joseph | The Slip | 1942 | ||||||
Martin Gardner | A New False Cut | 1942 | ||||||
Charlier | The One-Handed Cut | 1942/27 | ||||||
Jean Hugard, Frederick Braue | False Cut | 1943 | ||||||
Dave Price | The Dave Price False Cut | 1943 | ||||||
Art Lyle | Slip Cut | June 1943 |
The Phoenix
(Issue 37)
|
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False Cut | 1943 | |||||||
Bottom Slip Cut | Dec. 1943 |
Hugard's Magic Monthly
(Vol. 1 No. 7)
|
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Direct False Cut | 1943/27 | |||||||
Richard Himber | Himber's False Cut | 1943/27 | ||||||
Under-Cut False Cut | 1943/27 | |||||||
Paul Rosini | Paul Rosini's False Cut | 1943/27 | ||||||
Paul Rosini | E-Z Three-Way False Cut | 1943/27 | ||||||
Joe Berg | Joe Berg's False Cut | 1943/27 | ||||||
Slip Cut | 1944 | |||||||
Slip Cut | 1945 | |||||||
Jean Hugard | False Cuts | Feb. 1945 |
Hugard's Magic Monthly
(Vol. 2 No. 9)
|
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Dai Vernon | Double Undercut | 1946 |
Stars of Magic
(Vol. 2 No. 2)
|
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Dai Vernon | One Handed Slip Cut | 1946 |
Stars of Magic
(Vol. 2 No. 2)
|
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Arthur H. Buckley | Buckley's Method of Double Cutting Cards to the Top of the Pack | 1946 | ||||||
A Cute False Cut | 1946 | |||||||
Arthur H. Buckley | Demonstration Build of the Four Aces using the Buckley Double Cuts | 1946 | ||||||
Edward Marlo | Cut the Card | 1946 |
Early Marlo
(Issue Marlo's Discoveries)
|
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Jump Cut | 1946 |
Early Marlo
(Issue Marlo's Discoveries)
|
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Bob Taylor | A Truly Fan-cy Cut | 1946 | ||||||
Neal Elias | One Hand Center Cut | 1946 | ||||||
Slip Cut | May 1946 |
Hugard's Magic Monthly
(Vol. 3 No. 12)
|
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Edward G. Love | The Single Cut | 1946 | ||||||
Edward G. Love | Bread and Cheese Cut | 1946 | ||||||
Edward G. Love | Turnover Cut | 1946 | ||||||
Edward G. Love | Sandwich Cut | 1946 | ||||||
Edward G. Love | The Multiple Cut | 1946 | ||||||
Edward G. Love | The Triple Cut | 1946 | ||||||
Edward G. Love | The Continuous Cut | 1946 | ||||||
Edward G. Love | The Double Cut | 1946 | ||||||
Ron Johnson | Johnson's False Cut | 1947 | ||||||
Frank Garcia | Halvies | June 1947 |
The Phoenix
(Issue 127)
|
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J. B. Bobo | Friction Bottom Slip Cut | 1947 | ||||||
J. B. Bobo | Bottom Up | 1947 | ||||||
Slip Cut | 1947 | |||||||
One-Handed Slip Cut | 1947 | |||||||
The Backslip | 1948 | |||||||
The Cut | 1948 | |||||||
Second Method | 1948 | |||||||
Third Method | 1948 | |||||||
Fourth Method | 1948 | |||||||
Palm Cut | 1948 | |||||||
Self-Cutting Deck | 1948 | |||||||
A Pretty Cut | 1948 | |||||||
Charlier | Charlier Cut | 1948 | ||||||
The Gambler´s False-Cut | 1948 | |||||||
Slip Cut | 1948 | |||||||
Bruce Elliott | Cut Up | July 1948 |
The Phoenix
(Issue 154)
|
