cull palm replacement \n r.h. cop \n edward marlo
1956
action palm
Edward Marlo
|
Cull Palm Replacement
|
1956
|
|
26
|
|
|
pressure fan palm \n and application as a color change \n edward marlo
1956
action palm
Edward Marlo
|
Pressure Fan Palm
|
1956
|
|
27
|
|
|
pressure fan palm as color change \n \n edward marlo
1956
action palm
Edward Marlo
|
Pressure Fan Palm as Color Change
|
1956
|
|
28
|
|
|
one hand palm as action palm \n during an overhand shuffle or dovetail shuffle \n edward marlo \n palming from a shuffle \n edward marlo
1956
action palm
Edward Marlo
|
One Hand Palm as Action Palm
|
Related to
|
1956
|
|
29
|
|
|
take techniques for action palm \n overhand shuffle cover, two methods \n edward marlo
1956
action palm
Edward Marlo
|
Take Techniques for Action Palm
|
1956
|
|
31
|
|
|
square up drop palm \n two cards to pocket \n edward marlo
1956
action palm
Edward Marlo
|
Square Up Drop Palm
|
1956
|
|
33
|
|
|
double action palms \n both hands \n edward marlo \n double action palms \n edward marlo
1956
action palm
Edward Marlo
|
Double Action Palms
|
Also published here
|
1956
|
|
34
|
|
|
drop cut palm \n triple cut cover \n edward marlo
1956
action palm
Edward Marlo
|
Drop Cut Palm
|
1956
|
|
34
|
|
|
the table edge palm \n special small packet handling \n edward marlo
1956
action palm
Edward Marlo
|
The Table Edge Palm
|
1956
|
|
35
|
|
|
pivot bottom steal \n small packet handling \n edward marlo
1956
action palm
Edward Marlo
|
Pivot Bottom Steal
|
1956
|
|
36
|
|
|
brush palm \n small packet palm handling \n edward marlo
1956
action palm
Edward Marlo
|
Brush Palm
|
1956
|
|
38
|
|
|
bits of misdirection \n for a variety of different palming techniques \n edward marlo
1956
action palm
Edward Marlo
|
Bits of Misdirection
|
1956
|
|
39
|
|
|
bits of misdirection - for bottom palm \n \n edward marlo
1956
action palm
Edward Marlo
|
Bits of Misdirection - For Bottom Palm
|
1956
|
|
40
|
|
|
bits of misdirection \n various bits \n edward marlo
1956
action palm
Edward Marlo
|
Bits of Misdirection
|
1956
|
|
40
|
|
|
the drop cover \n \n edward marlo
1956
action palm
Edward Marlo
|
The Drop Cover
|
1956
|
|
41
|
|
|
the wrist turn \n \n edward marlo
1956
action palm
Edward Marlo
|
The Wrist Turn
|
1956
|
|
42
|
|
|
delayed one hand palm \n \n edward marlo \n misdirection brushing \n edward marlo
1956
action palm
Edward Marlo
|
Delayed One Hand Palm
|
Related to
|
1956
|
|
43
|
|
|
palm replacements \n basic replacement move \n edward marlo
1956
action palm
Edward Marlo
|
Palm Replacements
|
1956
|
|
44
|
|
|
the rise and riffle \n \n edward marlo
1956
action palm
Edward Marlo
|
The Rise and Riffle
|
1956
|
|
45
|
|
|
the turn over \n \n edward marlo
1956
action palm
Edward Marlo
|
The Turn Over
|
1956
|
|
45
|
|
|
the square up \n \n edward marlo
1956
action palm
Edward Marlo
|
The Square Up
|
1956
|
|
46
|
|
|
the top card return \n \n edward marlo
1956
action palm
Edward Marlo
|
The Top Card Return
|
1956
|
|
46
|
|
|
the turn and gesture \n \n edward marlo
1956
action palm
Edward Marlo
|
The Turn and Gesture
|
1956
|
|
46
|
|
|
after the cut \n \n edward marlo
1956
action palm
Edward Marlo
|
After the Cut
|
1956
|
|
47
|
|
|
the delayed replacement \n \n edward marlo
1956
action palm
Edward Marlo
|
The Delayed Replacement
|
1956
|
|
48
|
|
|
the shuffle replacement \n \n edward marlo
1956
action palm
Edward Marlo
|
The Shuffle Replacement
|
1956
|
|
48
|
|
|
revolving replacement \n \n edward marlo
1956
action palm
Edward Marlo
|
Revolving Replacement
|
1956
|
|
49
|
|
|
holding out \n tips \n edward marlo
1956
action palm
Edward Marlo
|
Holding Out
|
1956
|
|
50
|
|
|
easy palm transfer \n right classic to left cop position \n edward marlo
1956
action palm
Edward Marlo
|
Easy Palm Transfer
|
1956
|
|
51
|
|
|
card from pocket ideas/"search" technique \n \n edward marlo \n a variation to a sixy effect \n edward marlo
1956
action palm
Edward Marlo
|
Card from Pocket ideas/"Search" Technique
|
Related to
|
1956
|
|
52
|
|
|
card from pocket ideas \n different subterfuges \n edward marlo \n transfer with jacket \n edward marlo \n ken krenzel \n card from pocket idea variation \n edward marlo \n allan ackerman \n producing a card from your inner right jacket-pocket (2) \n edward marlo \n card from pocket idea variation \n edward marlo \n allan ackerman
1956
action palm
Edward Marlo
|
Card from Pocket Ideas
|
Related toVariationsAlso published here
|
1956
|
|
52
|
|
|
the fake transfer \n \n edward marlo
1956
action palm
Edward Marlo
|
The Fake Transfer
|
1956
|
|
52
|
|
|
finger-tip control \n \n edward marlo \n the force at your fingertips \n jeff busby
1956
fingertip control
Edward Marlo
|
Finger-Tip Control
|
Related to
|
1956
|
|
3
|
|
|
basic procedure \n fingertip peek \n edward marlo
1956
fingertip control
Edward Marlo
|
Basic Procedure
|
1956
|
|
3
|
|
|
first method \n forced estimation, fishing \n edward marlo \n fingertip riffle peek estimation \n edward marlo \n the sudden stop \n edward marlo \n a.m. \n unknown
1956
fingertip control
Edward Marlo
|
First Method
|
Related toVariations
|
1956
|
|
5
|
|
|
second method \n imperfection, nailnick, edgemark \n edward marlo \n 45 - look for informal "readers". \n charles hopkins \n influence \n james steranko
1956
fingertip control
Edward Marlo
|
Second Method
|
Related to
|
1956
|
|
6
|
|
|
third method \n corner-short, see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Third Method
|
1956
|
|
7
|
|
|
multiple card control sequence \n imperfection, nailnick, edgemark \n edward marlo
1956
fingertip control
Edward Marlo
|
Multiple Card Control Sequence
|
1956
|
|
7
|
|
|
third method \n corner-short, see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Third Method
|
1956
|
|
8
|
|
|
cover up cut \n \n edward marlo
1956
fingertip control
Edward Marlo
|
Cover Up Cut
|
1956
|
|
8
|
|
|
peek spelling \n small progressive spelling set-up \n edward marlo \n using the texan key to force other cards \n jeff busby
1956
fingertip control
Edward Marlo
|
Peek Spelling
|
Related to
|
1956
|
|
8
|
|
|
fingertip peek force \n corner short, also multiple cards, see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Fingertip Peek Force
|
1956
|
|
9
|
|
|
fourth method \n in-jog \n edward marlo
1956
fingertip control
Edward Marlo
|
Fourth Method
|
1956
|
|
10
|
|
|
double peek force \n fingertip \n edward marlo
1956
fingertip control
Edward Marlo
|
Double Peek Force
|
1956
|
|
12
|
|
|
fourth method - multiple control \n in-jog \n edward marlo
1956
fingertip control
Edward Marlo
|
Fourth Method - Multiple Control
|
1956
|
|
13
|
|
|
fifth method \n steps in advance \n edward marlo
1956
fingertip control
Edward Marlo
|
Fifth Method
|
1956
|
|
13
|
|
|
fifth method \n step in advance \n edward marlo
1956
fingertip control
Edward Marlo
|
Fifth Method
|
1956
|
|
15
|
|
|
sixth method - tilt glimpse \n glimpsing card \n edward marlo \n tilt glimpse variatiion \n william goodwin \n s.a.l.o.b. \n r. paul wilson \n simple glimpse \n t. page wright \n influence \n james steranko
1956
fingertip control
Edward Marlo
|
Sixth Method - Tilt Glimpse
|
Related toVariations
|
1956
|
|
16
|
|
|
free force principle \n re-forcing following cards \n edward marlo
1956
fingertip control
Edward Marlo
|
Free Force Principle
|
1956
|
|
17
|
|
|
commercial double peek force \n \n edward marlo
1956
fingertip control
Edward Marlo
|
Commercial Double Peek Force
|
1956
|
|
17
|
|
|
free force \n multiple card control, re-forcing the break \n edward marlo
1956
fingertip control
Edward Marlo
|
Free Force
|
1956
|
|
17
|
|
|
square-up glimpse \n see note on page 22 \n edward marlo
1956
fingertip control
Edward Marlo
|
Square-Up Glimpse
|
1956
|
|
18
|
|
|
definite fingertip control - d.f.c. \n stepping at selection \n edward marlo \n putting in the step \n edward marlo \n moving the steps \n edward marlo
1956
fingertip control
Edward Marlo
|
Definite Fingertip Control - D.F.C.
