|
of private confederacie, and of bandons pigeon \n on using stooges, for example for burnt and rediscovered card \n reginald scot \n of private confederacy. \n unknown
1584
the discoverie of witchcraft
Reginald Scot
|
Of private confederacie, and of Bandons pigeon
|
Related to
|
1584
|
|
174
|
|
|
|
example of a ridiculous woonder \n picture of dove is pierced, real dove on top of building drops down dead \n brandon the juggler
1584
the discoverie of witchcraft
Brandon the juggler
|
Example of a ridiculous woonder
|
1584
|
|
174
|
|
|
|
of publike confederacie, and whereof it consisteth \n on stooges \n reginald scot
1584
the discoverie of witchcraft
Reginald Scot
|
Of publike confederacie, and whereof it consisteth
|
1584
|
|
175
|
|
|
|
how men have beene abused with words of equivocation, with sundrie examples thereof \n on cold reading and claiming coincidences \n reginald scot
1584
the discoverie of witchcraft
Reginald Scot
|
How men have beene abused with words of equivocation, with sundrie examples thereof
|
1584
|
|
175
|
|
|
|
of the ball, and the manner of legierdemaine therewith, also notable feats with one or diverse balles \n magic with small balls \n unknown
1584
the discoverie of witchcraft
|
Of the ball, and the manner of legierdemaine therewith, also notable feats with one or diverse balles
|
1584
|
|
182
|
|
|
|
to make a little ball swell in your hand till it be verie great \n one or more small balls taken into other hand and become big there, shuttle pass \n unknown
1584
the discoverie of witchcraft
|
To make a little ball swell in your hand till it be verie great
|
1584
|
|
183
|
|
|
|
to consume (or rather to conveie) one or manie balles into nothing \n lapping ball after false transfer for complete vanish \n unknown
1584
the discoverie of witchcraft
|
To consume (or rather to conveie) one or manie balles into nothing
|
1584
|
|
183
|
|
|
|
how to rap a wag upon the knuckles \n sucker gag in which spectator is rapped on hand \n unknown \n how to rap a wag on the knuckles \n unknown \n how to rap a wag on the knuckles \n unknown
1584
the discoverie of witchcraft
|
How to rap a wag upon the knuckles
|
Related to
|
1584
|
|
183
|
|
|
|
to conveie monie out of one of your hands into the other by legierdemaine \n coin travels from hand to hand after false transfer, tapped with knife for sound illusion ("for both the eare and the eie is deceived by this devise") \n unknown \n money talks \n david williamson \n fake beat move (フェイク・ビート・ムーブ) \n tomoya horiki \n how to convey money out of one of your hands into the other by legerdemaine \n unknown
1584
the discoverie of witchcraft
|
To conveie monie out of one of your hands into the other by legierdemaine
|
Related toVariations
|
1584
|
|
184
|
|
|
|
to put one testor into one hand, and an other into the other hand, and with words to bring them togither \n \n unknown
1584
the discoverie of witchcraft
|
To put one testor into one hand, and an other into the other hand, and with words to bring them togither
|
1584
|
|
184
|
|
|
|
to put one testor into a strangers hand, and another into your owne, and to conveie both into the strangers hand with words \n "double lift" with coins, double put into spectator's hand (sponge ball trick with coins) \n unknown \n how to deliver to one man one sixpence, and to another another sixpence, and to make both the testors come into one mans hand \n unknown
1584
the discoverie of witchcraft
|
To put one testor into a strangers hand, and another into your owne, and to conveie both into the strangers hand with words
|
Related to
|
1584
|
|
184
|
|
|
|
how to doo the same or the like feate otherwise \n one coin in each hand, they travel together \n unknown
1584
the discoverie of witchcraft
|
How to doo the same or the like feate otherwise
|
1584
|
|
184
|
|
|
|
to throwe a peece of monie awaie, and to find it againe where you list \n coin thrown into air vanishes (classic palm with second and third fingers), duplicate appears somewhere else (like on a stooge) \n unknown
1584
the discoverie of witchcraft
|
To throwe a peece of monie awaie, and to find it againe where you list
|
1584
|
|
185
|
|
|
|
with words to make a groat or a testor to leape out of a pot, or to run alongst upon a table \n coin crawls out of cup along table, thread pulled by stooge, recommended at night with candle light to make it more deceptive \n unknown
1584
the discoverie of witchcraft
|
With words to make a groat or a testor to leape out of a pot, or to run alongst upon a table
|
1584
|
|
185
|
|
|
|
to make a groat or a testor to sinke through a table, and to vanish out of a handkercher verie strangelie \n coin vanishes from handkerchief with dummy coin inside and penetrates table and falls into glass held underneath \n unknown \n how to make sixe pence seeme to fall thorow a table \n unknown
1584
the discoverie of witchcraft
|
To make a groat or a testor to sinke through a table, and to vanish out of a handkercher verie strangelie
|
Related to
|
1584
|
|
185
|
|
|
|
a notable tricke to transforme a counter to a groat \n double sided coin glued from two filed down coins, another thin cover disc stuck onto it with wax to show both sides of coin (pre-shell), then disc stolen away and coin changes cleanly in one hand \n unknown \n a notable trick to transform a counter into a groat \n unknown
1584
the discoverie of witchcraft
|
A notable tricke to transforme a counter to a groat
|
Related to
|
1584
|
|
185
|
|
|
|
an excellent feat, to make a two penie peece lie plaine in the palme of your hand, and to be passed from thence when you list \n one-handed coin vanish with wax on nail to bring coin to sort of back-palm position \n unknown \n an excellent feat to make a twopeny peece lie plaine in your hand, and to be passed from thence when you lift \n unknown
1584
the discoverie of witchcraft
|
An excellent feat, to make a two penie peece lie plaine in the palme of your hand, and to be passed from thence when you list
|
Related to
|
1584
|
|
186
|
|
|
|
to throwe a peece of monie into a deepe pond, and to fetch it againe from whence you list \n marked coin thrown into river is reproduced from somewhere else, similarly marked duplicate \n unknown
1584
the discoverie of witchcraft
|
To throwe a peece of monie into a deepe pond, and to fetch it againe from whence you list
|
1584
|
|
186
|
|
|
|
knowing how much money a spectator has \n stooge \n unknown
1584
the discoverie of witchcraft
|
Knowing how much Money a Spectator has
|
1584
|
|
186
|
|
|
|
to conveie one shilling being in one hand into another, holding your armes abroad like a rood \n sucker bet in which a coin is in each hand, it is proposed to bring them into one hand without the hands coming near each other \n unknown
1584
the discoverie of witchcraft
|
To conveie one shilling being in one hand into another, holding your armes abroad like a rood
|
1584
|
|
187
|
|
|
|
how to rap a wag on the knuckles \n gag in which a spectator is rapped on the knuckles \n unknown \n how to rap a wag upon the knuckles \n unknown
1584
the discoverie of witchcraft
|
How to rap a wag on the knuckles
|
Related to
|
1584
|
|
187
|
|
|
|
to transforme anie one small thing into anie other forme by folding of paper \n buddha papers, with paper or handkerchief, standard back-to-back paper method and ungaffed method \n unknown \n how to transforme any one small thing into another forme by folding of paper \n unknown \n the gypsy switch - part two \n karl fulves
1584
the discoverie of witchcraft
|
To transforme anie one small thing into anie other forme by folding of paper
|
Related to
|
1584
|
|
187
|
|
|
|
of cards, with good cautions how to avoid cousenage therein: speciall rules to conveie and handle the cards, and the maner and order how to accomplish all difficult and strange things wrought with cards \n injog or outjog shuffle to preserve stock, first or fourth finger controls stock, also with a few cover cards \n unknown \n bottom stock jog shuffle \n unknown \n control with cover cards \n unknown
1584
the discoverie of witchcraft
|
Of cards, with good cautions how to avoid cousenage therein: speciall rules to conveie and handle the cards, and the maner and order how to accomplish all difficult and strange things wrought with cards
|
Related to
|
1584
|
|
188
|
|
|
|
how to deliver out foure aces, and to convert them into foure knaves \n four aces shown on face of deck and placed on table one by one, they change into jacks \n unknown \n how to deliver out four aces, and convert them into four knaves. \n unknown \n supplementary note \n karl fulves
1584
the discoverie of witchcraft
|
How to deliver out foure aces, and to convert them into foure knaves
|
Related to
|
1584
|
|
188
|
|
|
|
glide \n second card injogged and covered by fingers \n unknown \n injog glide \n unknown
1584
the discoverie of witchcraft
|
Glide
|
Related to
|
1584
|
|
189
|
|
|
|
how to tell one what card he seeth in the bottome, when the same card is shuffled into the stocke \n card peeked, kept under control with jog shuffle and then "forced" (given) to spectator and divined \n unknown \n how to tell what card he sees on the bottom, when the same card is shuffled into the stock. \n unknown
1584
the discoverie of witchcraft
|
How to tell one what card he seeth in the bottome, when the same card is shuffled into the stocke
|
Related to
|
1584
|
|
189
|
|
|
|
an other waie to doo the same, having your selfe indeed never seene the card \n card glimpsed with diversion (like letting some cards fall), making piles and following the card, then giving it to spectator and divining it \n unknown \n another way to do the same, having yourself indeed never seen the card. \n unknown
1584
the discoverie of witchcraft
|
An other waie to doo the same, having your selfe indeed never seene the card
|
Related to
|
1584
|
|
189
|
|
|
|
to tell one without confederacie what card the thinketh \n three cards on table, one thought of, divined by following gaze \n unknown \n to tell one without confederacy what card he thinks of. \n unknown
1584
the discoverie of witchcraft
|
To tell one without confederacie what card the thinketh
|
Related to
|
1584
|
|
189
|
|
|
|
how to tell what card anie man thinketh, how to conveie the same into a kernell of a nut or cheristone, &c: and the same againe into ones pocket: how to make one drawe the same or anie card you list, and all under one devise \n card thought of is predicted on piece of paper in nut or button on spectator's coat, stooge, another person selects this card from deck, in optional repeat a nut with ink is cracked by some sucker \n unknown \n how to tell what card any man thinks of, how to convey it into the kernel of a nut or cherrystone, and the same again into another's pocket \n unknown \n how to make a card vanish, and finde it againe in a nut \n unknown
1584
the discoverie of witchcraft
|
How to tell what card anie man thinketh, how to conveie the same into a kernell of a nut or cheristone, &c: and the same againe into ones pocket: how to make one drawe the same or anie card you list, and all under one devise
|
Related to
|
1584
|
|
190
|
|
|
|
classic force \n with out (dropping some cards and starting again) \n unknown \n how to make one draw the same or any card you like \n unknown
1584
the discoverie of witchcraft
|
Classic Force
|
Related to
|
1584
|
|
190
|
|
|
|
of fast or loose, how to knit a hard knot upon a handkercher, and to undo the same with words \n converting square knot into slip knot \n unknown \n how to knit a hard knot upon a handkercher, and to seem to undoe the same with words \n unknown
1584
the discoverie of witchcraft
|
Of fast or loose, how to knit a hard knot upon a handkercher, and to undo the same with words
|
Related to
|
1584
|
|
190
|
|
|
|
a notable feate of fast or loose; namelie, to pull three beadstones from off a cord, while you hold fast the ends thereof, without removing of your hand \n grandmother's necklace \n unknown \n a notable feat of fast and loose; namely, to pull three beadstones from off a cord, while you hold fast the ends thereof, without removing of your hands \n unknown
1584
the discoverie of witchcraft
|
A notable feate of fast or loose; namelie, to pull three beadstones from off a cord, while you hold fast the ends thereof, without removing of your hand
|
Related to
|
1584
|
|
191
|
|
|
|
juggling knacks by confederacie, and how to know whether one cast crosse or pile by the ringing \n heads or tails divined repeatedly, stooge with verbal code and psychology \n unknown
1584
the discoverie of witchcraft
|
Juggling knacks by confederacie, and how to know whether one cast crosse or pile by the ringing
|
1584
|
|
191
|
|
|
|
to make a shoale of goslings drawe a timber log \n some geese draw a log of wood, vague, probably thread \n unknown
1584
the discoverie of witchcraft
|
To make a shoale of goslings drawe a timber log
|
1584
|
|
192
|
|
|
|
to make a pot or anie such thing standing fast on the cupboard, to fall downe thense by vertue of words \n stooge with thread \n unknown
1584
the discoverie of witchcraft
|
To make a pot or anie such thing standing fast on the cupboard, to fall downe thense by vertue of words
|
1584
|
|
192
|
|
|
|
to make one danse naked \n spectator is made to throw away clothes and dance and stomp, stooge \n unknown
1584
the discoverie of witchcraft
|
To make one danse naked
|
1584
|
|
192
|
|
|
|
to transforme or alter the colour of ones cap or hat \n with stooge who confirms that the hat changed \n unknown
1584
the discoverie of witchcraft
|
To transforme or alter the colour of ones cap or hat
|
1584
|
|
192
|
|
|
|
how to tell where a stollen horsse is become \n stooge \n steeven tailor
1584
the discoverie of witchcraft
Steeven Tailor
|
How to tell where a stollen horsse is become
|
1584
|
|
192
|
|
|
|
boxes to alter one graine into another, or to consume the graine or corne to nothing \n box with false bottom and layer of grains glued on it, turned over for transformation or vanish \n unknown \n boxes to change graine \n unknown
1584
the discoverie of witchcraft
|
Boxes to alter one graine into another, or to consume the graine or corne to nothing
|
Related to
|
1584
|
|
192
|
|
|
|
how to conveie (with words or charmes) the corne conteined in one box into an other \n previous box used to vanish grains, it reappears in bell type box that has grains behind leather separater that drops down when set hard on table (chop cup like) \n unknown \n boxes to change graine \n unknown
1584
the discoverie of witchcraft
|
How to conveie (with words or charmes) the corne conteined in one box into an other
|
Related to
|
1584
|
|
193
|
|
|
|
of diverse petie juggling knacks \n - making an oat stir
- producing dry powdered spices from mouth
- paddle type trick with straw in one of three holes in paddle that jumps around \n unknown \n of divers pretty jugling knacks \n unknown
1584
the discoverie of witchcraft
|
Of diverse petie juggling knacks
|
Related to
|
1584
|
|
193
|
|
|
|
to burne a thred, and to make it whole againe with the ashes thereof \n \n unknown \n to turne a threed, and so make it whole againe with the ashes thereof \n unknown
1584
the discoverie of witchcraft
|
To burne a thred, and to make it whole againe with the ashes thereof
|
Related to
|
1584
|
|
193
|
|
|
|
to cut a lace asunder in the middest, and to make it whole againe \n more string than rope, borrowed, extra piece is cut \n unknown \n to cut a lace asunder in the midst, and to make it whole againe \n unknown
1584
the discoverie of witchcraft
|
To cut a lace asunder in the middest, and to make it whole againe
|
Related to
|
1584
|
|
194
|
|
|
|
how to pull laces innumerable out of your mouth, of what colour or length you list, and never anie thing seene to be therein \n mouth coils \n unknown \n how to draw ribbins of any colour out of your mouth, and to deliver it by the yard \n unknown
1584
the discoverie of witchcraft
|
How to pull laces innumerable out of your mouth, of what colour or length you list, and never anie thing seene to be therein
|
Related to
|
1584
|
|
194
|
|
|
|
how to make a booke, wherein you shall shew everie leafe therein to be white, black, blew, red, yellow, greene, &c. \n blow book, changes six times, with place where one can buy it, mentions of pliney the elder, saint albertus magnus, john baptista neapolitan, thomas lupton \n clarvis \n how to make a jugling booke, or a booke for waggerie \n unknown
1584
the discoverie of witchcraft
Clarvis
|
How to make a booke, wherein you shall shew everie leafe therein to be white, black, blew, red, yellow, greene, &c.
