Sleights
Creators | Title | Comments & References | Year | Source | Page | AA | Categories | |
---|---|---|---|---|---|---|---|---|
Edward Marlo | The Insertion Steals | 1957 | ||||||
Edward Marlo | Full Left Hand Steal | 1957 | ||||||
Edward Marlo | Right Hand Steal | 1957 | ||||||
Edward Marlo | The Diagonal Steal | 1957 | ||||||
Edward Marlo | Side Steal Cover Ups | 1957 | ||||||
Edward Marlo | First Cover Up | 1957 | ||||||
Bill Simon | Another Handling | 1957 | ||||||
Edward Marlo | Clip Steal Cover Up | 1957 | ||||||
Edward Marlo | Dribble Stop Effect | 1957 | ||||||
Edward Marlo | Concluding Observations: Note 1 | 1957 | ||||||
Edward Marlo | Note 4 | 1957 | ||||||
Edward Marlo | Note 9 | 1957 | ||||||
Edward Marlo | Note 8 - The Dribble Replacement | 1957 | ||||||
Edward Marlo | Note | 1957 | ||||||
Dai Vernon | Wedge Break Transfer | 1957 | ||||||
Dai Vernon | The Buckle False Count | 1957 | ||||||
Tenkai Ishida | The Tenkai Palm | 1957 | ||||||
Dai Vernon | The Svengali Colour Change | 1957 | ||||||
Dai Vernon | Card Against Body Subtlety | 1957 | ||||||
Dai Vernon | Stealing a Card from the Pack into the Tenkai Palm Position | 1957 | ||||||
Dai Vernon | To Exchange a Card | 1957 | ||||||
Dai Vernon | "Pick Off Pip" | 1957 | ||||||
Cliff Green, Dai Vernon | The Multiple Colour Change | 1957 | ||||||
Dai Vernon | Dai Vernon's Double Lift | 1957 | ||||||
Dai Vernon | The "Get-Ready" | 1957 | ||||||
Diagonal Insertion | 1957 | |||||||
Dai Vernon | Addition from Sleeve | 1957 | ||||||
Dai Vernon | Tips for Experts - The Pass | 1957 | ||||||
Dai Vernon | Tips for Experts - Second Dealing | 1957 | ||||||
Dai Vernon | Tips for Experts - Bottom Dealing | 1957 | ||||||
Dai Vernon | Tips for Experts - Card Palming | 1957 | ||||||
Dr. Jacob Daley | Small Packet Bottom Double Lift | 1957 | ||||||
Dai Vernon | Overhand Shuffle Stack | 1957 | ||||||
Edward Marlo | One Hand Table Palm | 1957 | ||||||
Edward Marlo | Tabled Riffle Palm | 1957 | ||||||
Edward Marlo | Flat Palm Steal | 1957 | ||||||
Edward Marlo | Angle Palm Steal | 1957 | ||||||
Edward Marlo | Adjustment Misdirection | 1957 | ||||||
Edward Marlo | Table Riffle Angle Palm | 1957 | ||||||
Edward Marlo | Longitudinal Angle Palm | 1957 | ||||||
Edward Marlo | Ribbon Spread Palm | 1957 | ||||||
Edward Marlo | Tabled Double Lift | 1957 | ||||||
Edward Marlo | Out of Your Hands | 1957 | ||||||
Edward Marlo | As a Control | 1957 | ||||||
Edward Marlo | Angle Palm Replacement | 1957 | ||||||
Edward Marlo | Rise-Rise-Rise | 1957 | ||||||
Edward Marlo | Angle Palm Transfer | 1957 | ||||||
Edward Marlo | Flat Palm to Tenkai Palm | 1957 | ||||||
Edward Marlo | Tip Up Angle Palm | 1957 | ||||||
Edward Marlo | Full Buckle Palm | 1957 | ||||||
Edward Marlo, S. W. Erdnase | Modified Erdnase Bottom Deal Grip | 1957 | ||||||
Edward Marlo | Center Block Palm | 1957 | ||||||
Bob Nelson | Full Buckle Palm - Toss Cover | 1957 | ||||||
Edward Marlo | Direct Rear Palm | 1957 | ||||||
Edward Marlo | Direct Rear Palm - Multiple Cards | 1957 | ||||||
Edward Marlo | Direct Full Palm | 1957 | ||||||
Edward Marlo | The Card Transfer | 1957 | ||||||
Edward Marlo | Classic Palm Replacement to Tabled Deck | 1957 | ||||||
Edward Marlo | Addition to Tabled Packet | 1957 | ||||||
Edward Marlo | The Card Transfer - Variation | 1957 | ||||||
Edward Marlo | The Card Transfer with a Definite Number of Cards | 1957 | ||||||
Russell "Rusduck" Duck | A Few Tips on the Perfect Riffle Shuffle | Feb. 1957 |
The Cardiste
(Issue 1)
|
|||||
Gerald Kosky | Anyone for Bridge? | May 1957 |
The Cardiste
(Issue 2)
|
|||||
Russell "Rusduck" Duck | Rusduck Four-Way Deal | June 1957 |
The Cardiste