|
Related to
|
1956
|
|
19
|
|
|
broken corner \n corner short substitute, note 1 \n edward marlo
1956
fingertip control
Edward Marlo
|
Broken Corner
|
1956
|
|
22
|
|
|
marlo's secret card add \n \n edward marlo
1956
pretty sneaky
Edward Marlo
|
Marlo's Secret Card Add
|
1956
|
|
17
|
|
|
x-deck \n named card has an x on back \n edward marlo \n x-deck \n edward marlo
1956
the best in magic
Edward Marlo
|
X-Deck
|
Also published here
|
1956
|
|
120
|
|
|
real gone aces \n - additional notes on real gone aces
- swindle aces ideas
- for use in real gone aces (ace layout) \n edward marlo
1956
the new phoenix
Edward Marlo
|
Real Gone Aces
|
1956
|
|
160
|
|
|
the separating aces \n four aces distribute in the deck, three methods, all cards face-down \n edward marlo \n the splits \n steve reynolds \n allan ackerman \n separating aces (4th method) \n edward marlo
1956
the new phoenix
Edward Marlo
|
The Separating Aces
|
Variations
|
1956
|
|
162
|
|
|
the new elevator \n progressive rises/penetrations, four methods \n edward marlo \n the new elevator variation \n philip t. goldstein \n u.p: up \n ian land \n one thru four elevator \n david solomon \n cabbages & kings \n jon racherbaumer \n progressive elevator \n max maven
1956
the new phoenix
Edward Marlo
|
The New Elevator
|
Variations
|
1956
|
|
163
|
|
|
mislide \n card switched as it is laid down from in-the-hands spread on table, related to later handlings \n edward marlo
1956
the new phoenix
Edward Marlo
|
Mislide
|
1956
|
|
163
|
|
|
small packet spread-cull displacement \n \n edward marlo
1956
the new phoenix
Edward Marlo
|
Small Packet Spread-Cull Displacement
|
1956
|
|
163
|
|
|
small packet bottom transfer \n two small packets, bottom card transferred to other packet with bottom deal type motion \n edward marlo
1956
the new phoenix
Edward Marlo
|
Small Packet Bottom Transfer
|
1956
|
|
165
|
|
|
vanishing aces theory \n \n edward marlo \n forward to ---- \n edward marlo
1956
the new phoenix
Edward Marlo
|
Vanishing Aces Theory
|
Related to
|
1956
|
|
166
|
|
|
aces & deuces \n seven card assembly \n edward marlo \n ace deuce transposition \n edward marlo \n 7 card assembly (3rd method) \n edward marlo \n bert fenn
1956
the new phoenix
Edward Marlo
|
Aces & Deuces
|
Related to
|
1956
|
|
166
|
|
|
case card again \n \n jose diaz \n vynn boyar \n edward marlo \n case card \n al leech
1956
the new phoenix
Jose Diaz, Vynn Boyar, Edward Marlo
|
Case Card Again
|
Inspired by
|
1956
|
|
168
|
|
|
foreword \n \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Foreword
|
1956
|
|
|
|
|
a classical quickie \n reversed card in deck changes into selection
- first method (saliva)
- second method (sticky or all faced roughed)
- third method (center reverse)
- fourth method (side palm)
- fifth method (hide-out)
- sixth method (faced deck)
- seventh method \n edward marlo \n carmen d'amico \n (c) semi-classical quickie \n jerry k. hartman \n svengali quickie \n justin higham
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
A Classical Quickie
|
Variations
|
1956
|
|
1
|
|
|
running cut stop force \n \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Running Cut Stop Force
|
1956
|
|
1
|
|
|
rightning a reversed card \n clean-up, bottom card removed with left hand and quickly turned over to scoop up tabled cards \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Rightning a Reversed Card
|
1956
|
|
2
|
|
|
the open reverse \n deck is turned over under top card under guise of looking at top card \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
The Open Reverse
|
1956
|
|
5
|
|
|
eighth method \n four cards reversed in deck change into four aces
- ninth method
- tenth method (all cards roughed on faces) \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Eighth Method
|
1956
|
|
7
|
|
|
doubly ambitious \n two cards come to top repeatedly, d'amico spread application \n edward marlo \n carmen d'amico \n the corsican climbers \n dai vernon
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Doubly Ambitious
|
Variations
|
1956
|
|
10
|
|
|
chameleon queens \n red queens change to black and back multiple times (new tens), transposition finale \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Chameleon Queens
|
1956
|
|
12
|
|
|
double transpositions \n - the repeat
- straight presentation \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Double Transpositions
|
1956
|
|
16
|
|
|
combination \n of previous doubly ambitious and double transposition \n edward marlo \n carmen d'amico
1956
classical foursome
Edward Marlo, Carmen D'Amico
|
Combination
|
1956
|
|
18
|
|
|
marlo-curry change \n for one or several cards \n edward marlo \n the linking ring
1956
classical foursome
Edward Marlo
|
Marlo-Curry Change
|
Also published here
|
1956
|
|
19
|
|
|
marlo pivot spread \n six handlings
- triple pivot spread (e.g. six as three) \n edward marlo \n the d'amico spread \n carmen d'amico \n marlo pivot spread \n edward marlo \n pivot spread variation \n mike rogers \n spread notes \n jon racherbaumer \n five of a kind show \n steve reynolds
1956
classical foursome
Edward Marlo
|
Marlo Pivot Spread
|
Inspired byVariationsAlso published here
|
1956
|
|
22
|
|
|
the time machine \n three reds and blacks are alternated, ace of spades put in center of one half, the other half shuffled upside-down, all things are undone when traveled back in time, writing of time written on a business card vanishes \n edward marlo \n time machine \n edward marlo \n ron bauer
1956
ibidem
Edward Marlo
|
The Time Machine
|
Variations
|
Sep. 1956
|
|
2
|
|
|
an ed marlo bibliography \n \n edward marlo
1956
ibidem
Edward Marlo
|
An Ed Marlo Bibliography
|
Dec. 1956
|
|
2
|
|
|
separating aces (4th method) \n four aces are placed in the center face-down, deck spread and aces have distributed in the deck and turned face-up \n edward marlo \n the separating aces \n edward marlo \n "puzzle for wantons" (jack avis, the pentagram, march 1956, vol. 10 no. 6)
1956
ibidem
Edward Marlo
|
Separating Aces (4th Method)
|
Inspired by
|
Dec. 1956
|
|
3
|
|
|
same methode, different effect \n aces removed, they change to kings, aces found reversed distributed through deck \n edward marlo
1956
ibidem
Edward Marlo
|
Same Methode, Different Effect
|
Dec. 1956
|
|
3
|
|
|
repeat transposition \n two cards selected, sandwiched ace of spades away from deck transposes with the selections one by one, ace found face up in center after each transposition
- first method
- second method
- third method (only one selection and transposition)
- fourth method (using four aces, no selections)
- fifth method (using four aces, no selections) \n edward marlo \n displaced \n jerry k. hartman
1956
ibidem
Edward Marlo
|
Repeat Transposition
|
Related to
|
Dec. 1956
|
|
4
|
|
|
covered hit break \n right first finger gets break under top cards under cover of spread packet \n edward marlo
1956
ibidem
Edward Marlo
|
Covered Hit Break
|
Dec. 1956
|
|
4
|
|
|
secret addition release \n during display sequence, the extra cards are dropped \n edward marlo
1956
ibidem
Edward Marlo
|
Secret Addition Release
|
Dec. 1956
|
|
4
|
|
|
the torn joker \n performer wants to find selection but finds joker twice, then tears it up, joker is found again and torn pieces of joker are shown to be selection \n edward marlo \n once torn, twice restored \n bob stencel
1956
ibidem
Edward Marlo
|
The Torn Joker
|
Related to
|
Dec. 1956
|
|
8
|
|
|
key card placement \n card replaced on lower half, charlier cut, right hand cards are placed above and below \n edward marlo
1956
ibidem
Edward Marlo
|
Key Card Placement
|
Dec. 1956
|
|
8
|
|
|
on the memorized deck \n - four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, after seeing the faces of the packets for a few seconds, the performer names the cards in all packets leaving the selection to last
- then any number is named and performer names card at that position and vice versa
- second deal and poker deal demo if ireland stack is used \n edward marlo \n two routines - two \n tony cabral
1956
ibidem
Edward Marlo
|
On the Memorized Deck
|
Variations
|
Dec. 1956
|
|
10
|
|
|
a miracle with cards \n four spectators each cut off a packet, remember the bottom card and shuffle the whole packet, performer looks at each packet and finds the selections, secretly counting the packets, last card from pocket
- alternative in which the last wrong card changes into selection \n edward marlo \n two routines - two \n tony cabral \n talismanacle \n thomas alan waters \n groupease \n thomas alan waters \n cutout \n thomas alan waters \n group shuffle \n simon aronson \n group shuffle \n simon aronson \n psi stebbins - method i \n p. howard lyons \n adaption d'une routine de marlo-cornélius \n claude rix
1956
ibidem
Edward Marlo
|
A Miracle with Cards
|
Related toVariations
|
Dec. 1956
|
|
11
|
|
|
for a single \n spectator cuts off a packet, remembers the bottom card and shuffles the packet, performer takes packet and finds card, repeats, optional re-stack during location \n edward marlo
1956
ibidem
Edward Marlo
|
For a Single
|
Dec. 1956
|
|
12
|
|
|
faro shuffle as false shuffle \n preparing by giving the deck six out-faros before performance \n edward marlo
1956
ibidem
Edward Marlo
|
Faro Shuffle as False Shuffle
|
Dec. 1956
|
|
13
|
|
|
new oil and water routine \n 4&4, fan insertion mix, two black extra cards \n edward marlo
1956
ibidem
Edward Marlo
|
New Oil and Water Routine
|
Dec. 1956
|
|
14
|
|
|
oil and water climax \n 4&4, face-up fan mix, two black extra cards \n edward marlo \n oil and water \n edward marlo
1956
ibidem
Edward Marlo
|
Oil and Water Climax
|
Related to
|
Dec. 1956
|
|
15
|
|
|
all one way \n eight cards mixed face-up/face-down, then all one way again, repeat, two extra cards
- notes to all one way (with roughed deck idea) \n edward marlo \n all one way fix \n edward marlo \n after all one way \n edward marlo
1956
ibidem
Edward Marlo
|
All One Way
|
Variations
|
Dec. 1956
|
|
17
|
|
|
wedge break displacement \n \n edward marlo \n wedge break displacement \n dai vernon
1956
ibidem
Edward Marlo
|
Wedge Break Displacement
|
Related to
|
Dec. 1956
|
|
18
|
|
|
table tap half pass cover \n \n edward marlo
1956
ibidem
Edward Marlo
|
Table Tap Half Pass Cover
|
Dec. 1956
|
|
18
|
|
|
cased-in shuffle \n reds and blacks separated, deck is cased, shuffle mimed, deck is uncased and shown mixed
- first method (rough-smooth)
- second method (packet handling) \n edward marlo \n cased-in shuffle \n william goodwin \n cased-in shuffle \n william goodwin \n faromatic \n jerry k. hartman \n faromatic \n jerry k. hartman
1956
ibidem