|
Related to
|
1584
|
|
195
|
|
|
|
desperate or dangerous juggling knacks, wherein the simple are made to thinke, that a seelie juggler with words can hurt and helpe, kill and revive anie creature at his pleasure: and first too kill anie kind of pullen, and to give it life againe \n knife or nail inserted into head of chicken to deafen it temporarily \n unknown
1584
the discoverie of witchcraft
|
Desperate or dangerous juggling knacks, wherein the simple are made to thinke, that a seelie juggler with words can hurt and helpe, kill and revive anie creature at his pleasure: and first too kill anie kind of pullen, and to give it life againe
|
1584
|
|
196
|
|
|
|
to eate a knife, and to fetch it out of anie other place \n knife swallowing, first partially put in mouth, then lapped with misdirection and apparently eaten \n unknown \n how to seeme to eate a knife \n unknown
1584
the discoverie of witchcraft
|
To eate a knife, and to fetch it out of anie other place
|
Related to
|
1584
|
|
196
|
|
|
|
to thrust a bodkin into your head without hurt \n thin knife through head with blade that slips into handle, optional sponge with blood or wine for additional gore effect \n unknown \n how to seeme to thrust a bodkin in your fore-head \n unknown
1584
the discoverie of witchcraft
|
To thrust a bodkin into your head without hurt
|
Related to
|
1584
|
|
196
|
|
|
|
to thrust a bodkin through your toong, and a knife through your arme: a pittifull sight, without hurt or danger \n gimmicked knifes with bend in middle \n unknown
1584
the discoverie of witchcraft
|
To thrust a bodkin through your toong, and a knife through your arme: a pittifull sight, without hurt or danger
|
1584
|
|
197
|
|
|
|
to thrust a peece of lead into one eie, and to drive it about (with a sticke) betweene the skin and flesh of the forehead, untill it be brought to the other eie, and there thrust out \n lead put in one eye (really into hollow wand) and brought out the other \n unknown
1584
the discoverie of witchcraft
|
To thrust a peece of lead into one eie, and to drive it about (with a sticke) betweene the skin and flesh of the forehead, untill it be brought to the other eie, and there thrust out
|
1584
|
|
197
|
|
|
|
to cut halfe your nose asunder, and to heale it againe presentlie without anie salve \n gimmicked knife with gap, apparently cut through nose \n unknown \n how to seeme to cut ones nose halfe off \n unknown
1584
the discoverie of witchcraft
|
To cut halfe your nose asunder, and to heale it againe presentlie without anie salve
|
Related to
|
1584
|
|
197
|
|
|
|
to put a ring through your cheeke \n ring apparently through cheek (with slit), is taken off and put onto stick that two people hold \n unknown \n how to seeme to put a ring through ones cheeke \n unknown
1584
the discoverie of witchcraft
|
To put a ring through your cheeke
|
Related to
|
1584
|
|
197
|
|
|
|
to cut off ones head, and to laie it in a platter, &c: which the jugglers call the decollation of john baptist \n decapitation illusion \n unknown \n how to seeme to cut off a mans head, it is called the decollation of john baptist \n unknown
1584
the discoverie of witchcraft
|
To cut off ones head, and to laie it in a platter, &c: which the jugglers call the decollation of John Baptist
|
Related to
|
1584
|
|
198
|
|
|
|
to thrust a dagger or bodkin into your guts verie strangelie, and to recover immediatlie \n false belly with animal blood \n unknown
1584
the discoverie of witchcraft
|
To thrust a dagger or bodkin into your guts verie strangelie, and to recover immediatlie
|
1584
|
|
198
|
|
|
|
to drawe a cord through your nose, mouth or hand, so sensiblie as is woonderful to see \n crotch with thread through it, really inside the wood around nose \n unknown \n how to seeme to pull a rope through your nose \n unknown
1584
the discoverie of witchcraft
|
To drawe a cord through your nose, mouth or hand, so sensiblie as is woonderful to see
|
Related to
|
1584
|
|
199
|
|
|
|
palming small balls \n \n unknown
1634
the art of legerdemain discovered
|
Palming Small Balls
|
1634
|
|
8
|
|
|
|
apparently swallowing ball \n after false transfer \n unknown
1634
the art of legerdemain discovered
|
Apparently Swallowing Ball
|
1634
|
|
10
|
|
|
|
how to make a great ball seem to come through a table into a cup \n from bottom of table to under cup after spectator checked the cup by himself \n unknown
1634
the art of legerdemain discovered
|
How to make a great Ball seem to come through a Table into a Cup
|
1634
|
|
15
|
|
|
|
how to make a stone seeme to vanish out of your hand \n lapping the stone while asking a question \n unknown
1634
the art of legerdemain discovered
|
How to make a stone seeme to vanish out of your hand
|
1634
|
|
18
|
|
|
|
another \n another stone vanish via lapping \n unknown
1634
the art of legerdemain discovered
|
Another
|
1634
|
|
18
|
|
|
|
how to make a card vanish, and finde it againe in a nut \n duplicate card is split and printed side slit into nut beforehand, second nut filled with ink as joke when spectator opens it \n unknown \n how to tell what card anie man thinketh, how to conveie the same into a kernell of a nut or cheristone, &c: and the same againe into ones pocket: how to make one drawe the same or anie card you list, and all under one devise \n unknown
1634
the art of legerdemain discovered
|
How to make a Card vanish, and finde it againe in a Nut
|
Related to
|
1634
|
|
19
|
|
|
|
how to seeme to eate a knife \n knife swallowing, reproduced from pocket \n unknown \n to eate a knife, and to fetch it out of anie other place \n unknown
1634
the art of legerdemain discovered
|
How to seeme to eate a Knife
|
Related to
|
1634
|
|
20
|
|
|
|
how to rap a wag on the knuckles \n sucker gag in which spectator is rapped on knuckles \n unknown \n how to rap a wag upon the knuckles \n unknown
1634
the art of legerdemain discovered
|
How to rap a Wag on the knuckles
|
Related to
|
1634
|
|
20
|
|
|
|
how to seeme to swallow a long pudding made of tinne \n ball transforms into collapsable tin cone and is swallowed \n unknown
1634
the art of legerdemain discovered
|
How to seeme to swallow a long pudding made of Tinne
|
1634
|
|
21
|
|
|
|
how to seeme to cut ones nose halfe off \n knife with half-moon cut out \n unknown \n to cut halfe your nose asunder, and to heale it againe presentlie without anie salve \n unknown
1634
the art of legerdemain discovered
|
How to seeme to cut ones nose halfe off
|
Related to
|
1634
|
|
22
|
|
|
|
how to seeme to pull a rope through your nose \n crotch with thread through it, really inside the wood around nose \n unknown \n to drawe a cord through your nose, mouth or hand, so sensiblie as is woonderful to see \n unknown
1634
the art of legerdemain discovered
|
How to seeme to pull a rope through your nose
|
Related to
|
1634
|
|
23
|
|
|
|
how to make a pile of counters seeme to vanish thorow a table \n cap & pence through table, die appears instead on top of table which started in hollowed stack \n unknown
1634
the art of legerdemain discovered
|
How to make a pile of Counters seeme to vanish thorow a Table
|
1634
|
|
24
|
|
|
|
how to seeme to put a ring through ones cheeke \n ring apparently through cheek (with slit and spinning illusion), is taken off and put onto stick that two people hold \n unknown \n to put a ring through your cheeke \n unknown
1634
the art of legerdemain discovered
|
How to seeme to put a ring through ones cheeke
|
Related to
|
1634
|
|
26
|
|
|
|
how to seeme to thrust a bodkin in your fore-head \n knife through head with blade that slips into handle, optional sponge with blood for additional gore effect \n unknown \n to thrust a bodkin into your head without hurt \n unknown
1634
the art of legerdemain discovered
|
How to seeme to thrust a Bodkin in your fore-head
|
Related to
|
1634
|
|
27
|
|
|
|
how to draw ribbins of any colour out of your mouth, and to deliver it by the yard \n mouth coils \n unknown \n how to pull laces innumerable out of your mouth, of what colour or length you list, and never anie thing seene to be therein \n unknown
1634
the art of legerdemain discovered
|
How to draw ribbins of any colour out of your mouth, and to deliver it by the yard
|
Related to
|
1634
|
|
29
|
|
|
|
how to make two bels come into one hand, having put into each hand one \n bell travels from hand to hand, with bell in sleeve to fake sound of bell in hand \n unknown
1634
the art of legerdemain discovered
|
How to make two Bels come into one hand, having put into each hand one
|
1634
|
|
30
|
|
|
|
how to make a jugling booke, or a booke for waggerie \n blank book becomes printed \n unknown \n how to make a booke, wherein you shall shew everie leafe therein to be white, black, blew, red, yellow, greene, &c. \n clarvis
1634
the art of legerdemain discovered
|
How to make a Jugling booke, or a booke for Waggerie
|
Related to
|
1634
|
|
30
|
|
|
|
bonus genius or nuntius invisibilis \n small wooden figure vanishes in cap, head comes off and body is secretly removed in advance \n unknown \n the "bonus genius," or vanishing doll \n unknown \n the little messenger \n unknown
1634
the art of legerdemain discovered
|
Bonus Genius or Nuntius invisibilis
|
Related to
|
1634
|
|
31
|
|
|
|
boxes to change graine \n box with false bottom and layer of grains glued on it, turned over for transformation or vanish, also appearance in bell type box \n unknown \n boxes to alter one graine into another, or to consume the graine or corne to nothing \n unknown \n how to conveie (with words or charmes) the corne conteined in one box into an other \n unknown
1634
the art of legerdemain discovered
|
Boxes to change Graine
|
Related to
|
1634
|
|
32
|
|
|
|
how to vanish a glasse full of beere \n coin on table, glass with beer placed on top, "is coin in or under glass?", verification used to lap full glass, coin stuck to fingers is reproduced from nose and glass from pocket \n unknown
1634
the art of legerdemain discovered
|
How to vanish a glasse full of Beere
|
1634
|
|
33
|
|
|
|
how to seeme to cut off a mans head, it is called the decollation of john baptist \n decapitation illusion \n unknown \n to cut off ones head, and to laie it in a platter, &c: which the jugglers call the decollation of john baptist \n unknown
1634
the art of legerdemain discovered
|
How to seeme to cut off a mans head, it is called the decollation of John Baptist
|
Related to
|
1634
|
|
34
|
|
|
|
how to make the face of a childe to appeare in a pot of water \n small fake head secretly dropped into water bottle, also with frog \n unknown
1634
the art of legerdemain discovered
|
How to make the face of a Childe to appeare in a pot of water
|
1634
|
|
36
|
|
|
|
advice whereby you may drinke a tunnell full of drinke, and afterwards seeme to poure the same all out of your sleeve againe \n double funnel \n unknown
1634
the art of legerdemain discovered
|
Advice whereby you may drinke a Tunnell full of drinke, and afterwards seeme to poure the same all out of your sleeve againe
|
1634
|
|
36
|
|
|
|
how to seeme to make a tooth drop out with a touch \n big tooth drops out of mouth, gag? \n unknown
1634
the art of legerdemain discovered
|
How to seeme to make a tooth drop out with a touch
|
1634
|
|
37
|
|
|
|
another conceipt to procure laughter \n two items held far apart, challenge to bring them into one hand without moving the hands together \n unknown
1634
the art of legerdemain discovered
|
Another conceipt to procure laughter
|
1634
|
|
37
|
|
|
|
how to make two or three egs dance upon a staffe \n eggs balanced on stick \n unknown
1634
the art of legerdemain discovered
|
How to make two or three egs dance upon a staffe
|
1634
|
|
38
|
|
|
|
a merry conceit \n gag in which a spectator is rapped on the knuckles as coins are handed out \n unknown
1634
the art of legerdemain discovered
|
A merry conceit
|
1634
|
|
38
|
|
|
|
how to knit a hard knot upon a handkercher, and to seem to undoe the same with words \n converting square knot into slip knot \n unknown \n of fast or loose, how to knit a hard knot upon a handkercher, and to undo the same with words \n unknown
1634
the art of legerdemain discovered
|
How to knit a hard knot upon a handkercher, and to seem to undoe the same with words
|
Related to
|
1634
|
|
39
|
|
|
|
a notable feat of fast and loose; namely, to pull three beadstones from off a cord, while you hold fast the ends thereof, without removing of your hands \n \n unknown \n a notable feate of fast or loose; namelie, to pull three beadstones from off a cord, while you hold fast the ends thereof, without removing of your hand \n unknown
1634
the art of legerdemain discovered
|
A notable feat of Fast and Loose; namely, to pull three beadstones from off a Cord, while you hold fast the ends thereof, without removing of your hands
|
Related to
|
1634
|
|
40
|
|
|
|
to turne a threed, and so make it whole againe with the ashes thereof \n \n unknown \n to burne a thred, and to make it whole againe with the ashes thereof \n unknown
1634
the art of legerdemain discovered
|
To turne a threed, and so make it whole againe with the ashes thereof
|
Related to
|
1634
|
|
41
|
|
|
|
to cut a lace asunder in the midst, and to make it whole againe \n more string than rope, extra piece is cut \n unknown \n to cut a lace asunder in the middest, and to make it whole againe \n unknown
1634
the art of legerdemain discovered
|
To cut a Lace asunder in the midst, and to make it whole againe
|
Related to
|
1634
|
|
42
|
|
|
|
a very strange tricke whereby you may seeme to cut a piece of tape into 2. or 4. parts, and make it whole againe with words \n \n unknown
1634
the art of legerdemain discovered
|
A very strange tricke whereby you may seeme to cut a piece of Tape into 2. or 4. parts, and make it whole againe with words
|
1634
|
|
43
|
|
|
|
of divers pretty jugling knacks \n - producing dry powdered spices from mouth
- paddle type trick with straw in one of three holes in paddle that jumps around \n unknown \n of diverse petie juggling knacks \n unknown
1634
the art of legerdemain discovered
|
Of divers pretty jugling knacks
|
Related to
|
1634
|
|
45
|
|
|
|
a notable trick to transform a counter into a groat \n double sided coin glued from two filed down coins, another thin cover disc stuck onto it with wax to show both sides of coin (pre-shell), then disc stolen away and coin changes cleanly in one hand \n unknown \n a notable tricke to transforme a counter to a groat \n unknown
1634
the art of legerdemain discovered
|
A notable trick to transform a Counter into a Groat
|
Related to
|
1634
|
|
46
|
|
|
|
an excellent feat to make a twopeny peece lie plaine in your hand, and to be passed from thence when you lift \n one-handed coin vanish with wax on nail to bring coin to sort of back-palm position \n unknown \n an excellent feat, to make a two penie peece lie plaine in the palme of your hand, and to be passed from thence when you list \n unknown
1634
the art of legerdemain discovered
|
An excellent feat to make a twopeny peece lie plaine in your hand, and to be passed from thence when you lift
|
Related to
|
1634
|
|
47
|
|
|
|
how to transforme any one small thing into another forme by folding of paper \n buddha papers to change coins \n unknown \n to transforme anie one small thing into anie other forme by folding of paper \n unknown
1634
the art of legerdemain discovered
|
How to transforme any one small thing into another forme by folding of paper
|
Related to
|
1634
|
|
47
|
|
|
|
how to convey money out of one of your hands into the other by legerdemaine \n coin travels from hand to hand after false transfer, tapped with knife for sound illusion \n unknown \n to conveie monie out of one of your hands into the other by legierdemaine \n unknown
1634
the art of legerdemain discovered
|
How to convey money out of one of your hands into the other by Legerdemaine
|
Related to
|
1634
|
|
48
|
|
|
|
how to make sixe pence seeme to fall thorow a table \n coin vanishes from handkerchief with dummy coin inside and penetrates table and falls into glass held underneath \n unknown \n to make a groat or a testor to sinke through a table, and to vanish out of a handkercher verie strangelie \n unknown
1634
the art of legerdemain discovered
|
How to make sixe pence seeme to fall thorow a Table
|
Related to
|
1634
|
|
49
|
|
|
|
how to deliver to one man one sixpence, and to another another sixpence, and to make both the testors come into one mans hand \n "double lift" with coins, double put into spectator's hand (sponge ball trick with coins), coin stolen from palm of another spectator with sticky fingers \n unknown \n to put one testor into a strangers hand, and another into your owne, and to conveie both into the strangers hand with words \n unknown
1634
the art of legerdemain discovered
|
How to deliver to one man one sixpence, and to another another sixpence, and to make both the testors come into one mans hand
|
Related to
|
1634
|
|
50
|
|
|
|
conveyance of cards and dice \n mentioning card tricks and principles without details