(Issue 3)
|
|||||
Russell "Rusduck" Duck | Top Card Deal | June 1957 |
The Cardiste
(Issue 3)
|
|||||
Russell "Rusduck" Duck | Bottom Deal | June 1957 |
The Cardiste
(Issue 3)
|
|||||
Russell "Rusduck" Duck | Second Deal | June 1957 |
The Cardiste
(Issue 3)
|
|||||
Russell "Rusduck" Duck | Middle Deal | June 1957 |
The Cardiste
(Issue 3)
|
|||||
Second Deal | June 1957 |
The Cardiste
(Issue 3)
|
||||||
Russell "Rusduck" Duck | Faro Fantasies | June 1957 |
The Cardiste
(Issue 3)
|
|||||
Russell "Rusduck" Duck | Bottom Run-Up | Sep. 1957 |
The Cardiste
(Issue 4)
|
|||||
Russell "Rusduck" Duck | Perpetual Separation | Sep. 1957 |
The Cardiste
(Issue 4)
|
|||||
Max Katz | Do You Play Casino? | 1957 | ||||||
Jack Avis | Card Switch | 1957 |
The New Phoenix
(Issue 345)
|
|||||
Herb Zarrow | Spring Riffle Top Palm | July 1957 |
The New Phoenix
(Issue 346)
|
|||||
Herb Zarrow | Full Deck Control by a Riffle Shuffle | July 1957 |
The New Phoenix
(Issue 346)
|
|||||
J.B. Findlay | Card Vanish | 1957 |
The New Phoenix
(Issue 347)
|
|||||
Missing Corner Second Deal | 1957 | |||||||
Theodore Annemann | Dust the same alike | 1957 |
Hokus Pokus
(Vol. 18 No. 4)
|
|||||
Die Macht des Gedankens | 1957 |
Hokus Pokus
(Vol. 18 No. 6)
|
||||||
Jerry Andrus | Deal Lap Switch | 1957 | ||||||
Jerry Andrus | Fan Reverse | 1957 | ||||||
Unlimited Count | 1957 | |||||||
One-Hand Thumb Extraction | 1957 | |||||||
Jerry Andrus | Back Palm | 1957 | ||||||
Jerry Andrus | A Mystery with Rubber Bands | 1957 | ||||||
Jerry Andrus | Lapping Vanish | 1957 | ||||||
Jerry Andrus | Rolling Change | 1957 | ||||||
Jerry Andrus | Card Flip | 1957 | ||||||
Jerry Andrus | Namless Flourish | 1957 | ||||||
Jerry Andrus | Fountain of Cards | 1957 | ||||||
Jerry Andrus | Spray Flourish | 1957 | ||||||
Jerry Andrus | Double Waterfall | 1957 | ||||||
Jerry Andrus | Double Cascade | 1957 | ||||||
P. Howard Lyons | Covered Secret Addition | Mar. 1957 |
Ibidem
(Issue 9)
|
|||||
Edward Marlo | Swindle Aces Display | Mar. 1957 |
Ibidem
(Issue 9)
|
|||||
P. Howard Lyons | Slipduc | Mar. 1957 |
Ibidem
(Issue 9)
|
|||||
Edward Marlo | Cull Separation Shuffle | June 1957 |
Ibidem
(Issue 10)
|
|||||
Elmer Biddle | Biddle Diddle | June 1957 |
Ibidem
(Issue 10)
|
|||||
Elmer Biddle | Elmer's Spell | June 1957 |
Ibidem
(Issue 10)
|
|||||
Edward Marlo | Double Buckle Vanish | June 1957 |
Ibidem
(Issue 10)
|
|||||
P. Howard Lyons | Psi Stebbins - Method III | Sep. 1957 |
Ibidem
(Issue 11)
|
|||||
Edward Marlo | New Tail of the Q | Sep. 1957 |
Ibidem
(Issue 11)
|
|||||
Tom Ransom | Piano Music | Sep. 1957 |
Ibidem
(Issue 11)
|
|||||
Alex Elmsley | Card Position Formula After Dealing | Sep. 1957 |
Ibidem
(Issue 11)
|
|||||
Alex Elmsley | Work in Progress | Sep. 1957 |
Ibidem
(Issue 11)
|
|||||
Edward Marlo | The Backward Faro | Dec. 1957 |
Ibidem
(Issue 12)
|
|||||
Edward Marlo | The Faro Calculator | Dec. 1957 |
Ibidem
(Issue 12)
|
|||||
Norman Houghton | The Run Under the Fan | Dec. 1957 |
Ibidem
(Issue 12)
|
|||||
Norman Houghton | Production of Palmed Card from the Shirt Pocket | Dec. 1957 |
Ibidem
(Issue 12)
|
|||||
Side Glide | 1957 | |||||||
Everett Lyda | Five Card Super Vanish | 1957 | ||||||
Henry Durkin | The Spectator's Force | 1957 | ||||||
Sucker Vanish | 1957 | |||||||
Edward Marlo | Shuffle Stop Force | 1957 | ||||||
Edward Marlo | Block Handling | 1957 | ||||||
Edward Marlo | The Buckle Break | 1957 | ||||||
Edward Marlo | Marlo Bottom Count | 1957 | ||||||
John Derris | Hockley's Prediction | 1957 | ||||||
Edward Marlo | The Faro Shuffle | 1958 | ||||||
Edward Marlo | The First Technique | 1958 | ||||||
Alex Elmsley | In and Out Definition | 1958 | ||||||