Edward Marlo
|
Cased-In Shuffle
|
Related toVariations
|
Dec. 1956
|
|
20
|
|
|
solutions to a problem \n deck is cut and put face-to-face, number named and card in lower half remembered, card in upper half at same or different number also remembered, the card transpose, thomas wright problem
- solution no. 1
-- notes on the above (half pass suggestion)
- solution no. 2 (cards transpose and also turn over)
- solution no. 3
- solution no. 4
- solution no. 5 \n edward marlo \n what's your number? \n edward marlo \n david solomon
1956
ibidem
Edward Marlo
|
Solutions to a Problem
|
Variations
|
Dec. 1956
|
|
21
|
|
|
notes on the turnabout pass \n cards from the top or center are pulled around the deck reversed to bottom, optional riffle cover \n edward marlo
1956
ibidem
Edward Marlo
|
Notes On The Turnabout Pass
|
Dec. 1956
|
|
26
|
|
|
mexican solitaire \n shuffled deck, deck dealt into four piles according to rules, one of each value in each pile, memory demonstrations, all four-of-a-kinds together or controlled, can be followed by poker deals:
- progressive poker
-- first game
-- three-handed
-- four-handed
-- five-handed
-- second play of five-handed poker
- royal flush control
-- second royal
-- third royal
-- fourth royal
-- alternative procedure for four royals \n edward marlo \n what a m-e-s! \n harry lorayne \n royal flush control variation \n alex elmsley
1956
ibidem
Edward Marlo
|
Mexican Solitaire
|
Variations
|
Dec. 1956
|
|
27
|
|
|
the switchless switch \n packet switch as cards are taken from the top of the deck one by one and shown, application to e. g. brown's thought card across problem \n edward marlo \n put-back move \n sam leo horowitz \n unloading/putback false count \n edward marlo \n ditch switch \n jerry k. hartman \n thought experiment \n andi gladwin \n switchless packet switch \n steve reynolds \n additional technique for the switchless switch \n edward marlo \n e. g. brown mental transpo, 2nd method \n edward marlo
1956
1956 card annual
Edward Marlo
|
The Switchless Switch
|
Related toVariations
|
1956
|
|
15
|
|
|
second effect \n switchless switch application \n edward marlo
1956
1956 card annual
Edward Marlo
|
Second Effect
|
1956
|
|
19
|
|
|
third effect \n packet of red cards and black cards transpose, switchless switch application \n edward marlo
1956
1956 card annual
Edward Marlo
|
Third Effect
|
1956
|
|
20
|
|
|
additional technique for the switchless switch \n more open grip \n edward marlo \n the switchless switch \n edward marlo
1956
1956 card annual
Edward Marlo
|
Additional Technique for the Switchless Switch
|
Inspired by
|
1956
|
|
21
|
|
|
the side-steal \n \n edward marlo
1957
side steal
Edward Marlo
|
The Side-Steal
|
1957
|
|
1
|
|
|
peek handling \n \n edward marlo
1957
side steal
Edward Marlo
|
Peek Handling
|
1957
|
|
2
|
|
|
the technical steal \n see note 4 on p. 58 \n edward marlo \n on the side steal \n lance pierce
1957
side steal
Edward Marlo
|
The Technical Steal
|
Variations
|
1957
|
|
2
|
|
|
the deliberate side-steal \n see note 2 on p. 58 \n edward marlo \n side steal and replacement \n john carney \n edward marlo
1957
side steal
Edward Marlo
|
The Deliberate Side-Steal
|
Variations
|
1957
|
|
5
|
|
|
the curled forefinger \n finesse for "the deliberate side-steal" \n edward marlo
1957
side steal
Edward Marlo
|
The Curled Forefinger
|
1957
|
|
7
|
|
|
the bold steal \n while showing that selection is not on top or bottom and other handlings, see note 3 on p. 58 \n edward marlo \n the card between \n jack avis
1957
side steal
Edward Marlo
|
The Bold Steal
|
Related to
|
1957
|
|
9
|
|
|
bold steal - third handling \n selection between aces \n edward marlo
1957
side steal
Edward Marlo
|
Bold Steal - Third Handling
|
1957
|
|
10
|
|
|
bold steal - second handling \n one to ten \n edward marlo
1957
side steal
Edward Marlo
|
Bold Steal - Second Handling
|
1957
|
|
10
|
|
|
the bold stop effect \n out for psychological stop trick, three methods \n edward marlo
1957
side steal
Edward Marlo
|
The Bold Stop Effect
|
1957
|
|
12
|
|
|
the bottom bold steal \n suitable for stop trick \n edward marlo
1957
side steal
Edward Marlo
|
The Bottom Bold Steal
|
1957
|
|
12
|
|
|
a slight difference \n small packet side steal handling, pinch technique \n edward marlo
1957
side steal
Edward Marlo
|
A Slight Difference
|
1957
|
|
13
|
|
|
standard side steal \n \n edward marlo
1957
side steal
Edward Marlo
|
Standard Side Steal
|
1957
|
|
14
|
|
|
multiple holdout \n palming multiple cards from different positions \n edward marlo
1957
side steal
Edward Marlo
|
Multiple Holdout
|
1957
|
|
15
|
|
|
on the left side \n covering the bad angles \n edward marlo
1957
side steal
Edward Marlo
|
On the Left Side
|
1957
|
|
15
|
|
|
left hand side steal \n see note 4 on p.58 \n edward marlo \n tenkai ishida \n kort's center steal \n milton kort \n peeked card to full palm \n baltazar fuentes
1957
side steal
Edward Marlo, Tenkai Ishida
|
Left Hand Side Steal
|
Related toVariations
|
1957
|
|
16
|
|
|
color steal \n \n edward marlo
1957
side steal
Edward Marlo
|
Color Steal
|
1957
|
|
18
|
|
|
almost standard \n variation on "color steal" \n edward marlo
1957
side steal
Edward Marlo
|
Almost Standard
|
1957
|
|
19
|
|
|
the finger flutter \n four methods for avoiding the left hand finger flutter \n edward marlo
1957
side steal
Edward Marlo
|
The Finger Flutter
|
1957
|
|
21
|
|
|
the clip steal \n \n edward marlo \n side steal to flexible palm \n dan macmillan \n side steal to flexible palm \n dan macmillan \n "an old card effect" (the magic wand, vol. 22 no. 159, oct/nov 1933, p. 140) \n hatton & plate
1957
side steal
Edward Marlo
|
The Clip Steal
|
Related to- "An Old Card Effect" (The Magic Wand, Vol. 22 No. 159, Oct/Nov 1933, p. 140)
- Hatton & Plate
Variations
|
1957
|
|
22
|
|
|
clip steal to bottom \n \n edward marlo \n side to side \n harry lorayne
1957
side steal
Edward Marlo
|
Clip Steal to Bottom
|
Related to
|
1957
|
|
24
|
|
|
clip steal color change \n \n edward marlo \n clip steal color change finesse \n ed andres
1957
side steal
Edward Marlo
|
Clip Steal Color Change
|
Variations
|
1957
|
|
25
|
|
|
palm positions \n introducing four palming positions \n edward marlo
1957
side steal
Edward Marlo
|
Palm Positions
|
1957
|
|
27
|
|
|
fourth palm position \n called "marlo palm", see note 5 on p. 58 \n edward marlo \n m.p. side steal \n edward marlo
1957
side steal
Edward Marlo
|
Fourth Palm Position
|
Related to
|
1957
|
|
28
|
|
|
side steal to bottom \n six methods \n edward marlo \n the side-steal bottom placemant and variations \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to Bottom
|
Related to
|
1957
|
|
29
|
|
|
side steal to the bottom - fifth method \n tenkai palm replacement \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to the Bottom - Fifth Method
|
1957
|
|
33
|
|
|
side steal to bottom - fifth method \n \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to Bottom - Fifth Method
|
1957
|
|
33
|
|
|
side steal to bottom - sixth method \n \n edward marlo \n side steal into tenkai palm \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal to Bottom - Sixth Method
|
Variations
|
1957
|
|
33
|
|
|
multiple rear palm steal \n bringing bottom block into palm position \n edward marlo \n bottom block side-jog \n edward marlo
1957
side steal
Edward Marlo
|
Multiple Rear Palm Steal
|
Related to
|
1957
|
|
36
|
|
|
to the top \n tenkai steals to top, two methods \n edward marlo
1957
side steal
Edward Marlo
|
To the Top
|
1957
|
|
37
|
|
|
card from case \n \n edward marlo
1957
side steal
Edward Marlo
|
Card from Case
|
1957
|
|
38
|
|
|
the stop effect \n \n edward marlo
1957
side steal
Edward Marlo
|
The Stop Effect
|
1957
|
|
39
|
|
|
the insertion steals \n from center \n edward marlo \n rear jogging cards \n roger smith \n the master position \n edward marlo
1957
side steal
Edward Marlo
|
The Insertion Steals
|
Variations
|
1957
|
|
40
|
|
|
full left hand steal \n as an insertion steal \n edward marlo
1957
side steal
Edward Marlo
|
Full Left Hand Steal
|
1957
|
|
41
|
|
|
right hand steal \n as a direct insertion steal \n edward marlo
1957
side steal
Edward Marlo
|
Right Hand Steal
|
1957
|
|
43
|
|
|
the diagonal steal \n as a direct insertion steal \n edward marlo \n the diagonal left hand palm (improved method) \n paul lepaul \n the left hand diagonal palm \n paul lepaul \n michael close \n edward marlo \n the center steal \n edward marlo
1957
side steal
Edward Marlo
|
The Diagonal Steal
|
Related to
|
1957
|
|
45
|
|
|
side steal cover ups \n historic note on covered side steals \n edward marlo
1957
side steal
Edward Marlo
|
Side Steal Cover Ups
|
1957
|
|
47
|
|
|
first cover up \n with cover card \n edward marlo
1957
side steal
Edward Marlo
|
First Cover Up
|
1957
|
|
48
|
|
|
clip steal cover up \n cover card steal and applications, see notes 6, 7 on p. 59 \n edward marlo
1957
side steal
Edward Marlo
|
Clip Steal Cover Up
|
1957
|
|
50
|
|
|
between the aces \n \n edward marlo
1957
side steal
Edward Marlo
|
Between the Aces
|
1957
|
|
51
|
|
|
dribble stop effect \n card in clip palm during dribbling \n edward marlo \n slide-around top/bottom dribble force \n justin higham \n clip palm dribble control \n edward marlo
1957
side steal
Edward Marlo
|
Dribble Stop Effect
|
Related toVariations
|
1957
|
|
53
|
|
|
card stab \n \n edward marlo
1957
side steal
Edward Marlo
|
Card Stab
|
1957
|
|
54
|
|
|
clip palm ace cutting \n \n edward marlo
1957
side steal
Edward Marlo
|
Clip Palm Ace Cutting
|
1957
|
|
54
|
|
|
for the purist \n spectator stabs \n edward marlo
1957
side steal
Edward Marlo
|
For the Purist
|
1957
|
|
56
|
|
|
concluding observations: note 1 \n two cards peeked for using technical side steal \n edward marlo
1957
side steal
Edward Marlo
|
Concluding Observations: Note 1
|
1957
|
|
57
|
|
|
note 4 \n from center \n edward marlo
1957
side steal
Edward Marlo
|
Note 4
|
1957
|
|
58
|
|
|
note 9 \n note on psychology of side steal \n edward marlo
1957
side steal
Edward Marlo
|
Note 9
|
1957
|
|
59
|
|
|
note 8 - the dribble replacement \n \n edward marlo
1957
side steal
Edward Marlo
|
Note 8 - The Dribble Replacement
|
1957
|
|
59
|
|
|
note \n note on approachment of right hand \n edward marlo
1957
side steal
Edward Marlo
|
Note
|
1957
|
|
60
|
|
|
the tabled palm \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Tabled Palm
|
1957
|
|
1
|
|
|
one hand table palm \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
One Hand Table Palm
|
1957
|
|
2
|
|
|
tabled riffle palm \n during square up after tabled riffle shuffle, either hand \n edward marlo \n tabled riffle palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tabled Riffle Palm