- divided cards
- advantage dice by cutting off a strip
- "nipping" (punch?), corner crimp, dots \n hocus pocus junior
1634
the art of legerdemain discovered
Hocus Pocus Junior
|
Conveyance of Cards and Dice
|
1634
|
|
51
|
|
|
|
of confederacy \n listing some effects with stooges, most of them can be found in "discoverie of witchcraft" by reginald scot \n hocus pocus junior
1634
the art of legerdemain discovered
Hocus Pocus Junior
|
Of Confederacy
|
1634
|
|
52
|
|
|
|
le grand sultan \n automaton who can divine a card by nodding with his head, the number of a rolled dice and in which compartment of a closed box a doll is placed, with assitant \n unknown
1784
la magie blanche dévoilée
|
Le Grand Sultan
|
1784
|
|
1
|
|
|
|
le mouchoir marqué, coupé, déchiré & raccommodé \n marked, cut and burnt handkerchief is restored again, with a table \n unknown
1784
la magie blanche dévoilée
|
Le Mouchoir Marqué, Coupé, Déchiré & Raccommodé
|
1784
|
|
6
|
|
|
|
l'oiseau artificiel, chantant au commendement de la compagnie \n bird automaton on a bottle whistles any melody wished for \n unknown
1784
la magie blanche dévoilée
|
L'Oiseau Artificiel, Chantant au Commendement de la Compagnie
|
1784
|
|
9
|
|
|
|
la carte dansante \n (the dancing card) selection appears on the wall, goes left and right and up until the card vanishes and appears again, thread and duplicate \n unknown
1784
la magie blanche dévoilée
|
La Carte Dansante
|
1784
|
|
13
|
|
|
|
la carte clouée au mur d'un coup de pistolet \n corner torn of selection, then nail is marked and loaded into a gun, cards sprung into the air and selection is nailed to the wall, corner matches, with assistant \n unknown
1784
la magie blanche dévoilée
|
La Carte Clouée au Mur d'un Coup de Pistolet
|
1784
|
|
15
|
|
|
|
la carte brûlée, qu'on fait trouver dans une montre \n card is selected and burnt, ashes vanish from a box and miniature card is found under glass of a watch, spectator selects among three, with assistant \n unknown
1784
la magie blanche dévoilée
|
La Carte Brûlée, qu'on Fait Trouver Dans une Montre
|
1784
|
|
19
|
|
|
|
la piece de monnoie enfermée dans une boîte, d'ou elle sort sans qu'on y touche \n coin vanishes from a box audibly and appears in shoe of a spectator, rattle box with spring feather, assistant \n unknown
1784
la magie blanche dévoilée
|
La Piece de Monnoie Enfermée Dans une Boîte, d'ou Elle Sort Sans qu'on y Touche
|
1784
|
|
22
|
|
|
|
l'ecriture cachée dans une tabatiere, d'où on la tire, sans la toucher, pour la faire trouver dans une bougie \n signed piece of paper is burnt and appears in selected candle, switch with a box, with assistant notes from 1788 mention method for paper to orange and signature duplication \n unknown
1784
la magie blanche dévoilée
|
L'Ecriture Cachée Dans une Tabatiere, d'où on la Tire, Sans la Toucher, Pour la Faire Trouver Dans une Bougie
|
1784
|
|
24
|
|
|
|
trois canifs ayant été mis dans un gobelet d'argent, l'un des trois saute par terre au commandement du spectateur \n three pocketknives put in a golden goblet, one is chosen and that jumps out of the goblet, forcing of the middle one, with and out where apparently not hearing correctly which one \n unknown \n ancienne méthode de faire le tour des trois canifs. \n henri decremps
1784
la magie blanche dévoilée
|
Trois Canifs Ayant été Mis Dans un Gobelet d'Argent, l'un des Trois Saute par Terre au Commandement du Spectateur
|
Related to
|
1784
|
|
27
|
|
|
|
la danse de l'oeuf \n an egg in a hat suddenly sticks to a cane and moves from side to side, performed with music by an orchestra \n unknown
1784
la magie blanche dévoilée
|
La Danse de L'Oeuf
|
1784
|
|
29
|
|
|
|
l'oiseau mort, & ressuscité \n an egg is chosen and the spectator asked if she rather has a mouse or a bird, she chooses a bird and inside the egg is a bird, the bird dies and comes back to life, concepts of forcing of proximity and preference, two versions \n unknown
1784
la magie blanche dévoilée
|
L'Oiseau Mort, & Ressuscité
|
1784
|
|
32
|
|
|
|
la tête d'or sautant & dansant dans un verre, pour répondre à diverses questions \n a golden miniature head moves in a glass to answer questions, with assistant \n unknown
1784
la magie blanche dévoilée
|
La Tête d'or Sautant & Dansant Dans un Verre, pour Répondre à Diverses Questions
|
1784
|
|
35
|
|
|
|
les anneaux enfilés dans un double ruban \n grandmother's necklace - routine, with rings and ribbon, referencing ozanam \n unknown
1784
la magie blanche dévoilée
|
Les Anneaux Enfilés Dans un Double Ruban
|
1784
|
|
36
|
|
|
|
les cartes devinées, les yeux bandés \n spectator selects a bunch of cards and shuffles them, medium comes on stage, then with blindfold and without the performer saying a word all cards are named \n unknown
1784
la magie blanche dévoilée
|
Les Cartes Devinées, les Yeux Bandés
|
1784
|
|
39
|
|
|
|
la balle jettée dans la petite maison à trois portes & sortant par l'une des trois à volonté \n a ball is thrown in a little house with three doors and is coming out of the chosen door \n unknown
1784
la magie blanche dévoilée
|
La Balle Jettée Dans la Petite Maison à Trois Portes & Sortant Par l'une des Trois à Volonté
|
1784
|
|
44
|
|
|
|
theophrastus paracelsus, ou le pigeon tué d'un coup d'épée donné à son ombre ou à son image \n the shadow or a picture of a pigeon is struck with a sword, at the same moment the real bird dies \n unknown
1784
la magie blanche dévoilée
|
Theophrastus Paracelsus, Ou le Pigeon Tué d'un Coup d'épée Donné à Son Ombre ou à Son Image
|
1784
|
|
46
|
|
|
|
le bouquet magique qui s'épanouit au commandement \n also known as palingenesie, flower bouquet blossoms at will \n unknown
1784
la magie blanche dévoilée
|
Le Bouquet Magique Qui s'épanouit au Commandement
|
1784
|
|
48
|
|
|
|
l'anneau dans un pistolet, qui se trouve ensuite au bec d'une tourterelle, dans une boîte qu'on avait auparavant visitée & cachetée \n ring shot with a pistol is later found in the beak of a turtle dove sitting in a box which was examined before \n unknown
1784
la magie blanche dévoilée
|
L'Anneau Dans un Pistolet, Qui Se Trouve Ensuite au Bec d'une Tourterelle, Dans une Boîte qu'on Avait Auparavant Visitée & Cachetée
|
1784
|
|
50
|
|
|
|
la montre pilée dans un mortier \n watch is destroyed and restored in a mortar, using assistant and trap table \n unknown
1784
la magie blanche dévoilée
|
La Montre Pilée Dans un Mortier
|
1784
|
|
56
|
|
|
|
la baguette divinatoire \n coin is found in one of several boxes with the aid of a divining rod, longer treatise on the use and function of dowsing also in combination with automatons \n unknown
1784
la magie blanche dévoilée
|
La Baguette Divinatoire
|
1784
|
|
58
|
|
|
|
orgue jouant de lui-même, serpens artificiels 'oiseaux méchaniques' automates joueurs d'échecs \n on different automatons, the collection of van estin, an organ, snake, singing birds and the chess player \n henri decremps
1784
la magie blanche dévoilée
Henri Decremps
|
Orgue Jouant de lui-même, Serpens Artificiels 'Oiseaux Méchaniques' Automates Joueurs d'échecs
|
1784
|
|
69
|
|
|
|
automate jouant de la flûte au commandement, quoique bien isolé, au milieu d'un jardin; nouvelles tables sur lesquelles on fait mouvoir des machines à volonté, sans bascules, sans fil d'archal & sans aimant. \n musical automaton by van estin, playing the flute and instruments, mechanism of moving a table \n henri decremps
1784
la magie blanche dévoilée
Henri Decremps
|
Automate Jouant de la Flûte au Commandement, Quoique Bien Isolé, au Milieu d'un Jardin; Nouvelles Tables Sur lesquelles on Fait Mouvoir des Machines à Volonté, Sans Bascules, Sans Fil d'archal & Sans Aimant.
|
1784
|
|
82
|
|
|
|
sur un vers latin qu'on peut retourner de plus de trois millions de manieres, on fait une opération par laquelle il semble qu'il est possible de prévoir ou de contraindre la pensée d'autrui. \n "autre opération mystérieuse sur deux cents mots, dont les définitions réunies forment un logogryphe très - scientifique." (title continued)
box with latin words, words are arranged and order is divined as well as one word is predicted, with other word with bigger choice is divined with an optical box, multiple out prediction, van estin anecdote \n henri decremps
1784
la magie blanche dévoilée
Henri Decremps
|
Sur un Vers Latin qu'on Peut Retourner de Plus de Trois Millions de Manieres, on Fait une Opération par laquelle il Semble qu'il Est Possible de Prévoir ou de Contraindre la Pensée d'autrui.
|
1784
|
|
104
|
|
|
|
the air balloon described and how to make one, as has lately been done in france and england \n how to make air balloons with inflammable air, followed by an introduction to planets and zodiac signs and their astrological meaning
- to make inflammable air \n unknown
1784
breslaw's last legacy
|
The Air Balloon described and how to make one, as has lately been done in France and England
|
1784
|
|
13
|
|
|
|
to cause mirth, and make sport with quick-silver \n egg moves on table, mercury \n unknown
1784
breslaw's last legacy
|
To cause Mirth, and make Sport with Quick-Silver
|
1784
|
|
22
|
|
|
|
another trick with quick-silver \n dumplings jump out of a pot when boiled, mercury \n unknown
1784
breslaw's last legacy
|
Another Trick with Quick-Silver
|
1784
|
|
24
|
|
|
|
to make a six-pence seem to fall through a table \n coin wrapped in handkerchief put on table and covered with hat, penetrates table and falls into a glass, handkerchief with coin sewn in corner \n unknown
1784
breslaw's last legacy
|
To make a Six-Pence seem to fall through a Table
|
1784
|
|
25
|
|
|
|
the visible invisible \n writing is washed from mirror and appears again on it, breathing glass, anecdote of a a magician who performed the routine and got caught by the audience, on originality \n unknown
1784
breslaw's last legacy
|
The Visible Invisible
|
1784
|
|
26
|
|
|
|
to fasten a ring or a six-pence at the end of a piece of common thread, and after burning the thread, to leave the ring hanging at the end of the thread. \n \n unknown
1784
breslaw's last legacy
|
To fasten a Ring or a Six-Pence at the End of a Piece of common Thread, and after burning the Thread, to leave the Ring hanging at the End of the Thread.
|
1784
|
|
30
|
|
|
|
the learned little swan, one of mr. breslaw's grand deceptions \n automaton swan swims in a bowl with letters of alphabet on the rim, spelling a name or swims to named letter, on magnets and anecdote of breslaw being heckled by francis blake delaval \n philip breslaw \n le cygne ingénieux. \n henri decremps
1784
breslaw's last legacy
Philip Breslaw
|
The learned little Swan, One of Mr. Breslaw's Grand Deceptions
|
Related to
|
1784
|
|
33
|
|
|
|
to take a bird out of a cage, and make it appear as dead, or to roll it about as you please. \n \n unknown
1784
breslaw's last legacy
|
To take a Bird out of a Cage, and make it appear as dead, or to roll it about as you please.
|
1784
|
|
37
|
|
|
|
how, on delivering a ring to a number of persons, to find which person has got it, which hand it is on, which finger, and which joint. \n people seated in a row and numbered, calculation is made and result gives answers \n unknown
1784
breslaw's last legacy
|
How, on delivering a Ring to a Number of Persons, to find which Person has got it, which Hand it is on, which Finger, and which Joint.
|
1784
|
|
40
|
|
|
|
how to rub out twenty chalks at five times, rubbing out every time an odd one \n puzzle or wager, chalk strokes on a board \n unknown
1784
breslaw's last legacy
|
How to rub out Twenty Chalks at five Times, rubbing out every Time an odd one
|
1784
|
|
44
|
|
|
|
to tell if a person holds gold in one hand and silver in the other, which hand the gold is in, and which the silver is in \n mathematical calculation, sum shows positions \n unknown
1784
breslaw's last legacy
|
To tell if a Person holds Gold in one Hand and Silver in the other, which Hand the Gold is in, and which the Silver is in
|
1784
|
|
48
|
|
|
|
to make a person tired, or sweat, at carrying a small stick of a room \n bet / wager \n unknown
1784
breslaw's last legacy
|
To make a Person tired, or sweat, at carrying a small Stick of a Room
|
1784
|
|
52
|
|
|
|
a trick with a cock \n hypnotising a rooster \n unknown
1784
breslaw's last legacy
|
A Trick with a Cock
|
1784
|
|
54
|
|
|
|
a droll trick played with a fowl \n roasted fowl comes back to life when pierced with a fork, as a prank / wager \n unknown
1784
breslaw's last legacy
|
A droll Trick played with a Fowl
|
1784
|
|
55
|
|
|
|
to make an egg stand an end on a table or on a looking-glass \n impromptu version \n unknown
1784
breslaw's last legacy
|
To make an Egg stand an end on a Table or on a Looking-Glass
|
1784
|
|
58
|
|
|
|
to put a candle under water, a-light, without its going out. \n diving bell principle \n unknown
1784
breslaw's last legacy
|
To Put a Candle under Water, a-light, without its going out.
|
1784
|
|
59
|
|
|
|
for a person to chuse a card, you not supposed to know what it is, and then for the person to hold the cards between his finger and thumb, to strike them all out of his hand but the very card he had taken. \n "this is called the nerve trick" \n unknown
1784
breslaw's last legacy
|
For a Person to chuse a Card, you not supposed to know what it is, and then for the Person to hold the Cards between his Finger and Thumb, to strike them all out of his Hand but the very Card he had taken.
|
1784
|
|
61
|
|
|
|
to tell what card a person thinks upon, though you are not in the room, or which card he has touched, or waved his hand over \n strange method \n unknown
1784
breslaw's last legacy
|
To tell what Card a Person thinks upon, though you are not in the Room, or which Card he has touched, or waved his Hand over
|
1784
|
|
62
|
|
|
|
to tell what card you think on in the whole pack. \n probability and rudimental form of fishing \n unknown
1784
breslaw's last legacy
|
To tell what Card you think on in the whole Pack.
|
1784
|
|
63
|
|
|
|
the glide \n second card injogged and hidden by fingers \n unknown
1784
breslaw's last legacy
|
The Glide
|
1784
|
|
64
|
|
|
|
to tell what card a person pitches on, without seeing the card till you find it in the pack \n cards shown one by one and stopped at selection, simple overhand shuffle control \n unknown
1784
breslaw's last legacy
|
To tell what Card a Person pitches on, without seeing the Card till you find it in the Pack
|
1784
|
|
65
|
|
|
|
to call for any card in the pack \n deck behind back naming card, bringing deck in front of body and dropping card on table, sequence is repeated \n unknown
1784
breslaw's last legacy
|
To call for any Card in the Pack
|
1784
|
|
67
|
|
|
|
shuffling of cards so as to always keep one cartain card at the bottom \n overhand shuffling, see scot \n unknown \n of cards, with good cautions how to avoid cousenage therein: speciall rules to conveie and handle the cards, and the maner and order how to accomplish all difficult and strange things wrought with cards \n unknown
1784
breslaw's last legacy
|
Shuffling of Cards so as to always keep one cartain Card at the Bottom
|
Related to
|
1784
|
|
68
|
|
|
|
how to terrify such as are entirely unacquainted with the nature of phosphorus \n writing and drawing on walls, glowing in the dark, lighting a match \n unknown
1784
breslaw's last legacy
|
How to terrify such as are entirely unacquainted with the Nature of Phosphorus
|
1784
|
|
96
|
|
|
|
the art of fortune-telling by cards \n system of reading playing cards \n unknown
1784
breslaw's last legacy
|
The Art of Fortune-telling by Cards
|
1784
|
|
99
|
|
|
|
palmestry displayed, or the art of telling fortunes by lines in the hands \n palmistry \n unknown
1784
breslaw's last legacy
|
Palmestry displayed, or the Art of telling Fortunes by Lines in the Hands
|
1784
|
|
102
|
|
|
|
of moles in every pat of the body and the explanation of them \n birthmarks on the body and what they signify \n unknown
1784
breslaw's last legacy
|
Of Moles in every Pat of the Body and the Explanation of them
|
1784
|
|
104
|
|
|
|
a merry trick to make sport in company \n when pipe is lit it sounds like shots from a gun, prank with salpeter and sulfur \n unknown
1784
breslaw's last legacy
|
A merry Trick to make Sport in Company
|
1784
|
|
106
|
|
|
|
affiche singuliere d'un faiseur de tours, où l'on trouve une premiere esquisse des différentes branches de la jonglerie. \n "un homme peut se faire enchaîner de plusieurs maniers, & se détacher adroitement sans rien briser & sans employer les moyens qui paroissent le plus nécessaires" (title continued) in the process of telling the story how the author and mr. went to see a performer called pilferer, two methods of escapes are explained, the performer has two rings attached to his trousers which are secured with a rope which is attached to a pillar with a lock \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Affiche singuliere d'un Faiseur de Tours, où l'on trouve une premiere esquisse des différentes branches de la Jonglerie.