Edward Marlo | First Variation | 1958 | ||||||
Edward Marlo | Faro Aids | 1958 | ||||||
Edward Marlo | The 4th Finger Table | 1958 | ||||||
Edward Marlo | Faro Riffle Shuffle | 1958 | ||||||
Edward Marlo | Variations in Technique on the Faro Riffle Shuffle | 1958 | ||||||
Edward Marlo | In the Hands | 1958 | ||||||
Edward Marlo | The Butt Faro | 1958 | ||||||
Edward Marlo | Partial Faro Check | 1958 | ||||||
Edward Marlo | Throw-Off Faro - Top | 1958 | ||||||
Edward Marlo | Cover-Up Slip Cut | 1958 | ||||||
Edward Marlo | Throw-Off Faro - Bottom | 1958 | ||||||
Edward Marlo | Above Crimp Faro | 1958 | ||||||
Edward Marlo | Off Center Faro | 1958 | ||||||
Edward Marlo | Half and Half Shuffle | 1958 | ||||||
Edward Marlo | "Half Plus One" | 1958 | ||||||
Edward Marlo | Combining Riffle Shuffles & Faros | 1958 | ||||||
Edward Marlo | Reverse or Backward Faro | 1958 | ||||||
Edward Marlo | Observations | 1958 | ||||||
Edward Marlo | On Discrepancies | 1958 | ||||||
Edward Marlo | Faro Notes | 1958 | ||||||
Alex Elmsley | In and Out Shuffle Definition | 1958 | ||||||
Edward Marlo | Faro as a Control | 1958 | ||||||
Edward Marlo | A Correction | 1958 | ||||||
Edward Marlo | Odd Faro | 1958 | ||||||
Edward Marlo | The Faro Calculator | 1958 | ||||||
Edward Marlo | The Chain Calculator | 1958 | ||||||
Edward Marlo | The Left Over Faro Shuffle | 1958 | ||||||
Edward Marlo | Placement Shuffle | 1958 | ||||||
Edward Marlo | Control of the Aces | 1958 | ||||||
Edward Marlo | Full Deck - Five Faros | 1958 | ||||||
Edward Marlo | The Reverse or Backward Faro | 1958 | ||||||
Edward Marlo | A False Shuffle Combination | 1958 | ||||||
Edward Marlo | The Wrong Hand | 1958 | ||||||
Edward Marlo | Alternative Procedures | 1958 | ||||||
Edward Marlo | "Shuffle around Selections" | 1958 | ||||||
Edward Marlo | Fifth Fooler | 1958 | ||||||
Edward Marlo | Seventh Fooler | 1958 | ||||||
Edward Marlo | Faro Fooler #8 | 1958 | ||||||
Edward Marlo | Automatic Cut Principle | 1958 | ||||||
Edward Marlo | Faro Fooler #10 | 1958 | ||||||
Edward Marlo | Instant 26th Location | 1958 | ||||||
Edward Marlo | The 17th Location | 1958 | ||||||
Edward Marlo | The 13th Location | 1958 | ||||||
Gambler's Cop | 1958 | |||||||
Dai Vernon | Strip-Out Addition | 1958 | ||||||
Buckle Count | 1958 | |||||||
Brother John Hamman | Drop Lapping | 1958 | ||||||
Brother John Hamman | The Perfect Bridge Hand | 1958 | ||||||
Paul LePaul | The Snap-Over Double-Lift | 1958 | ||||||
Glide False Count | 1958 | |||||||
Brother John Hamman | Open Switch of Halves | 1958 | ||||||
Brother John Hamman | Hamman Count | 1958 | ||||||
Jean Hugard | Hugard Top Palm | 1958 | ||||||
Edward Marlo | Cut Reverse | 1958 | ||||||
Edward Marlo | Picking up a Break | 1958 | ||||||
Double Undercut | 1958 | |||||||
The Glide | 1958 | |||||||
Edward Marlo | Table Edge Break Concealment | 1958 | ||||||
Deck Bridge | 1958 | |||||||
Edward Marlo | Block Turnover | 1958 | ||||||
Nate Leipzig, Bert Allerton | Screened Leipzig Pass | 1958 | ||||||
Elmer Biddle, Tony Kardyro | Kardyro-Biddle Steal Sequence | 1958 | ||||||
Double Lift Reverse | 1958 | |||||||
Bert Allerton | The Double Lift | 1958 | ||||||
Bert Allerton | Double Lift Get-Ready | 1958 | ||||||
Bert Allerton | On The Slip Force | 1958 | ||||||
Bert Allerton | Nail Count | 1958 | ||||||
George Coon | Winding The Pack | 1958 | ||||||
Allessandro | Four Ace Control | 1958 |
Ireland's Yearbooks
(Issue Yearbook 1958)
|
|||||
Bill Carew | The Last Word in Card Disclosures | 1958 |
Ireland's Yearbooks
(Issue Yearbook 1958)
|
|||||
Tony Corinda | (3) The Fourteen/Fifteen Set Up | 1958 | ||||||
Tony Corinda | The Switch of a Pack of Cards | 1958 | ||||||