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James G. Thompson Jr. | Pip Pip | Oct. 1948 |
The Phoenix
(Issue 161)
|
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Method of Double Cutting Cards | 1948 | |||||||
Steve Shephard | The Glide Cut | Apr. 1948 |
Hugard's Magic Monthly
(Vol. 5 No. 11)
|
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Jean Hugard | False Cut for Pre-Arranged Deck | May 1948 |
Hugard's Magic Monthly
(Vol. 5 No. 12)
|
|||||
The Blind Cut | 1948 | |||||||
The Steal Cut | 1948 | |||||||
Tabled Slip Cut | 1948/27 | |||||||
Dai Vernon | Double Undercut | 1949 | ||||||
Bill Simon | The Chinese Cut | 1949 | ||||||
Bill Simon | Simon False Table Cut | 1949 | ||||||
Jump Cut | 1949 | |||||||
Slip Cut | 1949 |
Ireland's Yearbooks
(Issue Yearbook 1949)
|
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Bill Nord | Charlier Pass Location | Oct. 1949 |
Hugard's Magic Monthly
(Vol. 7 No. 5)
|
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False Cut to Table | 1949 | |||||||
Slip Cut | Dec. 1950 |
The Phoenix
(Issue 219)
|
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Double Cut | 1950 | |||||||
Arthur H. Buckley | Buckley's Throw Cut | 1950 | ||||||
Edward Marlo | Cover Up Cut | 1951 | ||||||
Double Cut from Top to Bottom | 1952 | |||||||
Double Cut from Bottom to Top | 1952 | |||||||
Swing Cut | 1952 | |||||||
Edward Marlo | Bottom Slip Cut | 1952 | ||||||
Edward Marlo | Bottom Block Slip Cut | 1952 | ||||||
Edward Marlo | Slip Undercut | 1952 | ||||||
Edward Marlo | Bottom Slip Cut | 1952 | ||||||
S. W. Erdnase | Slip Cut | 1952 | ||||||
Bill Simon | Double Under Cut | 1952 | ||||||
Slip Cut | 1952 | |||||||
Bill Simon | Bottom Slip Cut | 1952 | ||||||
Bill Simon | The Basic Cut | 1952 | ||||||
Al Leech | Hindu Bottom Slip Cut | 1953 | ||||||
Edward Marlo | One Hand Throw Cut | 1953 | ||||||
Bruce Elliott | A Lesson in Magic | Mar. 1953 |
The Phoenix
(Issue 277)
|
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Art Lyle | Cute Cut | Oct. 1953 |
The Phoenix
(Issue 291)
|
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Art Lyle | Swing Cut - Slip Cut | Oct. 1953 |
The Phoenix
(Issue 292)
|
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Double Cut | 1953 | |||||||
Al Leech | Cuts | 1954 | ||||||
Charlier | The Charlier | 1954 | ||||||
The Slip Cut | 1954 | |||||||
The Double Cut | 1954 | |||||||
The Simple False Cut | 1954 | |||||||
Bill Simon | Side-Jog Transfer Cut | 1954 | ||||||
Karrell Fox | A Falsie | 1954 | ||||||
Peter Warlock | "PW" Slip Cut | 1954 | ||||||
Cy Endfield | The Endfield Slip Cut | 1955 | ||||||
Cy Endfield | The Slip (or Blind) Cut | 1955 | ||||||
Tony Kardyro | T. K's Master False-Cut Supreme | 1955 | ||||||
Edward Marlo | Cover Up Cut | 1956 | ||||||
Bruce Elliott | A Lesson in Magic | 1956 | ||||||
The Slip False Cut | 1956 | |||||||
Bruce Elliott | Table-Cut | 1956 | ||||||
False Cut | 1956 | |||||||
Jerry Andrus | One Handed Flourish Cut | 1956 | ||||||
Jerry Andrus | One Hand Riffle Cut | 1956 | ||||||
Jerry Andrus | One Handed False Cut | 1956 | ||||||