|
Also published here
|
1957
|
|
3
|
|
|
flat palm steal \n from tabled deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Flat Palm Steal
|
1957
|
|
5
|
|
|
angle palm steal \n from tabled deck \n edward marlo \n angle palm steal \n edward marlo \n two-card tabled tenkai palm \n scott baird
1957
the tabled palm
Edward Marlo
|
Angle Palm Steal
|
VariationsAlso published here
|
1957
|
|
6
|
|
|
adjustment misdirection \n from tabled deck as a card in front of deck is adjusted \n edward marlo \n adjustment misdirection \n edward marlo \n ken krenzel
1957
the tabled palm
Edward Marlo
|
Adjustment Misdirection
|
Variations
|
1957
|
|
8
|
|
|
table riffle angle palm \n for a certain number of cards \n edward marlo
1957
the tabled palm
Edward Marlo
|
Table Riffle Angle Palm
|
1957
|
|
9
|
|
|
longitudinal angle palm \n from tabled deck after riffle shuffle \n edward marlo
1957
the tabled palm
Edward Marlo
|
Longitudinal Angle Palm
|
1957
|
|
10
|
|
|
ribbon spread palm \n as the spread is adjusted with both hands \n edward marlo
1957
the tabled palm
Edward Marlo
|
Ribbon Spread Palm
|
1957
|
|
11
|
|
|
travelling double \n two cards travel to top of deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Travelling Double
|
1957
|
|
12
|
|
|
tabled double lift \n using crimped deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tabled Double Lift
|
1957
|
|
13
|
|
|
ten and ten \n one selected card \n edward marlo
1957
the tabled palm
Edward Marlo
|
Ten and Ten
|
1957
|
|
14
|
|
|
tabled stop effect \n using tabled palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tabled Stop Effect
|
1957
|
|
15
|
|
|
out of your hands \n top card of tabled deck transforms \n edward marlo
1957
the tabled palm
Edward Marlo
|
Out of Your Hands
|
1957
|
|
16
|
|
|
as a control \n to apparently cut top card into center yet retain it under control, using tabled tenkai palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
As a Control
|
1957
|
|
17
|
|
|
angle palm replacement \n to tabled deck \n edward marlo
1957
the tabled palm
Edward Marlo
|
Angle Palm Replacement
|
1957
|
|
18
|
|
|
card to top \n on tabled deck, using tabled palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Card to Top
|
1957
|
|
19
|
|
|
sell or delusion \n \n edward marlo \n the partagas "sell" \n victor farelli \n the dunbury delusion \n charlie miller
1957
the tabled palm
Edward Marlo
|
Sell or Delusion
|
Inspired by
|
1957
|
|
19
|
|
|
veneri turn variant \n bluff method for "card at any number" \n edward marlo \n ernando veneri
1957
the tabled palm
Edward Marlo, Ernando Veneri
|
Veneri Turn Variant
|
1957
|
|
20
|
|
|
face up elimination \n selection appears as last card in face up eliminiation process, even though it was not there \n edward marlo
1957
the tabled palm
Edward Marlo
|
Face Up Elimination
|
1957
|
|
21
|
|
|
rise-rise-rise \n card from center rises to top visible, tabled, two methods (tenkai and flat palm) \n edward marlo \n raised! \n edward marlo \n shane cobalt
1957
the tabled palm
Edward Marlo
|
Rise-Rise-Rise
|
Variations
|
1957
|
|
23
|
|
|
angle palm transfer \n from right tenkai palm to left rear palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Angle Palm Transfer
|
1957
|
|
26
|
|
|
flat palm to tenkai palm \n one-handed adjustment \n edward marlo
1957
the tabled palm
Edward Marlo
|
Flat Palm to Tenkai Palm
|
1957
|
|
26
|
|
|
tip up angle palm \n multiple cards, in the hands, to right hand \n edward marlo \n wrist turn palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Tip Up Angle Palm
|
Variations
|
1957
|
|
26
|
|
|
full buckle palm \n one-handed bottom palm of a single card \n edward marlo \n buckle bottom palm \n francis carlyle
1957
the tabled palm
Edward Marlo
|
Full Buckle Palm
|
Related to
|
1957
|
|
28
|
|
|
modified erdnase bottom deal grip \n for bottom palm application \n edward marlo \n s. w. erdnase
1957
the tabled palm
Edward Marlo, S. W. Erdnase
|
Modified Erdnase Bottom Deal Grip
|
1957
|
|
28
|
|
|
center block palm \n cards are spreaded face-up, right hand \n edward marlo \n the cull palm \n edward marlo
1957
the tabled palm
Edward Marlo
|
Center Block Palm
|
Related to
|
1957
|
|
29
|
|
|
direct rear palm \n as top card is placed openly to bottom \n edward marlo \n the depth-illusion palm \n steve draun \n edward marlo
1957
the tabled palm
Edward Marlo
|
Direct Rear Palm
|
Related to
|
1957
|
|
31
|
|
|
vanish from packet \n vanishing a card from a packet of five, "red and blue effect" \n edward marlo
1957
the tabled palm
Edward Marlo
|
Vanish from Packet
|
1957
|
|
32
|
|
|
card to pocket \n direct rear palm application \n edward marlo
1957
the tabled palm
Edward Marlo
|
Card to Pocket
|
1957
|
|
32
|
|
|
direct rear palm - multiple cards \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
Direct Rear Palm - Multiple Cards
|
1957
|
|
32
|
|
|
ten cards to pocket finale \n handling for the end \n edward marlo
1957
the tabled palm
Edward Marlo
|
Ten Cards to Pocket Finale
|
1957
|
|
33
|
|
|
direct full palm \n as card is placed openly to bottom \n edward marlo \n the depth-illusion palm \n steve draun \n edward marlo
1957
the tabled palm
Edward Marlo
|
Direct Full Palm
|
Related to
|
1957
|
|
33
|
|
|
the card transfer \n for application ideas see also page 37 \n edward marlo \n notes on marlo's card transfer \n ken simmons \n dribble application of the card transfer no. 1 \n justin higham
1957
the tabled palm
Edward Marlo
|
The Card Transfer
|
Variations
|
1957
|
|
34
|
|
|
classic palm replacement to tabled deck \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
Classic Palm Replacement to Tabled Deck
|
1957
|
|
35
|
|
|
the lost card \n sucker presentation, using the card transfer \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Lost Card
|
1957
|
|
36
|
|
|
addition to tabled packet \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
Addition to Tabled Packet
|
1957
|
|
37
|
|
|
the card transfer - variation \n \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Card Transfer - Variation
|
1957
|
|
37
|
|
|
the card transfer for ace cutting \n only idea mentioned \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Card Transfer for Ace Cutting
|
1957
|
|
37
|
|
|
the card transfer with a definite number of cards \n crimp \n edward marlo
1957
the tabled palm
Edward Marlo
|
The Card Transfer with a Definite Number of Cards
|
1957
|
|
38
|
|
|
paper and coin \n multi phase routine \n edward marlo \n münze und papier \n jörg alexander weber \n paper prison \n bob ostin
1957
coining magic
Edward Marlo
|
Paper and Coin
|
Related toVariations
|
1957
|
|
3
|
|
|
the dealer's pitch \n \n edward marlo
1957
coining magic
Edward Marlo
|
The Dealer's Pitch
|
1957
|
|
6
|
|
|
the spider vanish \n \n edward marlo \n the eight-legged coin vanish \n mike gallo
1957
coining magic
Edward Marlo
|
The Spider Vanish
|
Variations
|
1957
|
|
8
|
|
|
further ideas \n on the paperfold ideas "flip move coin fold", complete vanish ideas \n edward marlo
1957
coining magic
Edward Marlo
|
Further Ideas
|
1957
|
|
10
|
|
|
the spectator wraps it up \n \n edward marlo
1957
coining magic
Edward Marlo
|
The Spectator Wraps it Up
|
1957
|
|
11
|
|
|
shrinkage \n in paper fold \n edward marlo
1957
coining magic
Edward Marlo
|
Shrinkage
|
1957
|
|
12
|
|
|
copper-silver paper \n only two coins \n edward marlo
1957
coining magic
Edward Marlo
|
Copper-Silver Paper
|
1957
|
|
14
|
|
|
solid-soft-solid-gone \n coin folded in paper is bent \n edward marlo
1957
coining magic
Edward Marlo
|
Solid-Soft-Solid-Gone
|
1957
|
|
16
|
|
|
hand penetration \n wrapped in paper \n edward marlo
1957
coining magic
Edward Marlo
|
Hand Penetration
|
1957
|
|
17
|
|
|
a new method of handling the flip move \n \n edward marlo
1957
coining magic
Edward Marlo
|
A New Method of Handling the Flip Move
|
1957
|
|
18
|
|
|
sans dupliate \n coin through paper and card case \n edward marlo
1957
coining magic
Edward Marlo
|
Sans Dupliate
|
1957
|
|
19
|
|
|
flutterless \n \n edward marlo
1957
coining magic
Edward Marlo
|
Flutterless
|
1957
|
|
21
|
|
|
unprepared \n \n edward marlo
1957
coining magic
Edward Marlo
|
Unprepared
|
1957
|
|
22
|
|
|
ed marlo's personal routine \n with various paper fold effects \n edward marlo
1957
coining magic
Edward Marlo
|
Ed Marlo's Personal Routine
|
1957
|
|
23
|
|
|
s.o.c. \n half dollar and three copper coins, transposition, coins to box, coins through card case, see also page 40 \n edward marlo \n soc ii \n al schneider \n edward marlo \n soc iii \n blair bowling \n s-o-see thru \n simon aronson \n copper, silver, gold coin box routine \n harry riser
1957
coining magic
Edward Marlo
|
S.O.C.
|
Related toVariations
|
1957
|
|
24
|
|
|
coin box load \n \n edward marlo
1957
coining magic
Edward Marlo
|
Coin Box Load
|
1957
|
|
27
|
|
|
technique for visible coin change \n \n edward marlo
1957
coining magic
Edward Marlo
|
Technique for Visible Coin Change
|
1957
|
|
31
|
|
|
the 1050 transposition \n coin in paper transposes with coin in hand \n edward marlo
1957
coining magic
Edward Marlo
|
The 1050 Transposition
|
1957
|
|
32
|
|
|
impromptu s.o.c. routine \n no copper/silver coin \n edward marlo \n s.o.c. \n edward marlo
1957
coining magic
Edward Marlo
|
Impromptu S.O.C. Routine
|
Related to
|
1957
|
|
33
|
|
|
marlo one hand turnover \n \n edward marlo
1957
coining magic
Edward Marlo
|
Marlo One Hand Turnover
|
1957
|
|
37
|
|
|
coin box turnover \n \n edward marlo
1957
coining magic
Edward Marlo
|
Coin Box Turnover
|
1957
|
|
38
|
|
|
concluding observations \n \n edward marlo
1957
coining magic
Edward Marlo
|
Concluding Observations
|
1957
|
|
40
|
|
|
six card repeat climax \n \n edward marlo
1957
the new phoenix
Edward Marlo
|
Six Card Repeat Climax
|
July 1957
|
|
209
|
|
|
latest oil and water \n 4&4, no extra cards
- first phase
- second phase
- third phase
- fourth phase \n edward marlo
1957
ibidem
Edward Marlo
|
Latest Oil and Water
|
Mar. 1957
|
|
13
|
|
|
swindle aces display \n four cards shown one by one and tabled, one shown twice and one hidden \n edward marlo \n swindle aces \n edward marlo
1957
ibidem
Edward Marlo
|
Swindle Aces Display
|
Related to
|
Mar. 1957
|
|
13
|
|
|
miracle transposition \n card on top of packet transposes with card on table, using miracle change no. 1 \n edward marlo
1957
ibidem
Edward Marlo
|
Miracle Transposition
|
Mar. 1957
|
|
24
|
|
|
red black locations \n two-card location with divided deck, faro
- second phase (red-black-alternating)
- third phase (red-black-alternating in pairs)