Tony Corinda | (20) Nicely Suited | 1958 | ||||||
Russell "Rusduck" Duck, Jean Hugard | Color Separation | Feb. 1958 |
The Cardiste
(Issue 5)
|
|||||
Alex Elmsley | Aces Up | Feb. 1958 |
The Cardiste
(Issue 5)
|
|||||
William P. Miesel | Another Impromptu Out of this World | Mar. 1958 |
The Cardiste
(Issue 6)
|
|||||
Russell "Rusduck" Duck | Faro Favorites | Mar. 1958 |
The Cardiste
(Issue 6)
|
|||||
Russell "Rusduck" Duck | Winner's Weave | Mar. 1958 |
The Cardiste
(Issue 6)
|
|||||
Russell "Rusduck" Duck | Version with Any Deck | Apr. 1958 |
The Cardiste
(Issue 7)
|
|||||
Russell "Rusduck" Duck | Observations on the Riffle Shuffle | Apr. 1958 |
The Cardiste
(Issue 7)
|
|||||
Russell "Rusduck" Duck | Rusduck Riffle | Apr. 1958 |
The Cardiste
(Issue 7)
|
|||||
Russell "Rusduck" Duck | Retaining Top & Bottom Cards | Apr. 1958 |
The Cardiste
(Issue 7)
|
|||||
Russell "Rusduck" Duck | Retaining Entire Order | Apr. 1958 |
The Cardiste
(Issue 7)
|
|||||
Russell "Rusduck" Duck | Riffle Cut | Apr. 1958 |
The Cardiste
(Issue 7)
|
|||||
Milton Kort | Stacking Formula as Patter | May 1958 |
The Cardiste
(Issue 8)
|
|||||
William P. Miesel | Second and Middle Deals | May 1958 |
The Cardiste
(Issue 8)
|
|||||
Russell "Rusduck" Duck | From the Middle | May 1958 |
The Cardiste
(Issue 8)
|
|||||
Russell "Rusduck" Duck | Utilitarian | May 1958 |
The Cardiste
(Issue 8)
|
|||||
Russell "Rusduck" Duck | As a Force | May 1958 |
The Cardiste
(Issue 8)
|
|||||
Russell "Rusduck" Duck | Rusduck Run-Up | June 1958 |
The Cardiste
(Issue 9)
|
|||||
Russell "Rusduck" Duck | Faro Favorites | July 1958 |
The Cardiste
(Issue 10)
|
|||||
Russell "Rusduck" Duck | Perma-Stack | July 1958 |
The Cardiste
(Issue 10)
|
|||||
Russell "Rusduck" Duck | Kwik Key Kard | July 1958 |
The Cardiste
(Issue 10)
|
|||||
Ronald B. Edwards | Edwards Hold-out | Aug. 1958 |
The Cardiste
(Issue 11)
|
|||||
William P. Miesel | Mexicali Move | Aug. 1958 |
The Cardiste
(Issue 11)
|
|||||
Lin Searles | Turnover Add Variation | 1958 | ||||||
Max Giebe | Gedankenforcieren | 1958 |
Hokus Pokus
(Vol. 19 No. 1)
|
|||||
Henry Christ | Stop When Ready Force | 1958 | ||||||
Mel Stover | MelMath | Mar. 1958 |
Ibidem
(Issue 13)
|
|||||
Ronald A. Wohl (Ravelli) | On Binary Translocations | Mar. 1958 |
Ibidem
(Issue 13)
|
|||||
Tom Crane | On the Piano Music False Count | Mar. 1958 |
Ibidem
(Issue 13)
|
|||||
Ronald A. Wohl (Ravelli) | Tips from Ravelli: Binary Translocations | Sep. 1958 |
Ibidem
(Issue 14)
|
|||||
Norman Houghton | Angle Buckle | Sep. 1958 |
Ibidem
(Issue 14)
|
|||||
Gerald Kosky | A Blue Prediction | Sep. 1958 |
Ibidem
(Issue 14)
|
|||||
Alex Elmsley | Mathematics & Mentalism | Sep. 1958 |
Ibidem
(Issue 14)
|
|||||
Edward Marlo | Quick 3-Way | Dec. 1958 |
Ibidem
(Issue 15)
|
|||||
Edward Marlo | In Lieu of the Hindoo Shuffle | Dec. 1958 |
Ibidem
(Issue 15)
|
|||||
Edward Marlo | A Variation to a Sixy Effect | Dec. 1958 |
Ibidem
(Issue 15)
|
|||||
Edward Marlo | Buffalo'd | Dec. 1958 |
Ibidem
(Issue 15)
|
|||||
Edward Marlo | Sleightless Sleight | Dec. 1958 |
Ibidem
(Issue 15)
|
|||||
Edward Marlo | Calculating Removed Card | Dec. 1958 |
Ibidem
(Issue 15)
|
|||||
Charles Nyquist | Ribbon Spread Hideout | 1959 | ||||||
Dai Vernon | Stabbing Force | 1959 | ||||||
Henry Christ | Henry Christ Spread Switch | 1959 | ||||||
Dai Vernon | To Show the Top Card | 1959 | ||||||
Dai Vernon | Ginsburg Poke | 1959 | ||||||
Dai Vernon | Time to Change | 1959 | ||||||
Tenkai Ishida | Tenkai's Colour Change | 1959 | ||||||
Al Altmann | Double Colour Change | 1959 | ||||||
Dai Vernon | "Picking off the Pip" | 1959 | ||||||