Jerry Andrus | Bounce Cut | 1956 | ||||||
Edward Marlo | Cover-Up Slip Cut | 1958 | ||||||
Double Undercut | 1958 | |||||||
Edward Marlo, S. W. Erdnase | Handling Of False Cuts And Blinds | 1959 | ||||||
Edward Marlo | The Block Slip Cut No. 1 | 1959 | ||||||
Edward Marlo | Block Slip Cut No. 2 | 1959 | ||||||
Double Cut | 1959 | |||||||
Dai Vernon | Side Riffle Cut | 1960 | ||||||
James Steranko | Cut Control | 1960 | ||||||
Slip Undercut | 1961 | |||||||
Neal Elias | Self Cutting Pack | 1962 | ||||||
Double Undercut | 1962 | |||||||
Slip Cut | 1962 | |||||||
Jay Ose | Ose's Cut | 1962 | ||||||
Harry Lorayne | The Spectator Estimates | 1962 | ||||||
Reverse Slip Cut | 1962 | |||||||
Edward Marlo | Marlo's False Cut on Table | Nov. 1962 |
The New Phoenix
(Issue 374)
|
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Neal Elias | Self-Cutting Deck | Sep. 1962 |
Ibidem
(Issue 26)
|
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Norman Houghton | Triple Undercut | Sep. 1962 |
Ibidem
(Issue 26)
|
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Nate Leipzig | Twirl Cut | 1963 | ||||||
Edward Marlo | Top Slip Cut | 1964 |
The Patented Shuffle
(Issue 2 Slip Cut)
|
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Edward Marlo | Bottom Slip Cut | 1964 |
The Patented Shuffle
(Issue 2 Slip Cut)
|
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Edward Marlo | Uses for Marlo's Bottom Slip Cut | 1964 |
The Patented Shuffle
(Issue 2 Slip Cut)
|
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Edward Marlo | Marlo's Double Slip Cut | 1964 |
The Patented Shuffle
(Issue 2 Slip Cut)
|
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Edward Marlo | Complex Double Slip Cut | 1964 |
The Patented Shuffle
(Issue 2 Slip Cut)
|
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Edward Marlo | Note | 1964 |
The Patented Shuffle
(Issue 2 Slip Cut)
|
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Double Under-Cut | 1965 | |||||||
Art Lyle | Extra Dark | 1965 |
The New Phoenix
(Issue 400)
|
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Larry Jennings | The Jennings False Cut | 1967 | ||||||
Dai Vernon | Tabled Double Undercut | 1967 | ||||||
Tabled Slip Cut | 1967 | |||||||
Dai Vernon | Cold Deck Cut | 1967 | ||||||
Jack Avis | Spin Cut Production | 1967 | ||||||
Hubert Lambert | Swivelleroo | 1967 | ||||||
Harry Lorayne | Bass Ackwards Slip-Cut | 1967 | ||||||
Tabled Slip Cut | 1967 | |||||||
Double Undercut | 1967 | |||||||
Gene Finnell | The Triple Overcut | 1967 | ||||||
Edward Marlo | Quadruple Undercut | 1968 | ||||||
Bob Haskell, Edward Marlo | Reverse Double Undercut | 1968 | ||||||
Edward Marlo | The Marlo Slip Cuts | 1968 | ||||||
Edward Marlo | Slip Cut No. 3 - Variation | 1968 | ||||||
Edward Marlo | The True False Cut | 1968 | ||||||
Dai Vernon | One-Handed Slip Cut | 1968 | ||||||
Edward Marlo | Cover Up Cut | 1968 | ||||||
Bottom Slip Cut | 1968 | |||||||
Edward Marlo | Cover Up Cut | 1968 | ||||||
Tom Batchelor | The Perpetual Cut | 1968 |
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