- fourth phase (divided deck) \n edward marlo \n ever ready-black routine \n edward marlo
1957
ibidem
Edward Marlo
|
Red Black Locations
|
Variations
|
June 1957
|
|
3
|
|
|
cull separation shuffle \n deck alternates in pairs, after overhand shuffle sequence the colors are separated \n edward marlo
1957
ibidem
Edward Marlo
|
Cull Separation Shuffle
|
June 1957
|
|
5
|
|
|
double buckle vanish \n card vanishes from packet
- with all five cards face down
- with all cards face down
- with all cards face up
- to show all cards and reverse the selection during the process
- devilish miracle handling
- the triple buckle vanish \n edward marlo
1957
ibidem
Edward Marlo
|
Double Buckle Vanish
|
June 1957
|
|
15
|
|
|
skipping elevator \n with ace through four, two ahead \n edward marlo
1957
ibidem
Edward Marlo
|
Skipping Elevator
|
June 1957
|
|
19
|
|
|
3 mental effects \n intro \n edward marlo
1957
ibidem
Edward Marlo
|
3 Mental Effects
|
Sep. 1957
|
|
8
|
|
|
new tail of the q \n - #1 of "3 mental effects"
back-count force with q-shaped layout, two cards and a number are divined \n edward marlo \n the capital q \n unknown
1957
ibidem
Edward Marlo
|
New Tail of the Q
|
Related to
|
Sep. 1957
|
|
8
|
|
|
telephone test \n - #2 of "3 mental effects"
over telephone or from another room, spectator deals cards one at a time and calls them out and thinks of one of them, performer divines it, repeat with two cards (one thought of, another selection placed besides it, then the order called out), optional ideas for further phase \n edward marlo \n ma bell ringers \n edward marlo \n ma bell ringers - korem variation of telephone test \n danny korem \n mental and physical \n edward marlo \n telephone extension \n p. howard lyons
1957
ibidem
Edward Marlo
|
Telephone Test
|
VariationsAlso published here
|
Sep. 1957
|
|
10
|
|
|
majority fishing \n \n edward marlo
1957
ibidem
Edward Marlo
|
Majority Fishing
|
Sep. 1957
|
|
10
|
|
|
mental and physical \n - #3 of "3 mental effects"
card thought of, another selection placed next to it, both found
- additional ideas for mental and physical choice
-- 1. force
-- 2. marked deck
-- 3. stacked deck
-- 4. one way deck on faces \n edward marlo \n telephone test \n edward marlo \n a selected card and a thought-of card \n dani daortiz \n jorge luengo
1957
ibidem
Edward Marlo
|
Mental and Physical
|
Inspired byRelated to
|
Sep. 1957
|
|
11
|
|
|
hummer-marlo \n packet mixed with cato procedure by spectator under table, one card remembered, performer sorts all except selection, faro \n edward marlo \n solo-hummer \n david solomon
1957
ibidem
Edward Marlo
|
Hummer-Marlo
|
Related to
|
Dec. 1957
|
|
2
|
|
|
the backward faro \n out-jogging every other card, with some properties, also for setting up for a "false" shuffle \n edward marlo \n reverse or backward faro \n edward marlo \n rusduck thinks \n russell "rusduck" duck
1957
ibidem
Edward Marlo
|
The Backward Faro
|
Related toVariations
|
Dec. 1957
|
|
4
|
|
|
the faro calculator \n getting into stack with faros, reverse-principle \n edward marlo \n the faro calculator \n edward marlo
1957
ibidem
Edward Marlo
|
The Faro Calculator
|
Also published here
|
Dec. 1957
|
|
5
|
|
|
marlo's hofzinser \n two duplicates, presentation with three glasses (placing block as one card in a glass) \n edward marlo
1957
1957 card annual
Edward Marlo
|
Marlo's Hofzinser
|
1957
|
|
26
|
|
|
shuffle stop force \n spectator stops during overhand shuffle, timing \n edward marlo
1957
1957 card annual
Edward Marlo
|
Shuffle Stop Force
|
1957
|
|
26
|
|
|
block handling \n block of four cards is removed from glass as one card and turned over \n edward marlo
1957
1957 card annual
Edward Marlo
|
Block Handling
|
1957
|
|
28
|
|
|
additional climax to marlo's hofzinser \n after the three cards changed to the selection, they change into aces, four-of-a-kind matching the selection is produced from pocket paper-clipped together \n edward marlo
1957
1957 card annual
Edward Marlo
|
Additional Climax to Marlo's Hofzinser
|
1957
|
|
29
|
|
|
the buckle break \n multiple cards \n edward marlo \n the double and triple buckle \n edward marlo
1957
1957 card annual
Edward Marlo
|
The Buckle Break
|
Related to
|
1957
|
|
31
|
|
|
marlo bottom count \n cards spring off right thumb via buckling with diagonal pressure at upper left corner \n edward marlo
1957
1957 card annual
Edward Marlo
|
Marlo Bottom Count
|
1957
|
|
31
|
|
|
the faro shuffle \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The Faro Shuffle
|
1958
|
|
1
|
|
|
the first technique \n detailed description \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The First Technique
|
1958
|
|
1
|
|
|
first variation \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
First Variation
|
1958
|
|
6
|
|
|
faro aids \n - the rock and reweave
- fan spread and weave
- resquaring the packets (three methods)
- cutting at 26 \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Faro Aids
|
1958
|
|
7
|
|
|
26th card faro check \n for credit information see reference \n edward marlo \n alex elmsley \n faro check \n alex elmsley
1958
the faro shuffle
Edward Marlo, Alex Elmsley
|
26th Card Faro Check
|
Related to
|
1958
|
|
11
|
|
|
the 4th finger table \n tip \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The 4th Finger Table
|
1958
|
|
12
|
|
|
faro riffle shuffle \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Faro Riffle Shuffle
|
1958
|
|
13
|
|
|
variations in technique on the faro riffle shuffle \n five variations \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Variations in Technique on the Faro Riffle Shuffle
|
1958
|
|
16
|
|
|
in the hands \n table faro done without table \n edward marlo
1958
the faro shuffle
Edward Marlo
|
In the Hands
|
1958
|
|
19
|
|
|
the butt faro \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
The Butt Faro
|
1958
|
|
21
|
|
|
partial faro check \n to get several packets with the same number of cards \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Partial Faro Check
|
1958
|
|
22
|
|
|
throw-off faro - top \n if only the top portion is important \n edward marlo \n straddle faro glimpse \n grace ann morgan
1958
the faro shuffle
Edward Marlo
|
Throw-Off Faro - Top
|
Related to
|
1958
|
|
24
|
|
|
cover-up slip cut \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Cover-Up Slip Cut
|
1958
|
|
24
|
|
|
throw-off faro - bottom \n if only the bottom portion is important \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Throw-Off Faro - Bottom
|
1958
|
|
25
|
|
|
above crimp faro \n \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Above Crimp Faro
|
1958
|
|
26
|
|
|
off center faro \n - another application of the off center shuffle
- left over faro
- using the faro riffle faro (table faro) for throw off
- off center and above crimp faros \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Off Center Faro
|
1958
|
|
26
|
|
|
half and half shuffle \n basically the stay stack principle applied to two cards \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Half and Half Shuffle
|
1958
|
|
29
|
|
|
"half plus one" \n bringing a key card next to a certain card with faro shuffle \n edward marlo
1958
the faro shuffle
Edward Marlo
|
"Half Plus One"
|
1958
|
|
30
|
|
|
combining riffle shuffles & faros \n for stacking cards, examples are ten hands and seven (!) hands \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Combining Riffle Shuffles & Faros
|
1958
|
|
31
|
|
|
reverse or backward faro \n out-jogging every other card \n edward marlo \n the backward faro \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Reverse or Backward Faro
|
Related to
|
1958
|
|
33
|
|
|
observations \n faro as a false shuffle and other comments \n edward marlo
1958
the faro shuffle
Edward Marlo
|
Observations
|
1958
|
|
34
|
|
|
on discrepancies \n correcting slight mistakes \n edward marlo
1958
the faro shuffle
Edward Marlo
|
On Discrepancies
|
1958
|
|
35
|
|
|
faro notes \n \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Notes
|
1958
|
|
1
|
|
|
faro as a control \n how to control a card at known position to top with faro shuffles, with subsections:
- less than 52
- with two cards
- for 2 cards at undetermined positions \n edward marlo \n binary translocations \n alex elmsley
1958
faro notes
Edward Marlo
|
Faro as a Control
|
Inspired by
|
1958
|
|
2
|
|
|
a correction \n commentary on ect tables, see also new hardcover edition for further commentary \n edward marlo \n the shuffle \n fred black
1958
faro notes
Edward Marlo
|
A Correction
|
Inspired by
|
1958
|
|
8
|
|
|
odd faro \n how to cut the deck like in an odd-numbered deck when having an even number of cards \n edward marlo
1958
faro notes
Edward Marlo
|
Odd Faro
|
1958
|
|
9
|
|
|
the faro calculator \n getting into stack with faros, reverse-principle \n edward marlo \n the faro calculator \n edward marlo
1958
faro notes
Edward Marlo
|
The Faro Calculator
|
Also published here
|
1958
|
|
10
|
|
|
the chain calculator \n how to calculate position of any card after faro shuffles, memorized deck \n edward marlo \n calculating removed card \n edward marlo
1958
faro notes
Edward Marlo
|
The Chain Calculator
|
Related to
|
1958
|
|
12
|
|
|
the left over faro shuffle \n partial faro as an ace multiple control \n edward marlo
1958
faro notes
Edward Marlo
|
The Left Over Faro Shuffle
|
1958
|
|
14
|
|
|
shuffling the aces \n after every (in-)shuffle, an ace is on top \n edward marlo \n free count aces \n roger crosthwaite
1958
faro notes
Edward Marlo
|
Shuffling the Aces
|
Variations
|
1958
|
|
16
|
|
|
placement shuffle \n placing aces thirteen cards apart, with stacking application \n edward marlo
1958
faro notes
Edward Marlo
|
Placement Shuffle
|
1958
|
|
18
|
|
|
control of the aces \n four card control using faro shuffles, different versions \n edward marlo
1958
faro notes
Edward Marlo
|
Control of the Aces
|
1958
|
|
19
|
|
|
an out shuffle effect \n using faro shuffles \n edward marlo \n three-seven-jack \n sebastian talbot
1958
faro notes
Edward Marlo
|
An Out Shuffle Effect
|
Related to
|
1958
|
|
21
|
|
|
progressive miracle \n repeated multiple times \n edward marlo \n miracle location \n edward marlo \n new deck p.m. \n edward marlo \n add note to p. m. \n edward marlo
1958
faro notes
Edward Marlo
|
Progressive Miracle
|
Inspired byVariations
|
1958
|
|
22
|
|
|
new deck p.m. \n version from new deck order \n edward marlo \n the missing card \n edward marlo \n juan tamariz \n progressive miracle \n edward marlo \n add note to p. m. \n edward marlo \n progressive miracle using the half & half principle \n edward marlo
1958
faro notes
Edward Marlo
|
New Deck P.M.