Dai Vernon | Erdnase Plus Vernon | 1959 | ||||||
Dai Vernon | "No Palm" Colour Change | 1959 | ||||||
Dai Vernon | Pinch Colour Change | 1959 | ||||||
Dai Vernon | French Drop Colour Change | 1959 | ||||||
Bob Hummer | Visual Change | 1959 | ||||||
Cliff Green | Visual Change | 1959 | ||||||
Jules D'Hotel | Pop-Up Card Flourish | 1959 | ||||||
Dai Vernon | The Chinese Second Deal | 1959 | ||||||
Dai Vernon | The Shooting Single Handed Deal | 1959 | ||||||
Edward Marlo | Foreword | 1959 | ||||||
, Edward Marlo | Unorthodox Second Deal | 1959 | ||||||
Edward Marlo | "Seconds, Centers, Bottoms" | 1959 | ||||||
Edward Marlo | The Master Grip and Deal | 1959 | ||||||
Edward Marlo | New Push Out Bottom Deal | 1959 | ||||||
Edward Marlo | Double Deal | 1959 | ||||||
Edward Marlo | The Bottom Deal Count | 1959 | ||||||
Edward Marlo | Strike Bottom Deal | 1959 | ||||||
Edward Marlo | Strike Bottom Deal Count | 1959 | ||||||
Edward Marlo | The Second Deal | 1959 | ||||||
Edward Marlo | The Take Second Deal | 1959 | ||||||
Edward Marlo | The Push-Off Second | 1959 | ||||||
Edward Marlo | The Stud Deal | 1959 | ||||||
Edward Marlo | The Havana Deal or "The Myth of Manuel Pedro" | 1959 | ||||||
Edward Marlo | The New Bottom Stud | 1959 | ||||||
Edward Marlo | The Stud Second | 1959 | ||||||
Edward Marlo | The Push-Off Stud | 1959 | ||||||
The Sail | 1959 | |||||||
Edward Marlo | One Hand Bottom Deal | 1959 | ||||||
Edward Marlo | Shifting the Grip | 1959 | ||||||
Edward Marlo | Two Strike Methods | 1959 | ||||||
Edward Marlo | Special Push-Off Techniques: The Second Deal Count | 1959 | ||||||
Edward Marlo | Small Packet Second Deal | 1959 | ||||||
Edward Marlo | Push-Off Technique | 1959 | ||||||
Edward Marlo | First Example | 1959 | ||||||
Edward Marlo | Second Example | 1959 | ||||||
Edward Marlo | Fourth Example | 1959 | ||||||
S. W. Erdnase, Edward Marlo | The Side Push-Off Second | 1959 | ||||||
Edward Marlo | The Related Bottom Deal | 1959 | ||||||
Edward Marlo | The Throw Bottom Deal | 1959 | ||||||
Edward Marlo | The Deep Bottom Deal | 1959 | ||||||
Edward Marlo | The Moveable Thumb | 1959 | ||||||
Edward Marlo, Neal Elias | The Clip Bottom Deal | 1959 | ||||||
The Movie Second | 1959 | |||||||
Edward Marlo | The Deep Second | 1959 | ||||||
Edward Marlo | One Hand Stud Second | 1959 | ||||||
Edward Marlo | The Hit Deals | 1959 | ||||||
Carmen D'Amico | D'Amico One Hand Second | 1959 | ||||||
Edward Marlo | From Out of Nowhere | 1959 | ||||||
Carmen D'Amico | A D'Amico Variation | 1959 | ||||||
Stanley James | Stanley James Stud Second | 1959 | ||||||
Edward Marlo | Variations of D'Amico's Deal: The Top Card Deal | 1959 | ||||||
Edward Marlo | One Hand Bottom Deal | 1959 | ||||||
Edward Marlo | The One Hand Center Deal | 1959 | ||||||
Edward Marlo | Marlo One Hand Second | 1959 | ||||||
Carmen D'Amico | D'Amico's Variation: A. As a Color Change | 1959 | ||||||
Edward Marlo | E. As a Vanish | 1959 | ||||||
The S.F. Grip | 1959 | |||||||
Edward Marlo | The S.F. Bottom Deal | 1959 | ||||||
Edward Marlo | The S.F. Second Deals | 1959 | ||||||
Edward Marlo | S.F. Natural Second Deal | 1959 | ||||||
Warren Wiersbe | Wiersbie's Double Deal | 1959 | ||||||
Edward Marlo | M.S.F. One Hand Bottom | 1959 | ||||||
Edward Marlo | Missing Finger Deals | 1959 | ||||||
Edward Marlo | Off the Face Seconds | 1959 | ||||||
Edward Marlo | Pinky Count | 1959 | ||||||
Edward Marlo | Mechanical Seconds | 1959 | ||||||
Edward Marlo | Technical Variations | 1959 | ||||||
Edward Marlo | Tabled Bottom Deal | 1959 | ||||||
Edward Marlo | Tabled Seconds | 1959 | ||||||
Edward Marlo | Exhibition Center Deal | 1959 | ||||||
Edward Marlo | Center Deal | 1959 | ||||||