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Tom Batchelor | The Backhand Cut | 1968 |
Ireland's Yearbooks
(Issue Yearbook 1967-68)
|
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James G. Thompson Jr. | The Master Key | July 1968 |
The Pallbearers Review Vol. 1-4
(Vol. 3 No. 9)
|
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Bob Ostin | The "Swivel Up" Card to Top | 1968 | ||||||
Double Undercut | 1969 | |||||||
Slip Cut | 1969 | |||||||
Roy Walton | Bluff Cut | Nov. 1969 |
Epilogue
(Issue 7)
|
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Edward Marlo | One-Cut, Double-Control | Winter 1969 |
Hierophant
(Issue 2)
|
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Cy Endfield | Endfield Slip Cut | 1969 | ||||||
Bill Spooner | Spooner's Deceptive Roll Cut | 1969 | ||||||
Charlier | The Charlier Cut | 1969 | ||||||
Tabled Slip Cut | 1970 |
Faro & Riffle Technique
(Issue Third Supplement)
|
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Edward Marlo | Bottom Slip Cut | 1970 | ||||||
Edward Marlo | Marlo Bottom Slip Cut | 1970 | ||||||
Edward Marlo | Cover-up Cut | 1970 | ||||||
Edward Marlo | Marlo Covered Bottom Slip Cut | 1970 | ||||||
Edward Marlo | Cut to Transpose | 1970 | ||||||
Bill Simon | Block Slip Cut | 1970 | ||||||
Edward Marlo | On the Center Cover Up Cut | 1970 | ||||||
Larry Jennings | Bold Slip Cut | July 1970 |
The Pallbearers Review Vol. 5-8
(Vol. 5 No. 9)
|
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John Hamilton | False Cut | Aug. 1970 |
The Pallbearers Review Vol. 5-8
(Vol. 5 No. 10)
|
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Ger Copper | My Favourite False Cut | 1970 | ||||||
Roger Smith | The Flip Flop Flourish | 1970 | ||||||
Roger Smith | The FFF Double Cut #1 | 1970 | ||||||
Roger Smith | The FFF Double Cut #2 or Loading Move | 1970 | ||||||
Allan Ackerman | Slip Shod | 1971 | ||||||
Dai Vernon | One-handed Slip Cut | 1971 | ||||||
Harvey Rosenthal | The Center Cut | July 1971 |
Epilogue
(Issue 12)
|
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Karl Fulves | The Non-Slip Cut - Basic Technique | 1971 | ||||||
Karl Fulves | Note 3 | 1971 | ||||||
Edward Marlo, S. W. Erdnase | Marnase False Cut | Apr. 1971 |
Kabbala — Volume 1
(Vol. 1 No. 4)
|
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Derek Dingle | Throw Cut | 1971 | ||||||
John Snyder | Bottom Slip Cut | 1971 | ||||||
Jean Hugard | Cover-Up Card Precursor | July 1971 |
The Pallbearers Review Vol. 5-8
(Vol. 6 No. 9)
|
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Joseph K. Schmidt | Educated Fingers | 1971 |
Magick
(Issue 18)
|
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Edward Marlo | Marlo Slip Cut | 1971 | ||||||
Edward Marlo | Reverse Double Undercut | 1971 | ||||||
Roger Smith | FFF Double Cut III | Dec. 1971 |
Necromancer
(Vol. 1 No. 12)
|
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Tom Batchelor | The Clip-Cut Control Pass | 1971 | ||||||
Tom Batchelor | The All Finger Cut | 1971 | ||||||
Dai Vernon, Laurie Ireland | Double Cut | 1972 | ||||||