|
1785
|
|
1
|
|
|
|
deux moyens différens, l'un ancien, l'autre nouveau, de le faire lier les pouces, & de se délier en un instant. \n "métamorphose d'un verre en morceaux de papier. réflexions sur les fausses théories. prétention absurde. preuve captieuse de cette prétention." (title continued) more tricks by pilferer, two methods for thumb tie and a glass is thrown into the air where it changes into confetti / pieces of cards, seated, thoughts about vanishing an object by throwing it into the air and the advantages of using confetti \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Deux moyens différens, l'un ancien, l'autre nouveau, de le faire lier les pouces, & de se délier en un instant.
|
1785
|
|
18
|
|
|
|
divers secrets pour tirer en apparence des écus d'une bourse sans l'ouvrir. \n more tricks by pilferer, coins in wallet are placed under hat and then produced, repeated with different method, finally effect is repeated by placing a coin into a stocking \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Divers secrets pour tirer en apparence des écus d'une bourse sans l'ouvrir.
|
1785
|
|
33
|
|
|
|
ancienne méthode de faire le tour des trois canifs. \n "divers moyens de cacher un compere, & de faire croire qu'on n'en a point, lors même qu'on emploie plusieurs." (title continued) more tricks by pilferer, knife jumps from glass, long discussion about confederates and secret helpers, fake automatons \n henri decremps \n trois canifs ayant été mis dans un gobelet d'argent, l'un des trois saute par terre au commandement du spectateur \n unknown
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Ancienne méthode de faire le Tour des trois Canifs.
|
Related to
|
1785
|
|
47
|
|
|
|
objection d'un genre singulier. nouvelle méthode de faire sauter un canif. \n other method used by pilferer to make a knife jump, without confederate, using a spring and sugar, on selling the secret of a magic trick \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Objection d'un genre singulier. Nouvelle méthode de faire sauter un canif.
|
1785
|
|
63
|
|
|
|
le tour des trois canifs peut se faire par tant de moyens différens, qu'on pourrait les multiplier à l'infini. \n "crainte d'ennuyer le lectuer, on n'en donne ici que neuf pour exemple." (title continued) nine further methods to make a knife jump from a glass or fall from the rim of a glass, methods using magnet, threads mercury etc. \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Le Tour des trois canifs peut se faire par tant de moyens différens, qu'on pourrait les multiplier à l'infini.
|
1785
|
|
77
|
|
|
|
machine hydraulique exprimant la circulation du fang dans les veines & les arteres. \n hydraulic machine to simulate the circulation of the blood in the arteries, variations \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Machine hydraulique exprimant la circulation du fang dans les veines & les arteres.
|
1785
|
|
173
|
|
|
|
voltigeur méchanique. \n automaton similar to antonio diaviolo \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Voltigeur méchanique.
|
1785
|
|
184
|
|
|
|
tour du piquet incompréhensible, nouvellement perfectionné. \n performer always has best five cards from chosen suit, spectator deals several hands, inspired by a routine in guyot \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Tour du Piquet incompréhensible, nouvellement perfectionné.
|
1785
|
|
225
|
|
|
|
tour des trois bijoux rendu plus simple & plus merveilleux. \n three objects (jewelry, watch, cigarette case) are selected by three people and all get some playing cards which are added after some rules, performer divines who has which object \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Tour des trois Bijoux rendu plus simple & plus merveilleux.
|
1785
|
|
235
|
|
|
|
knowing the amount of small pile \n asking amount of red / black cards \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Knowing the Amount of Small Pile
|
1785
|
|
242
|
|
|
|
le cygne ingénieux. \n swan in basin moves by its own, moves to letters to form chosen word, anagram method with words on cards (variation of guyot's method) \n henri decremps \n the learned little swan, one of mr. breslaw's grand deceptions \n philip breslaw
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Le Cygne ingénieux.
|
Related to
|
1785
|
|
262
|
|
|
|
forcing \n several forcing cards in a deck, way to force one of the cards, cards with angram words \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Forcing
|
1785
|
|
265
|
|
|
|
expériences nouvelles, & divers tours d'équilibre. \n balancing different objects apparently impossible equilibrium \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Expériences nouvelles, & divers Tours d'équilibre.
|
1785
|
|
268
|
|
|
|
forcing \n from a forcing deck, no specific method \n henri decremps
1785
supplément a la magie blanche dévoillée
Henri Decremps
|
Forcing
|
1785
|
|
299
|
|
|
|
ruban coupé et reconstitué 1 \n ribbon is cut into twenty pieces and restored using a small box \n unknown
1786
testament de jérôme sharp
|
Ruban coupé et reconstitué 1
|
1786
|
|
24
|
|
|
|
cartomancie \n fortune telling / cold reading with cards \n unknown
1786
testament de jérôme sharp
|
Cartomancie
|
1786
|
|
28
|
|
|
|
divination d'un montant d'argent \n divination of an amount of money contained in the purse of a spectator \n unknown
1786
testament de jérôme sharp
|
Divination d'un montant d'argent
|
1786
|
|
29
|
|
|
|
la figurine dans la main \n figurine put in the spectator's hand begins to move \n unknown
1786
testament de jérôme sharp
|
La figurine dans la main
|
1786
|
|
33
|
|
|
|
voyage d'une carte \n card in a box travel to another card in another box \n unknown
1786
testament de jérôme sharp
|
Voyage d'une carte
|
1786
|
|
37
|
|
|
|
divination du montant d'argent expliqué \n divination of an amount of money contained in the purse of a spectator from p. 29 explained \n unknown
1786
testament de jérôme sharp
|
Divination du montant d'argent expliqué
|
1786
|
|
78
|
|
|
|
la figurine dans la main expliqué \n figurine put in the spectator's hand begins to move, from p. 33 explained \n unknown
1786
testament de jérôme sharp
|
La figurine dans la main expliqué
|
1786
|
|
81
|
|
|
|
voyage d'une carte expliqué \n card in a box travel to another card in another box explained, box with flap \n unknown
1786
testament de jérôme sharp
|
Voyage d'une carte expliqué
|
1786
|
|
86
|
|
|
|
les faux mélanges \n four "false shuffle" will be explained, starting with one by spreading from hand to hand in bunches à la charlier shuffle to control just a single card \n unknown
1786
testament de jérôme sharp
|
Les faux mélanges
|
1786
|
|
101
|
|
|
|
2ème faux melange \n packets pushed together (over each other) in the hands \n unknown \n 2ème faux melange \n unknown
1786
testament de jérôme sharp
|
2ème faux melange
|
Also published here
|
1786
|
|
102
|
|
|
|
3ème faux mélange \n false shuffle which is more like a five-packet false cut using the table \n unknown
1786
testament de jérôme sharp
|
3ème faux mélange
|
1786
|
|
103
|
|
|
|
4ème faux mélange \n false shuffle which is more like a four-packet false cut using the table \n unknown
1786
testament de jérôme sharp
|
4ème faux mélange
|
1786
|
|
104
|
|
|
|
filer la carte \n bottom change \n unknown
1786
testament de jérôme sharp
|
Filer la carte
|
1786
|
|
105
|
|
|
|
glisser la carte \n the glide \n unknown
1786
testament de jérôme sharp
|
Glisser la carte
|
1786
|
|
107
|
|
|
|
poser la carte \n two palm replacements
- in the hands
- as deck is picked up from table, with open fingers \n unknown
1786
testament de jérôme sharp
|
Poser la carte
|
1786
|
|
110
|
|
|
|
faire tirer une carte et la retrouver sur un paquet \n chosen card found on top of designated packet, four packets, palmed card replaced \n unknown
1786
testament de jérôme sharp
|
Faire tirer une carte et la retrouver sur un paquet
|
1786
|
|
120
|
|
|
|
prévoir la pensée d'un homme en mettant d'avance une carte choisie au hasard, au rang et au numéro que cet homme doit choisir un instant après \n chosen card at any number in the deck, faced deck and deck flop \n unknown
1786
testament de jérôme sharp
|
Prévoir la pensée d'un homme en mettant d'avance une carte choisie au hasard, au rang et au numéro que cet homme doit choisir un instant après
|
1786
|
|
124
|
|
|
|
deck turnover \n crude by closing fingers \n unknown
1786
testament de jérôme sharp
|
Deck Turnover
|
1786
|
|
125
|
|
|
|
faire tirer des cartes par différentes personnes; les bien mêler ensemble par différents mélanges; montrer ensuite qu'elles ne sont ni dessus ni dessous, et les tirer du jeu d'un coup de main \n four selected cards are found after the deck has been shuffled with four air-pressure turnover revelations, nine classic passes are involved \n unknown
1786
testament de jérôme sharp
|
Faire tirer des cartes par différentes personnes; les bien mêler ensemble par différents mélanges; montrer ensuite qu'elles ne sont ni dessus ni dessous, et les tirer du jeu d'un coup de main
|
1786
|
|
127
|
|
|
|
faire tirer une carte, la mêler avec les autres... la faire rester seule dans la main gauche en faisant tomber les autres par terre \n chosen card remains in one hand after the rest of deck has been hit by the other hand \n unknown
1786
testament de jérôme sharp
|
Faire tirer une carte, la mêler avec les autres... La faire rester seule dans la main gauche en faisant tomber les autres par terre
|
1786
|
|
132
|
|
|
|
faire trouver les quatre rois dans le milieu, après les avoir fait posé séparément. \n kings put on top and bottom join the middle \n unknown
1786
testament de jérôme sharp
|
Faire trouver les quatre rois dans le milieu, après les avoir fait posé séparément.
|
1786
|
|
135
|
|
|
|
prouver combien il est imprudent de jouer de l'argent \n demonstration of cheating to give yourself the four kings \n unknown
1786
testament de jérôme sharp
|
Prouver combien il est imprudent de jouer de l'argent
|
1786
|
|
139
|
|
|
|
faire une pareil demonstration au brelan; en se donnant brelan de rois \n demonstration of cheating in another game to give yourself three-of-a-kind \n unknown
1786
testament de jérôme sharp
|
Faire une pareil demonstration au Brelan; en se donnant brelan de rois
|
1786
|
|
141
|
|
|
|
deviner la carte pensée \n card thought from fan \n unknown
1786
testament de jérôme sharp
|
Deviner la carte pensée
|
1786
|
|
144
|
|
|
|
psychological force \n exposing a card a bit more in a fan when showing it to the spectator and asking him to think one \n unknown
1786
testament de jérôme sharp
|
Psychological force
|
1786
|
|
145
|
|
|
|
deviner d'avance celle de quatre cartes qu'une personne prendra librement \n spectator names a card that has been touched by another spectator from a group of four cards, performer whispers card to him previously \n unknown \n die geflüsterte vorhersage \n roberto giobbi \n pinetti's prediction \n roberto giobbi
1786
testament de jérôme sharp
|
Deviner d'avance celle de quatre cartes qu'une personne prendra librement
|
Variations
|
1786
|
|
149
|
|
|
|
magician's choice \n one of four \n unknown
1786
testament de jérôme sharp
|
Magician's Choice
|
1786
|
|
150
|
|
|
|
faire tirer des cartes par quatre spectateur; les nommer ensuite sans les avoir vues, et faire qu'une de ces cartes se metamorphose successivement en chacune des autres \n four chosen cards are guessed by the magician, then one of these cards will be transformed successively into each of them (miscalling) \n unknown
1786
testament de jérôme sharp
|
faire tirer des cartes par quatre spectateur; les nommer ensuite sans les avoir vues, et faire qu'une de ces cartes se metamorphose successivement en chacune des autres
|
1786
|
|
156
|
|
|
|
faire changer un roi de coeur en as de pique, et un as de pique en roi de coeur \n two cards are transposed under two hats, two double facers \n unknown
1786
testament de jérôme sharp
|
Faire changer un roi de coeur en as de pique, et un as de pique en roi de coeur
|
1786
|
|
170
|
|
|
|
moyen sur de gagner un pari aux cartes, en faisant sortir avec la pointe d'un couteau, une carte que les spectateurs croient être sous le jeu \n finding a card with the tip of a knife, sucker element, spectators think the card is on the bottom \n unknown
1786
testament de jérôme sharp
|
Moyen sur de gagner un pari aux cartes, en faisant sortir avec la pointe d'un couteau, une carte que les spectateurs croient être sous le jeu
|
1786
|
|
172
|
|
|
|
faire qu'une carte choisie par un premier spectateur, et mêlée dans le jeu par un second, se trouve la première qu'un troisième spectateur choisira librement; la métamorphoser en une autre carte au gré d'un quatrième, & la faire reparaître un instant \n card turns several times into the cards that other select or name \n unknown
1786
testament de jérôme sharp
|
Faire qu'une carte choisie par un premier spectateur, et mêlée dans le jeu par un second, se trouve la première qu'un troisième spectateur choisira librement; la métamorphoser en une autre carte au gré d'un quatrième, & la faire reparaître un instant
|
1786
|
|
175
|
|
|
|
faire croire qu'on fait avec une adresse merveilleuse une opération qu'on fait sans adresse \n having made a classic pass before, pretend to make a fair cut, to then pretend to make an invisible pass from any movements, faking the pass \n unknown
1786
testament de jérôme sharp
|
Faire croire qu'on fait avec une adresse merveilleuse une opération qu'on fait sans adresse
|
1786
|
|
180
|
|
|
|
avis intéressant \n monte type game using four cards and the glide \n henri decremps
1786
testament de jérôme sharp
Henri Decremps
|
Avis intéressant
|
1786
|
|
185
|
|
|
|
le verre qui tient tout seul sous la main \n the glass that stands alone under the hand \n unknown