Edward Marlo | Step Center Deal | 1959 | ||||||
Edward Marlo | Weakling's Center Deal | 1959 | ||||||
Edward Marlo | The Strike Center | 1959 | ||||||
Edward Marlo | Side Steal Center Deal | 1959 | ||||||
Edward Marlo | On The Cut | 1959 | ||||||
Edward Marlo | The Tabled Center Deal | 1959 | ||||||
Edward Marlo | Center Dealing Comments | 1959 | ||||||
Edward Marlo | Center Double Deal | 1959 | ||||||
Edward Marlo | Marlo Center Deal | 1959 | ||||||
Edward Marlo | Variations of Marlo C.D. | 1959 | ||||||
Edward Marlo | One Hand Center Deal | 1959 | ||||||
Edward Marlo | Marlo's Push Off Unit Control | 1959 | ||||||
Edward Marlo | On "Holding Out" | 1959 | ||||||
Edward Marlo | Easy Unit Control | 1959 | ||||||
Edward Marlo | The Fan Deal | 1959 | ||||||
Edward Marlo | The No Touch Theory | 1959 | ||||||
Edward Marlo | No Touch Stud Deal | 1959 | ||||||
Edward Marlo | Marlo's Strike Unit Control | 1959 | ||||||
Edward Marlo | Cover Ups | 1959 | ||||||
Edward Marlo | Concluding Observations | 1959 | ||||||
Edward Marlo | The Opening Gambit | 1959 | ||||||
Edward Marlo | Riffle Shuffle Systems | 1959 | ||||||
Edward Marlo, S. W. Erdnase | Handling Of False Cuts And Blinds | 1959 | ||||||
Edward Marlo | Closed Shuffle | 1959 | ||||||
Edward Marlo | The Open Shuffle | 1959 | ||||||
Edward Marlo | The Strip Out Shuffle | 1959 | ||||||
Edward Marlo | The Strip Out and Double Cut | 1959 | ||||||
Edward Marlo | Block Strip Out with Upper Cut | 1959 | ||||||
Edward Marlo | Delayed Strip Out Shuffle | 1959 | ||||||
Edward Marlo | Block Strip Out with Triple Cut | 1959 | ||||||
Edward Marlo | Top Block Transfer (and Strip Out Shuffle) | 1959 | ||||||
Edward Marlo | To Transpose with Top Block Transfer and Strip Out | 1959 | ||||||
Edward Marlo | Top Block Control | 1959 | ||||||
Edward Marlo | Stacking the Last Card | 1959 | ||||||
Edward Marlo | Block Transfer | 1959 | ||||||
Edward Marlo | The Block Slip Cut No. 1 | 1959 | ||||||
Edward Marlo | Block Slip Cut No. 2 | 1959 | ||||||
Edward Marlo | The Block Center Cut | 1959 | ||||||
Edward Marlo | Top Block Shuffle and Straight Cut | 1959 | ||||||
Edward Marlo | To Get Cards to the Bottom | 1959 | ||||||
Edward Marlo | To Bring Bottom Cards to the Top | 1959 | ||||||
Edward Marlo | The Partial Strip Out to Keep the Top Stock | 1959 | ||||||
Edward Marlo | To Keep the Bottom Stock | 1959 | ||||||
Edward Marlo | N.B. for the Top Stock | 1959 | ||||||
Edward Marlo | N.B. for the Bottom Stock | 1959 | ||||||
Edward Marlo | The Four Ace Cull | 1959 | ||||||
Edward Marlo | Combination Cull and Stack | 1959 | ||||||
Edward Marlo | The Crimp Cull | 1959 | ||||||
Edward Marlo | Putting in the Work | 1959 | ||||||
Edward Marlo | Marlo's Roman Shuffle | 1959 | ||||||
Edward Marlo | Strip Out After Spectator's Shuffle | 1959 | ||||||
Edward Marlo | Fake Push Thru Shuffle | 1959 | ||||||
Edward Marlo | New Push Thru Shuffle | 1959 | ||||||
Edward Marlo | Standard Type Riffle Shuffle Stack | 1959 | ||||||
Edward Marlo | One Side Riffle Stack | 1959 | ||||||
Edward Marlo | One Riffle Shuffle Stacks - For Two Cards | 1959 | ||||||
Edward Marlo | One Riffle Three Card Stack | 1959 | ||||||
Edward Marlo | Four with One Shuffle | 1959 | ||||||
Edward Marlo | Combination Stacks - Four Card Combination | 1959 | ||||||
Edward Marlo | Fast Three Card Stack | 1959 | ||||||
Edward Marlo | Fast Four Card Stack - Five Hands | 1959 | ||||||
Edward Marlo | Two and Two Combination | 1959 | ||||||
Edward Marlo | Build Up Stacks - Stacking Two Sets of Three | 1959 | ||||||
Edward Marlo | Combination Stack with Bottom Deal | 1959 | ||||||
Edward Marlo | Stacking Three Sets | 1959 | ||||||