Mel Stover | Winnipeg False Cut | 1972 | ||||||
Al Cooper | Cooper's Cut | 1972 | ||||||
Frank Garcia | Affas-Gaffas False Cut | 1972 | ||||||
Gambler's Cut | 1972 | |||||||
Double Cut | 1972 | |||||||
Eddie Fechter | Tabled Transfer | 1972 | ||||||
Eddie Fechter | Swivel Cut Transfer | 1972 | ||||||
Mike Rogers | Paddle Wheel Flourish | 1972 | ||||||
Jerry Mentzer | Double Undercut Variation | 1972 | ||||||
Jim Lee | Lee's False Cut | 1972 | ||||||
Ben Christopher | Calculated Cut | Jan. 1972 |
The Pallbearers Review Vol. 5-8
(Vol. 7 No. 3)
|
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Larry Jennings | Bottom Slip Cut | June 1972 |
The Pallbearers Review Vol. 5-8
(Vol. 7 No. 8)
|
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Larry Jennings | Two Placement Cuts | Dec. 1972 |
The Pallbearers Review Vol. 5-8
(Vol. 8 No. 2)
|
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Swivel Cut | 1972 |
Innovations
(Issue 1)
|
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Joseph K. Schmidt | Card Flourishes | 1972 |
Magick
(Issue 44)
|
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Jack Merlin | Spring Flourish Production | 1972 | ||||||
Jack Merlin | The Tip-Up Discovery | 1972 | ||||||
False Cut | 1972 | |||||||
The Slip Cut | 1972 | |||||||
One Hand Charlier Pass | 1972 | |||||||
Jerry K. Hartman | Uppercut | 1972 | ||||||
Edward Marlo | Marlo Slip Cut | 1972 | ||||||
Jerry K. Hartman | Center Swing Cut | 1972 | ||||||
Straddle-grip Cut | 1972 | |||||||
Jerry K. Hartman | Center Swing Cut - Applications | 1972 | ||||||
Jerry K. Hartman | Multiple Overcut | 1972 | ||||||
Dai Vernon | Vernon's Pick Up And Side Cut | 1972 | ||||||
Dai Vernon | Vernon's Slip Cut Monte Throw | 1972 | ||||||
Dai Vernon | Vernon's False Cut - Diagonal Jog | 1972 | ||||||
Dai Vernon | Vernon's Running Card Slip | 1972 | ||||||
Dai Vernon | Vernon's Greek False Cut Retaining Bottom Stack | 1972 | ||||||
Dr. Jacob Daley | Daley's Bottom Push and Triple False Cut To Bring Bottom Card On Top | 1972 | ||||||
Dr. Jacob Daley | Daley's Note And Hint | 1972 | ||||||
Dr. Jacob Daley | Daley's Improvement Of Vernon's Slip Cut Monte Throw | 1972 | ||||||
New Slipping Cut | 1972 | |||||||
Dr. Jacob Daley | False Cuts (Belly) | 1972 | ||||||
Dr. Jacob Daley | "Up The Ladder" False Cut | 1972 | ||||||
Arthur Finley | Finley's Effects: 4) False cut for Slipping Cut | 1972 | ||||||
Arthur Finley | Finley's Cut To Slip One Card | 1972 | ||||||
Frank Thompson | F.T. Cut | 1973 | ||||||
Frank Garcia | One-Two False Cut | 1973 | ||||||
Frank Garcia | Flourish False Cut | 1973 | ||||||
Harry Lorayne | The Chopstick One-Hand Cut | 1973 | ||||||
Harry Lorayne | Three Table False Cuts | 1973 | ||||||
Tony Mullé | The Retention of Vision Cut | 1973 | ||||||
Harry Lorayne | HaLo Bottom Slip Cut | 1973 | ||||||
Karl Fulves | Double Play | July 1973 |
Epilogue
(Issue 18)
|
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Karl Fulves | Deck Cutting Procedures | July 1973 |
Epilogue
(Issue 18)
|
|||||