1786
testament de jérôme sharp
|
Le verre qui tient tout seul sous la main
|
1786
|
|
199
|
|
|
|
deux moyens de manger un couteau \n two ways to eat a knife \n unknown
1786
testament de jérôme sharp
|
Deux moyens de manger un couteau
|
1786
|
|
207
|
|
|
|
mangeur de pierre \n stone eater \n unknown
1786
testament de jérôme sharp
|
Mangeur de pierre
|
1786
|
|
213
|
|
|
|
défaire un double noeud d'un mouchoir sans le toucher \n undoing a double knot of a handkerchief without touching it \n unknown
1786
testament de jérôme sharp
|
Défaire un double noeud d'un mouchoir sans le toucher
|
1786
|
|
218
|
|
|
|
faire passer un écu à travers d'une table \n pass a coin through a table \n unknown
1786
testament de jérôme sharp
|
Faire passer un écu à travers d'une table
|
1786
|
|
221
|
|
|
|
deviner combien de clefs une personne a dans sa poche \n guess how many keys a person has in his pocket \n unknown
1786
testament de jérôme sharp
|
Deviner combien de clefs une personne a dans sa poche
|
1786
|
|
241
|
|
|
|
disparition d'une petite figure de bois \n disappearance of a small wooden figure \n unknown
1786
testament de jérôme sharp
|
Disparition d'une petite figure de bois
|
1786
|
|
246
|
|
|
|
moyen de se donner de grands coups de tête contre une cloison sans se faire de mal \n a way to kick your head against a wall without hurting yourself \n unknown
1786
testament de jérôme sharp
|
Moyen de se donner de grands coups de tête contre une cloison sans se faire de mal
|
1786
|
|
260
|
|
|
|
imiter le chant du rossignol \n imitate the nightingale's song \n unknown
1786
testament de jérôme sharp
|
Imiter le Chant du Rossignol
|
1786
|
|
264
|
|
|
|
allumer une étoupe avec le bout du doigt \n light a tow with the tip of your finger \n unknown
1786
testament de jérôme sharp
|
Allumer une étoupe avec le bout du doigt
|
1786
|
|
269
|
|
|
|
démonstration de mémoire avec un livre de 100 pages de chiffres \n memory demonstration with a 100-page book of numbers \n henri decremps
1786
testament de jérôme sharp
Henri Decremps
|
Démonstration de mémoire avec un livre de 100 pages de chiffres
|
1786
|
|
319
|
|
|
|
the magician's table \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
The Magician's Table
|
1876
|
|
5
|
|
|
|
the magician's dress \n - profondes
- pochettes
- "loading" pockets \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
The Magician's Dress
|
1876
|
|
8
|
|
|
|
to make the pass - first method \n very backbone of card-conjuring, the \n unknown
1876
modern magic
|
To Make the Pass - First Method
|
1876
|
|
12
|
|
|
|
managing the pass \n misdirection and gaze \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Managing the Pass
|
1876
|
|
14
|
|
|
|
to make the pass - fourth method \n one-handed version of third method \n unknown \n die volte, mit einer hand auszuführen \n unknown \n single-handed pass, no. 1 \n unknown
1876
modern magic
|
To Make the Pass - Fourth Method
|
Related toAlso published here
|
1876
|
|
18
|
|
|
|
to make the pass - fifth method \n flourishy \n unknown \n a single-handed pass \n unknown
1876
modern magic
|
To Make the Pass - Fifth Method
|
Also published here
|
1876
|
|
18
|
|
|
|
to make the pass - sixth method \n \n unknown \n single-handed pass, no. 3 \n unknown \n die volte, mit den fingerspitzen einer hand auszuführen \n unknown \n the french shift \n dai vernon
1876
modern magic
|
To Make the Pass - Sixth Method
|
Related toVariationsAlso published here
|
1876
|
|
19
|
|
|
|
forcing pack \n one way or three way \n unknown
1876
modern magic
|
Forcing Pack
|
1876
|
|
23
|
|
|
|
to make a "false shuffle" - fourth method \n fans pushed into each other and stripped out again (zarrowesque concept) \n unknown \n to make a "false shuffle" - fourth method \n unknown
1876
modern magic
|
To make a "False Shuffle" - Fourth Method
|
Also published here
|
1876
|
|
25
|
|
|
|
palm glimpse \n glimpsing palmed card \n unknown
1876
modern magic
|
Palm Glimpse
|
1876
|
|
27
|
|
|
|
to "change" a card - first method \n bottom change \n unknown
1876
modern magic
|
To "Change" a Card - First Method
|
1876
|
|
28
|
|
|
|
to "change" a card - second method \n bold, bottom card shown, top side-jogged card quickly removed instead \n unknown
1876
modern magic
|
To "Change" a Card - Second Method
|
1876
|
|
29
|
|
|
|
to "change" a card - third method \n top change \n unknown
1876
modern magic
|
To "Change" a Card - Third Method
|
1876
|
|
30
|
|
|
|
to "change" a card - fourth method \n "with one hand only." \n unknown
1876
modern magic
|
To "Change" a Card - Fourth Method
|
1876
|
|
31
|
|
|
|
to "change" a card - fifth method \n "to change a card without the aid of the pack"
in context of effect in which wrong card changes into selection \n prof. robert hellis
1876
modern magic
Prof. Robert Hellis
|
To "Change" a Card - Fifth Method
|
1876
|
|
32
|
|
|
|
to "change" a card - sixth method \n to change severals cards at once. \n prof. robert hellis
1876
modern magic
Prof. Robert Hellis
|
To "Change" a Card - Sixth Method
|
1876
|
|
33
|
|
|
|
to get sight of a drawn card \n - first method (center)
- second method (bottom) \n unknown
1876
modern magic
|
To Get Sight of a Drawn Card
|
1876
|
|
34
|
|
|
|
to draw back a card \n glisser la carte \n unknown
1876
modern magic
|
To Draw Back a Card
|
1876
|
|
36
|
|
|
|
to spring the cards from one hand to the other \n \n unknown
1876
modern magic
|
To Spring the Cards from one Hand to the Other
|
1876
|
|
37
|
|
|
|
the bridge \n \n unknown
1876
modern magic
|
The Bridge
|
1876
|
|
39
|
|
|
|
simple modes of discovering a given card - first method \n top cards openly pushed back one by one until spectator stops, bottom card force card \n unknown
1876
modern magic
|
Simple Modes of Discovering a given Card - First Method
|
1876
|
|
42
|
|
|
|
second method \n 21 card trick, also with general number \n unknown \n sixth method \n unknown
1876
modern magic
|
Second Method
|
Variations
|
1876
|
|
43
|
|
|
|
various modes of disclosing a discovered card - first method \n deck hit out of spectator's hand \n unknown
1876
modern magic
|
Various Modes of Disclosing a Discovered Card - First Method
|
1876
|
|
44
|
|
|
|
second method \n single card friction toss \n unknown
1876
modern magic
|
Second Method
|
1876
|
|
45
|
|
|
|
to place the four kings in different parts of the pack, and to bring them together by a simple cut \n \n unknown
1876
modern magic
|
To place the Four Kings in different parts of the Pack, and to bring them together by a Simple Cut
|
1876
|
|
47
|
|
|
|
the four kings being placed under the hand of one person, and the four sevens under the hand of another, to make them change places at command \n \n unknown
1876
modern magic
|
The Four Kings being placed under the Hand of one Person, and the Four Sevens under the Hand of Another, to make them Change Places at Command
|
1876
|
|
48
|
|
|
|
eights as sevens \n \n unknown
1876
modern magic
|
Eights as Sevens
|
1876
|
|
49
|
|
|
|
four packets of cards having been formed face downwards on the table, to discover the total value of the undermost cards \n \n unknown \n any number of packets of cards having been formed face downwards on the table, to discover the total value of the undermost cards. \n unknown \n chief card trick \n charles t. jordan
1876
modern magic
|
Four Packets of Cards having been Formed face downwards on the Table, to discover the Total Value of the Undermost Cards
|
Related to
|
1876
|
|
49
|
|
|
|
to name all the cards in the pack in succession \n full stack, eight kings explained \n unknown
1876
modern magic
|
To Name all the Cards in the Pack in Succession
|
1876
|
|
50
|
|
|
|
the cards being cut, to tell whether the number cut is odd or even \n \n unknown
1876
modern magic
|
The Cards being Cut, to tell whether the Number Cut is Odd or Even
|
1876
|
|
51
|
|
|
|
to allow a person to think of a card, and to make that card appear at such number in the pack as another person shall name \n card and its position remembered, bluff counting started with that number, with variation \n unknown \n mentalo \n unknown \n "die wievielte karte?" \n david tobias bamberg \n to make a card thought of by one person appear at such number in the pack as another person shall choose \n unknown \n the selected card appears at number chosen by another person \n ellis stanyon
1876
modern magic
|
To allow a Person to think of a Card, and to make that Card appear at such Number in the Pack as Another Person shall Name
|
Related to
|
1876
|
|
52
|
|
|
|
the cards revealed by the looking-glass \n joke \n unknown
1876
modern magic
|
The Cards Revealed by the Looking-Glass
|
1876
|
|
53
|
|
|
|
to guess four cards thought of by different persons \n \n unknown \n personal effects \n karl fulves \n presentation \n jean hugard
1876
modern magic
|
To Guess Four Cards thought of by Different Persons
|
Related toVariations
|
1876
|
|
53
|
|
|
|
the magic triplets \n variation with twenty-four cards and triplets instead of twenty and pairs \n unknown
1876
modern magic
|
The Magic Triplets
|
1876
|
|
55
|
|
|
|
another mode of discovering a card thought of \n twenty-five cards, different dealing pattern \n unknown
1876
modern magic
|
Another Mode of Discovering a Card Thought of
|
1876
|
|
55
|
|
|
|
to guess, by the aid of a passage of poetry or prose, such one of sixteen cards as, in the performer's absence, has been touched or selected by the company \n verbal code \n unknown
1876
modern magic
|
To Guess, by the aid of a Passage of Poetry or Prose, such one of Sixteen Cards as, in the Performer's Absence, has been Touched or Selected by the Company
|
1876
|
|
56
|
|
|
|
to detect, without confederacy, which of four cards has been turned round in your absence \n one-way margins \n unknown
1876
modern magic
|
To Detect, without Confederacy, which of Four Cards has been Turned Round in your Absence
|
1876
|
|
57
|
|
|
|
to arrange twelve cards is rows, in such a manner that they will count four in every direction \n puzzle \n unknown
1876
modern magic
|
To Arrange Twelve Cards is Rows, in such a manner that they will Count Four in every Direction
|
1876
|
|
58
|
|
|
|
the congress of court cards \n with the twelve court cards \n unknown \n to teach the company a trick which they learn without difficulty, then to allow them to succeed or to cause them to fail at your pleasure \n unknown
1876
modern magic
|
The Congress of Court Cards
|
Related to
|
1876
|
|
59
|
|
|
|
the long card \n \n unknown
1876
modern magic
|
The Long Card
|
1876
|
|
60
|
|
|
|
biseauté or tapering cards \n \n unknown
1876
modern magic
|
Biseauté or Tapering Cards
|
1876
|
|
60
|
|
|
|
a card having been chosen and returned, and the pack shuffled, to produce the chosen card instantly in various ways \n long card or stripper deck, see following tricks \n unknown
1876
modern magic
|
A Card having been Chosen and Returned, and the Pack shuffled, to Produce the Chosen Card instantly in various ways
|
1876
|
|
62
|
|
|
|
to pick out the card,the pack being placed in a person's pocket \n stripper or with palm \n unknown
1876
modern magic
|
To Pick out the Card,the Pack being placed in a Person's Pocket
|
1876
|
|
62
|
|
|
|
to cut at the chosen card \n stripper, long card, or ungaffed after spectator shuffle (palm) \n unknown
1876
modern magic
|
To Cut at the Chosen Card
|
1876
|
|
62
|
|
|
|
to let all the cards fall, save the one chosen \n long card or stripper deck \n unknown
1876
modern magic
|
To Let all the Cards fall, save the One Chosen
|
1876
|
|
62
|
|
|
|
to fling the pack in the air, and catch the chosen card \n \n unknown
1876
modern magic
|
To Fling the Pack in the Air, and Catch the Chosen Card
|
1876
|
|
63
|
|
|
|
to change a card drawn haphazard to the chosen card \n long card or stripper \n unknown
1876
modern magic
|
To Change a Card drawn haphazard to the Chosen Card
|
1876
|
|
63
|
|
|
|
to divide the pack into several packets on the table, allowing the company to stop you at any moment, and to cause the top card of the heap last made to change into the chosen card \n wide card as key card \n unknown
1876
modern magic
|
To Divide the Pack into several Packets on the Table, allowing the Company to stop you at any Moment, and to cause the Top Card of the Heap last made to Change into the Chosen Card
|
1876
|
|
65
|
|
|
|
shuffling deck with key card \n \n unknown
1876
modern magic
|
Shuffling Deck with Key Card
|
1876
|
|
65
|
|
|
|
dribble force precursor \n using wide card \n unknown
1876
modern magic
|
Dribble Force Precursor
|
1876
|
|
65
|
|
|
|
to teach the company a trick which they learn without difficulty, then to allow them to succeed or to cause them to fail at your pleasure \n deck dealt in four piles and suits separated, taught to audience and they fail or succeed \n unknown \n the congress of court cards \n unknown \n criss cross \n george sands \n nil homini certum est \n unknown
1876
modern magic
|
To teach the Company a Trick which they Learn without Difficulty, then to allow them to Succeed or to cause them to Fail at your Pleasure
|
Related to
|
1876
|
|
66
|
|
|
|
to distinguish the court cards by touch \n preparing by "bending" edges slightly upwards with knife \n unknown
1876
modern magic
|
To Distinguish the Court Cards by Touch
|
1876
|
|
69
|
|
|
|
to name any number of cards in succession without seeing them \n cards named one by one with deck behind backs, two methods \n unknown
1876
modern magic
|
To name any Number of Cards in succession without Seeing them
|
1876
|
|
70
|
|
|
|
to make four cards change from eights to twos, from black to red, etc. \n divided cards \n unknown
1876
modern magic
|
To make Four Cards change from Eights to Twos, from Black to Red, etc.