|
Inspired byVariations
|
1958
|
|
27
|
|
|
76-76-67-67 \n no selection, using faro shuffle, with variation that ends in red-black separated deck \n edward marlo \n sober slop poker \n edward marlo \n sober slop shuffle deal \n edward marlo \n ladanye's ultimate triumph \n jason ladanye \n red and black \n bill hendricks \n vernon's mix up weave shuffle \n dai vernon
1958
faro notes
Edward Marlo
|
76-76-67-67
|
Related toVariations
|
1958
|
|
29
|
|
|
the memorized stack \n a memorized stack from npo, but only with jokers (as "keys") and faros \n edward marlo
1958
faro notes
Edward Marlo
|
The Memorized Stack
|
1958
|
|
31
|
|
|
fingertip miracle \n three selections, memorized deck, improvisation \n edward marlo \n mnemonicosis (tamariz on ideas by marlo and vernon) \n juan tamariz
1958
faro notes
Edward Marlo
|
Fingertip Miracle
|
Variations
|
1958
|
|
33
|
|
|
full deck - five faros \n returning 52 cards to their original order after only five faro shuffles \n edward marlo
1958
faro notes
Edward Marlo
|
Full Deck - Five Faros
|
1958
|
|
34
|
|
|
the reverse or backward faro \n \n edward marlo
1958
faro notes
Edward Marlo
|
The Reverse or Backward Faro
|
1958
|
|
36
|
|
|
a false shuffle combination \n combining faros with partial faros \n edward marlo
1958
faro notes
Edward Marlo
|
A False Shuffle Combination
|
1958
|
|
37
|
|
|
the wrong hand \n player receives aces, performer straight flush \n edward marlo
1958
faro notes
Edward Marlo
|
The Wrong Hand
|
1958
|
|
38
|
|
|
it's mathematical \n stay stack principle applied to memorized deck, two effects \n edward marlo \n stay-stack with mnemonica \n juan tamariz
1958
faro notes
Edward Marlo
|
It's Mathematical
|
Related to
|
1958
|
|
40
|
|
|
alternative procedures \n stay stack principle applied to memorized deck, see previous item \n edward marlo
1958
faro notes
Edward Marlo
|
Alternative Procedures
|
1958
|
|
43
|
|
|
two disclosures \n - 1) another card is selected, its value used to count to selection
- 2) stop effect \n edward marlo
1958
faro notes
Edward Marlo
|
Two Disclosures
|
1958
|
|
45
|
|
|
automatic placement \n with several applications following \n edward marlo \n the automatic joker \n paul swinford \n automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Automatic Placement
|
Related toVariations
|
1958
|
|
47
|
|
|
variants on automatic placement \n \n edward marlo
1958
faro notes
Edward Marlo
|
Variants on Automatic Placement
|
1958
|
|
48
|
|
|
faro foolers: first fooler \n as many cards as one likes, automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Foolers: First Fooler
|
1958
|
|
49
|
|
|
second fooler \n with two selections in two halves of one deck, automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Second Fooler
|
1958
|
|
50
|
|
|
third fooler \n two cards, faro and automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Third Fooler
|
1958
|
|
51
|
|
|
"shuffle around selections" \n no. 7 \n edward marlo
1958
faro notes
Edward Marlo
|
"Shuffle around Selections"
|
1958
|
|
51
|
|
|
fourth fooler \n two cards selected, a card turns face-up between selections, see also page 55 for two further notes \n edward marlo \n the custodial card \n alex elmsley
1958
faro notes
Edward Marlo
|
Fourth Fooler
|
Variations
|
1958
|
|
52
|
|
|
fifth fooler \n twenty-sixth card is forced with procedure similar to automatic placement \n edward marlo
1958
faro notes
Edward Marlo
|
Fifth Fooler
|
1958
|
|
52
|
|
|
sixth fooler \n \n edward marlo \n warren wiersbe \n packet prediction \n warren wiersbe
1958
faro notes
Edward Marlo, Warren Wiersbe
|
Sixth Fooler
|
Inspired by
|
1958
|
|
53
|
|
|
seventh fooler \n two cards \n edward marlo
1958
faro notes
Edward Marlo
|
Seventh Fooler
|
1958
|
|
54
|
|
|
variation on automatic placement \n two variations \n edward marlo
1958
faro notes
Edward Marlo
|
Variation on Automatic Placement
|
1958
|
|
55
|
|
|
faro fooler #8 \n using natural estimation \n edward marlo \n pull down estimation \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #8
|
Related to
|
1958
|
|
56
|
|
|
automatic cut principle \n left thumb pulls down on left side \n edward marlo
1958
faro notes
Edward Marlo
|
Automatic Cut Principle
|
1958
|
|
57
|
|
|
uses of partial faro check - faro fooler #9 \n face-up card is sandwiched by two selections, or used to count to them \n edward marlo
1958
faro notes
Edward Marlo
|
Uses of Partial Faro Check - Faro Fooler #9
|
1958
|
|
57
|
|
|
faro fooler #10 \n three cards \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #10
|
1958
|
|
60
|
|
|
exact placement \n placing top card into position indicated by value of bottom card, left over bottom faro \n edward marlo
1958
faro notes
Edward Marlo
|
Exact Placement
|
1958
|
|
61
|
|
|
faro fooler #11 \n exact placement, two selections are found at thought of number, with three variations \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #11
|
1958
|
|
62
|
|
|
faro fooler #12 \n two separated face up cards come together to sandwich selection \n edward marlo \n correction on faro fooler #12 \n edward marlo \n packet handling for faro fooler #12 \n neal elias \n edward marlo
1958
faro notes
Edward Marlo
|
Faro Fooler #12
|
Variations
|
1958
|
|
65
|
|
|
instant 26th location \n getting a selection to top with faro, crimp, twenty-sixth faro check and half plus one principle \n edward marlo
1958
faro notes
Edward Marlo
|
Instant 26th Location
|
1958
|
|
66
|
|
|
the 17th location \n two cards \n edward marlo
1958
faro notes
Edward Marlo
|
The 17th Location
|
1958
|
|
67
|
|
|
the 13th location \n three selections \n edward marlo
1958
faro notes
Edward Marlo
|
The 13th Location
|
1958
|
|
68
|
|
|
wrong to right \n two wrong cards are changed into selections \n edward marlo
1958
faro notes
Edward Marlo
|
Wrong to Right
|
1958
|
|
69
|
|
|
magical seven \n selection reversed in face-up portion travels down into lower face-down portion into seventh position, several repeats
- phase one
- phase two
- phase three
- phase four
- phase five \n edward marlo \n mystic seven \n peter duffie \n disco \n david britland \n faith counter \n peter duffie \n robin robertson \n combined forces \n peter duffie \n robin robertson \n seven down \n peter duffie \n for the magic seven \n edward marlo
1958
the magic seven
Edward Marlo
|
Magical Seven
|
Related toVariations
|
1958
|
|
2
|
|
|
cut reverse \n a bit similar to braue \n edward marlo
1958
the magic seven
Edward Marlo
|
Cut Reverse
|
1958
|
|
3
|
|
|
picking up a break \n by moving hand down instead of cards up \n edward marlo
1958
the magic seven
Edward Marlo
|
Picking up a Break
|
1958
|
|
5
|
|
|
table edge break concealment \n to conceal break when held with right thumb in end grip \n edward marlo
1958
the magic seven
Edward Marlo
|
Table Edge Break Concealment
|
1958
|
|
13
|
|
|
block turnover \n seven as one \n edward marlo
1958
the magic seven
Edward Marlo
|
Block Turnover
|
1958
|
|
18
|
|
|
opening phase \n after spectator shuffles, a seven is at seventh position, three methods \n edward marlo
1958
the magic seven
Edward Marlo
|
Opening Phase
|
1958
|
|
21
|
|
|
the climax phase \n production of the four sevens \n edward marlo
1958
the magic seven
Edward Marlo
|
The Climax Phase
|
1958
|
|
22
|
|
|
mental disclosure \n - first method (one of ten memorized cards thought of, fishing and showing piles and asking whether the card is among them)
- second method (shuffled, one of nine, asking whether the card is among them) \n edward marlo
1958
ibidem
Edward Marlo
|
Mental Disclosure
|
Mar. 1958
|
|
6
|
|
|
thoughts on piano \n on the piano card trick
- first method (two roughed pairs)
- second method
- third method \n edward marlo
1958
ibidem
Edward Marlo
|
Thoughts on Piano
|
Sep. 1958
|
|
2
|
|
|
ladies looking glass application \n \n edward marlo
1958
ibidem
Edward Marlo
|
Ladies Looking Glass Application
|
Dec. 1958
|
|
1
|
|
|
quick 3-way \n three-alike display \n edward marlo \n les quick cartes \n johnny thompson \n monkey business’ uncle \n jerry k. hartman \n quick three-way \n edward marlo \n 3 card monkey business \n bill elliott
1958
ibidem
Edward Marlo
|
Quick 3-Way
|
Related toVariationsAlso published here
|
Dec. 1958
|
|
2
|
|
|
in lieu of the hindoo shuffle \n all alike display for deck
- first method (sequence of under-cuts and shows)
- second method (swing cuts in the hands)
- third method (swing cuts onto the table)
- fourth method (packets cut from top to bottom with pull-down of bottom card)
- fifth method (deck face up, packets dropped onto table face down with slip cut action)
- sixth method (deck face up, slip cuts with face towards performer) \n edward marlo \n displaying all the cards as identical \n edward marlo \n in lieu of the hindoo shuffle \n edward marlo \n flushtration control \n justin higham
1958
ibidem
Edward Marlo
|
In Lieu of the Hindoo Shuffle
|
Related to
|
Dec. 1958
|
|
3
|
|
|
mini-classic (1st method) \n selection lost, it is shown on top, bottom and reversed in center, the three cards are shown as all alike, card then taken from pocket, deck shown as all selection \n edward marlo
1958
ibidem
Edward Marlo
|
Mini-Classic (1st method)
|
Dec. 1958
|
|
5
|
|
|
mini-classic (2nd method) \n three cards change into selection, then selection taken from pocket, card then taken from pocket, deck shown as all selection \n edward marlo \n a sixy effect \n edward marlo
1958
ibidem
Edward Marlo
|
Mini-Classic (2nd method)
|
Related to
|
Dec. 1958
|
|
6
|
|
|
a sixy effect \n three cards change into selection (a six), then selection taken from pocket, card then taken from pocket, deck shown as all selection, all four sixes produced from pocket, puns in the patter \n edward marlo \n mini-classic (2nd method) \n edward marlo \n a variation to a sixy effect \n edward marlo
1958
ibidem
Edward Marlo
|
A Sixy Effect
|
Related toVariations
|
Dec. 1958
|
|
7
|
|
|
a variation to a sixy effect \n variation of the ending with a pocket transfer sequence, passing a nine as a six \n edward marlo \n a sixy effect \n edward marlo \n card from pocket ideas/"search" technique \n edward marlo
1958
ibidem
Edward Marlo
|
A Variation to a Sixy Effect
|
Inspired byRelated to
|
Dec. 1958
|
|
8
|
|
|
buffalo'd \n transposition with bluff display \n edward marlo \n buf'd \n john bannon \n marlo's transposition routine \n edward marlo
1958
ibidem
Edward Marlo
|
Buffalo'd
|
Variations
|
Dec. 1958
|
|
9
|
|
|
jack and ace transposition \n two extra phases after dai vernon's "the jumping jack", clean-up with pocket phase \n edward marlo \n the jumping jack \n dai vernon
1958
ibidem
Edward Marlo
|
Jack and Ace Transposition
|
Inspired by
|
Dec. 1958
|
|
10
|
|
|
oil & water - water & oil - oil & water \n intro \n edward marlo
1958
ibidem
Edward Marlo
|
Oil & Water - Water & Oil - Oil & Water
|
Dec. 1958
|
|
12
|
|
|
first routine: using 3 jacks and 3 tens \n 3&3, extra card, three phases \n edward marlo \n handling for marlo's jacks & tens routine \n ken simmons
1958
ibidem
Edward Marlo
|
First Routine: Using 3 jacks and 3 tens
|
Variations
|
Dec. 1958
|
|
12
|
|
|
the second b and r routine \n 3&3, from the backs, three phases \n edward marlo
1958
ibidem
Edward Marlo
|
The Second B and R Routine
|
Dec. 1958
|
|
14
|
|
|
sleightless sleight \n oil & water fan with 3&3 is separated in display gesture, two cards switched/displaced \n edward marlo
1958
ibidem
Edward Marlo
|
Sleightless Sleight
|
Dec. 1958
|
|
15
|
|
|
all face up oil and water routine \n 3&3, also suggestion of using three cards face up and three face down \n edward marlo
1958
ibidem
Edward Marlo
|
All Face Up Oil and Water Routine
|
Dec. 1958
|
|
16
|
|
|
add note to p. m. \n handling with stay stack \n edward marlo \n progressive miracle \n edward marlo \n new deck p.m. \n edward marlo
1958
ibidem
Edward Marlo
|
Add Note to P. M.