Karl Fulves | Shuttle Cut | 1973 | ||||||
Karl Fulves | Auto-Jog | 1973 | ||||||
Slip Cut | May 1973 |
The Pallbearers Review Vol. 5-8
(Vol. 8 No. 7)
|
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Edward Marlo | Block Slip Cover Up Cut | 1973 | ||||||
Craig Milgrim | False Cut | Dec. 1973 |
The Pallbearers Review Vol. 9-10
(Vol. 9 No. 2)
|
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Jerry K. Hartman | Swing Slip Cut | 1973 | ||||||
Center Hindu Shuffle | 1973 | |||||||
Karl Fulves | Technique | 1973 | ||||||
Gene Finnell | Flip Cut - 1 | 1973 | ||||||
Gene Finnell | Center Cut Placement | 1973 | ||||||
James G. Thompson Jr. | The Master Move | Oct. 1973 |
Intermagic
(Vol. 1 No. 2)
|
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Mel Stover | Winnipeg Cut | 1973 | ||||||
Aaron Black | No. 1 Nothing Move | 1973 | ||||||
Richard Spainhour | No. 2 Nothing Move | 1973 | ||||||
Aaron Black | No. 1 Running Cut To Preserve Top Stock | 1973 | ||||||
Aaron Black | No. 2 Running Cut To Preserve Top Stock | 1973 | ||||||
Edward Marlo | Block Slip Cover Up Cut | 1974 | ||||||
Patrick Page | 6. The Bottom to Top Doublecut | 1974 | ||||||
Jerry K. Hartman | New Price Cut | 1974 | ||||||
Edward Marlo | Cover-Up Cut | 1975 | ||||||
Herb Zarrow | Additional Zarrow Technique | 1975 | ||||||
Roy Walton | Z-Notes | 1975 | ||||||
Harry Lorayne | HaLo Cut | 1975 | ||||||
Harry Lorayne | Double-Cut Series - Cut 1 | 1975 | ||||||
Harry Lorayne | Double-Cut Series - Cut 2 | 1975 | ||||||
Harry Lorayne | Double-Cut Series - Cut 3 | 1975 | ||||||
Harry Lorayne | Double-Cut Series - Cut 4 | 1975 | ||||||
Larry Jennings | Twin Peeks Control | 1975 |
Epilogue
(Issue Special No 3 (Part 1))
|
|||||
Slip Cut | Apr. 1975 |
Pabular
(Vol. 1 No. 8)
|
||||||
Peter Kane, Edward Marlo | Cover-Up Cut Variation | 1975 | ||||||
Karl Fulves | Covered Slip Cut | 1975 | ||||||
Karl Fulves | Shuffle Cut | 1975 | ||||||
Larry Jennings | The Jennings Bottom Slip Cut | 1975 | ||||||
Karl Fulves | Top Bottom Transfer Cut | 1975 | ||||||
Charlier Cut | 1975 | |||||||
False Middle Cut | 1975 | |||||||
Triple Cut Control | 1975 | |||||||
Ray Kuhn | The "Bordello" False Cut | 1975 | ||||||
Jerry Mentzer | Swivel Cut Palm | 1975 | ||||||
Paul Swinford | One Card Up | 1975 | ||||||
Dr. Richard Cook | Push Off-Reverse Cut | 1975 | ||||||
Roger Smith | The IF Cover Up Control #1 | 1975 | ||||||
Roger Smith | The IF Cover Up Control #4 | 1975 | ||||||
The Slip Cut | 1975 | |||||||
False Cut in the Hands | 1975 | |||||||
False Cut Using the Table | 1975 | |||||||
Dai Vernon | Pass Cut | 1975 | ||||||
Frank Shields, Tony Slydini | Slydini-Shields Cut | 1975 | ||||||
Frank Shields | One Hand Center Cut | 1975 | ||||||
Edward Marlo | Marlo Strip Cuts | 1976 | ||||||
Edward Marlo | Top and Bottom Card Transfers | 1976 | ||||||
Edward Marlo | The Tabled Cover Up Cut | 1976 | ||||||
Edward Marlo | The Tabled Block Slip Cut | 1976 | ||||||
Edward Marlo | Illogical Bottom Slip Cut | 1976 | ||||||
Edward Marlo | Cover Up Cut | 1976 |
Early Marlo
(Issue Oddity & Other Miracles)
|