Edward Marlo | The Four Play Hands | 1959 | ||||||
Edward Marlo | Four Play Combination | 1959 | ||||||
Edward Marlo | Faro Plus Seconds - Stud | 1959 | ||||||
Edward Marlo | Key Card System | 1959 | ||||||
Edward Marlo | Right and Left Block Transfer | 1959 | ||||||
Edward Marlo | Rearranging Aces to Five Order | 1959 | ||||||
Edward Marlo | Combination Cull and Stack | 1959 | ||||||
Edward Marlo | The Block Transfer Applied | 1959 | ||||||
Herb Zarrow | Zarrow False Shuffle | 1959 | ||||||
Edward Marlo | Overlap Switch | 1959 | ||||||
Edward Marlo | Tray Turn Switch | 1959 | ||||||
Edward Marlo, Paul Curry | Marlo-Curry Change Variation | 1959 | ||||||
Cut Deeper Force | 1959 | |||||||
Edward Marlo | The Fake Change | 1959 | ||||||
Peek Technique | 1959 | |||||||
Al Leech | The Spectator Does a Trick | 1959 | ||||||
Double-Deal Force | 1959 | |||||||
Double Cut | 1959 | |||||||
Pull Down Bridge | 1959 | |||||||
Side Glide | 1959 | |||||||
Edward Marlo | Tabled Bottom Placement | 1959 |
Ireland's Yearbooks
(Issue Yearbook 1959)
|
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Jack Avis | Suit Force | 1959 | ||||||
Terry Guyatt | Card Exchange | 1959 | ||||||
John A. M. Howie | 1-2-3-4 | Jan. 1959 |
The Cardiste
(Issue 12)
|
|||||
Edward Marlo | Stay-Stack Miracle | Jan. 1959 |
The Cardiste
(Issue 12)
|
|||||
Edward Marlo | Stay-Stack Prediction | Jan. 1959 |
The Cardiste
(Issue 12)
|
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Shuffle Stacking | 1959 | |||||||
Lin Searles | Table Faro as Slow-Motion Riffle Shuffle | 1959 | ||||||
Alex Elmsley | Angle Jog Switch | 1959 | ||||||
Squelch | 1959 | |||||||
Ken Brooke | Dizzy Nudist Pack Routine | 1959 | ||||||
Hindu False Shuffle | 1959 | |||||||
Howard Albright | A Different Version of the Hindu Shuffle | 1959 | ||||||
Slip Cut Force | 1959 | |||||||
The Glide | 1959 | |||||||
The Double Lift | 1959 | |||||||
Philip Reed Willmarth | Basic Sleights | 1959 | ||||||
Matt Schulien | Matt's Fan Location | 1959 | ||||||
Matt Schulien | The Crimp Location and Steal | 1959 | ||||||
Matt Schulien | The Palm | 1959 | ||||||
Matt Schulien | Cut Palm Replacement | 1959 | ||||||
Thumb Clip | 1959 | |||||||
Matt Schulien | Cut the Cards | 1959 | ||||||
Matt Schulien | Gesture Bottom Reverse | 1959 | ||||||
Matt Schulien | Air Pressure | 1959 | ||||||
Matt Schulien | The Card in the Card Case | 1959 | ||||||
Matt Schulien | One Hand Discovery (One Card) | 1959 | ||||||
Matt Schulien | One Hand Discovery - Two Cards | 1959 | ||||||
Matt Schulien | Deck Turnover | 1959 | ||||||
Matt Schulien | The Change | 1959 | ||||||
Philip Reed Willmarth | Tricks with the Force | 1959 | ||||||
Matt Schulien | One-Hand Cut Force | 1959 | ||||||
Matt Schulien | The Face Up Spread Force | 1959 | ||||||
Matt Schulien | The Fan Force | 1959 | ||||||
Matt Schulien | Matt's Call A Card Force | 1959 | ||||||
Matt Schulien | Matt's Face Down Spread Force | 1959 | ||||||
Matt Schulien | The Mental Fan Force Routine | 1959 | ||||||
Matt Schulien | Undercount | 1959 | ||||||
Snap False Count | 1959 | |||||||
Palm Fold | 1959 | |||||||
Neal Elias | Mental Count | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Neal Elias | Center Key Card Shuffle | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Neal Elias | Double Selection | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Edward Marlo | The 8 Card Wonder: Effect #2 | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Edward Marlo | The 8 Card Wonder: Effect #5 | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Edward Marlo | Ten-Card Packet Triple Force | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Edward Marlo | Reverse Faro Terminology | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Theodore Annemann | Double-Blank Display Sequence | Mar. 1959 |