|
1876
|
|
71
|
|
|
|
turning cards end for end \n small packet \n unknown
1876
modern magic
|
Turning Cards End for End
|
1876
|
|
73
|
|
|
|
a card having been drawn and returned, and the pack shuffled, to make it appear at such number as the company choose \n two methods (glide and re-deal) \n unknown
1876
modern magic
|
A Card having been Drawn and Returned, and the Pack shuffled, to make it Appear at such Number as the Company Choose
|
1876
|
|
73
|
|
|
|
several persons having each drawn and returned a card, to make each card appear at such number in the pack as the drawer chooses \n \n unknown
1876
modern magic
|
Several Persons having each Drawn and Returned a Card, to make each Card appear at such Number in the Pack as the Drawer chooses
|
1876
|
|
75
|
|
|
|
the inseparable sevens \n eights as sevens, robbers \n unknown
1876
modern magic
|
The Inseparable Sevens
|
1876
|
|
77
|
|
|
|
holding two breaks \n \n unknown
1876
modern magic
|
Holding Two Breaks
|
1876
|
|
80
|
|
|
|
having placed the four aces in different positions in the pack, to make the two black change places with the two red ones, and finally to bring all four together in the middle of the pack \n \n unknown
1876
modern magic
|
Having placed the Four Aces in different positions in the Pack, to make the two Black change places with the two Red ones, and finally to bring all Four together in the middle of the Pack
|
1876
|
|
80
|
|
|
|
a card having been thought of, to make such card vanish from the pack, and be discovered wherever the performer pleases \n twenty-seven cards, card palmed out and multiple endings suggested (pocket, transformation, on chair, ...) \n unknown
1876
modern magic
|
A Card having been thought of, to make such Card Vanish from the Pack, and be Discovered wherever the Performer pleases
|
1876
|
|
83
|
|
|
|
to cause a number of cards to multiply invisibly in a person's keeping \n cut-off packet weighed, then it multiplies \n unknown
1876
modern magic
|
To cause a Number of Cards to Multiply invisibly in a Person's keeping
|
1876
|
|
84
|
|
|
|
cutting force \n spectator cuts to a break while performer holds deck \n unknown
1876
modern magic
|
Cutting Force
|
1876
|
|
84
|
|
|
|
the pack being divided into two portions, placed in the keeping of two different persons, to make three cards pass invisible from the one to the other \n beginning with sealed deck \n jean-eugène robert-houdin
1876
modern magic
Jean-Eugène Robert-Houdin
|
The Pack being divided into Two Portions, placed in the keeping of two different Persons, to make Three Cards Pass invisible from the One to the Other
|
1876
|
|
86
|
|
|
|
to allow several persons each to draw a card, and the pack having been shuffled, to make another card drawn haphazard change successively into each of those first chosen \n \n unknown \n general card \n max malini
1876
modern magic
|
To allow several Persons each to draw a Card, and the Pack having been Shuffled, to make another Card drawn haphazard Change successively into each of those first chosen
|
Related to
|
1876
|
|
87
|
|
|
|
to make four aces change to four kings, and four kings to four aces \n four double facers, using hat \n unknown
1876
modern magic
|
To make Four Aces change to Four Kings, and Four Kings to Four Aces
|
1876
|
|
90
|
|
|
|
making double facers \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Making Double Facers
|
1876
|
|
90
|
|
|
|
having made four packets of cards with an ace at the bottom of each, to bring all four aces into whichever packet the company may choose \n faced deck and alternative method \n unknown \n easy aces \n david williamson
1876
modern magic
|
Having made Four Packets of Cards with an Ace at the bottom of each, to bring all Four Aces into whichever Packet the Company may choose
|
Related to
|
1876
|
|
91
|
|
|
|
to change the four aces, held tightly by a person into four indifferent cards \n conus aces \n conus
1876
modern magic
Conus
|
To Change the Four Aces, held tightly by a Person into Four Indifferent Cards
|
1876
|
|
93
|
|
|
|
the shower of aces \n deck changes into all aces \n unknown
1876
modern magic
|
The Shower of Aces
|
1876
|
|
97
|
|
|
|
several persons having each drawn two cards, which have been returned and shuffled, to make each couple appear in succession, one at the top and the other at the bottom of the pack \n "the ladies' looking-glass", favorite of comte \n unknown
1876
modern magic
|
Several Persons having each drawn Two Cards, which have been Returned and Shuffled, to make each Couple Appear in Succession, one at the top and the other at the bottom of the Pack
|
1876
|
|
99
|
|
|
|
to make two cards, each firmly held by a different person, change places \n duplicate \n unknown
1876
modern magic
|
To make Two Cards, each firmly held by a different Person, change places
|
1876
|
|
101
|
|
|
|
to change four cards, drawn haphazard, and placed on the table, into cards of the same value as a single card subsequently chosen by one of the spectators \n optional forcing pack \n unknown
1876
modern magic
|
To Change Four Cards, drawn haphazard, and placed on the table, into Cards of the same Value as a Single Card subsequently chosen by one of the Spectators
|
1876
|
|
102
|
|
|
|
two heaps of cards, unequal in number, being placed upon the table, to predict beforehand which of the two the company will choose \n ambiguous prediction, two handlings (number of cards or values in pile & odd/even pile with palming) \n unknown
1876
modern magic
|
Two Heaps of Cards, unequal in Number, being placed upon the Table, to predict beforehand which of the two the Company will choose
|
1876
|
|
103
|
|
|
|
a row of cards being placed face downards on the table, to indicate, by turning up one of them, how many of such cards have during your absence been transferred from one end of the row to the other \n \n unknown \n a row of cards being placed face downwards on the table, to indicate by turning up one of them how many have during your absence been transferred from one end to the other \n unknown
1876
modern magic
|
A Row of Cards being placed Face Downards on the Table, to indicate, by turning up one of them, how many of such Cards have during your absence been transferred from one end of the Row to the other
|
Variations
|
1876
|
|
104
|
|
|
|
several cards having been freely chosen by the company, returned and shuffled, and the pack placed in a person's pocket, to make such person draw out one by one the chosen cards \n spectator extracts (top) card from his pocket, favorite of herrmann \n unknown
1876
modern magic
|
Several Cards having been freely chosen by the Company, Returned and Shuffled, and the Pack placed in a Person's Pocket, to make such Person draw out one by one the chosen Cards
|
1876
|
|
106
|
|
|
|
the cards having been freely shuffled, and cut into three or four heaps, to name the top card of each heap \n \n unknown
1876
modern magic
|
The Cards having been freely shuffled, and cut into three or four heaps, to name the top card of each heap
|
1876
|
|
108
|
|
|
|
to allow a person secretly to think of a card, and dividing the pack into three heaps, to cause the card thought of to appear in whichever heap the company may choose \n \n unknown
1876
modern magic
|
To allow a Person secretly to think of a Card, and dividing the Pack into three heaps, to cause the Card thought of to appear in whichever heap the Company may choose
|
1876
|
|
108
|
|
|
|
single card cull \n \n unknown
1876
modern magic
|
Single Card Cull
|
1876
|
|
109
|
|
|
|
to allow a person secretly to think of a card, and, even before such card is named, to select it from the pack, and place it singly upon the table \n one in fifty-two, or switch \n unknown
1876
modern magic
|
To allow a Person secretly to think of a Card, and, even before such Card is named, to select it from the Pack, and place it singly upon the Table
|
1876
|
|
110
|
|
|
|
table edge drag switch \n into servante (lap) \n unknown
1876
modern magic
|
Table Edge Drag Switch
|
1876
|
|
110
|
|
|
|
a card having been secretly thought of by one of the audience, to place two indifferent cards upon the table, and to change such one of them as the audience may select into the card thought of \n using psychological force \n unknown
1876
modern magic
|
A Card having been Secretly Thought of by one of the Audience, to place two Indifferent Cards upon the table, and to Change such one of them as the Audience may select into the Card thought of
|
1876
|
|
111
|
|
|
|
psychological force \n picture card amongst number cards \n unknown
1876
modern magic
|
Psychological Force
|
1876
|
|
112
|
|
|
|
a card having been drawn and returned, and the pack shuffled, to divide the pack into several heaps on the table, and to cause the drawn card to appear in such heap as the company may choose \n \n unknown
1876
modern magic
|
A Card having been Drawn and Returned, and the Pack shuffled, to divide the Pack into several Heaps on the Table, and to cause the Drawn Card to appear in such heap as the Company may choose
|
1876
|
|
114
|
|
|
|
to change a drawn card into the portraits of several of the company succession \n \n unknown
1876
modern magic
|
To change a drawn Card into the Portraits of several of the Company succession
|
1876
|
|
115
|
|
|
|
a card having been drawn and returned, and the pack shuffled, to place on the table six rows of six cards each, and to discover the chosen card by a throw of the dice \n \n unknown
1876
modern magic
|
A Card having been drawn and returned, and the Pack shuffled, to place on the Table six Rows of six Cards each, and to discover the chosen Card by a throw of the Dice
|
1876
|
|
116
|
|
|
|
a card having been withdrawn and replaced, to call it from the pack, and to make it come to you of its own accord \n thread, tabled rising card from spread \n unknown
1876
modern magic
|
A Card having been withdrawn and replaced, to call it from the Pack, and to make it come to you of its own accord
|
1876
|
|
117
|
|
|
|
mode of preparing specially adhesive wax for conjuring purposes \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Mode of Preparing specially adhesive Wax for Conjuring Purposes
|
1876
|
|
118
|
|
|
|
the whist trick. improved method. \n "to deal yourself all the trumps, the three other players holding the usual mixed hands" \n unknown
1876
modern magic
|
The Whist Trick. Improved Method.
|
1876
|
|
119
|
|
|
|
the magic sword \n "a card being drawn and replaced, and the pack flung in the air, to catch the chosen card on the point of the sword" \n unknown \n to catch a selected card on the end of a walking-stick \n unknown
1876
modern magic
|
The Magic Sword
|
Related to
|
1876
|
|
121
|
|
|
|
three cards repeating forcing pack \n \n unknown
1876
modern magic
|
Three Cards Repeating Forcing Pack
|
1876
|
|
125
|
|
|
|
the rising cards (la houlette) \n "several cards having been drawn, returned, and shuffled, to make them rise spontaneously from the pack"
some variations in apparatus explained \n unknown
1876
modern magic
|
The Rising Cards (La Houlette)
|
1876
|
|
125
|
|
|
|
ungimmicked rising cards \n \n unknown
1876
modern magic
|
Ungimmicked Rising Cards
|
1876
|
|
129
|
|
|
|
the jumping cards \n "two or three cards having been drawn, returned, and shuffled, to make them jump out of the pack"
using prop box \n unknown
1876
modern magic
|
The Jumping Cards
|
1876
|
|
130
|
|
|
|
to make a card stand upright by itself on the table \n tin slip \n unknown
1876
modern magic
|
To make a Card stand upright by itself on the Table
|
1876
|
|
132
|
|
|
|
changing card-boxes, and tricks performed with them \n \n unknown
1876
modern magic
|
Changing Card-boxes, and Tricks performed with them
|
1876
|
|
134
|
|
|
|
two card transposition \n using two mechanical card boxes \n unknown
1876
modern magic
|
Two Card Transposition
|
1876
|
|
136
|
|
|
|
card box force \n using prop for switch \n unknown
1876
modern magic
|
Card Box Force
|
1876
|
|
136
|
|
|
|
the card tripod \n switching device \n unknown
1876
modern magic
|
The Card Tripod
|
1876
|
|
139
|
|
|
|
mechanical changing cards \n three different ones \n unknown
1876
modern magic
|
Mechanical Changing Cards
|
1876
|
|
142
|
|
|
|
visible change of rising card \n mechanical card \n unknown
1876
modern magic
|
Visible Change of Rising Card
|
1876
|
|
143
|
|
|
|
classic palming of coins \n \n unknown
1876
modern magic
|
Classic Palming of Coins
|
1876
|
|
146
|
|
|
|
pass 1 \n right hand classic palm, fake transfer to left (described with coin but for all small objects) \n unknown
1876
modern magic
|
Pass 1
|
1876
|
|
147
|
|
|
|
pass 2 \n featuring thumb grip \n friedrich wilhelm frikell
1876
modern magic
Friedrich Wilhelm Frikell
|
Pass 2
|
1876
|
|
149
|
|
|
|
pass 5 (la pincette) \n french drop from natural grip \n unknown
1876
modern magic
|
Pass 5 (La Pincette)
|
1876
|
|
151
|
|
|
|
pass 7 (la coulée) \n for large coin, featuring front palm clip \n unknown
1876
modern magic
|
Pass 7 (La Coulée)
|
1876
|
|
152
|
|
|
|
mentioning palm positions \n brief, "coin by its edges between two of the fingers, or between the thumb and the side of the hand" & finger palm \n unknown
1876
modern magic
|
Mentioning Palm Positions
|
1876
|
|
153
|
|
|
|
managing the false transfer \n gaze and angles \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Managing the False Transfer
|
1876
|
|
154
|
|
|
|
changes \n change 1 - change 5 \n unknown
1876
modern magic
|
Changes
|
1876
|
|
157
|
|
|
|
a florin being spun upon the table, to tell blindfold whether it falls head or tail upwards \n coin gaffed \n unknown
1876
modern magic
|
A Florin being spun upon the Table, to tell blindfold whether it falls head or tail upwards
|
1876
|
|
159
|
|
|
|
to change a florin into a penny, back again, and then to pass the same invisibly into the pocket of the owner \n first transformation in hand of spectator, coin marked \n unknown
1876
modern magic
|
To change a Florin into a Penny, back again, and then to pass the same invisibly into the pocket of the owner
|
1876
|
|
161
|
|
|
|
to make a marked florin and penny, wrapped in separate handkerchiefs, change places at command \n including variation with spectator's and performer's hands instead of handkerchiefs \n unknown
1876
modern magic
|
To make a marked Florin and Penny, wrapped in separate Handkerchiefs, change places at command
|
1876
|
|
163
|
|
|
|
to make two marked coins, wrapped in separated handkerchiefs, come together in one of them \n (expansion of texture configuration) \n unknown
1876
modern magic
|
To make two marked Coins, wrapped in separated Handkerchiefs, come together in one of them
|
1876
|
|
164
|
|
|
|
wrapping coin in handkerchief \n fake wrapping, two methods \n jean-eugène robert-houdin \n swindle switch \n karl fulves \n coin through handkerchief \n jean-eugène robert-houdin
1876
modern magic
Jean-Eugène Robert-Houdin
|
Wrapping Coin in Handkerchief
|
Related toAlso published here
|
1876
|
|
166
|
|
|
|
to pull four florins or half-crowns through a handkerchief \n with assistance of spectator, presented as vanish and reappearance from spectator's clothes \n unknown
1876
modern magic
|
To Pull Four Florins or Half-crowns through a Handkerchief
|
1876
|
|
168
|
|
|
|
producing clink with wand \n when tapping on clothing, two methods (gimmicked wand and ungaffed) \n unknown
1876
modern magic
|
Producing Clink with Wand
|
1876
|
|
170
|
|
|
|
to pass a marked florin (or half-crown) into the centre of two oranges in succession \n \n unknown \n the mysterious tumbler \n professor hoffmann
1876
modern magic
|
To pass a Marked Florin (or Half-crown) into the Centre of two Oranges in Succession
|
Variations
|
1876
|
|
170
|
|
|
|
right-left equivoque \n \n unknown
1876
modern magic
|
Right-Left Equivoque
|
1876
|
|
171
|
|
|
|
the flying money \n to make a coin pass invisibly from the one hand to the other, and finally through the table, using penny stuck with wax under the table \n unknown
1876
modern magic
|
The Flying Money
|
1876
|
|
172
|
|
|
|
to make a marked sixpence vanish from a handkerchief, and be found in the centre of an apple or orange previously examined \n coin stuck to knife \n unknown
1876
modern magic
|
To make a Marked Sixpence vanish from a Handkerchief, and be found in the Centre of an Apple or Orange previously examined
|
1876
|
|
178
|
|
|
|
the travelling counters \n twelve coins, travel around, at one point they are stuck together to a solid block \n unknown
1876
modern magic
|
The Travelling Counters
|
1876
|
|
180
|
|
|
|
the wandering sixpence \n coin traveling from underneath one card to another, two sticky coins \n unknown
1876
modern magic
|
The Wandering Sixpence
|
1876
|
|
181
|
|
|
|
inertia sleeving \n \n unknown \n automatic sleeving \n tony slydini
1876
modern magic
|
Inertia Sleeving
|
Related to
|
1876
|
|
183
|
|
|
|
the magic cover and vanishing halfpence \n hollow coin stack \n unknown
1876
modern magic
|
The Magic Cover and Vanishing Halfpence
|
1876
|
|
184
|
|
|
|
the animated coin, which answers questions, etc. \n coin jumps around in glass, threaded coin or gimmicked glass, as question-answering coin \n unknown
1876
modern magic
|
The Animated Coin, which answers Questions, etc.