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Terry Guyatt | Drunken Cut Sequence | 1976 |
Kabbala — Volume 3
(Vol. 3 No. 8)
|
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Jack Avis | Spin Cut Aces | Sep. 1976 |
Pabular
(Vol. 3 No. 1)
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Philip T. Goldstein | Charlier Cut Production | 1976 | ||||||
Jerry Andrus | Banded Cut | 1976 | ||||||
Karrell Fox | Butterfly Shuffle | 1976 | ||||||
T. G. Murphy | The Triple Cut | 1976 | ||||||
Pass Flourish | 1976 | |||||||
False Triple Cut | 1976 | |||||||
Charlier Pass | 1976 | |||||||
Knuckle Cut | 1976 | |||||||
Comedy Cut | 1976 | |||||||
Frank Thompson | Bottom Slip Cut | 1976 | ||||||
Edward Marlo | Easy Slip Cut | 1977 | ||||||
Edward Marlo | The Grab Swing Cut | 1977 | ||||||
Shoot-Back Cut | 1977 | |||||||
Dai Vernon | One Handed Slip Cut | 1977 | ||||||
False Cut | 1977 | |||||||
Double Undercut | 1977 | |||||||
Cy Endfield | Endfield Slip Cut | 1977 | ||||||
Dai Vernon | Double Cut Break Handling | 1977 |
The Pallbearers Review Vol. 9-10
(Vol. 10 No. Close-Up Folio #8)
|
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Double Undercut | 1977 | |||||||
Dai Vernon | One Handed Slip Cut | 1977 | ||||||
Charlier | The Charlier Cut | 1977 | ||||||
Harry Lorayne | Legitimate and False Cuts | 1977 | ||||||
The Kick Cut | 1977 | |||||||
The Swivel Cut | 1977 | |||||||
Jay Ose | A 3-Way False Cut | 1977 | ||||||
Triple Cut to Break | 1977 | |||||||
Ken Krenzel | The Floating Cut | 1978 | ||||||
Ken Krenzel | One-Hand Flourish False Cut | Nov. 1978 |
Apocalypse
(Vol. 1 No. 11)
|
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Paul Draylin | One-Hand Triple Cut | Dec. 1978 |
Apocalypse
(Vol. 1 No. 12)
|
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Edward Marlo | Marlo Slip Cut | 1978 | ||||||
Slip Cut | Feb. 1978 |
Pabular
(Vol. 4 No. 6)
|
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Ross Bertram | A Cut to Retain Bottom Stock #1 | 1978 | ||||||
Ross Bertram | A Cut to Retain Bottom Stock #2 | 1978 | ||||||
One Handed Pass | 1978 | |||||||
Karl Fulves | Covered Slip Cut | 1978 | ||||||
Gene Castillon | Modified Guyatt Drunken Cut | 1978 | ||||||
Harvey Rosenthal | HR Cut | 1978 |
The Chronicles
(Issue 3)
|
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Tony Mullé | The Retention of Vision Cut | 1978 | ||||||
Peter Warlock | PW Slip Cut | 1978 | ||||||
Christian Scherer | Glide Cut | 1978 | ||||||
Harry Lorayne | HaLo Bottom Slip Cut | 1978 | ||||||
Jay Ose | Ose's Cut | 1978 | ||||||
Swivel Cut | 1978 | |||||||
Tabled Slip-Cut | 1978 | |||||||
Edward Marlo | Cover-Up Cut | 1978 | ||||||
Antonio Marti | False Cut #1 | 1978 | ||||||
False Cut #2 | 1978 | |||||||
Doug Edwards | The Hi-Lo Folding Cut | 1978 | ||||||
Doug Edwards | The Cut Up | 1978 | ||||||
Doug Edwards | A Las Vegas Cut | 1978 | ||||||
Steve Beam | Split False Cut #1 | 1978 | ||||||
Steve Beam | Split False Cut #2 | 1978 | ||||||
Slip Cut | 1978 | |||||||
False Cut | 1978 | |||||||
Double Cut | 1978 | |||||||