Ibidem
(Issue 16)
|
|||||
Ronald B. Edwards | Mazes-Phase Down | July 1959 |
Ibidem
(Issue 17)
|
|||||
Edward Marlo | Technical Variation of the Henry Christ Force | July 1959 |
Ibidem
(Issue 17)
|
|||||
Ken Beale, Francis Carlyle | Erl & Water | July 1959 |
Ibidem
(Issue 17)
|
|||||
Edward Marlo | Bottom Deal Count Credit Information | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
Edward Marlo | Small Packet Displacement | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
Edward Marlo | M.S. Two Hand Loading Move | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
Edward Marlo | Double Deal Count | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
Russell "Rusduck" Duck | Rusduck Thinks | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
Edward Marlo | Spread Cull Placement | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
Nathan Mendelsohn | Whilst Demonstrating to the Company A Game at Poker, To Deal the Cards in Such a Manner that a Card Known to be at one Position from the Top will, at the Performer’s Pleasure, Be Found at any other | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
P. Howard Lyons | They're Really Marked | Oct. 1959 |
Ibidem
(Issue 18)
|
|||||
Edward Marlo | Flexible Move | Dec. 1959 |
Ibidem
(Issue 19)
|
|||||
Edward Marlo | Timing Pocket Load | Dec. 1959 |
Ibidem
(Issue 19)
|
|||||
Edward Marlo | Card from Case | Dec. 1959 |
Ibidem
(Issue 19)
|
|||||
Edward Marlo | The Illogical Routine | Dec. 1959 |
Ibidem
(Issue 19)
|
|||||
Edward Marlo | Roughly a New Approach | Dec. 1959 |
Ibidem
(Issue 19)
|
|||||
Edward Marlo | Roughed False Dealing Demonstration | Dec. 1959 |
Ibidem
(Issue 19)
|
|||||
Edward Marlo | Roughed Pair Flourish | Dec. 1959 |
Ibidem
(Issue 19)
|
|||||
Alex Elmsley, Dai Vernon | Fingertip Elmsley Count | 1960 | ||||||
Dai Vernon | Riffled Thought | 1960 | ||||||
Dai Vernon | Separation Move | 1960 | ||||||
Dai Vernon | Wedge Break Displacement | 1960 | ||||||
Senor Notis | The Notis Cascade | 1960 | ||||||
Dai Vernon | Basic Formation of a Step | 1960 | ||||||
Dai Vernon | The Pull Through Shuffle | 1960 | ||||||
Dai Vernon | The Pull Out Shuffle | 1960 | ||||||
Retaining the Top Stock | 1960 | |||||||
Herb Zarrow | Zarrow Full Deck Control | 1960 | ||||||
Dai Vernon | Side Riffle Cut | 1960 | ||||||
Dai Vernon | Transferring a Bottom Stock to the Top | 1960 | ||||||
Dai Vernon | Reversal of Bottom Cards | 1960 | ||||||
Dai Vernon, Fred Black | To Keep the Colours Separated | 1960 | ||||||
Dad Stevens | To Bring Cards to the Top | 1960 | ||||||
Dai Vernon | Corner Crimp | 1960 | ||||||
Dai Vernon | Top Card Crimp | 1960 | ||||||
Dai Vernon | Cut Crimp | 1960 | ||||||
Dai Vernon | Whole Pack Crimp | 1960 | ||||||
Dai Vernon | Spring Crimp | 1960 | ||||||
Mexican Joe | Mexican Joe's Crimp | 1960 | ||||||
Dai Vernon | Snap Crimp | 1960 | ||||||
Dai Vernon | Red-Black Separation with Snap Crimp | 1960 | ||||||
Dai Vernon | First False Count | 1960 | ||||||
Dai Vernon | Second False Count | 1960 | ||||||
Dai Vernon | Loewy Palm Cover | 1960 | ||||||
Dai Vernon | Square-Up Palm | 1960 | ||||||
Dai Vernon | False Transfer with Card | 1960 | ||||||
Dai Vernon | The Classic Force | 1960 | ||||||
Johnny Paul | Toss Force | 1960 | ||||||
Max Malini | The Malini Force | 1960 | ||||||
Dai Vernon | Riffle Force | 1960 | ||||||
Dai Vernon | Fan Force | 1960 | ||||||
Dai Vernon | Back to Back Force | 1960 | ||||||
Dai Vernon | The Vernon Glide | 1960 | ||||||
Dai Vernon | The Push-off Count | 1960 |