|
1876
|
|
185
|
|
|
|
dice box \n dice glued in box in secret compartment as force \n unknown
1876
modern magic
|
Dice Box
|
1876
|
|
187
|
|
|
|
the vanishing halfpenny box \n "to make a halfpenny vanish from the box and again return to it", little round box, coin with inside of box on one side \n unknown
1876
modern magic
|
The Vanishing Halfpenny Box
|
1876
|
|
187
|
|
|
|
the rattle box \n "to make a coin vanish from the box, through still heard to rattle within" \n unknown
1876
modern magic
|
The Rattle Box
|
1876
|
|
189
|
|
|
|
the pepper-box \n for vanishing money \n unknown
1876
modern magic
|
The Pepper-box
|
1876
|
|
190
|
|
|
|
the brass money-box \n for vanishing a coin \n unknown
1876
modern magic
|
The Brass Money-box
|
1876
|
|
191
|
|
|
|
the brass box for money, known as the "plug-box" \n to vanish, reproduce or exchange coins \n unknown
1876
modern magic
|
The Brass Box for Money, known as the "Plug-box"
|
1876
|
|
192
|
|
|
|
the handkerchief for vanishing money \n coin sewn in corner \n unknown
1876
modern magic
|
The Handkerchief for Vanishing Money
|
1876
|
|
194
|
|
|
|
the davenport cabinet \n things put inside vanish \n unknown
1876
modern magic
|
The Davenport Cabinet
|
1876
|
|
195
|
|
|
|
the glass goblet and cover \n coins appear audibly in glass goblet \n unknown
1876
modern magic
|
The Glass Goblet and Cover
|
1876
|
|
199
|
|
|
|
the glass without cover, for money \n coins appear audibly in glass goblet \n unknown
1876
modern magic
|
The Glass without Cover, for Money
|
1876
|
|
200
|
|
|
|
the vanishing plate, or salver \n coins vanish when picket up from plate \n unknown
1876
modern magic
|
The Vanishing Plate, or Salver
|
1876
|
|
208
|
|
|
|
the "changing" plate \n \n unknown
1876
modern magic
|
The "Changing" Plate
|
1876
|
|
210
|
|
|
|
the tray of proteus \n by hiam & lane, for switching, vanishing, producing \n frank hiam
1876
modern magic
Frank Hiam
|
The Tray of Proteus
|
1876
|
|
211
|
|
|
|
to indicate on the dial of a watch the hour secretly thought of by any of the company \n arithmetical procedure \n unknown
1876
modern magic
|
To indicate on the Dial of a Watch the Hour secretly thought of by any of the Company
|
1876
|
|
213
|
|
|
|
the watch-mortar and the magic pistol \n parts of crushed watch are placed in handkerchief and shot from pistol to loaf of bread, restoration \n unknown
1876
modern magic
|
The Watch-mortar and the Magic Pistol
|
1876
|
|
215
|
|
|
|
the snuff-box vase \n to change, vanish or produce small objects \n unknown
1876
modern magic
|
The Snuff-box Vase
|
1876
|
|
217
|
|
|
|
the watch box \n for vanishing a watch \n jean-eugène robert-houdin \n unknown \n the flight of time \n professor hoffmann
1876
modern magic
Jean-Eugène Robert-Houdin,
|
The Watch Box
|
Related to
|
1876
|
|
219
|
|
|
|
the watch target \n pistol shot on target, where watch appears mechanically \n unknown \n the new watch and card target \n unknown
1876
modern magic
|
The Watch Target
|
Variations
|
1876
|
|
220
|
|
|
|
the mesmerised watch \n to make any watch a repeater, watch answers question with bell sound, featuring sound gimmick \n unknown \n an improved "repeater" \n joseph michael hartz \n the mesmerizing watch \n max malini
1876
modern magic
|
The Mesmerised Watch
|
Related toVariations
|
1876
|
|
222
|
|
|
|
the flying ring \n borrowed ring vanishes from paper, using duplicate on elastic string \n unknown \n the flying ring \n unknown
1876
modern magic
|
The Flying Ring
|
Also published here
|
1876
|
|
225
|
|
|
|
ring pull \n duplicate finger ring on elastic in sleeve \n unknown
1876
modern magic
|
Ring Pull
|
1876
|
|
225
|
|
|
|
to pass a ring from the one hand to either finger of the other hand \n substitute ring on pull, temporary hook servante behind leg \n unknown \n to pass a ring from the one hand to either finger of the other hand \n unknown
1876
modern magic
|
To Pass a Ring from the one Hand to either Finger of the other Hand
|
Also published here
|
1876
|
|
227
|
|
|
|
to pass a ring through a pocket-handkerchief \n using wire gimmick \n unknown
1876
modern magic
|
To Pass a Ring through a Pocket-handkerchief
|
1876
|
|
228
|
|
|
|
to pass a ring through the table \n glass, hat and handkerchief with ring sewn inside \n unknown
1876
modern magic
|
To Pass a Ring through the Table
|
1876
|
|
228
|
|
|
|
lighting and background for thread work \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Lighting and Background for Thread Work
|
1876
|
|
229
|
|
|
|
to pass a ring invisibly upon the middle of a wooden wand, the ends being held by two of the spectators \n \n unknown \n ring on stick a la hoffmann \n unknown
1876
modern magic
|
To Pass a Ring invisibly upon the Middle of a Wooden Wand, the Ends being held by two of the Spectators
|
Also published here
|
1876
|
|
230
|
|
|
|
the magic ball and rings \n three rings vanish from box, reappear inside special ball on special stick \n unknown \n a borrowed ring found in a potato \n william e. robinson
1876
modern magic
|
The Magic Ball and Rings
|
Related to
|
1876
|
|
231
|
|
|
|
to pass a borrowed ring into an egg \n \n unknown \n to pass a borrowed ring into an egg \n unknown \n ring in egg - second method: standard western version \n unknown
1876
modern magic
|
To Pass a Borrowed Ring into an Egg
|
Related toAlso published here
|
1876
|
|
233
|
|
|
|
the magic rose \n ring travels into mechanical rose \n unknown
1876
modern magic
|
The Magic Rose
|
1876
|
|
234
|
|
|
|
the handkerchief that will not burn \n passed through flame without harm \n unknown
1876
modern magic
|
The Handkerchief that will not Burn
|
1876
|
|
237
|
|
|
|
the vanishing knots \n \n unknown
1876
modern magic
|
The Vanishing Knots
|
1876
|
|
238
|
|
|
|
to exchange a borrowed handkerchief for a substitute \n methods using coat \n unknown
1876
modern magic
|
To Exchange a borrowed Handkerchief for a Substitute
|
1876
|
|
240
|
|
|
|
the reversible canister \n bottle with two compartments to switch handkerchief or something else \n unknown
1876
modern magic
|
The Reversible Canister
|
1876
|
|
245
|
|
|
|
the burning globe \n brass globe for switching \n unknown
1876
modern magic
|
The Burning Globe
|
1876
|
|
246
|
|
|
|
the transformed handkerchief \n "one of herrmann's favourite tricks", borrowed handkerchief transforms into pieces, reappears in produced lemon, burned and restored once more \n unknown \n streamlined hoffmann \n greer marechal jr.
1876
modern magic
|
The Transformed Handkerchief
|
Related to
|
1876
|
|
246
|
|
|
|
loading a lemon \n \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
Loading a Lemon
|
1876
|
|
248
|
|
|
|
the shower of sweets \n sweets appear on plate from loading bag with handkerchief, another loading bag from robert-houdin \n jean-eugène robert-houdin \n unknown \n the shower of sweets (improved method) \n unknown
1876
modern magic
Jean-Eugène Robert-Houdin,
|
The Shower of Sweets
|
Related to
|
1876
|
|
251
|
|
|
|
sweets from wand \n gaffed wand to produced sweets \n unknown
1876
modern magic
|
Sweets from Wand
|
1876
|
|
253
|
|
|
|
the flying plume \n feather plume from tube to shawl \n unknown
1876
modern magic
|
The Flying Plume
|
1876
|
|
256
|
|
|
|
the magic laundry \n borrowed handkerchiefs are "washed" in water tub and magically dried \n unknown
1876
modern magic
|
The Magic Laundry
|
1876
|
|
258
|
|
|
|
the egg and the handkerchief \n \n colonel stodare \n the egg and handkerchief trick (modern methods) \n unknown \n kling-klang - first method: an early version \n colonel stodare
1876
modern magic
Colonel Stodare
|
The Egg and the Handkerchief
|
Related toAlso published here
|
1876
|
|
260
|
|
|
|
the hand box, for vanishing a handkerchief \n secret container attached to hand \n unknown \n another bare-armed vanish \n buatier de kolta \n the hand-box \n unknown \n a new handkerchief vanisher \n unknown
1876
modern magic
|
The Hand Box, for Vanishing a Handkerchief
|
Related to
|
1876
|
|
263
|
|
|
|
to arrange a row of dominoes face downwards on the table, and on returning to the room to turn up a domino whose points shall indicate how many have been moved in your absence \n "row of ten cards" with dominoes \n unknown \n die 10 orakelkarten \n eduard w. lufa
1876
modern magic
|
To arrange a Row of Dominoes face downwards on the Table, and on returning to the Room to turn up a Domino whose points shall indicate how many have been moved in your absence
|
Related to
|
1876
|
|
265
|
|
|
|
to allow any person in your absence to arrange the dominoes in a row, face downwards, and on your return to name blindfold, or without entering the room, the end numbers of the row \n \n unknown
1876
modern magic
|
To allow any Person in your absence to arrange the Dominoes in a Row, face downwards, and on your return to name blindfold, or without entering the Room, the end numbers of the Row
|
1876
|
|
267
|
|
|
|
to change, invisibly, the numbers show on either face of a pair of dice \n \n unknown \n the changing dice \n unknown
1876
modern magic
|
To Change, invisibly, the Numbers show on either Face of a Pair of Dice
|
Related to
|
1876
|
|
268
|
|
|
|
to name, without seeing them, the points of a pair of dice \n arithmetical \n unknown
1876
modern magic
|
To Name, without seeing them, the Points of a Pair of Dice
|
1876
|
|
269
|
|
|
|
2. to reproduce the palmed ball at the end of the fingers \n \n unknown
1876
modern magic
|
2. To Reproduce the Palmed Ball at the End of the Fingers
|
1876
|
|
274
|
|
|
|
4. to simulate the action of placing a ball under a cup \n \n unknown
1876
modern magic
|
4. To Simulate the Action of Placing a Ball under a Cup
|
1876
|
|
276
|
|
|
|
to pass one cup through another \n \n unknown
1876
modern magic
|
To Pass one Cup through another
|
1876
|
|
277
|
|
|
|
general comments \n on structure and presentation \n professor hoffmann
1876
modern magic
Professor Hoffmann
|
General Comments
|
1876
|
|
278
|
|
|
|
cups and balls routine \n pass i. having placed a ball under each cup, to draw it out again without lifting the cup
pass ii. to make a ball travel invisibly from cup to cup
pass iii. having placed a ball under each of the end cups, to make them pass successively under the middle cup
pass iv. having placed two balls under the middle cup, to make them pass under the two outer ones
pass v. to pass three balls in succession under one cup
pass vi. to place three balls one after the other upon the top of one of the cups, and to make them fall through the cup on to the table
pass vii. to pass three balls in succession upwards through the table into one of the cups
pass viii. to pass two balls in succession from one cup to another without touching them
pass ix. to make three balls in succession pass under the middle cup
pass x. the "multiplication" pass
pass xi. to transform the small balls to larger ones
pass xii. to again transform the balls to still larger ones \n unknown
1876
modern magic
|
Cups and Balls Routine
|
1876
|
|
279
|
|
|
|
to palm a large ball \n two methods \n unknown
1876
modern magic
|
To Palm a large Ball
|
1876
|
|
293
|
|
|
|
to vanish a large ball with the aid of the table \n four methods, servante \n unknown
1876
modern magic
|
To Vanish a Large Ball with the aid of the Table
|
1876
|
|
294
|
|
|
|
the ball which changes to a rose \n in ball vase \n unknown
1876
modern magic
|
The Ball which changes to a Rose
|
1876
|
|
300
|
|
|
|
the obedient ball \n stops on string, "of japanese origin" \n unknown \n the obedient ball (improved) \n unknown
1876
modern magic
|
The Obedient Ball
|
Variations
|
1876
|
|
301
|
|
|
|
the cannon-balls in the hat \n loading ball in (borrowed) hat from table/servante, further production of fake balls \n unknown \n whatchamacallit wallet \n martin lewis
1876
modern magic
|
The Cannon-balls in the Hat
|
Variations
|
1876
|
|
304
|
|
|
|
multiplying balls \n fake cloth-covered balls with spring \n unknown
1876
modern magic
|
Multiplying Balls
|
1876
|
|
307
|
|
|
|
the "hundred goblets" from a hat \n polished tin goblets \n unknown \n loading eggs into a hat for production \n unknown
1876
modern magic
|
The "Hundred Goblets" from a Hat
|
Related to
|
1876
|
|
308
|
|
|
|
the magic reticules \n production boxes that fold up \n unknown
1876
modern magic
|
The Magic Reticules
|
1876
|
|
309
|
|
|
|
the birdcages from the hat \n birdcages that fold up \n unknown
1876
modern magic
|
The Birdcages from the Hat
|
1876
|
|
311
|
|
|
|
the cake (or pudding) in the hat \n \n unknown \n a cake baked in a hat (improved method) \n unknown \n der magische kochtopf \n unknown
1876
modern magic
|
The Cake (or Pudding) in the Hat
|
Related toAlso published here
|
1876
|
|
312
|
|
|
|
the cut string restored \n \n unknown \n the turban trick method \n unknown
1876
modern magic
|
The Cut String Restored
|
Also published here
|
1876
|
|
317
|
|
|
|
my grandmother's necklace \n \n unknown \n the mysterious release \n unknown
1876
modern magic
|
My Grandmother's Necklace
|
Variations
|
1876
|
|
320
|
|
|
|
the "bonus genius," or vanishing doll \n \n unknown \n bonus genius or nuntius invisibilis \n unknown
1876
modern magic
|
The "Bonus Genius," or Vanishing Doll
|
Related to
|
1876
|
|
321
|
|
|
|
the dancing sailor \n cardboard head danced between legs, thread \n unknown
1876
modern magic
|
The Dancing Sailor
|
1876
|
|
323
|
|
|
|
the vanishing gloves \n \n unknown
1876
modern magic
|
The Vanishing Gloves
|
1876
|
|
325
|
|
|
|
the egg-bag \n \n unknown
1876
modern magic
|
The Egg-Bag
|
1876
|
|
326
|
|
|
|
to produce eggs from a person's mouth \n \n unknown \n egg swallowing \n unknown \n production of eggs from the mouth \n unknown \n egg swallowing and producing - second method: by assistant \n unknown
1876
modern magic
|
To Produce Eggs from a Person's Mouth
|
Related toAlso published here
|
1876
|
|
329
|
|
|
|
the pillars of solomon, and the magic bradawl \n precursors of chinese sticks \n unknown \n the pillars of solomon \n john gaughan
1876
modern magic
|
The Pillars of Solomon, and the Magic Bradawl
|
Related to
|
1876
|
|
330
|
|
|
|
the magic coffers \n tin boxes for switching (e.g. beans to coffee-berries) \n unknown
1876
modern magic
|
The Magic Coffers
|
1876
|
|
333
|
|
|
|
the bran and orange trick \n bran put in coffer (special tin box) travels back in other box, orange in there instead \n unknown
1876
modern magic
|
The Bran and Orange Trick
|
1876
|
|
335
|
|
|
|
the rice and orange trick \n orange and rice change places, using props (cone and vase) \n alexander herrmann \n the rice and orange trick \n unknown
1876
modern magic
Alexander Herrmann
|
The Rice and Orange Trick
|
Related to
|
1876
|
|
337
|
|
|
|
the magic whistle \n only performer can produce sound, described as heckler stopper \n unknown
1876
modern magic
|
The Magic Whistle
|
1876
|
|
341
|
|
|
|
the magic mill \n when blown into tin mill different things happen \n unknown
1876
modern magic
|
The Magic Mill
|
1876
|
|
342
|
|
|
|
the dissecting drawer-box \n can be taken apart \n unknown
1876
modern magic
|
The Dissecting Drawer-Box
|
1876
|
|
346
|
|
|
|
the changing card-drawer \n drawer box for card tricks \n unknown
1876
modern magic
|
The Changing Card-Drawer
|
1876
|
|
347
|
|
|
|
changing caddies \n box with two or three lids for changing objects \n unknown
1876
modern magic
|
Changing Caddies
|
1876
|
|
348
|
|
|
|
the magic vase and caddy \n (to make peas change places with a handkerchief.) \n unknown
1876
modern magic
|
The Magic Vase and Caddy
|
1876
|
|
351
|
|
|
|
the changing cover \n object is switched underneath metal cover \n unknown
1876
modern magic
|
The Changing Cover
|
1876
|
|
356
|
|
|
|
the changing ladle \n on a stick, to change flat objects, as card burning, paper switch or q&a device \n unknown \n card ladle \n unknown \n the card ladle \n john gaughan
1876
modern magic
|
The Changing Ladle
|
Related to
|
1876
|
|
358
|
|
|
|
the cone, or skittle \n also "la quille", cone with shell changes place with ball under paper cone cover, also with larger cone and orange \n unknown
1876
modern magic
|
The Cone, or Skittle
|
1876
|
|
360
|
|
|
|
the cone and bouquet \n wood cone and bouquet of flowers change places with prop covers \n unknown
1876
modern magic
|
The Cone and Bouquet
|
1876
|
|
364
|
|
|
|
glass fills with water \n prop cover \n unknown
1876
modern magic
|
Glass fills with Water
|
1876
|
|
367
|
|
|