|
Inspired by
|
Dec. 1958
|
|
17
|
|
|
progressive miracle using the half & half principle \n memorized deck as stay stack with calculations, marlo calls "stay stack principle" the "half & half principle" \n edward marlo \n new deck p.m. \n edward marlo
1958
ibidem
Edward Marlo
|
Progressive Miracle using the Half & Half Principle
|
Inspired by
|
Dec. 1958
|
|
18
|
|
|
to tell the truth \n deck faro shuffled, then one half placed face up and one face down on the table, face-up cards key the performer so he can name the face-down ones one by one, memorized deck as stay stack \n edward marlo
1958
ibidem
Edward Marlo
|
To Tell the Truth
|
Dec. 1958
|
|
18
|
|
|
calculating removed card \n from memorized deck, card removed and eight faros shuffled in total \n edward marlo \n the chain calculator \n edward marlo
1958
ibidem
Edward Marlo
|
Calculating Removed Card
|
Related to
|
Dec. 1958
|
|
19
|
|
|
foreword \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Foreword
|
1959
|
|
1
|
|
|
unorthodox second deal \n top card is buckled, also as third deal by marlo \n unknown \n edward marlo \n buckle second - marlo \n steve forte \n straddle buckle second \n steve forte
1959
seconds, centers, bottoms
, Edward Marlo
|
Unorthodox Second Deal
|
Related toVariations
|
1959
|
|
2
|
|
|
"seconds, centers, bottoms" \n introduction \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
"Seconds, Centers, Bottoms"
|
1959
|
|
5
|
|
|
the master grip and deal \n normal deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Master Grip and Deal
|
1959
|
|
7
|
|
|
new push out bottom deal \n unit movement \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
New Push Out Bottom Deal
|
1959
|
|
9
|
|
|
double deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Double Deal
|
1959
|
|
11
|
|
|
the over count \n selection found at a freely chosen number \n edward marlo \n alternate method of producing a card at any number \n ellis stanyon
1959
seconds, centers, bottoms
Edward Marlo
|
The Over Count
|
Related to
|
1959
|
|
11
|
|
|
the bottom deal count \n rearranging cards while counting them in the hands via bottom deals \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Bottom Deal Count
|
1959
|
|
12
|
|
|
strike bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Strike Bottom Deal
|
1959
|
|
14
|
|
|
strike bottom deal count \n rearranging cards while counting them in the hands via bottom deals \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Strike Bottom Deal Count
|
1959
|
|
15
|
|
|
the second deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Second Deal
|
1959
|
|
16
|
|
|
the take second deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Take Second Deal
|
1959
|
|
16
|
|
|
the push-off second \n with suggestion to push off two cards every time \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Push-Off Second
|
1959
|
|
17
|
|
|
the stud deal \n introduction \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Stud Deal
|
1959
|
|
19
|
|
|
the havana deal or "the myth of manuel pedro" \n commentary on the havana stud bottom deal, no technical description \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Havana Deal or "The Myth of Manuel Pedro"
|
1959
|
|
20
|
|
|
the new bottom stud \n \n edward marlo \n new bottom stud \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The New Bottom Stud
|
Also published here
|
1959
|
|
21
|
|
|
the stud second \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Stud Second
|
1959
|
|
22
|
|
|
the push-off stud \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Push-Off Stud
|
1959
|
|
24
|
|
|
one hand bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
One Hand Bottom Deal
|
1959
|
|
26
|
|
|
one hand count down \n selection appears at named small number, bottom deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
One Hand Count Down
|
1959
|
|
27
|
|
|
shifting the grip \n a- shifting the inner corner
b- the shifting forefinger
c- shifting the thumb
d- beveling the pack \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Shifting the Grip
|
1959
|
|
28
|
|
|
two strike methods \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Two Strike Methods
|
1959
|
|
31
|
|
|
special push-off techniques: the second deal count \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Special Push-Off Techniques: The Second Deal Count
|
1959
|
|
34
|
|
|
small packet second deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Small Packet Second Deal
|
1959
|
|
37
|
|
|
push-off technique \n from break \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Push-Off Technique
|
1959
|
|
37
|
|
|
first example \n packet is spread out and cards are hidden, triple buckle substitute \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
First Example
|
1959
|
|
38
|
|
|
second example \n in example: twelve as nine \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Second Example
|
1959
|
|
39
|
|
|
third example \n a card vanishes from a small packet \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Third Example
|
1959
|
|
40
|
|
|
fourth example \n spreading five as four \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Fourth Example
|
1959
|
|
40
|
|
|
the side push-off second \n \n s. w. erdnase \n edward marlo \n second dealing \n s. w. erdnase
1959
seconds, centers, bottoms
S. W. Erdnase, Edward Marlo
|
The Side Push-Off Second
|
Related to
|
1959
|
|
41
|
|
|
the related bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Related Bottom Deal
|
1959
|
|
44
|
|
|
the throw bottom deal \n two versions:
- the outward deal
- the inward deal \n edward marlo \n one hand bottom deal \n john murray \n throw bottom deal \n edward marlo \n one-handed bottom deal force \n jerry streicher \n lateral bottom deal \n tom gagnon \n outward bottom deal \n tom gagnon \n switcharoo force \n tom gagnon \n a mcdonald vanish \n tom gagnon \n one-hand behind the back force \n tom gagnon \n outward throw bottom deal \n edward marlo \n riffle-toss force \n tom gagnon
1959
seconds, centers, bottoms
Edward Marlo
|
The Throw Bottom Deal
|
Related toVariationsAlso published here
|
1959
|
|
45
|
|
|
my favorite stop effect \n from a routine called "never miss" \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
My Favorite Stop Effect
|
1959
|
|
49
|
|
|
the deep bottom deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Deep Bottom Deal
|
1959
|
|
50
|
|
|
the moveable thumb \n applied to the bottom deal \n edward marlo \n moveable second deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Moveable Thumb
|
Variations
|
1959
|
|
51
|
|
|
the clip bottom deal \n cards are dealt into right hand, then apparently top card of right hand cards is placed on table, in reality bottom card \n edward marlo \n neal elias
1959
seconds, centers, bottoms
Edward Marlo, Neal Elias
|
The Clip Bottom Deal
|
1959
|
|
51
|
|
|
the deep second \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Deep Second
|
1959
|
|
56
|
|
|
one hand stud second \n new theory style \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
One Hand Stud Second
|
1959
|
|
57
|
|
|
the hit deals \n two handlings \n edward marlo \n variant of hit second deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Hit Deals
|
Variations
|
1959
|
|
60
|
|
|
from out of nowhere \n d'amico's one-handed second deal as a production \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
From Out of Nowhere
|
1959
|
|
67
|
|
|
variations of d'amico's deal: the top card deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Variations of D'Amico's Deal: The Top Card Deal
|
1959
|
|
70
|
|
|
one hand bottom deal \n variations of d'amico's deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
One Hand Bottom Deal
|
1959
|
|
70
|
|
|
the one hand center deal \n variations of d'amico's deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The One Hand Center Deal
|
1959
|
|
71
|
|
|
marlo one hand second \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Marlo One Hand Second
|
1959
|
|
72
|
|
|
b. as a production of selection \n appears on top of deck \n carmen d'amico \n edward marlo
1959
seconds, centers, bottoms
Carmen D'Amico, Edward Marlo
|
B. As a Production of Selection
|
1959
|
|
75
|
|
|
d. as ambitious \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
D. As Ambitious
|
1959
|
|
75
|
|
|
e. as a vanish \n substitute for tent vanish \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
E. As a Vanish
|
1959
|
|
76
|
|
|
g. marlo's routine \n card through leg, multiple phases \n edward marlo \n carmen d'amico
1959
seconds, centers, bottoms
Edward Marlo, Carmen D'Amico
|
G. Marlo's Routine
|
1959
|
|
76
|
|
|
the s.f. bottom deal \n variation of deal in "sharps and flats" \n edward marlo \n s. f. bottom deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The S.F. Bottom Deal
|
Also published here
|
1959
|
|
79
|
|
|
the s.f. second deals \n two methods \n edward marlo \n s. f. second deals \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The S.F. Second Deals
|
Also published here
|
1959
|
|
80
|
|
|
s.f. natural second deal \n \n edward marlo \n s. f. natural second deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
S.F. Natural Second Deal
|
Also published here
|
1959
|
|
82
|
|
|
marlo's d.d. stop \n using double deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Marlo's D.D. Stop
|
1959
|
|
83
|
|
|
m.s.f. one hand bottom \n modified s.f. grip \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
M.S.F. One Hand Bottom
|
1959
|
|
84
|
|
|
missing finger deals \n finger(s) are curled under deck \n edward marlo \n missing finger deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Missing Finger Deals
|
Also published here
|
1959
|
|
85
|
|
|
streamlined dunbury delusion \n using bottom deal \n edward marlo \n jerry kogan
1959
seconds, centers, bottoms
Edward Marlo, Jerry Kogan
|
Streamlined Dunbury Delusion
|
1959
|
|
86
|
|
|
off the face seconds \n a bit similar to the downs change \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Off the Face Seconds
|
1959
|
|
88
|
|
|
pinky count \n here credited to marlo \n edward marlo \n one hand side count \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Pinky Count
|
Related to
|
1959
|
|
88
|
|
|
mechanical seconds \n effect application: aces change to kings \n edward marlo \n pocket mechanical second \n allan ackerman \n one handed second deal \n frederick braue \n mechanical second - marlo \n steve forte \n avis deal switch \n jack avis \n mechanical second deal \n edward marlo \n mechanical second deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Mechanical Seconds
|
Related toVariationsAlso published here
|
1959
|
|
90
|
|
|
technical variations \n of marlo's "mechanical seconds" described before, two variations \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Technical Variations
|
1959
|
|
91
|
|
|
tabled bottom deal \n two methods \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Tabled Bottom Deal
|
1959
|
|
93
|
|
|
tabled seconds \n \n edward marlo \n tabled second deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Tabled Seconds
|
Related to
|
1959
|
|
94
|
|
|
exhibition center deal \n similarities to kennedy center deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Exhibition Center Deal
|
1959
|
|
96
|
|
|
center deal \n center deals worked out after seeing zingone exhibition movie \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Center Deal
|
1959
|
|
96
|
|
|
step center deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Step Center Deal
|
1959
|
|
98
|
|
|
weakling's center deal \n if hand is not strong enough to buckle half the deck \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Weakling's Center Deal
|
1959
|
|
100
|
|
|
the strike center \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Strike Center
|
1959
|
|
101
|
|
|
side steal center deal \n take from above \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Side Steal Center Deal
|
1959
|
|
102
|
|
|
on the cut \n retaining step after cut, end jog and side jog \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
On The Cut
|
1959
|
|
103
|
|
|
the experts dunbury \n "my favorite center deal effect" \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Experts Dunbury
|
1959
|
|
104
|
|
|
the tabled center deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Tabled Center Deal
|
1959
|
|
106
|
|
|
center dealing comments \n thumb must be moving \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Center Dealing Comments
|
1959
|
|
107
|
|
|
center double deal \n short mention, from erdnase grip \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Center Double Deal
|
1959
|
|
107
|
|
|
marlo center deal \n from step \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Marlo Center Deal
|
1959
|
|
108
|
|
|
variations of marlo c.d. \n from step, two variations \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Variations of Marlo C.D.