One-Hand Pivot Cut | 1978 | |||||||
One-Hand Triple Cut | 1978 | |||||||
Harry Lorayne | HaLo Cut | 1979 | ||||||
Edward Marlo | Block Slip Cover Up Cut | 1979 | ||||||
William A. Morales | Myriad Cut | Sep. 1979 |
Apocalypse
(Vol. 2 No. 9)
|
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Russ Burns | Swivel Undercut | 1979 | ||||||
Russ Burns | Deceptive Undercut | 1979 | ||||||
Russ Burns | Flourish False Cut | 1979 | ||||||
Jerry Mentzer | Flourish False Cut | 1979 | ||||||
Harry Lorayne | HaLo Cut | 1979 | ||||||
Harry Lorayne | Partial Chopstick One-Hand Cut | 1979 | ||||||
Harry Lorayne | Krazy Kut | 1979 | ||||||
Harry Lorayne | Simplified HaLo Cut | 1979 | ||||||
Harry Lorayne | HaLo Cut | 1979 | ||||||
Center Swivel Cut | 1979 | |||||||
Richard Kaufman, Jon Racherbaumer | Swivelleroo Plus | 1979 | ||||||
Richard Kaufman | Flourish False Cut | 1979 | ||||||
Swivel Cut | 1979 | |||||||
Richard Kaufman | Modified Swivelleroo Plus | 1979 | ||||||
Karl Fulves | The Double Double-Cut | 1979 | ||||||
Double Cut | 1979 | |||||||
Tony Slydini | Slydini's Table Shift | 1979 | ||||||
Karl Fulves | Krazy Kut | 1979 |
The Chronicles
(Issue 23)
|
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Karl Fulves | Seem Familiar? | 1979 |
Interlocutor
(Issue 31)
|
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Frank Lane | A Good False Cut | 1979 |
Interlocutor
(Issue 31)
|
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The Double Cut | 1979 | |||||||
The Drop Cut | 1979 | |||||||
Steve Beam | King Charlier II | 1979 | ||||||
Father Cyprian | Thoughts on the False Cut | 1979 | ||||||
Edward Marlo | Cover-Up Cut | 1980 | ||||||
Karl Fulves | From The Table | 1980 | ||||||
Edward Marlo | Slip Cut Removal | 1980 | ||||||
Edward Marlo | Dissertation on a Slip Cut | 1980 | ||||||
Edward Marlo | Move #3 - Top Card Slip Cut | 1980 | ||||||
Edward Marlo | The Secret Slip Cut | 1980 | ||||||
Edward Marlo | The Fingertip Slip Cut | 1980 | ||||||
Edward Marlo | The Raised Marnase False Cut | 1980 | ||||||
Edward Marlo | One Hand Bottom Slip Cut | 1980 | ||||||
Edward Marlo | Center Card Displacement | 1980 | ||||||
Daryl Martinez | Tabled Transfer Cut to Bottom | 1980 | ||||||
Harry Lorayne | A Card Hop | Jan. 1980 |
Apocalypse
(Vol. 3 No. 1)
|
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Joey Gallo | Swing Low | Mar. 1980 |
Apocalypse
(Vol. 3 No. 3)
|
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Herb Zarrow | Swivel Round-A-Bout | June 1980 |
Apocalypse
(Vol. 3 No. 6)
|
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Larry Jennings | Exchange Cut | 1980 | ||||||
The Gambler's False Cut | 1980 | |||||||
Partial False Cut | 1980 | |||||||
Frank Garcia | Slip Cut Key Placement after Peek | 1980 | ||||||
Charlier, Father Cyprian | The One Handed Cut | 1980 | ||||||
Father Cyprian | Two Handed One Handed Cut | 1980 | ||||||
Steve Kuske | Grandma's Triple Cut | May 1980 |
Pabular
(Vol. 6 No. 5)
|
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Roger Crosthwaite | False Cut | Oct. 1980 |
Pabular
(Vol. 6 No. 10)
|