|
the flying glass of water \n with ring dummy in handkerchief, glass with water disappears and then reappears \n colonel stodare
1876
modern magic
Colonel Stodare
|
The Flying Glass of Water
|
1876
|
|
367
|
|
|
|
ring dummy in handkerchief \n improvement for glass vanish \n unknown
1876
modern magic
|
Ring Dummy in Handkerchief
|
1876
|
|
369
|
|
|
|
the bowl of ink changed to clear water, with gold fish swimming in it \n \n unknown
1876
modern magic
|
The Bowl of Ink changed to clear Water, with Gold Fish Swimming in it
|
1876
|
|
372
|
|
|
|
the new pyramids of egypt, or wine and water trick \n wine and water mixed, separate again, with glass and decanter under cone covers \n unknown \n the wine and water trick - improved methods \n unknown
1876
modern magic
|
The New Pyramids of Egypt, or Wine and Water Trick
|
Related to
|
1876
|
|
377
|
|
|
|
the bran glass \n glass (apparently) filled with bran covered, bran changes into anything \n unknown \n newspaper cuttings turned into pale ale \n unknown \n the traveling egg \n donato colucci \n the coffee vase and bran bowl \n john gaughan
1876
modern magic
|
The Bran Glass
|
Related to
|
1876
|
|
383
|
|
|
|
to fire borrowed rings from a pistol, and make them pass into a goblet filled with bran and covered with a handkerchief, the bran disappearing, and being found elsewhere \n \n unknown
1876
modern magic
|
To Fire Borrowed Rings from a Pistol, and make them Pass into a Goblet filled with Bran and covered with a Handkerchief, the Bran Disappearing, and being found elsewhere
|
1876
|
|
384
|
|
|
|
the "domino-box" \n (sometimes called the "glove-box"), box to make things appear inside, also as rattle box \n unknown
1876
modern magic
|
The "Domino-Box"
|
1876
|
|
386
|
|
|
|
the coffee trick \n coffee berries changed to hot coffee, white beans to sugar, and bran to hot milk, prop heavy \n unknown \n the "coffee trick" - improved \n unknown
1876
modern magic
|
The Coffee Trick
|
Variations
|
1876
|
|
388
|
|
|
|
the wizard's omelet \n borrowed rings and live doves produced from an omelet, dove pan \n unknown \n wizard's omelet \n unknown
1876
modern magic
|
The Wizard's Omelet
|
Also published here
|
1876
|
|
398
|
|
|
|
the rose in the glass vase \n empty glass vase on pedestal, rose appears inside, mechanical \n jean-eugène robert-houdin
1876
modern magic
Jean-Eugène Robert-Houdin
|
The Rose in the Glass Vase
|
1876
|
|
400
|
|
|
|
the chinese rings \n - eight ring routine
- twelve ring routine \n unknown \n professor hoffmann's 8-ring routine \n professor hoffmann \n professor hoffmann's 12-ring routine \n professor hoffmann
1876
modern magic
|
The Chinese Rings
|
Also published here
|
1876
|
|
401
|
|
|
|
the mysterious salver \n rings, coins or key travel into glass on tablet audibly when covered, mechanical \n unknown
1876
modern magic
|
The Mysterious Salver
|
1876
|
|
416
|
|
|
|
the vanishing die \n large die from hat to hat, shell \n unknown
1876
modern magic
|
The Vanishing Die
|
1876
|
|
419
|
|
|
|
the die dissolving in a pocket handkerchief \n dummy that folds flat sewn into handkerchief \n unknown
1876
modern magic
|
The Die Dissolving in a Pocket Handkerchief
|
1876
|
|
420
|
|
|
|
the die and orange \n large die and orange transpose \n unknown
1876
modern magic
|
The Die and Orange
|
1876
|
|
423
|
|
|
|
the vanishing canary bird and cage \n large die, bird cage and bird travel around \n unknown
1876
modern magic
|
The Vanishing Canary Bird and Cage
|
1876
|
|
424
|
|
|
|
the decanter and the crystal balls \n clear glass balls produced and then "molded" into single ball which then changes color, two methods \n jean-eugène robert-houdin \n unknown \n the crystal balls (improved method) \n professor hoffmann
1876
modern magic
Jean-Eugène Robert-Houdin,
|
The Decanter and the Crystal Balls
|
Related to
|
1876
|
|
426
|
|
|
|
the flags of all nations \n miniature silk flags multiply and grow \n unknown
1876
modern magic
|
The Flags of all Nations
|
1876
|
|
432
|
|
|
|
the umbrella trick \n borrowed handkerchief and covering of umbrella transpose \n unknown
1876
modern magic
|
The Umbrella Trick
|
1876
|
|
433
|
|
|
|
the tables in use in stage tricks \n - the "plain" trap
- the "wrist" or "pressure" trap
- the "rabbit" or "dove" trap
- "changing" traps
- the "money" trap
- "pistons" (for working mechanical apparatus)
- "bellows" tables \n unknown
1876
modern magic
|
The Tables in use in Stage Tricks
|
1876
|
|
437
|
|
|
|
empty glass to full glass \n using table with changing trap \n unknown
1876
modern magic
|
Empty Glass to Full Glass
|
1876
|
|
444
|
|
|
|
the rabbit trick \n egg and two rabbits from borrowed hat, one vanishes, reappears \n unknown
1876
modern magic
|
The Rabbit Trick
|
1876
|
|
452
|
|
|
|
the fairy star \n five cards put in pistol and shot on star configuration apparatus where they appear on its five points \n unknown
1876
modern magic
|
The Fairy Star
|
1876
|
|
454
|
|
|
|
the card bouquet \n six cards are shot on a fake flower bouquet, they appear around the bouquet, optionally they change into six other selections, mechanical \n unknown
1876
modern magic
|
The Card Bouquet
|
1876
|
|
457
|
|
|
|
the magic picture frame \n borrowed objects appear in frame when shot on it from magic pistol \n unknown
1876
modern magic
|
The Magic Picture Frame
|
1876
|
|
463
|
|
|
|
the flying watches and the broken plate \n watches appear and broken plate restores in frame \n unknown
1876
modern magic
|
The Flying Watches and the Broken Plate
|
1876
|
|
465
|
|
|
|
the magic picture and the chosen cards \n deck thrown onto picture frame, three selections appear behind glass \n unknown
1876
modern magic
|
The Magic Picture and the Chosen Cards
|
1876
|
|
467
|
|
|
|
the magic portfolio \n cage with birds and other 3d objects produced from thing portfolio \n unknown \n the portfolio trick \n joseph michael hartz
1876
modern magic
|
The Magic Portfolio
|
Related to
|
1876
|
|
468
|
|
|
|
the glove column \n three or four rings and glove borrowed and shot on column, glove expanded as though containing a living hand appears at the top of the pillar, with rings on each finger \n unknown
1876
modern magic
|
The Glove Column
|
1876
|
|
469
|
|
|
|
the vanishing pocket handkerchief, found in a candle \n borrowed handkerchief burned, then inside candle \n jean-eugène robert-houdin
1876
modern magic
Jean-Eugène Robert-Houdin
|
The Vanishing Pocket Handkerchief, found in a Candle
|
1876
|
|
470
|
|
|
|
the light and heavy chest \n electro-magnetism \n jean-eugène robert-houdin
1876
modern magic
Jean-Eugène Robert-Houdin
|
The Light and Heavy Chest
|
1876
|
|
482
|
|
|
|
spirit-rapping \n to answer questions, electro-magnetical \n unknown
1876
modern magic
|
Spirit-Rapping
|
1876
|
|
485
|
|
|
|
the magic bell \n to answer questions, electro-magnetical \n unknown
1876
modern magic
|
The Magic Bell
|
1876
|
|
486
|
|
|
|
the crystal cash-box \n coins appear in box that hangs on strings, electrical \n jean-eugène robert-houdin
1876
modern magic
Jean-Eugène Robert-Houdin
|
The Crystal Cash-Box
|
1876
|
|
487
|
|
|
|
the magic drum \n beats to answer questions, electrical \n unknown
1876
modern magic
|
The Magic Drum
|
1876
|
|
492
|
|
|
|
the aerial suspension \n \n jean-eugène robert-houdin \n robert houdin's levitation \n jean-eugène robert-houdin
1876
modern magic
Jean-Eugène Robert-Houdin
|
The Aerial Suspension
|
Related to
|
1876
|
|
495
|
|
|
|
the long pass \n no. 1, similar to longitudinal shift \n c. h. wilson \n the longitudinal shift \n s. w. erdnase
1877
the 52 wonders
C. H. Wilson
|
The Long Pass
|
Related to
|
1877
|
|
5
|
|
|
|
the short pass \n no. 2, similar to s. w. e. shift \n c. h. wilson \n the s.w.e. shift \n s. w. erdnase \n the magic pass \n c. h. wilson \n the rolling pass \n c. h. wilson \n the vizard pass and change \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Short Pass
|
Related toVariations
|
1877
|
|
6
|
|
|
|
the magic pass \n no. 3, cover for no. 2 \n c. h. wilson \n the short pass \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Magic Pass
|
Inspired by
|
1877
|
|
6
|
|
|
|
the rolling pass \n no. 4, variation of no. 2 \n c. h. wilson \n the short pass \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Rolling Pass
|
Inspired by
|
1877
|
|
6
|
|
|
|
the grand pass \n no. 5, classic pass type action \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Grand Pass
|
1877
|
|
6
|
|
|
|
the invisible pass \n no. 6, one half in each hand, the hands come together and apart again and the halves have been exchanged, classic pass false cut precursor \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Invisible Pass
|
1877
|
|
7
|
|
|
|
the vizard pass and change \n no. 7, similar position to no. 2, as color change of bottom card \n c. h. wilson \n the short pass \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Vizard pass and Change
|
Inspired by
|
1877
|
|
7
|
|
|
|
the single short pass \n no. 3 \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Single Short Pass
|
1877
|
|
9
|
|
|
|
the elbow pass \n no. 1, against the right elbow \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Elbow Pass
|
1877
|
|
11
|
|
|
|
the side pass \n no. 2, against the body \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Side Pass
|
1877
|
|
11
|
|
|
|
the slip \n no. 5, two halves placed together, right-hand half secretly slid under left-hand half instead of on top \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Slip
|
1877
|
|
12
|
|
|
|
the bonanza trick \n no. 1, shuffled deck arranged in groups of four, all groups turn out to be fours-of-a-kinds \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Bonanza Trick
|
1877
|
|
13
|
|
|
|
the tell-tale trick \n no. 2, spectator removes cards according to the birth date, performer then divines the birth date \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Tell-Tale Trick
|
1877
|
|
16
|
|
|
|
the charm trick \n no. 3, four cards are freely chosen and fairly shuffled back, they show up at small named numbers (or numbers thrown with dice), alternatively four indifferent cards are placed in front of the spectators that change into selections \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Charm Trick
|
1877
|
|
18
|
|
|
|
the blindfolded reading trick \n no. 5, blindfolded performer names position of named cards \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Blindfolded Reading Trick
|
1877
|
|
19
|
|
|
|
red-black divination \n performer separates red and black cards, pin-punched or punch with finger nail \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
Red-Black Divination
|
1877
|
|
19
|
|
|
|
the seven-up trick \n no. 6, gambling demonstration, deal with set-up deck \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Seven-up Trick
|
1877
|
|
20
|
|
|
|
the miller's guess trick \n no. 1, two different formulas (mutus... and lofot...) \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Miller's Guess Trick
|
1877
|
|
20
|
|
|
|
the thirty-one game trick \n no. 2 \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Thirty-one Game Trick
|
1877
|
|
22
|
|
|
|
slip-jack \n no. 1, bar bet in which two separated aces must be brought together \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
Slip-Jack
|
1877
|
|
24
|
|
|
|
the top and bottom dice game \n no. 3, using a mis-spotted die in a dice game in a "adding up to seven" game \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Top and Bottom Dice Game
|
1877
|
|
25
|
|
|
|
the strap game \n no. 4, rolled up leather strap \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Strap Game
|
1877
|
|
25
|
|
|
|
the padlock game \n no. 6, sucker is taught how to open a gaffed lock, later in a bet he cannot do it \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Padlock Game
|
1877
|
|
26
|
|
|
|
the dummy-bags \n no. 7, small pouch with salt for tooth-ache, helper exchanges it with sawdust unbeknownst to operator, then it is bet that salt is still in it, which it is because of a switch \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
The Dummy-Bags
|
1877
|
|
26
|
|
|
|
a few curious facts in figures \n number oddities \n c. h. wilson
1877
the 52 wonders
C. H. Wilson
|
A Few Curious Facts in Figures
|
1877
|
|
31
|
|
|
|
to make the pass \n "the very backbone of card conjuring" \n professor hoffmann
1889
tricks with cards
Professor Hoffmann
|
To Make the Pass
|
1889
|
|
4
|
|
|
|
single-handed pass, no. 1 \n \n unknown \n one-hand cuts \n unknown \n to make the pass - fourth method \n unknown
1889
tricks with cards
|
Single-handed Pass, No. 1
|
Related toAlso published here
|
1889
|
|
6
|
|
|
|
single-handed pass, no. 2 \n \n charlier
1889
tricks with cards
Charlier
|
Single-handed Pass, No. 2
|
1889
|
|
7
|
|
|
|
single-handed pass, no. 3 \n as color change \n unknown \n to make the pass - sixth method \n unknown
1889
tricks with cards
|
Single-handed Pass, No. 3
|
Also published here
|
1889
|
|
9
|
|
|
|
to force a card \n including one-handed variation \n unknown
1889
tricks with cards
|
To Force a Card
|
1889
|
|
11
|
|
|
|
to force a person to think of a particular card \n from fan or during riffling with slight stop at step \n unknown \n stop & think \n karl fulves
1889
tricks with cards
|
To Force a Person to Think of a Particular Card
|
Related to
|
1889
|
|
12
|
|
|
|
"forcing" packs \n one-way & three-way \n unknown
1889
tricks with cards
|
"Forcing" Packs
|
1889
|
|
14
|
|
|
|
to force three cards together \n three force cards repeat abcabcabc... \n professor hoffmann
1889
tricks with cards
Professor Hoffmann
|
To Force Three Cards together
|
1889
|
|
15
|
|
|
|
injog stop force \n top cards openly pushed back one by one until spectator stops \n unknown
1889
tricks with cards
|
Injog Stop Force
|
1889
|
|
15
|
|
|
|
to palm the bottom card of the pack \n \n jean-eugène robert-houdin
1889
tricks with cards
Jean-Eugène Robert-Houdin
|
To Palm the Bottom Card of the Pack
|
1889
|
|
17
|
|
|
|
to get sight of a card \n for top (first palming the card), center and bottom \n unknown
1889
tricks with cards
|
To get Sight of a Card
|
1889
|
|
18
|
|
|
|
n. b. \n how to get the deck in line of sight for glimpse \n professor hoffmann
1889
tricks with cards
Professor Hoffmann
|
N. B.
|
1889
|
|
19
|
|
|
|
to change a card - first method \n bottom change \n unknown
1889
tricks with cards
|
To Change a Card - First Method
|
1889
|
|
19
|
|
|
|
to change a card - second method \n top change \n unknown
1889
tricks with cards
|
To Change a Card - Second Method
|
1889
|
|
20
|
|
|
|
"second" dealing \n with "card at any number" application \n unknown
1889
tricks with cards
|
"Second" Dealing
|
1889
|
|
21
|
|
|
|
to change a card - third method: the vertical change \n snap-over change, see page 132 for another way to get into it \n unknown
1889
tricks with cards
|
To Change a Card - Third Method: The Vertical Change
|
1889
|
|
22
|
|
|
|
to change a card - fourth method \n bottom card shown, top side-jogged card quickly removed instead \n unknown
1889
tricks with cards
|
To Change a Card - Fourth Method
|
1889
|
|
23
|
|
|
|
hellis' change, no. 1 \n "to change a card without the aid of the pack"
in context of effect in which wrong card changes into selection \n prof. robert hellis
1889
tricks with cards
Prof. Robert Hellis
|
Hellis' Change, No. 1
|
1889
|
|
23
|
|
|
|
hellis' change, no. 2 \n "to change severals cards at once" \n prof. robert hellis
1889
tricks with cards
Prof. Robert Hellis
|
Hellis' Change, No. 2
|
1889
|
|
24
|
|
|
|
false shuffles - sixth method \n fans pushed into each other and stripped out again (zarrowesque concept) \n unknown
1889
tricks with cards
|
False Shuffles - Sixth Method
|
1889
|
|
28
|
|
|
|
false shuffles - eighth method \n cards are inserted, pushed through diagonally, stripped out and replaced on bottom \n unknown
1889
tricks with cards
|
False Shuffles - Eighth Method
|
1889
|
|
29
|
|
|
|
diagonal insertion \n \n unknown
1889
tricks with cards
|
Diagonal Insertion
|
1889
|
|
29
|
|
|
|
the bridge \n two methods to put it in \n unknown
1889
tricks with cards
|
The Bridge
|
1889
|
|
30
|
|
|
|
the click \n with deck or single card \n unknown
1889
tricks with cards
|
The Click
|
1889
|
|
32
|
|
|
|
to spring the cards from hand to hand \n \n unknown
1889
tricks with cards
|
To Spring the Cards from Hand to Hand
|
1889
|
|
33
|
|
|