|
1959
|
|
109
|
|
|
one hand center deal \n stud type \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
One Hand Center Deal
|
1959
|
|
110
|
|
|
marlo's push off unit control \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Marlo's Push Off Unit Control
|
1959
|
|
111
|
|
|
face up assembly \n spectator shuffles cards into deck, yet they are all together again \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Face Up Assembly
|
1959
|
|
114
|
|
|
order of aces \n magician predicts order of aces in freely shuffled deck \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Order of Aces
|
1959
|
|
115
|
|
|
the jack deal \n three jack deal without extra jack \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Jack Deal
|
1959
|
|
116
|
|
|
let's start over \n aces are stacked with faro and four hands are dealt, yet aces are on top again \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Let's Start Over
|
1959
|
|
116
|
|
|
"he's my partner" \n dealing four aces to partner after deck is shuffled \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
"He's My Partner"
|
1959
|
|
117
|
|
|
on "holding out" \n tips \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
On "Holding Out"
|
1959
|
|
117
|
|
|
exhibitionism \n openly dealing thirds and fourths \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Exhibitionism
|
1959
|
|
118
|
|
|
invisible aces \n aces from deck to pocket \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Invisible Aces
|
1959
|
|
118
|
|
|
easy unit control \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Easy Unit Control
|
1959
|
|
120
|
|
|
the fan deal \n to enable one to deal out any card from a fan unit consisting of five or more cards \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
The Fan Deal
|
1959
|
|
122
|
|
|
the no touch theory \n three methods \n edward marlo \n block unit control \n justin higham \n no-touch second deal \n edward marlo \n beveled-edge second deal \n edward marlo \n marlo's no-touch second \n steve forte \n walter scott's second deal \n steve forte
1959
seconds, centers, bottoms
Edward Marlo
|
The No Touch Theory
|
Related toVariations
|
1959
|
|
124
|
|
|
no touch stud deal \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
No Touch Stud Deal
|
1959
|
|
128
|
|
|
marlo's strike unit control \n \n edward marlo \n block unit control \n justin higham \n the unit control deal \n roger crosthwaite
1959
seconds, centers, bottoms
Edward Marlo
|
Marlo's Strike Unit Control
|
Variations
|
1959
|
|
129
|
|
|
cover ups \n more visual deceptiveness for false dealing with:
- the downward deal
- the upward deal
- the backward deal
- principle of the wrist turn
- about noise \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Cover Ups
|
1959
|
|
131
|
|
|
concluding observations \n \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
Concluding Observations
|
1959
|
|
135
|
|
|
the opening gambit \n stacking a hand while dealing through the deck \n edward marlo \n latest opening gambit \n edward marlo \n the doppelgänger deck \n ken krenzel \n edward marlo \n grand slam \n darwin ortiz
1959
seconds, centers, bottoms
Edward Marlo
|
The Opening Gambit
|
Related to
|
1959
|
|
136
|
|
|
a. psychological stop effect \n starts seventh \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
A. Psychological Stop Effect
|
1959
|
|
137
|
|
|
b. as an exchange \n second deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
B. As an Exchange
|
1959
|
|
137
|
|
|
c. spelling out an unknown card \n second deal \n edward marlo
1959
seconds, centers, bottoms
Edward Marlo
|
C. Spelling out an Unknown Card
|
1959
|
|
137
|
|
|
foreword \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Foreword
|
1959
|
|
|
|
|
riffle shuffle systems \n commentary on fair riffle shuffle and methods in erdnase \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Riffle Shuffle Systems
|
1959
|
|
1
|
|
|
handling of false cuts and blinds \n \n edward marlo \n s. w. erdnase \n iv. to retain the bottom stock \n s. w. erdnase
1959
riffle shuffle systems
Edward Marlo, S. W. Erdnase
|
Handling Of False Cuts And Blinds
|
Inspired by
|
1959
|
|
2
|
|
|
closed shuffle \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Closed Shuffle
|
1959
|
|
10
|
|
|
the open shuffle \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Open Shuffle
|
1959
|
|
18
|
|
|
the strip out shuffle \n \n edward marlo \n strip-out shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Strip Out Shuffle
|
Related to
|
1959
|
|
19
|
|
|
the strip out and double cut \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Strip Out and Double Cut
|
1959
|
|
20
|
|
|
block strip out with upper cut \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Block Strip Out with Upper Cut
|
1959
|
|
22
|
|
|
delayed strip out shuffle \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Delayed Strip Out Shuffle
|
1959
|
|
24
|
|
|
block strip out with triple cut \n \n edward marlo \n kid royal concept \n edward marlo \n aronson stripout 2.0 \n simon aronson
1959
riffle shuffle systems
Edward Marlo
|
Block Strip Out with Triple Cut
|
Related toAlso published here
|
1959
|
|
27
|
|
|
top block transfer (and strip out shuffle) \n \n edward marlo \n finessed fourth alternative \n justin higham \n block transfer finesse \n justin higham
1959
riffle shuffle systems
Edward Marlo
|
Top Block Transfer (and Strip Out Shuffle)
|
Variations
|
1959
|
|
30
|
|
|
to transpose with top block transfer and strip out \n to transpose top four cards with four cards underneath \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
To Transpose with Top Block Transfer and Strip Out
|
1959
|
|
36
|
|
|
impromptu power \n two selections, performer makes two piles and selections are at same position in each pile \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Impromptu Power
|
1959
|
|
37
|
|
|
top block control \n using block transfer strip-out \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Top Block Control
|
1959
|
|
38
|
|
|
stacking the last card \n avoiding mixing cards into already stacked portion \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Stacking the Last Card
|
1959
|
|
39
|
|
|
block transfer \n correct fingering for strip out shuffle block transfer \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Block Transfer
|
1959
|
|
40
|
|
|
the block slip cut no. 1 \n after riffle shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Block Slip Cut No. 1
|
1959
|
|
41
|
|
|
block slip cut no. 2 \n after riffle shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Block Slip Cut No. 2
|
1959
|
|
43
|
|
|
the block center cut \n transfering a block from center \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Block Center Cut
|
1959
|
|
44
|
|
|
top block shuffle and straight cut \n riffle and cut, top stock control \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Top Block Shuffle and Straight Cut
|
1959
|
|
45
|
|
|
to get cards to the bottom \n from top to bottom with riffle shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
To Get Cards to the Bottom
|
1959
|
|
46
|
|
|
to bring bottom cards to the top \n with riffle shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
To Bring Bottom Cards to the Top
|
1959
|
|
48
|
|
|
the partial strip out to keep the top stock \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Partial Strip Out to Keep the Top Stock
|
1959
|
|
50
|
|
|
to keep the bottom stock \n partial strip out shuffle \n edward marlo \n kid royal concept \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
To Keep the Bottom Stock
|
Also published here
|
1959
|
|
51
|
|
|
no breaks \n scratch edge marked key card \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
No Breaks
|
1959
|
|
52
|
|
|
n.b. for the top stock \n "no breaks", using scratch edge marked key card \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
N.B. for the Top Stock
|
1959
|
|
53
|
|
|
n.b. for the bottom stock \n "no breaks", using scratch edge marked key card \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
N.B. for the Bottom Stock
|
1959
|
|
56
|
|
|
the four ace cull \n using scratch edge marked aces \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Four Ace Cull
|
1959
|
|
59
|
|
|
combination cull and stack \n using scratch edge marked aces \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Combination Cull and Stack
|
1959
|
|
62
|
|
|
the crimp cull \n riffle shuffle cull, four aces are corner crimped \n edward marlo \n refined ace cutting \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Crimp Cull
|
Variations
|
1959
|
|
66
|
|
|
putting in the work \n corner crimping aces \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Putting in the Work
|
1959
|
|
70
|
|
|
marlo's roman shuffle \n \n edward marlo \n roman shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Marlo's Roman Shuffle
|
Also published here
|
1959
|
|
72
|
|
|
strip out after spectator's shuffle \n spectator shuffles himself \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Strip Out After Spectator's Shuffle
|
1959
|
|
76
|
|
|
fake push thru shuffle \n really strip out type \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Fake Push Thru Shuffle
|
1959
|
|
77
|
|
|
new push thru shuffle \n two methods of handling \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
New Push Thru Shuffle
|
1959
|
|
82
|
|
|
if i were a card cheat \n how to present riffle stacking to audiences \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
If I Were a Card Cheat
|
1959
|
|
85
|
|
|
standard type riffle shuffle stack \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Standard Type Riffle Shuffle Stack
|
1959
|
|
85
|
|
|
one side riffle stack \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
One Side Riffle Stack
|
1959
|
|
88
|
|
|
one riffle shuffle stacks - for two cards \n featuring block set up principle \n edward marlo \n one shuffle riffle stack \n edward marlo \n james swain
1959
riffle shuffle systems
Edward Marlo
|
One Riffle Shuffle Stacks - For Two Cards
|
Variations
|
1959
|
|
91
|
|
|
one riffle three card stack \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
One Riffle Three Card Stack
|
1959
|
|
93
|
|
|
four with one shuffle \n \n edward marlo \n one shuffle riffle stack \n bob irons
1959
riffle shuffle systems
Edward Marlo
|
Four with One Shuffle
|
Related to
|
1959
|
|
94
|
|
|
combination stacks - four card combination \n combining riffle stacking with false deals \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Combination Stacks - Four Card Combination
|
1959
|
|
95
|
|
|
fast three card stack \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Fast Three Card Stack
|
1959
|
|
97
|
|
|
fast four card stack - five hands \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Fast Four Card Stack - Five Hands
|
1959
|
|
97
|
|
|
two and two combination \n stacking two cards each shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Two and Two Combination
|
1959
|
|
98
|
|
|
build up stacks - stacking two sets of three \n stacking more than one good hand \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Build Up Stacks - Stacking Two Sets of Three
|
1959
|
|
100
|
|
|
combination stack with bottom deal \n stacking two three of a kinds \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Combination Stack with Bottom Deal
|
1959
|
|
101
|
|
|
stacking three sets \n stacking three three of a kinds \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Stacking Three Sets
|
1959
|
|
102
|
|
|
the four play hands \n stacking four three of a kinds \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Four Play Hands
|
1959
|
|
104
|
|
|
four play combination \n stacking four three of a kinds \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Four Play Combination
|
1959
|
|
105
|
|
|
faro plus seconds - stud \n riffle and overhand combination \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Faro Plus Seconds - Stud
|
1959
|
|
108
|
|
|
key card system \n pseudo stacking, actually key cards next to aces, face up deal and second deal \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Key Card System
|
1959
|
|
111
|
|
|
cutting aces to top of four packets \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Cutting Aces to Top of Four Packets
|
1959
|
|
114
|
|
|
right and left block transfer \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Right and Left Block Transfer
|
1959
|
|
116
|
|
|
rearranging aces to five order \n using block transfer shuffles \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Rearranging Aces to Five Order
|
1959
|
|
119
|
|
|
combination cull and stack \n \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
Combination Cull and Stack
|
1959
|
|
122
|
|
|
the block transfer applied \n with zarrow shuffle \n edward marlo
1959
riffle shuffle systems
Edward Marlo
|
The Block Transfer Applied
|
1959
|
|
128
|
|
|
foreword \n \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Foreword
|
1959
|
|
3
|
|
|
matcho - method i \n two decks, two spectators make a selection each, one only thought of \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method I
|
1959
|
|
5
|
|
|
matcho - method ii \n two cards only thought of, see also page 9 for variation \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method II
|
1959
|
|
6
|
|
|
overlap switch \n two overlapping cards are turned over \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Overlap Switch
|
1959
|
|
6
|
|
|
matcho - method iii \n two cards counted to are predicted by performer \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method III
|
1959
|
|
7
|
|
|
matcho - method iv \n two cards counted to are predicted, alternating set-up \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method IV
|
1959
|
|
8
|
|
|
matcho - method v \n peeked at and thought of card found \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method V
|
1959
|
|
9
|
|
|
matcho - method vi \n two cards counted to predicted \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method VI
|
1959
|
|
9
|
|
|
tray turn switch \n as you turn tray with two glasses around \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Tray Turn Switch
|
1959
|
|
10
|
|
|
marlo-curry change variation \n \n edward marlo \n paul curry
1959
marlo meets his match
Edward Marlo, Paul Curry
|
Marlo-Curry Change Variation
|
1959
|
|
11
|
|
|
double thought - single deck \n two cards thought of found, one ahead
- stooge version
- the exchange version
- the key card version
- memory version \n edward marlo \n double thoughts - single deck \n edward marlo \n double thought \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Double Thought - Single Deck
|
Related toAlso published here
|
1959
|
|
12
|
|
|
red and blue - spectator coincidence \n card thought of and touched in other deck, match, two decks \n edward marlo \n let's recapitulate or criss cross \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Red and Blue - Spectator Coincidence
|
Variations
|
1959
|
|
15
|
|
|
double coincidence \n two cards chosen by performer and spectator turn out to be aces \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Double Coincidence
|
1959
|
|
16
|
|
|
matcho - method vii \n two cards cut to predicted by performer \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method VII
|
1959
|
|
18
|
|
|
matcho - method viii \n two cards cut to predicted/matched by performer with other deck \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method VIII
|
1959
|
|
20
|
|
|
matcho - method ix \n two cards cut to predicted by performer \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Matcho - Method IX
|
1959
|
|
21
|
|
|
double thought and two billets \n \n edward marlo \n double thoughts - single deck \n edward marlo
1959
marlo meets his match
Edward Marlo
|
Double Thought and Two Billets
|
Related to
|
1959
|
|
22
|
|
|
gaffed method \n for "double thought", roughed mene-tekel deck, two methods \n edward marlo \n macho matcho \n jon racherbaumer
1959
marlo meets his match
Edward Marlo
|
Gaffed Method
|
Variations
|
1959
|
|
24
|
|
|
marked matcho \n two decks \n edward marlo \n marked matcho no. 2 \n ellison poland
1959
marlo meets his match
Edward Marlo
|
Marked Matcho
|
Related to
|
1959
|
|
27
|
|
|